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Charles MeryonThe Pump House, Notre Dame, Paris1861
1861
About the Item
La Pompe Notre Dame. (The Pumphouse, Notre Dame). Schneiderman catalog 26.x.
1861. Etching. Image 6 3/4 x 10. Edition of 30 in this state. Series: Eaux-Fortes sur Paris .
Initialed in the plate. Ex-collection: Louis Conrad Rosenberg, the American architectural etcher. Housed in a 16 x 20-inch archival mat.
The artist wrote: wrote:
'This etching of La Pompe Notre-Dame gives as nearly as possible a faithful view of this structure which it is said is shortly to be demolished. Nevertheless I have permitted myself a certain freedom in depicting it, as I desired to minimise its heavy appearance by modifying certain details. Thus the towers of Notre Dame stand slightly higher above the houses than they do in reality; but I consider these licenses permissible since it is, so to speak, in this way that the mind works as soon as actual objects which have arrested its attention have disappeared from sight'.
- Creator:Charles Meryon (1821-1868, French)
- Creation Year:1861
- Dimensions:Height: 6.75 in (17.15 cm)Width: 10 in (25.4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Storrs, CT
- Reference Number:1stDibs: LU335214702592
Charles Meryon
Charles Méryon was a French engraver, painter, draftsman and poet. He lived an adventurous life and traveled often as a Marine before dedicating himself exclusively to engraving from 1848. He engraved 72 plates on Paris, some of which, like Tour de l’Horloge, published by the important Parisian magazine L’Artiste. He realized mainly architectures, seascapes, scenes with ornithological subjects and some portraits. His prints are characterized by a rigorous game of intersecting lines, by a precision deserving of a naval draftsman, by a bold chiaroscuro with dramatic effects and romantic fantasies. He often included captions in verses in his engravings.
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