Julian Schnabel

Signed Julian Schnabel 'Tableaux Tati Les Plus Bas Prix' catalog

1989

Raymond Pettibon, "No Mag,'" 1981: A rare late 70's/early 80's Los Angeles Punk scene publication featuring several stand out illustrations by Raymond Pettibon Medium: Newspaper magazine, offset printed. Minor aging to cover commensurate with age & medium; otherwise very good condition; well-preserved. Dimensions: 14 × 11 inches (closed). Publisher: No Magazine, Los Angeles, 1981. Rare; unsigned from an edition unknown. Well-suited for framing. NO MAG: Los Angeles, CA, 1978 - 1985: Bruce Kalberg's No Mag brought a subversive art-driven perspective to early Los Angeles punk publications. Though only 14 issues were published, No Mag is considered, as Pettibon is, a seminal part of Southern California punk history. Catalogue MoMa, The Eileen and Michael Cohen Collection Raymond Pettibon emerged from Southern California DIY culture and its punk-rock sensibility, and his work still embraces a youthful edginess and sense of political engagement. Drawing from disparate cultural sources—which range from Marcel Proust and William Blake to the Bible—the artist makes cartoon-inspired ink drawings on paper which evoke the aesthetics of fanzines and concert flyers. Baseball players, trains, crashing waves, political figures, and comic book characters make frequent appearances, often accompanied by cryptic, ironic snippets of handwritten text. Pettibon has been the subject of solo shows at the New Museum, the Whitney Museum of American Art, the Tel Aviv Museum of Art, and the Kunsthalle Wien. He has exhibited at the Venice Biennale, Documenta, and the Whitney Biennial, where he was the recipient of the Bucksbaum Award in 2004. On the secondary market, Pettibon’s work has sold for over $1 million. Alongside his fine-art practice, Pettibon has illustrated album art for Sonic Youth and Black Flag, among other musical acts. Related Categories Punk, Contemporary Figurative Drawing, Contemporary Graphic Realism, Politics...

Keith Haring 1982 1st edition (Keith Haring Tony Shafrazi Gallery): The much seminal & highly collectible, limited edition catalog featuring the iconic neon Haring Three Eyed Smiling Face cover & 15 sought-after double-sided lithographic inserts intact and in excellent vintage condition. An extensive early survey of Haring’s work leading into his breakout year. The finest example we have ever come across. Rarely comes to market as such. Not to be passed upon. Medium: Softcover metal-wire bound artist monograph; approximately 144 pages. 1st edition 1982. 9.25 x 9 inches (folded closed). Very good to excellent overall vintage condition. Protected by bound-in original clear plastic front sheet. Hardly touched. Unsigned from a limited edition of 2000 (see image 4). Includes a forward by publisher Tony Shafrazi, as well as text by Keith Haring, Jeffrey Deitch, Robert Pincus-Witten, and David Shapiro. Designed by Dan Friedman with photographs of Haring's subway drawings by Haring’s close friend, Tseng Kwong Chi. Keith Haring was an American artist and social activist known for his illustrative depictions of figures and symbols. His white chalk drawings could often been found on the blank poster marquees in New York’s public spaces and subways. “I don't think art is propaganda,” he once stated. “It should be something that liberates the soul, provokes the imagination and encourages people to go further. It celebrates humanity instead of manipulating it.” Born on May 4, 1958 in Reading, PA, he grew up in neighboring Kutztown, where he was inspired to draw from an early age by Walt Disney cartoons and his father who was an amateur cartoonist. After briefly studying commercial art in Pittsburgh, Haring came across a show of the works of Pierre Alechinksy and decided to pursue a career in fine art instead. He moved to New York in the late 1970s to attend the School of Visual Arts, and soon immersed himself in the city’s graffiti culture. By the mid-1980s, he had befriended fellow artists Andy Warhol, Kenny Scharf, and Jean-Michel Basquiat, and collaborated with celebrities like the singer Grace Jones. Diagnosed with HIV/AIDS in 1988, Haring’s prodigious career was brief, and he died of AIDS-related complications on February 16, 1990 at the age of 31. Before his death, Haring established the Keith Haring Foundation, a non-profit committed to raising awareness of the illness through art programing and community outreach. Throughout his career, Haring made his art widely available through the location of his murals, as well as through the Pop Shop—Haring's own storefront which he used to sell his memorabilia.The artist’s mural Crack is Wack (1986), can still be seen today on a retaining wall along FDR Drive in Manhattan. Haring’s works can be found in the collections of The Museum of Modern Art in New York, the Los Angeles County Museum of Art, the Art Institute of Chicago, and the Smithsonian American Art Museum in Washington, D.C. Related Categories: Keith Haring prints. Keith Haring Three Eyes...

Richard Corman Jean-Michel Basquiat 1984 (Red), 2020 Offset lithograph poster on color archival pigment paper Signed and numbered 2/100 by Richard Corman in silver sharpie on the fro...

Dennis Hopper Photographs 1961 - 1967 (Limited Edition Hand Signed), 2009 Hardcover Book in Clamshell Box. Hand Signed and numbered 1327/1500 Hand signed by Dennis Hopper on the colophon page. 19 × 14 1/4 × 3 1/10 inches This is the limited edition (signed and numbered) collector's edition, not to be confused with the later mass market edition. Hand signed, hardcover book in a clamshell box from an edition of 1500. 17.3 x 13 inches (book) 19 x 14 1/4 inches (box) 546 pages Accompanied by Certificate of Guarantee issued by Alpha 137 Gallery During the 1960s, Dennis Hopper (1936–2010) carried a camera everywhere—on film sets and locations, at parties, in diners, bars and galleries, driving on freeways, and walking in political marches. He photographed movie idols, pop stars, writers, artists, girlfriends, and complete strangers. Along the way he captured some of the most intriguing moments of his generation with a keen and intuitive eye. From a selection of photographs compiled by Hopper and gallerist Tony Shafrazi—more than a third of them previously unpublished—this Collector’s Edition distills the essence of Hopper’s prodigious photographic career, documenting the likes of Tina Turner in the studio, Andy Warhol at his first West Coast show, Paul Newman on set, and Martin Luther King Jr. during the Civil Rights March from Selma to Montgomery, Alabama. In many ways this work is photography as film, a poignant narrative expressed through a series of stark images—early shots of Tijuana bullfights, LA happenings, and urban street scenes show an experimental freedom that would translate into the vivid cinematic imagery of Easy Rider and beyond. The images are accompanied by introductory essays from Tony Shafrazi and legendary West Coast art pioneer Walter Hopps, as well as an extensive biography by journalist Jessica Hundley. With excerpts from Victor Bockris’s interviews of Hopper’s famous subjects, friends, and family, this is an unprecedented exploration of the life and mind of one of America’s most fascinating personalities. CONTRIBUTORS The photographer Dennis Hopper (1936–2010) was an acclaimed artist, actor, screenwriter, and director who first impressed audiences with his performances in Rebel Without A Cause (1955) and Giant (1956). He changed the face of American cinema with Easy Rider (1969), which he cowrote, directed, and starred in. Hopper went on to act in hundreds of memorable films and television shows, including Apocalypse Now (1979), Blue Velvet (1986), Hoosiers (1986), True Romance (1993), Basquiat (1997), Elegy (2008), and the TV series Crash (2008). Hopper began painting as a child and started taking photos in 1961, after his then wife Brooke Hayward...