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Basquiat Downtown 81 film poster (Basquiat movie)2000
2000
About the Item
Jean-Michel Basquiat Downtown 81:
A rare massive-sized theatrical poster published circa 2001 to promote the historical early 1980s Basquiat film: Downtown 81. A highly collectible vintage Basquiat wall art piece that is perfect for a loft or similar setting.
Offset lithograph. 2001.
Dimensions: 46 x 62 inches.
Fold-lines as originally issued; surface indents & signs of handling; in otherwise good overall vintage condition.
Unsigned from an edition of unknown. Rare.
Further background:
The historic Basquiat film, “Downtown 81'' - directed by Edo Bertoglio & produced by Maripol & Glenn O’Brien - emerges as a nostalgic portrait of pre-Giuliani Manhattan, an unruly place full of garbage, graffiti, rubble-strewn lots, unlicensed after-hours clubs and dreamy kids eager to make their mark as avant-garde artists and musicians.
The film's central figure is Jean, a young Bohemian engagingly played by a not yet famous Jean-Michel Basquiat.
Jean survives mainly by relying on the worldwide network of hip: there will always be another bar to go to, another gig to Crash, another wealthy European to write a check, another gorgeous model in a Cadillac to give him a ride home.
The script, by Glenn O'Brien, also the film's co-producer, follows the basic day-in-the-life format, beginning with Jean's release from a hospital.
Jean returns to his run down Alphabet City apartment to find an angry landlord demanding his back rent, and departs with a painting he hopes to sell. The day is laced with many obstacles, but also many fortuitous encounters. Basquiat mingles with Kid Creole and the Coconuts, Tuxedomoon, James White and the Blacks, DNA, the Plastics, and Walter Steding; go-go dancers; and eccentric street characters, including, Deborah Harry, who plays a bag lady with magical powers.
It's as a documentary that ''Downtown 81'' is most successful, particularly at those moments when the somewhat unfocused filmmaking allows us to look past the foreground characters and catch glimpses of a vanished New York: the pornography shops and grind houses of West 42nd Street, the greasy spoons and outlet stores of East 14th Street, the labyrinthine interior of the legendary Mudd Club.
- Creation Year:2000
- Dimensions:Height: 62 in (157.48 cm)Width: 46 in (116.84 cm)
- Medium:
- Movement & Style:
- After:Jean-Michel Basquiat (1960 - 1988, American)
- Period:
- Condition:Fold-lines as originally issued; minor wear commensurate with age & medium.
- Gallery Location:NEW YORK, NY
- Reference Number:1stDibs: LU354314483022
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By Keith Haring
Located in NEW YORK, NY
'Keith Haring Painted Man'/Keith Haring Into 84:
A set of 2 announcement cards for Keith Haring’s well-documented exhibition, 'Into 84' at Tony Shafrazi Gallery, New York, 1983. For this series Haring borrowed Jones' body — from head to toe — as the canvas to his work. A bodily canvas defined by much of the bold pictograms characteristic of Haring's artistic signature. Photos by Haring's long-time friend and collaborator Tseng Kwong Chi. Looks fantastic framed as a set.
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Further About:
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Keith Haring was an American artist and social activist known for his illustrative depictions of figures and symbols. His white chalk drawings could often been found on the blank poster marquees in New York’s public spaces and subways. “I don't think art is propaganda,” he once stated. “It should be something that liberates the soul, provokes the imagination and encourages people to go further. It celebrates humanity instead of manipulating it.” Born on May 4, 1958 in Reading, PA, he grew up in neighboring Kutztown, where he was inspired to draw from an early age by Walt Disney cartoons and his father who was an amateur cartoonist. After briefly studying commercial art in Pittsburgh, Haring came across a show of the works of Pierre Alechinksy and decided to pursue a career in fine art instead. He moved to New York in the late 1970s to attend the School of Visual Arts, and soon immersed himself in the city’s graffiti culture. By the mid-1980s, he had befriended fellow artists Andy Warhol, Kenny Scharf, and Jean-Michel Basquiat, and collaborated with celebrities like the singer Grace Jones. Diagnosed with HIV/AIDS in 1988, Haring’s prodigious career was brief, and he died of AIDS-related complications on February 16, 1990 at the age of 31. Before his death, Haring established the Keith Haring Foundation, a non-profit committed to raising awareness of the illness through art programing and community outreach. Throughout his career, Haring made his art widely available through the location of his murals, as well as through the Pop Shop—Haring's own storefront which he used to sell his memorabilia.The artist’s mural Crack is Wack (1986), can still be seen today on a retaining wall along FDR Drive in Manhattan. Haring’s works can be found in the collections of The Museum of Modern Art in New York, the Los Angeles County Museum of Art, the Art Institute of Chicago, and the Smithsonian American Art Museum in Washington, D.C.
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