Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 14

Charles Surendorf
"Covered Bridge Near Columbia" California - Woodblock Landscape on Tissue Paper

c. 1948

About the Item

"Covered Bridge Near Columbia" - Woodblock Landscape on Tissue Paper Bold woodblock print by Charles Surendorf (American, 1906-1979). A covered bridge spans a large valley over a river, leading to a winding mountain road. Above the bridge, there is a prominent mountain ridge. This piece is extremely high contrast, with black, saturated ink. However, it demonstrates Surendorf's careful use of highlights to keep the composition nicely balanced. His paintings and prints depict the rough-and-tumble life of the old California mining country in a regionalist style akin to that of Thomas Hart Benton. Titled, numbered, and signed along the bottom edge: Covered Bridge Near Columbia 2d Ed/100 Charles Surendorf Presented in a wood frame with a new black mat. Frame size: 18.75"H x 24.75"W Image size: 12.5"H x 17.5"W Charles Surendorf was Born on Nov. 9, 1906 in Richmond, Indiana. Following graduation from Ohio State University, he studied at the Art Institute of Chicago and the Art Students League in New York City. In 1935 he moved to the San Francisco Bay area and taught at Mills College. Active in the local art scene, he was director of the first San Francisco Art Festival. In 1946 Surendorf settled in the town of Columbia in the Sierra foothills. There he served as director of the short-lived Mother Lode Art School (1956) and produced works with an historic California theme. His paintings and prints depict the rough-and-tumble life of the old mining country in a regionalist style akin to that of Thomas Hart Benton. Member: California Society of Etchers; San Francisco Art Association; Mother Lode Art Association; Bay Region Art Association (Oakland). Exhibition: Foundation of Western Art (LA), 1936-41; Los Angeles County Museum of Art, 1936; SFMA, 1936, 1946; California Society of Etchers, 1938-54 (awards); Golden Gate International Exposition, 1939; De Young Museum, 1946. Collections: San Francisco Museum of Modern Art; Mills College (Oakland); Monterey Peninsula Museum; Library of Congress; Wichita Art Museum.
  • Creator:
    Charles Surendorf (1906 - 1979, American)
  • Creation Year:
    c. 1948
  • Dimensions:
    Height: 18.75 in (47.63 cm)Width: 24.75 in (62.87 cm)Depth: 0.75 in (1.91 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Some tonal ageing, but artwork is in good condition, especially considering its age. Mat is new. Frame has some minor scratches.
  • Gallery Location:
    Soquel, CA
  • Reference Number:
    Seller: DBH83081stDibs: LU54211504582

More From This Seller

View All
Tropical Palm Block Print
Located in Soquel, CA
Wonderful tropical Woodcut print of Palm Tree on island. Signed "Wessels" with a KW chop in a box above and 2012 lower edge. Presented in speckled pain...
Category

2010s American Impressionist Landscape Prints

Materials

Rice Paper, Ink, Woodcut

Mid Century Sheep Ranch Landscape Woodblock
By Ina Annette
Located in Soquel, CA
Beautifully detailed woodblock print in the style of Berger Sandzen her teacher, titled "Sheep Ranch" by Ina Agnes Annette (American, 1901-1991), 1950. Signed and dated lower right. Titled and numbered #2/320 on left. Presented in painted wood frame. Shipped without glass. Image size: 11"H x 14"W. Framed size: 21"H x 23"W. Painter of landscapes, book illustrator, and graphic artist, Ina Annett was born in Cleveland, Oklahoma, and moved to Norman, where she was an art teacher at the University of Oklahoma and member of the Oklahoma Art Association. She was a student of BErger Sandzen, Oscar Brousse Jacobsen and George Bridgman and exhibited with the Denver Art Club and the Oklahoma State Fair. Her mediums were oil, watercolor, batik, block printing and lithography. Book illustrations include Folk Say 1930, edited by Ben Botkin; and Forgotten Frontiers by Alfred B Thomas. Indicative of the fact that she was one of the early painters in the Southwest is her 1939 painting...
Category

1950s American Impressionist Landscape Prints

Materials

Paper, Ink, Woodcut

"Nightrise" Public Works Art Color Woodcut
By Ruth Chaney
Located in Soquel, CA
Bold woodblock serigraph by Ruth Chaney (American, 1908-1973). Numbered (#17), titled, signed, and dated along the bottom edge. The Smithsonian American Art Museum has an edition of...
Category

1930s American Impressionist Landscape Prints

Materials

Paper, Ink, Woodcut

Flower Song Landscape
By Michael Schofield
Located in Soquel, CA
Flower song, a beautiful landscape lithograph in soft tones by Michael Schofield (American, b. 1947). Presented in a wooden frame. Signed "Schofield" lower right and numbered "165/35...
Category

1970s American Impressionist Landscape Prints

Materials

Ink, Paper

"The Mining Building From The Road" - 1921 UC Berkeley Yearbook Color Lithograph
Located in Soquel, CA
"The Mining Building From The Road" - 1921 UC Berkeley Yearbook Color Lithograph "The Mining Building From The Road" 1921 University of California Berkeley Color Lithograph by Pedro Lemos...
Category

1920s American Impressionist Landscape Prints

Materials

Paper, Ink

"Strawberry Creek At The Class Of 1910 Bridge" - 1921 UC Berkeley Lithograph
Located in Soquel, CA
"Strawberry Creek At The Class Of 1910 Bridge" - 1921 UC Berkeley Lithograph "Strawberry Creek At The Class Of 1910 Bridge" 1921 University of California Berkeley Color Lithograph by Pedro Lemos...
Category

1920s American Impressionist Landscape Prints

Materials

Ink, Lithograph, Paper

You May Also Like

DESERT BARRIER
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART (1869-1958) DESERT BARRIER c. 1933 Color block print, unsigned 12 x 9 ¼”. Typical original margins on good fibrous japan paper. Many very good impressions by G...
Category

1930s American Impressionist Landscape Prints

Materials

Woodcut

Winslow Homer 19th Century Woodcut Engraving "The Morning Walk"
By Winslow Homer
Located in Alamo, CA
This Winslow Homer woodcut engraving entitled "The Morning Walk, Young Ladies' School Promenading the Avenue", was published in Harper's Weekly in the...
Category

1870s American Impressionist Landscape Prints

Materials

Woodcut, Engraving

Rain Tomorrow
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART (1869 – 1958) RAIN TOMORRROW 1930 Color block print, signed and titled in pencil. Edition unknown likely c. 30. Image 10 1/8 x 11”, sheet 12 ¾ x 14 ½”. Beautifu...
Category

1930s American Impressionist Landscape Prints

Materials

Woodcut

Winslow Homer 19th Century Woodcut Engraving "Making Hay"
By Winslow Homer
Located in Alamo, CA
This Winslow Homer woodcut engraving entitled "Making Hay", was published in Harper's Weekly in the July 6, 1872 edition. It depicts a two men hand cutting high grass on a hill. The man in the foreground is looking at a young boy and a girl (presumably his children), who are sitting on the ground with a picnic basket. This beautiful Homer woodcut engraving is presented in a brown wood frame and a light beige fabric mat with a black inner mat. The print is in excellent condition. There are two other Homer woodcut engravings in identical frames and mats that are listed on 1stdibs. See LU117326148332 and LU117326148272. These would make a wonderful display grouping. A discount is available for the purchase of two or all three of these prints. This Winslow Homer engraving...
Category

1870s American Impressionist Landscape Prints

Materials

Woodcut, Engraving

"Skating on Ladies' Pond Central Park": Winslow Homer 19th C. Woodcut Engraving
By Winslow Homer
Located in Alamo, CA
This Winslow Homer woodcut engraving entitled "Skating on the Ladies' Skating-Pond in Central Park, New York", was published in Harper's Weekly in the January 28, 1860 edition. It depicts a large number of men, women and children skating on a recently opened pond in Central Park. At the time of publication of this engraving, Central Park was in the early stages of construction. This engraving documents the very early appearance of Frederick Law Olmstead and Calvert Vaux's masterpiece of landscape design. According to Olmsted, the park was "of great importance as the first real Park made in this century – a democratic development of the highest significance". The people of New York were very proud of the plans for their park. It was stated at the time: "Our Park, which is progressing very satisfactorily under the management of the Commissioners, will undoubtedly be, one of these days, one of the finest place of the kind in the world...Those who saw the Park before the engineers went to work on it are amazed at the beautiful sites which have been contrived with such unpromising materials; all fair persons believe that the enterprise is managed with honesty and good taste." Skating was rapidly rising in national popularity in part due to the opening of Central Park’s lake to skaters on a Sunday in December 1858 with 300 participants. The following Sunday it attracted ten thousand skaters. By Christmas Day, a reported 50,000 people came to the park, most of them to skate. There were rules governing who could use the skating pond. “The Ladies’ Pond...
Category

1870s American Impressionist Landscape Prints

Materials

Woodcut, Engraving

Wind Blown Poplars
By William Seltzer Rice
Located in Santa Monica, CA
WILLIAM SELTZER RICE (1873 – 1963) WIND BLOWN POPLARS c. 1915-20 Color woodcut, Signed and titled in pencil. 9 x 12”. On thin paper. Remnants of o...
Category

1910s American Impressionist Landscape Prints

Materials

Woodcut

Recently Viewed

View All