Georges Lambert

'Provençal Landscape', Post-Impressionist, Academie Chaumiere, Paris Salon

Circa 1965

Signed lower right, 'Georges Lambert' (French, 1919-1998) and inscribed lower left, number and limitation, '19/175'. Georges Lambert first studied in Paris at the Academie de la Gra...

Signed lower right, 'Georges Lambert' (French, 1919-1998) and inscribed lower left with number and limitation, '238/270'. Georges Lambert first studied in Paris at the Academie de l...

Signed lower right, 'Georges Lambert' (French, 1919-1998), titled lower center 'Grau du Roi' and inscribed lower left 'Epreuve d'Artiste' with number and limitation 12/25. An Artist...

Signed lower right, 'Georges Lambert' (French, 1919-1998), titled lower center 'Village Provençal' and inscribed lower left 'Epreuve d'Artiste'. A vibrant Artist's Proof, stone lith...

Signed lower right, 'Georges Lambert' (French, 1919-1998) and inscribed lower left, number and limitation, '26/225'. Georges Lambert first studied in Paris at the Academie de la Gra...

Signed lower right, 'Georges Lambert' (French, 1919-1998), inscribed, lower center, 'Village du Var' and, lower left, with number and limitation, '52/120'. Georges Lambert first stu...

Champ de Tournesols is an original hand drawn lithograph by the French artist Georges Lambert printed in Paris France during the 1970's using traditional hand lithography techniques ...

Impressionist Masterpieces, National Gallery of Art, Washington by John House. Hardcover book with dustjacket. First edition, published in 1985 by Hugh ...

An impressionist painting of a trees in snow on a wooden board in period carved gilded frame. It is signed on the bottom right hand corner S Kitayama and dated 1912. Further inscription in Kanji on the back of the frame. Frame measures 17 x 20 1/2 inches Painting measures 9 1/4 x 12 3/4 inches Frame is original to the painting and of the period. The painter is most likely Seitaro Kitayama (Japanese, 1888-1945), an important figure in late Meiji period credited with being the father of Japanese animation before Walt Disney started his company. The painting style is impressionism which was keenly followed by a new generation of Japanese artists who either traveled to Europe for training or received Western publications on artists and gallery shows at home. Kitayama, Seitaro was born on March 3, 1888 in Wakayama, and died on February 13, 1945. In 1911, Kitayama became an apprentice to Tojiro Oshita and, while studying painting, also helped out with editing the art magazine Mizue. He soon moved to Tokyo and established the Western Art Guild of Japan and published Contemporary Western Art. He later joined the Fusain Art Group as a manager where he would support young western-style artists such as Ryusei Kishida and Sohachi Kimura by providing art supplies, in addition to holding exhibitions and publishing catalogues. On the other hand, he entered the Nikkatsu Mukojima Studio in 1916, proposed the inclusion of illustrations in intertitles, and made this his work. It was there that one of the first Japanese animations...

A pair of Japanese Woodblocks each in a fine custom matted frame with fine ebony and gilt decorations. Each signed and dated on the reverse. Listed below. -A courtyard lady in a comm...

Joseph Rodefer DeCamp (1858 - 1923) Summer Landscape Oil on board 11 x 15 inches Signed lower right Born in Cincinnati, Ohio on November 5, 1858, Joseph DeCamp began his artistic career in his teens and remained active throughout his life. Although he initially painted landscapes, Decamp became a renowned and respected portraitist. He was famous for his images of men of high society and women within domestic interiors. Decamp began his artistic training in 1873 when he enrolled in the McMicken School of Art and Design in Cincinnati. The head of the school, Thomas Satterwhite Noble, was a European-trained painter whose "insistence on rigorous draftsmanship, true to the academic manner in which he had been trained, exerted a lasting influence on DeCamp." DeCamp studied under Noble for five years, but was also a student of Frank Duveneck at the Ohio Mechanics Institute. He adopted Duveneck's bold, realistic style and many of his paintings executed throughout the 1870s and 1880s reflect this influence. Like most American artists of his generation, DeCamp went abroad to study. In 1878, following in the footsteps of Duveneck and other Midwesterners, he traveled to Munich to attend the Royal Bavarian Academy. Soon after his arrival, however, he gravitated away from the academy and towards Duveneck and eventually followed his mentor to Florence and Venice. During these years, DeCamp focused on landscape and portraiture as his primary subjects. These themes would continue to occupy the artist when he returned to America in 1883. When DeCamp arrived back in the United States in 1883, he first settled in Cincinnati, but soon moved to Cleveland to teach at what is now Case Western Reserve University. He then relocated once more to the Boston area, where he would remain for most of his life. DeCamp began teaching at Wellesley Female Academy and, in the fall of 1885, began as an instructor at the School of Drawing and Painting at the Museum of Fine Arts in Boston. He quickly established himself as one of the leading figures in the Boston art community and became a founding member of The Ten American Painters, formulated in 1897. This group included Childe Hassam, John Henry Twachtman, Julian Alden Weir, Frank Benson, Thomas Dewing, Willard Metcalf, Robert Reid, Edward Simmons...

An idyllic scene of Ayrshire calves resting in a shady corner. Beautiful brushstrokes and palette. David Gauld (1865-1936) Calves at rest Signed Oil on canvas 20 x 30 inches 24½ x 3...

Artist/ School: French Impressionist school, signed lower corner, 20th century Title: The Japanese Bridge, Monet's waterlily pond at Giverny. Medium: oil painting on board, framed...

A wonderful oil on board circa 1920 by sought after French post impressionist painter Victor Charreton, who was known as the painter of colours. The piece depicts a figure walking th...

Early 20th century Swedish post impressionist oil on canvas by Swedish artist Karl Nordstrom. From his 'synthetism' period influenced by the works of Van Gogh and Gauguin. Exhibited ...

Champ de Tournesols is an original hand drawn lithograph by the French artist Georges Lambert printed in Paris France during the 1970's using traditional hand lithography techniques ...

Artist: Georges Lambert (French, 1919-1998) Title: Femme Au Bouquet Year: Circa 1975 Medium: Color lithograph Edition: Numbered 90/275 in pencil Paper: Wove Image size: 13 x 20....

Artist: Georges Lambert (French, 1919-1998) Title: Nature Morte a la Bouteille (Still Life with Bottle) Year : Circa 1975 Medium: Color lithograph Edition: Numbered XX/C in penci...

This book, Au Pied du Sinai, contains a fine example of the lithographic work of Henri de Toulouse-Lautrec and a rare case of political subject mat...

La plage (Arcachon, Marée basse), ca. 1973 Limited edition French lithograph of Arches wove paper. 29 3/4 × 21 3/4 in Signed and numbered lower margins. Artwork is in excellent condi...

An original lithograph on soft cream Simili Japon paper by French artist Henri Le Sidaner (1862-1939) titled "Le Perron (The Porch)", 1911. Issued unsigned, though signed in the plat...