Herve Telemaque

Herve Telemaque, "Hommage au manche", 1979, Engraving, 29.9x22 in

1979

Luis Rodolfo Trimano (Argentina, 1943) ' Untitled IV from Estigmas', 2006 silkscreen on paper 19.7 x 27.6 in. (50 x 70 cm.) Edition of 99 Unframed ID: TRI1706-001-106_4 Hand-signed b...

Luis Rodolfo Trimano (Argentina, 1943) ' Untitled II from Estigmas', 2006 silkscreen on paper 19.7 x 27.6 in. (50 x 70 cm.) Edition of 99 Unframed ID: TRI1706-001-106_2 Hand-signed b...

Ana Luiza Tostes Alegria (Brazil, 1947) 'Figuras', 1999 silkscreen on canvas 27.6 x 19.7 in. (70 x 50 cm.) Edition of 99 ID: TOS1005-002-099 Unframed Hand-signed by author

Paco Bernal (Spain, 1963) 'Palmera al viento', N/A silkscreen on paper 27.6 x 19.7 in. (70 x 50 cm.) Edition of 99 ID: BER1205-010-001_8 Hand-signed by author Unframed

This bold screen print depicts a scene from the 1950s, set in a jazz coffee house in Greenwich Village called Nick's, which Simon patronized while in high school. The original stone ...

Excelsior by Simon Tozer [2021] limited_edition and hand signed by the artist Screenprint on Paper Edition number of 30 Image size: H:23 cm x W:30 cm ...

As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in...

As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in his work. Like many of the issues Aptekar addresses, technology is not without contradiction." The shocking imagery of juxtaposed human and natural forms with mechanical elements, using clear contours and colors, is certainly not oblivious of Fernand Leger latest work and what he called "the law of contrast". At the same time, the political and social commentary that are a constant inherent component of Aptekar's work has it's roots in the work of Mexican muralist Diego Rivera, who Apterkar met at age of 11. The outcome is an imagery of an extraordinary visual impact and absolutely unique to Aptekar's own creative process. This work "Moving Woman" has been conceived while Aptekar was working on a monumental piece of 23 x 45 x 17 feet titled "The Defeat of the City of Plutonium: A Holocaust Prevented". The strong image of a human female naked body depicted as being one of the building parts...