20th Century Interior Prints

To see our other original vintage travel posters including more pre-war London Transport posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Hans Schleger 'Zero' (1898-1976) London Transport Coach Stop Poster Screenprint poster c. 1970 16x20 cm Printed for London Transport These posters were designed to be used as temporary stops when the usual stop required amendment for instance owing to road works or similar events. Printed on paper they were designed to be posted up at the alternative site, possibly over a different sort of stop (bus stop, coach stop, request stop, etc.). Working with Edward Johnson's special typeface created for London Transport, Hans Schleger - or Zero as he signed himself - adopted the famous roundel used by London Underground for use at Bus Stops. Born in Germany, Schleger was an influential graphic designer. After serving during the First World War, he studied at the Berlin Kunstgewerbeschule, being taught by Emil Orlik. The same year Walter Gropius founded the Bauhaus at Weimar and Schleger learned the same principles of breaking down the barriers between architecture, design, fine art and craft. A firm believer in the Bauhaus principles of simplicity in design and reduction to essentials, these may be seen in the clean lines of the roundel. In 1924 he moved to New York, applying Modernism to American advertising, and then returned to Berlin in 1929 working for the British advertising...

Girl in Ballerina Dress, c. 1970 Color lithograph printed on wove paper, hand signed in pencil and numbered 22/75, with the inkstamp of the publisher, Landfall Press, Chicago (they have published an eclectic list of many important artists including Christo, Judy Chicago, David Levinthal and Jack tworkov to name a few.) Philip Pearlstein is an influential American painter best known for Modernist Realism nudes. Cited by critics as the preeminent figure painter of the 1960s to 2000s, he led a revival in realist art. He is a Distinguished Professor Emeritus with paintings in the collections of over 70 public art museums. Philip M. Pearlstein was born on May 24, 1924 in Pittsburgh, PA. He attended Saturday morning classes at Pittsburgh's Carnegie Museum of Art. In 1942, at the age of 18, two of his paintings won a national competition sponsored by Scholastic Magazine, and were reproduced in color in Life magazine. In 1942, he enrolled at Carnegie Institute of Technology's art school, in Pittsburgh, where he painted two portraits of his parents now held by the Carnegie Museum of Art, but after one year he was drafted by the US Army to serve during World War II. He was initially assigned to the Training Aids Unit at Camp Blanding, Florida, where he produced charts, weapon assembly diagrams and signs. In this role, he learned printmaking and the screenprinting process, and subsequently was stationed in Italy making road signs. While in Italy, he took in as much renaissance art as was accessible in Rome, Florence, Venice and Milan, and also produced numerous drawings depicting life in the Army. In 1946, sponsored by the GI Bill, he returned to Carnegie Institute, and first met Andy Warhol, who was attracted to Pearlstein because of his notoriety in the school, having been featured in Life magazine. During the summer of 1947, the three rented a barn as a summer studio. Immediately after graduating in June 1949 with a BFA, Pearlstein and Warhol moved to New York City, at first sharing an eighth-floor walkup tenement apartment on St. Mark's Place at Avenue A. He was eventually hired by Czech designer Ladislav Sutnar, mainly doing industrial catalog work, while Warhol immediately found work illustrating department store catalogs presaging Pop Art. In April 1950, they moved to 323 W. 21st Street, into an apartment rented by Franziska Marie Boas, who ran a dance class on the other side of the room. During this time, Pearlstein painted a portrait of Warhol, now held by the Whitney Museum of American Art. In 1950, Philip Pearlstein married Dorothy Cantor, with Andy Warhol in the wedding party...

Artist: George Deem, American (1932 - 2008) Title: Mondrian with Vemeer Year: 1978 Medium: Lithograph with Silkscreen, signed and numbered in pencil Edition: 300, AP 40 Image Size: 2...

Artist: Richard Haas Title: Frick Garden Court Year: 1979 Medium: Screenprint on Wood Panel, signed in ink Edition: 155 Size: 95 x 71 inches

Afterword. 1984. Paper, linocut, 20x34 cm imprint size 12x25 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction pu...

Artist: Ralph Goings, American (1928 - 2016) Title: Blue Napkin Holder Year: 1980 Medium: Lithograph, signed and numbered in pencil Edition: 300; 40 AP's Image Size: 18 x 25 inches...

Alan Herman is a native New Yorker who graduated with a BFA from The Philadelphia College of Art, and an MFA from Temple University. After graduation he returned to New York and desi...

Hellenistic Figure Peter Saari, American (1951) Date: circa 1979 Lithograph, signed and numbered in pencil Edition of AP 30 Image Size: 17 x 13 inches Size: 27 in. x 21 in. (68.58 cm...

Artist: Alexander Brodsky and Ilya Utkin, Russian (1955 - ) Title: Plan from Brodsky and Utkin: Projects 1981 - 1990 Year: 1990 Medium: Etching on German Rag paper, signed and number...

Artist: Harry McCormick, American (1942 - ) Title: McSorley's Old Ale House Medium: Serigraph, signed and numbered in pencil Edition: 250, AP Size: 26 in. x 40 in. (66.04 cm x 101.6...

Soyer, Raphael (American, born Russia, 1899-1987). BACKSTAGE. Cole 43, Gettings 43. Etching and drypoint, c. 1937. Edition size not known, but likely only about 25, according to Soye...

On deckle edged watermarked Arches French paper. hand signed in pencil, dated and numbered. the edition size is 175. there are three states of the same image image each with increasing detail and color. This is just for the one in the photo. Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Josef Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levy had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources. Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves. In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel. In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others. SELECTED COLLECTIONS MUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART...

Lord of the manor. 1982. Paper, linocut, 20x34 cm imprint size 9x25 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illust...

Second Style Painting Peter Saari, American (1951) Date: circa 1980 Lithograph, signed and numbered in pencil Edition of AP 30 Image Size: 11 x 17 inches Size: 20.5 in. x 25.5 in. (5...

On deckle edged watermarked Arches French paper with publishers embossed blindstamp. hand signed in pencil, dated and numbered. the edition size is 175. there are three states of the same image image each with increasing detail and color. This auction is just for the one shown in the photos. Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Josef Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levy had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources. Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves. In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel. In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others. SELECTED COLLECTIONS MUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART...

Artist: George Deem Title: Primary Vermeer Year: circa 1979 Medium: Lithograph, signed and numbered in pencil Edition: 300, AP 40 Image Size: 19 x 17 inches Paper Size: 25.5 in. x 2...

Artist: George Deem Title: Sienna Vermeer Year: 1978 Medium: Lithograph, signed and numbered in pencil Edition: 300, AP 40 Image Size: 19 x 21 inches Paper Size: 22 in. x 30 in. (55...

Artist: George Deem, American (1932 - 2008) Title: Vermeer's Lacemaker Year: Circa 1979 Medium: Lithograph, signed and numbered in pencil Edition: AP 40 Image Size: 22 x 18 inches Si...

Artist: George Deem, American (1932 - 2008) Title: Bruna Sevini and Whistler's Mother Year: 1979 Medium: Lithograph, signed and numbered in pencil Edition: 300, AP 40 Image Size: 2...

Milton, Peter (American, born 1930). INTERIORS IV: HOTEL PARADISE CAFE. Milton 110. Resist-ground etching and engraving on copper, 1987. Edition of 175. Signed and dated in pencil. P...

At the same time is an artwork realized by Leo Guida, in the 1970s.  Etching on paper. Titled on the lower. Good conditions.

Serigraph in colors on paper. Hand signed, titled and numbered in pencil by the Will Barnet. AP edition. Sheet size 30 x 23 inches. Image size 22 x 14.5 inches. Custom framed as...

British Pop artist Harvey Daniels created this image in 1970 in a small edition of 20. This impression is #2 His work has described by art historian Norbert Lynton as a “visual carni...

23/100, 1974. Paper, lithograph, 43x65 cm

Born in Newark, New Jersey, Robert Birmelin became a professor of fine arts at Queens College in New York, and is known for paintings that magnify through texture the realism of natu...

Günther Uecker (German, born 1930) Lichtungen I, 1997/1998 Medium: Woodcut on wove paper Dimensions: 62.5 x 51.5 cm Edition of 100 + XX: Hand-signed and (Roman) numbered in pencil Pu...

23/100, 1974. Paper, lithograph, 43x65 cm

Serigraph on paper. Hand signed and numbered by the artist. Artwork appears to be in excellent condition. Artwork has not been examined outside the matting. Artwork image size: 29 x ...

Hand signed on front; numbered on verso by the artist. From the 'A Tool Box' Portfolio. Printed by Christopher Prater; published by Editions Alecto. Artwork is in excellent condition...

Allan D'Arcangelo (American, 1930-1998) Untitled, 1969 Medium: Screenprint on paper Dimensions: 35.6 x 29.9 cm Outside the edition of 125: Not signed, not numbered

Clearly a scene in France, the Bernard Sanders is showing us a seamstress/lacemaker. She seems to be shaping a traditional coiffe (sometimes 'coif') -- an elaborate headpiece worn b...

Mikelis day. 1984. Paper, linocut, 25x34 cm imprint size 13x26 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction ...

Michele Zalopany was born in Detroit, Michigan. She attended the Columbus College of Art and Design from 1973 to 1974 and the Cleveland Institute of Art from 1976 to 1978. She earned her Bachelor of Fine Arts degree from the School of Visual Arts in 1981. Through her labor-intensive mezzotints, Zalopany employs realism to depict fictitious scenes, bearing witness to the disintegration of what was once the fulcrum of the American economy in Detroit. Zalopany’s work is widely represented in many public and private collections in the United States and in Europe including The National Gallery of Art, The Yokohama Museum of Art, The Whitney Museum of American Art, The Walker Art Center, The Museum of Fine Art in Boston, The Cleveland Museum of Art, The Royal College of Art in London, and numerous others. Her work has been exhibited in galleries that include P.P.O.W., John Good...

Candle day. 1984. Paper, linocut, 25x34 cm imprint size 13x25,5 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction...

Servants. 1982. Paper, linocut, 20x34 cm imprint size 9x25,5 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction pu...

Life in manor. 1982. Paper, linocut, 20x34 cm imprint size 9x26 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction...

Light in the Piazza is a 1962 American romantic comedy-drama film directed by Guy Green and starring Olivia de Havilland, Rossano Brazzi, Yvette Mimieux...

Irma la Douce ("Irma the Sweet") is a 1963 American romantic comedy film based on the 1956 French stage musical Irma La Douce by Marguerite Monnot and Alexand...

Richard DAVIES (1945-1991) The Belvedere Original etching and mezzotint Handsigned in pencil Numbered / 60 On vellum 51 x 66 cm (c. 20 x 26 inch) REFERENCES : Catalog Raisonne Plum...

Original American Lobby Card of the Movie „THE LAST HARD MEN“ USA 1976 Director: Andrew V. McLaglen, Actors/Stars:Charlton Heston, James Coburn The Last H...

Original American Lobby Card of the Movie „POPEYE“ USA 1980 Director: Robert Altman, Actors/Stars: Robin Williams, Ray Walston Adventures of sailor man POPE...

Original American Lobby Card of the Movie „JOE KIDD“ USA 1972 Director: John Sturges, Actors/Stars:Clint Eastwood, Stella Garcia Keywords: Film, movie, scene, aka. SINOLA, Lobby Card...

The photographer is based in Florence, and is fascinated how his architectural subject matter allows him to control the composition of his image. For many years he has photographed ...

Original American Lobby Card of the Movie „Herbie Goes To Monte Carlo“ USA 1977 Director: Vincent McEveety, Actors/Stars: Dean Jones, Don Knotest Keywords: Film, movie, scene, aka. Der tolle Käfer in der Rallye Monte Carlo...

Original American Lobby Card of the Movie „Snow White and the Three Stooges“, USA 1961. Director: Walter Lang Actors: Moe Howard, Larry Fine, Carol Heiss. With Carol Heiss as Snow...

Original UK Lobby Card of Terence Young´s movie "James Bond 007 - From Russia with love", UK 1963. Actors: Sean Connery and Daniela Bianchi Keywords: James Bond, 007, action, Thrill...

Original UK Lobby Card of Terence Young´s movie "James Bond 007 - From Russia with love", UK 1963. Actors: Sean Connery and Pedro Armendariz Keywords: James Bond, 007, action, Thril...

Reiner Schwarz "Reiner Schwarz" (III) From Portfolio "Portrait #11 - Reiner Schwarz" with Karin Szekessy Year: 1972 Medium: Phototype (Lichtdruck) Edition: 100 Size: 26.4 x 20.1 in. ...

Original UK Lobby Card of Terence Young´s movie "James Bond 007 - Dr. No", UK 1962. Actors: Anthony Chinn and Joseph Wisemann Keywords: James Bond, 007, action, Thriller, Great Brit...

Artist: Marcel Gromaire Medium: Lithograph Title: Flammes Intérieures Portfolio: Verve Vol VII No. 27-28 Year: 1952 Edition: 6000 Signed: Signed in the plate Framed Size: 22" x 18 1/...

Original UK Lobby Card of Roger Spottiswoode´s movie "James Bond 007 - Tomorrow never dies", UK 1997. Actors: Pierce Brosnan and Teri Hatcher Keywords: James Bond, 007, action, Thri...

Original UK Lobby Card of Roger Spottiswoode´s movie "James Bond 007 - Tomorrow never dies", UK 1997. Actors: Pierce Brosnan Keywords: James Bond, 007, action, Thriller, Great Brita...

Original UK Lobby Card of Roger Spottiswoode´s movie "James Bond 007 - Tomorrow never dies", UK 1997. Keywords: James Bond, 007, action, Thriller, Great Britain, adventure, Lobby ca...

Original UK Lobby Card of John Glen´s movie "James Bond 007 - The living daylights", UK 1987. Actors: Timothy Dalton and Andreas Wisniewski Keywo...

Original American Lobby Card of the Movie „HARRY AND WALTER GO TO NEW YORK“ USA 1976 Director: Mark Rydell, Actors/Stars: JAMES CAAN, ELLIOTT GOULD Keywo...

Rupprecht Geiger (German, 1908-2009) Untitled (#17 from Zurückgehen, Weitergehen, Fortgehen), 1966 Medium: Screenprint on paper Dimensions: 12 3/5 × 11 1/5 in 32 × 28.5 cm Edition o...

aquatint and embossing on paper. plate 19 3/4 x 13 3/4 in. paper 30 3/4 x 23 in.

Home of Mike and Carol Brady (Brady Bunch), 1995 Additional information: Medium: Ink and pencil on graph vellum Dimensions: 24 × 36 in (61 × 91.4 cm) Mark Bennett's (b. 1956, Tenne...

Home of Francis "Gidget" Lawrence (Gidget), 1995 Additional information: Medium: India ink and graphite on vellum Dimensions: 30 × 42 in (76.2 × 106.7 cm) Mark Bennett's (b. 1956, ...

The Popess is an etching and aquatint realized by Franco Gentilini (Italian Painter, 1909-1981) in the 1970s. From the serie "The Tarots" Dry stamp by Il Cigno Stamperia d’Arte. H...