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Arthur Fitzwilliam Tait
Brook Trout Fishing. : "An Anxious Moment."

1863.

$19,000List Price

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Union Pond, Williamsburgh, L. I. [sic].
By Winslow Homer
Located in New York, NY
UNION POND, WILLIAMSBURGH, L. I. [sic] is a lithograph printed in color in circa 1862. It was published by Thomas & Eno, 37 Park Row, N.Y. The printed image size is 16 3/4 x 27 in...
Category

1860s American Realist Landscape Prints

Materials

Lithograph

The Yacht "Henrietta" 205 Tons. Modelled by Mr. Wm. Tooker, N.Y. Built by Mr. ..
By Charles Parsons
Located in New York, NY
Title continues: Built by Mr. Henry Steers, Greenpoint, L. I. Owned by Mr. James Gordon Bennett, Jr. Winner of the Great Ocean Yacht Race, With the ...
Category

1860s American Realist Landscape Prints

Materials

Lithograph

Niagara
By Frederick Mershimer
Located in New York, NY
NIAGARA Contemporary artist Frederick Mershimer created the mezzotint engraving entitled “Niagara” in 2021. This impression is signed, titled, dated, and inscribed “5/45”- the 5th ...
Category

21st Century and Contemporary American Realist Landscape Prints

Materials

Mezzotint

Crossings
By Frederick Mershimer
Located in New York, NY
CROSSINGS Contemporary artist Frederick Mershimer created the mezzotint engraving entitled "Crossings" in 1998. This impression is signed, titled, and dated in pencil. The printed ...
Category

Late 20th Century American Realist Landscape Prints

Materials

Mezzotint

West Cornwall Station.
By Armin Landeck
Located in New York, NY
Armin Landeck created this 1936 drypoint was printed in an edition of 100. The image size is 6 7/8 x 10 7/8" and the paper size 12 1/2 x 16". It is Signed and dated in the...
Category

Mid-20th Century American Realist Landscape Prints

Materials

Drypoint

Hidden Cities I / second state
By Peter Milton
Located in New York, NY
“Hidden Cities I : The Ministry. Second State.” Contemporary artist Peter Milton created this etching and engraving in 2006. The printed image size is Image size 23.50 x 36.88 inches and the paper size is 31 x 42 inches. This impression is signed, dated, and titled in pencil and inscribed “11/75” – the 11th impression from the total printing of 75. “I do love to draw. I feel that I am being granted membership in the Brotherhood of Merlin, conjuring forth some apparition. As a drawing develops, I sense a vague presence coming more and more into focus, something in a white fog emerging and becoming increasingly palpable.” – P. Milton, “The primacy of touch. The Drawings of Peter Milton” “Working in layers, Milton begins with drawings based on people and places, with nods to Western art history and culture. He is a master of the appropriated image, a term that may conjure Andy Warhol and his Pop Art comrades. But Milton steps further back in history, avoiding the Pop sense of cool advertising and popular culture references. Instead, a broader cultural past is tapped through historical photographs of key players, architecture, and locales, which he reinvents by hand. He adds content drawn from his life as an avid reader – always with multiple possible interpretations – thus incorporating deeper meaning in his cinematic worlds. Elements of Greek mythology, classical music, art history, and history coalesce in his images, which embrace the messiness, sorrow, and elation that is life. One is hard-pressed to imagine a more erudite, skilled, passionate, and cheeky soul. In addition to a storied career in printmaking, since 2007 Milton has fearlessly produced artwork digitally. He now creates images using Adobe Photoshop in files consisting of more than two thousand layers, which are printed both as digital prints on paper and, for display on Led light boxes...
Category

21st Century and Contemporary American Realist Landscape Prints

Materials

Engraving, Etching

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