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Juan FuentesAztlan low & slow2019
2019
About the Item
Medium: linocut
Year: 2023
Image Size: 24 x 24 inches
Edition Size: 10
An hommage to the low riders of Southern California chicano car culture, complete with zoot suits, made famous in the Zoot Suit Riots of 1943.
As a cultural activist/artist/printmaker, Juan Fuentes has dedicated his career to being part of a global movement for social change. His works address issues relating to local communities of color, social justice, and international struggles for liberation.
The turbulent times of the 70’s set the tone for Fuentes' approach to creating social art. The Chicano, African American, Middle Eastern, Asian and Native American struggles for equality, peace and justice helped shape the themes that recur in his art.
His development and introduction to silkscreen printing by mentors such as Rupert Garcia and Malaquias Montoya guided his subsequent community and political poster involvement.
Fuentes' relief printing process follows closely the social realist tradition of Latin American artists such as Jose Guadalupe Posada and Leopoldo Mendez. His personal focus has been on using the figure or portrait as a means to tell a story, elaborating on the human condition.
- Creator:Juan Fuentes (1950, American)
- Creation Year:2019
- Dimensions:Height: 18 in (45.72 cm)Width: 24 in (60.96 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Palm Springs, CA
- Reference Number:1stDibs: LU308213915822
Juan Fuentes
As a cultural activist/artist/printmaker, Juan Fuentes has dedicated his career to being part of a global movement for social change. His works address issues relating to local communities of color, social justice, and international struggles for liberation. He is best known for his linoleum cut prints exploring Chicano and indigenous themes. He has also taught at the California College of the Arts and City College of San Francisco. The turbulent times of the 70’s set the tone for Fuentes' approach to creating social art. The Chicano, African American, Middle Eastern, Asian and Native American struggles for equality, peace and justice helped shape the themes that recur in his art. His development and introduction to silkscreen printing by mentors such as Rupert Garcia and Malaquias Montoya guided his subsequent community and political poster involvement. Fuentes' relief printing process follows closely the social realist tradition of Latin American artists such as Jose Guadalupe Posada and Leopoldo Mendez. His personal focus has been on using the figure or portrait as a means to tell a story, elaborating on the human condition. His development and introduction to silkscreen printing by mentors such as Rupert Garcia and Malaquias Montoya guided his subsequent community and political poster involvement. In 2007, after 10 years as Director of Mission Grafica at Mission Cultural Center for Latino Arts, Fuentes resigned and created Pajaro Editions, a printmaking studio. Pajaro Editions participated in the “Art of Democracy”, a national coalition of artists exhibiting works exploring the dire state of American politics in the fall of 2008.
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Edition Size: 10
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As a cultural activist/artist/printmaker, Juan Fuentes has dedicated his career to being part of a global movement for social change. His works address issues relating to local communities of color, social justice, and international struggles for liberation.
The turbulent times of the 70’s set the tone for Fuentes' approach to creating social art. The Chicano, African American, Middle Eastern, Asian and Native American struggles for equality, peace and justice helped shape the themes that recur in his art.
His development and introduction to silkscreen printing by mentors such as Rupert Garcia and Malaquias Montoya guided his subsequent community and political poster involvement.
Fuentes' relief printing process follows closely the social realist tradition of Latin American artists such as Jose Guadalupe Posada...
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