American Realist Landscape Prints

Flag Raising in Leroy Street. Lithograph. 320x245 mm; 12 5/8x9 5/8 inches. Edition of 25. Signed, titled, dated and inscribed "Ed. 25" in pencil, lower ma...

Lighthouses are unique to decorate with to create a look that is comforting as well as historical. This painting by Michigan artist Leo Kuschel is of the 38 foot Old Presque Isle Lig...

Artist: Georges Schreiber, Belgian/American (1904 - 1977) Title: Going Home Year: circa 1945 Medium: Lithograph, signed and titled in pencil Image Size: 9.25 x 13.25 inches Size: 12 ...

John Taylor Arms was known for making such finely drawn etchings that commercial tools were not good enough: He regularly used sewing needles with corks for handles. Made during Worl...

Original; linen-backed Italian travel by train to Mantova, ENIT poster. Created for the Italian railways to advertise the travel route to Mantova. E.N.I.T....

Artist: Earnie Barnes (1938-2009) Title: Destination Unknown Year: 1979 Medium: Lithograph on archival paper Size: 25 x 19.5 inches Edition: 120/300, plus proofs Condition: Excellent...

"The World" Published by Cummings & Hilliard, No. 1, Cornhill, Boston Early 19th century engraved double hemisphere Atlas Map, titled "The World." Hand colored original outlines. Pu...

Artist: Norman Rockwell (1894-1978) Title: Snow Sculpture Snowman Year: 1985 Edition: 350/350, plus proofs. Medium: Offset lithograph on wove paper Size: 24.5 x 18.5 inches Condition...

"July Fifteenth" is a lithograph from 1938 by Grant Wood. The artwork size is 9 3/4 x 12 1/2 inches. The framed size is 17 x 19 1/2 x 5/8 inches. The piece is signed in pencil, lower...

"Fishing Boats Gloucester" is a soft ground etching created by Joseph Margulies. The artist signed this piece in the lower right margin with graphite. This piece depicts several fish...

Lawrence Nelson Wilbur, 'Gloucester Harbor', drypoint, 1940. Signed, dated, and titled in pencil. Signed in the plate, lower right. Annotated 'PERSONAL...

Beautiful early 20th Century etching on vellum of the Monterey Bonifacio Adobe known as The Old Sherman Rose House, with climbing roses, by Ferdinand Burgdorff (American, (1881 - 197...

The original painting by Thomas Moran was sold to the Santa Fe railroad company which copyrighted the image and made prints to hang in railway stations to promote tourism and therefo...

Excellent condition and matted with archival materials. An excellent addition to any New York or WPA collection.

Original Khartoum vintage U. S. 1-sheet Style B, movie poster. Archival lien-backed in very fine condition, ready to frame. Original issued movie fold marks restored. - where the Nile dives, the great adventure begins! Khartoum is a 1966 film written by Robert Ardrey and directed by Basil Dearden. It stars Charlton Heston as General Gordon and Laurence Olivier as the Mahdi (Muhammad Ahmed). It is based on Gordon's defense of the Sudanese city of Khartoum from the forces of the Mahdist army during the Siege of Khartoum. The movie depicts the historical events surrounding the Siege of Khartoum in 1884-1885 during the Mahdist War. CAST: Charlton Heston, Laurence Olivier, Ralph Richardson, Richard Johnson, Alexander Knox, Hugh Williams, Nigel Green, Michael Hordern, Johnny Sekka; DIRECTED BY: Basil Dearden; PRODUCER: Julian Blaustein. Movie posters from the 1960s often feature distinctive artwork and design styles that reflect the aesthetics of that era. If you appreciate vintage graphic design...

Super rare screenprint done by Harry Gottlieb for the WPA with the NEW YORK WPA ART PROJECT stamp lower left. Signed in the image in pencil "Harry Gottlieb". Gottlieb's screenprint...

Original Mercedes-Benz Type 300-SL. Linen-backed, horizontal format, fine condition. This is an original small format Mercedes 300 SL sports car pri...

"Song of Portofino" features a colorful harbor scene with rich blues and golds leading to the sparkling Mediterranean sea, and is a quintessential example of Tom Swimm's enhanced rea...

Woodlands (New Hope, Pennsylvania) Lithograph, 1950 Signed by the artist in pencil lower right (see photo) Annotated: Ed/55 in pencil by the artist lower left (see photo) Edition: 55...

This photograph is part of the Antarctica/Patagonia Series by John Conn taken in 2010. The image is 13x19. It is printed on 17x22 archival paper. Signed and Numbered. This is curre...

Original WW1 poster, linen-backed. Very good condition, rare American WW1 antique military poster. Navy ships need binoculars and spy-glasses. Will you ...

Jon Carsman Faded Glory - 1978 Print - Silkscreen, on Arches archival paper 34¼'' x 24'' inches Edition: signed in pencil and marked 159/100 image size 20" x 30" inches “Jon Carsman did for suburban and hometown views what Edward Hopper did for cities, except Carsman exchewed a human presence.” Annette Dixon, curator of the University of Michigan Museum. Jon Carsman found the source of his inspiration in the play of color and light reflected across the framed houses...

Original. YMCA for Your Boy. Acid-free original vintage poster in excellent condition with archival linen backing, ready to frame. Certificate o...

Jon Carsman Cannas - 1978 Print - Silkscreen, on Arches archival paper   34½" x 24" in Edition: Signed in pencil, titled and marked 157/175 "Jon Carsman did for suburban and hometown views what Edward Hopper did for cities, except Carsman exchewed a human presence." Annette Dixon, curator of the University of Michigan Museum. Jon Carsman found the source of his inspiration in the play of color and light reflected across the framed houses...

THOMAS HART BENTON (1889-1975) MISSOURI FARMYARD, 1936 (Fath 10) AKA KANSAS FARMYARD Lithograph as published by Associated American Artists. Edition 250. Signed in pencil and in the...

TAPESTRY OF SPRING by the American Western artist Conrad Schwiering, is a hand drawn limited edition lithograph printed using hand lithography techniques on archival Somerset paper 100% acid free. TAPESTRY OF SPRING is a realistic Western landscape scene set in Wyoming featuring a backdrop of Wyoming's majestic Grand Teton snow...

Artist: Norman Rockwell (1894-1978) Title: Four Ages of Love: Summer Year: circa 1985 Medium: Offset lithograph on wove paper Edition: A.P. aside from the edition of 350, plus proofs...

Artist: Norman Rockwell (1894-1978) Title: Four Ages of Love: Winter Year: circa 1985 Medium: Offset lithograph on wove paper Edition: A.P. aside from the edition of 350, plus proofs...

Tug Boat in New York Harbor Screen print, c. 1942 Signed in the screen lower right (see photo) Condition: Excellent Image size: 16 x 20 inches Published by Li...

Artist: Norman Rockwell (1894-1978) Title: Four Ages of Love: Autumn Year: circa 1985 Medium: Offset lithograph on wove paper Edition: A.P. aside from the edition of 350, plus proofs...

Antarctica #35 is a limited edition photograph which is part of the Antarctica/Patagonia Series by John Conn taken in 2010. The image is 13x19 and it is printed on 17x22 archival pa...

Antarctica #29 is a limited edition photograph which is part of the Antarctica/Patagonia Series by John Conn taken in 2010. The image is 13x19 and it is printed on 17x22 archival pa...

Antarctica #25 is a limited edition photograph which is part of the Antarctica/Patagonia Series by John Conn taken in 2010. The image is 13x19 and it is printed on 17x22 archival pa...

Antarctica #93 is a limited edition photograph which is part of the Antarctica/Patagonia Series by John Conn taken in 2010. The image is 13x19 and it is printed on 17x22 archival pa...

Antarctica #32 is a limited edition photograph which is part of the Antarctica/Patagonia Series by John Conn taken in 2010. The image is 13x19 and it is printed on 17x22 archival pa...

Antarctica #66 is a limited edition photograph which is part of the Antarctica/Patagonia Series by John Conn taken in 2010. The image is 13x19 and it is printed on 17x22 archival pa...

The White Gate (New Castle, Delaware) Lithograph, 1961 Signed in pencil lower right (see photo) Numbered and title in the lower left (see photos) Condition: Excellent Image size: 15 ...

Anton Schutz, 'Westminster Abbey', etching, edition not stated, 1927. Signed in pencil. Signed and dated in the plate, lower left. A superb, richly-i...

Hidden Pond Lithograph, 1958 Signed in pencil lower right of image Annotated: Ed/40 in pencil by the artist lower left Edition: 40 Provenance: Baldwin-Wallace College, Berea, OH (acc...

This artwork titled "Harvest" c.1930 is an offset lithograph on wove paper by noted Taos, New Mexico artist Kenneth Miller Adams, 1897-1966. It is signed and titled in the plate. Th...

"Harbor Rainbow" with rippling water reflections of the blue boat floating in the sea is a quintessential example of Tom Swimm's enhanced realism. This c...

HAROLD L. DOOLITTLE (1883 - 1974) MORNING IN YOSEMITE c 1938 Aquatint, signed and titled in pencil by the artist. Plate size 13 3/8 x 9 3/4". Sheet 16 x 11 1/8" with deckle edges. Doolittle was a renaissance man. His day job was as an engineer for the Edison Electric Co. But he produced an outstanding body of prints for 5 decades as well as photographs. His very rare arts and crafts furniture is highly sought after. He was a long time member and officer in the California Print...

Original Egypt Fly TWA vintage poster. Artist: David Klein. Linen backed in excellent condition, grade A. Ready to frame. A camel head dominates the image with a very colorful tassel-decorated harness. Beautifully contrasting with the clear blue sky and the TWA airplane. David Klein does not sign the poster. It was produced during the Israeli and Egyptian conflict going on at the time. He produced the artwork for the posters, but all posters going to Egypt remained unsigned. TWA (Trans World Airlines) was formed in 1924 as Transcontinental & Western Air. The airline's first route was from New York to Los Angeles, followed by multiple National routes. The airline expanded to serve Europe, the Middle East, and Asia after WWII when the company was under Howard Hughes's owner's control from 1939 until 1961. Hughes was a dominant force in expanding and promoting his company's routes. The economy was vastly improving, and travel by air for business and pleasure increased, too. Posters were a crucial element in promoting this form of travel and TWA. The airline started a decline in the 1970s that ended up in a third bankruptcy that caused its acquisition by American Airlines in 2001. The airline operated in 132 destinations worldwide and had a fleet size of 190. This Rome poster was created by the gifted American artist David Klein (1918 -2005), and depicts a member of the Pontifical Swiss Guard in the center wearing the iconic yellow, blue, and red uniform. The Guard is playing a drum that has the pontifical emblem. In the background, we see a representation of the ancient Roman Coliseum and the Baroque Saint...

"Morning By The Bay" features a colorful street scene leading to the sparkling Caribbean sea, and is a quintessential example of Tom Swimm's enhanced realism. This colorful hand pull...

This artwork titled "House in the Sun" c.1930 is an offset lithograph on wove paper by noted Taos, New Mexico artist Kenneth Miller Adams, 1897-1966. It is signed and titled in the p...

Original vintage poster: Buy Extra Bonds!, the 1944 U.S. World War II (WWII) War Bonds poster ("Back 'Em Up!") encouraging people to purchase more than the recommended amount of war bonds and featuring Boris Chaliapin...

Anton Schutz, 'Cleveland Public Square', etching, edition not stated, 1927. Signed in pencil. Signed and dated in the plate, lower left. Annotated 'Cleveland Public Square S489', in another hand, in the bottom right margin. A fine, richly-inked impression, in brown/black ink, with skillfully-controlled plate tone, on cream wove Japan paper; the full sheet with margins (1 5/8 to 3 inches), in excellent condition. Archivally sleeved, unmatted. Image size 11 7/8 x 8 7/8 inches; sheet size 17 1/4 x 12 1/8 inches. ABOUT THIS IMAGE 'Public Square' is the two-block (formerly four-block) central plaza of downtown Cleveland, Ohio. Based on an 18th-century New England model, it was part of the original 1796 town plan overseen by Moses Cleveland and remains today as an integral part of the city's center. The 10-acre (4.0 ha) square is centered on the former intersection of Superior Avenue and Ontario Street.[2] Cleveland's three tallest buildings, Key Tower, 200 Public Square, and the Terminal Tower, face the square. Public Square was part of the Connecticut Land Company's original plan for the city, overseen by Moses Cleveland in the 1790s. The square is signature of the layout for early New England towns, which Cleveland was modeled after. While it initially served as a common pasture for settlers' animals, less than a century later in 1879 Public Square became the first street in the world to be lit with electric street lights—arc lamps designed by Cleveland native Charles F. Brush. The square was added to the National Register of Historic Places on December 18, 1975. Public Square is often the site of political rallies and civic functions, including a free annual Independence Day concert by the Cleveland Orchestra...

Original Durham, England 1953 British Railways vintage poster. Conservation linen backed in excellent condition; it is ready to frame. This vintage poster features a modern mid-century design that adds nostalgia and charm to any space. The image on the poster is an original 1953 artwork by Anthony Frank Kersting, showcasing two women sitting under a tree by the river, engaged in fishing. Durham England Theme: The poster highlights the beauty of Durham, England, with the iconic Durham cathedrals showcased prominently in the center of the image, surrounded by white clouds. Perfect for Decoration: This vintage poster is perfect for decorating any space, whether it's your home, office, studio, or any other area that could benefit from a touch of vintage charm. Unique Collectible: As an original vintage poster, this unique collectible can add value to any vintage art collection...

Anton Schutz, 'Heart of San Francisco', etching, c. 1927, edition not stated. Signed in pencil. A superb, richly-inked impression, on cream wove paper; the full sheet with margins (2...

Original Fight or Buy Bonds, Third Liberty Loan vintage poster. Linen backed in excellent condition. Ready to frame. This image features an image of a woman known as a ‘Christy Girl’. His wife inspired the women in Howard Chandler Christy’s Women. The hair color may change in the various posters, but the woman is always the same. What a tribute for his wife. One of the most famous and influential WW1 propaganda...

The Golden Gate Lithograph on wove paper watermarked GC, 1940 Signed in pencil by the artist (see photo) Publisher: Associated American Artists Edition: 189, unnumbered The image depicts The Golden Gate Bridge which connects San Francisco and Marin County, California References And Exhibitions: Illustrated: Adams, The Sensuous Life of Adolf Dehn, Fig. 13.17, page 324 Reference: L & O 325 AAA Index 391 Adolf Dehn, American Watercolorist and Printmaker, 1895-1968 Adolf Dehn was an artist who achieved extraordinary artistic heights, but in a very particular artistic sphere—not so much in oil painting as in watercolor and lithography. Long recognized as a master by serious print collectors, he is gradually gaining recognition as a notable and influential figure in the overall history of American art. In the 19th century, with the invention of the rotary press, which made possible enormous print runs, and the development of the popular, mass-market magazines, newspaper and magazine illustration developed into an artistic realm of its own, often surprisingly divorced from the world of museums and art exhibitions, and today remains surprisingly overlooked by most art historians. Dehn in many regards was an outgrowth of this world, although in an unusual way, since as a young man he produced most of his illustrative work not for popular magazines, such as The Saturday Evening Post, but rather for radical journals, such as The Masses or The Liberator, or artistic “little magazines” such as The Dial. This background established the foundation of his outlook, and led later to his unique and distinctive contribution to American graphic art. If there’s a distinctive quality to his work, it was his skill in introducing unusual tonal and textural effects into his work, particularly in printmaking but also in watercolor. Jackson Pollock seems to have been one of many notable artists who were influenced by his techniques. Early Years, 1895-1922 For an artist largely remembered for scenes of Vienna and Paris, Adolf Dehn’s background was a surprising one. Born in Waterville, Minnesota, on November 22, 1895, Dehn was the descendent of farmers who had emigrated from Germany and homesteaded in the region, initially in a one-room log cabin with a dirt floor. Adolf’s father, Arthur Clark Dehn, was a hunter and trapper who took pride that he had no boss but himself, and who had little use for art. Indeed, during Adolf’s boyhood the walls of his bedroom and the space under his bed were filled with the pelts of mink, muskrats and skunks that his father had killed, skinned and stretched on drying boards. It was Adolf’s mother, Emilie Haas Dehn, a faithful member of the German Lutheran Evangelical Church, who encouraged his interest in art, which became apparent early in childhood. Both parents were ardent socialists, and supporters of Eugene Debs. In many ways Dehn’s later artistic achievement was clearly a reaction against the grinding rural poverty of his childhood. After graduating from high school in 1914 at the age of 19—an age not unusual in farming communities at the time, where school attendance was often irregular—Dehn attended the Minneapolis School of Art from 1914 to 1917, whose character followed strongly reflected that of its director, Munich-trained Robert Kohler, an artistic conservative but a social radical. There Dehn joined a group of students who went on to nationally significant careers, including Wanda Gag (later author of best-selling children’s books); John Flanagan (a sculptor notable for his use of direct carving) Harry Gottlieb (a notable social realist and member of the Woodstock Art Colony), Elizabeth Olds (a printmaker and administrator for the WPA), Arnold Blanch (landscape, still-life and figure painter, and member of the Woodstock group), Lucille Lunquist, later Lucille Blanch (also a gifted painter and founder of the Woodstock art colony), and Johan Egilrud (who stayed in Minneapolis and became a journalist and poet). Adolf became particularly close to Wanda Gag (1893-1946), with whom he established an intense but platonic relationship. Two years older than he, Gag was the daughter of a Bohemian artist and decorator, Anton Gag, who had died in 1908. After her husband died, Wanda’s mother, Lizzi Gag, became a helpless invalid, so Wanda was entrusted with the task of raising and financially supporting her six younger siblings. This endowed her with toughness and an independent streak, but nonetheless, when she met Dehn, Wanda was Victorian and conventional in her artistic taste and social values. Dehn was more socially radical, and introduced her to radical ideas about politics and free love, as well as to socialist publications such as The Masses and The Appeal to Reason. Never very interested in oil painting, in Minneapolis Dehn focused on caricature and illustration--often of a humorous or politically radical character. In 1917 both Dehn and Wanda won scholarships to attend the Art Students League, and consequently, in the fall of that year both moved to New York. Dehn’s art education, however, ended in the summer of 1918, shortly after the United States entered World War I, when he was drafted to serve in the U. S. Army. Unwilling to fight, he applied for status as a conscientious objector, but was first imprisoned, then segregated in semi-imprisonment with other Pacifists, until the war ended. The abuse he suffered at this time may well explain his later withdrawal from taking political stands or making art of an overtly political nature. After his release from the army, Dehn returned to New York where he fell under the spell of the radical cartoonist Boardman Robinson and produced his first lithographs. He also finally consummated his sexual relationship with Wanda Gag. The Years in Europe: 1922-1929 In September of 1921, however, he abruptly departed for Europe, arriving in Paris and then moving on to Vienna. There in the winter of 1922 he fell in love with a Russian dancer, Mura Zipperovitch, ending his seven-year relationship with Wanda Gag. He and Mura were married in 1926. It was also in Vienna that he produced his first notable artistic work. Influenced by European artists such as Jules Pascin and Georg Grosz, Dehn began producing drawings of people in cafes, streets, and parks, which while mostly executed in his studio, were based on spontaneous life studies and have an expressive, sometimes almost childishly wandering quality of line. The mixture of sophistication and naiveté in these drawings was new to American audiences, as was the raciness of their subject matter, which often featured pleasure-seekers, prostitutes or scenes of sexual dalliance, presented with a strong element of caricature. Some of these drawings contain an element of social criticism, reminiscent of that found in the work of George Grosz, although Dehn’s work tended to focus on humorous commentary rather than savagely attacking his subjects or making a partisan political statement. Many Americans, including some who had originally been supporters of Dehn such as Boardman Robinson, were shocked by these European drawings, although George Grocz (who became a friend of the artist in this period) admired them, and recognized that Dehn could also bring a new vision to America subject matter. As he told Dehn: “You will do things in America which haven’t been done, which need to be done, which only you can do—as far at least as I know America.” A key factor in Dehn’s artistic evolution at this time was his association with Scofield Thayer...

Original "Clear the Way !!" Buy Bonds Fourth Liberty Loan vintage poster.. With Lady Liberty holding the U. S. Flag above the soldiers prepari...

A beautiful and delicate 19th century image of one of New England's most storied ports. Boston: Estes & Lauriat Editions, 1882 Etching on cream laid paper, 2 3/4 x 5 1/4 inches (68 ...

Etching with aquatint on heavy laid paper, 7 x 9 1/4 inches (172 x 233 mm), full margins. Signed in the plate, lower right image area. Minor corner loss, top right, and a 1/4 inch ed...

"Morning By The Bay" features a colorful street scene leading to the sparkling Caribbean sea, and is a quintessential example of Tom Swimm's enhanced realism. This colorful hand pull...

A beautiful and delicate 19th century image of late autumn in New England. Boston: Estes & Lauriat Editons, 1888. Etching on cream laid paper, 6 x 11 inches (150 x 278 mm), full ma...

"The Last War-Whoop!" is a lithograph by Currier & Ives. The framed size is 26 x 32.62 x 1.25 inches. Provenance: Private Collection

Carrera de Veleros Regata, an original vintage sailing poster: Carrera de Veleros, Corpus Christi to Tampico Regata, April 17th. Texas - U.S....