
After Maurice Utrillo - La Tour Eiffel - from "Paris Capitale"
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Maurice UtrilloAfter Maurice Utrillo - La Tour Eiffel - from "Paris Capitale"1955
1955
$3,553.12List Price
About the Item
- Creator:Maurice Utrillo (1883 - 1955, French)
- Creation Year:1955
- Dimensions:Height: 15.75 in (40 cm)Width: 12.21 in (31 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: J-685131stDibs: LU65035102902
Maurice Utrillo
Maurice Utrillo, initially Maurice Valadon, was born in Paris, December 26, 1883, the illegitimate son of the artist Suzanne Valadon. She, who had become a model after a fall from a trapeze, ended her chosen career as a circus acrobat, found that posing for Berthe Morisot, Pierre-Auguste Renoir, Henri de Toulouse-Lautrec and others provided her with an opportunity to study their techniques; in some cases, she had also become their mistress. She taught herself to paint, and when Toulouse-Lautrec introduced her to Edgar Degas, he became her mentor. Eventually she became a peer of the artists she had posed for. Meanwhile, Valedon's mother was left in charge of raising the young Utrillo, who soon showed a troubling inclination toward truancy and alcoholism. When a mental illness took hold of the twenty-one year old Utrillo in 1904, he was encouraged to paint by his mother. Under her tutelage, he began painting the streets of his childhood neighborhood, Montmartre. Working in the tradition of the conventional veduta, he depicted streets, buildings, fountains, and avenues, which he captured at different seasons of the year in a style influenced by the lyrical realism of Camille Pissarro and Albert Sisley. However, by deploying a subtle palette - mainly yellows, turquoise, maroon and zinc white - he suffused the scenes with atmospheric* qualities that evoke feelings either of familiarity or of alienation in the viewer. Known as his 'White Period' (période blanche), the years between 1909 and 1914 represent the acme of Utrillo's creativity. During this time, he reduced his palette to white, shading into grays. He also mixed his paints with sand, plaster, and lime to render the physical substance of his subject matter, walls in particular. In 1910, art critics F. Jourdan and E. Faure discovered the artist. Their appreciation of his talent enabled Utrillo to take part for the first time in the 1912 Salon d'Automne*. Until 1914, Utrillo traveled in Brittany and Corsica; his works assumed an increasingly luminous* quality, which greatly enriched his earlier ascetic conception of reality. In 1924, he exhibited with his mother at the Galerie Bernheim-Jeune in Paris and was offered a contract for a year. However, that same year he also attempted to commit suicide, which was probably the result of years of alcohol abuse. A powerful natural talent, Utrillo made an enormous contribution in consolidating painterly structure and texture. He was also important as a draughtsman*. In 1926, he designed stage scenery and costumes for Djaghilev's Ballets Russes. He received public recognition in 1928, when he was made a member of the Legion of Honour. Starting where Impressionism* left off, Utrillo became the best-known portrayer of Paris, especially Montmartre, painting both from nature and from postcards. His poetic interpretations of the streets and squares of Montmartre contributed substantially to popularizing a romantic image of that quarter. However, when he painted people, they were always represented as solitary beings, lost in social isolation.
About the Seller
4.9
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
1stDibs seller since 2017
7,600 sales on 1stDibs
Typical response time: 2 hours
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllMarine Noire - Lithograph after Georges Braque - 1956
Located in Roma, IT
Signed and numbered.
Editions of 400 prints.
published by Maeght, Paris
Literature Reference:
D. Vallier, Braque. L'oeuvre gravé, Flammarion, Paris 1982, n. 1044, p.296.
Image Dimensions :50 x 72...
Category
1950s Post-Impressionist Landscape Prints
Materials
Lithograph
Marine Noire - Lithograph After Georges Braque - 1956
Located in Roma, IT
"Marine Noire" is a lithograph after the work of Georges Braque in 1956. The print is hand signed and numbered. This is an edition of 400 prints.
Bibliography: D. Vallier, Braque. L'oeuvre gravé, Flammarion, Paris 1982, n. 1044, p. 296.
Good conditions except for very light foxings and little folds on the corner.
Georges Braque (1882-1963) was a French Fauve painter who began to rethink his own painting style after admiring Picasso’s Les Demoiselles...
Category
1950s Post-Impressionist Landscape Prints
Materials
Lithograph
Maison Natale de Colette - Lithograph by Luc-Albert Moreau - Early 20th Century
By Luc-Albert Moreau
Located in Roma, IT
Maison Natale de Colette is a Lithograph on ivory-colored paper realized by Luc Albert Moreau.
The artwork is in good condition.
Hand-signature on the lower right corner, numbered ...
Category
Early 20th Century Post-Impressionist Figurative Prints
Materials
Lithograph
Figures in the Landscape - Etching by J. A. Flour - 1916
By Jules Adrian Flour
Located in Roma, IT
Figures in the Landscape is an original artwork realized by Jules Adrian Flour in 1916. Original etching on paper.
The artwork is glued on cardboard. Hand-signed in pencil by the ar...
Category
1910s Post-Impressionist Figurative Prints
Materials
Etching
Working - Original Etching by A. Delasalle - Mid-20th Century
By Angèle Delasalle
Located in Roma, IT
Working is a contemporary artwork realized by the French artist Angèle Delasalle in the Mid-20th Century.
Original etching and drypoint.
Signed and ...
Category
Mid-20th Century Post-Impressionist Figurative Prints
Materials
Etching
Au Bois de Boulogne - Original Etching by H. Farge - Mid 20th Century
Located in Roma, IT
Image dimensions: 16 x 11 cm.
Au Bois de Boulogne is an original modern artwork realized in the first decades of the XX Century by the French artist Henri Farge...
Category
Mid-20th Century Post-Impressionist Figurative Prints
Materials
Etching
You May Also Like
Femme a l'ombrelle
By Jean-Pierre Cassigneul
Located in San Francisco, CA
This art work titled "Femme a l'Ombrelle" 1972 is an original color lithograph on Arches paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and numbered 29/150 in pencil by the artist. Referenced and pictured in the artist's catalogue raisonne by Sauret plate #42. The image size is 22.25 x 16 inches, framed size is 36.15 x 28.25 inches. Custom framed in a wooden gold leaf frame, with fabric matting and gold color spacer. It is in excellent condition.
About the artist:
Jean-Pierre Cassigneul is a French painter known for his serene portraits of women in hats that recall the French Post-Impressionist avant-garde, including the works of Pierre Bonnard and Edouard Vuillard. He was born on July 13, 1935, in Paris.
He studied at the École des Beaux-Arts in Paris and went on to exhibit in various group exhibitions, including the Salon d' Automne in Paris (of which he was member), the Salon de la Jeune Peinture, He exhibited at the Beaubourg Center in Paris in 1977 and solo as of 1952, on a regular basis in France but also in New York, and Tokyo and worldwide
Jean PierreCassigneul is known for his charming and extremely popular Van Dongen-influenced paintings of women in floral hats, complete with frequent allusions to other aspects of the Années Folles.
1952 First private exhibition at the Galerie Lucy Kroge in Paris aged 17.
1954 Enters into the Académie Charpentier and then decides to study under Jean Souverbie
at the Ecole des Beaux-Arts de Paris.
1955 He passes his entrance exam a year later and enrolls at the "Ecole Nationale Superieure"
des Beaux-Arts de Paris. Works in Chapelain-Midy’s studio.
1958 First exhibition at the Galerie des Beaux-Arts.
1959 Appointed member of the Salon d’Automne.
1956–1960 Instructed by the French painter Roger Chapelain-Midy.
1963 Present at the Salon de la Jeune Peinture for the first time.
1964 Private exhibition at the Galerie Tivey-Faucon, Paris.
Meets Kiyoshi Tamenaga, who becomes his art dealer for Japan.
1965 Creation of his first lithographic works.
Exhibition at the Galerie Bellechasse, Paris.
1966 Present at the International Exhibition of Figurative Art, Tokyo.
Exhibition at the Galerie Bellechasse, Paris.
1968 Exhibition at the Galerie Juarez in Palm Beach, USA.
Private exhibition at la Galerie Vital, Paris.
1969 Exhibition of lithographic works at the Mitsukoshi Gallery, Tokyo.
1970 January : Exhibition at the Wally Findlay Gallery, Palm Beach, then in New York.
First trip to Japan, where he stays for three months.
Important private exhibition at the Mitsukoshi Gallery, Tokyo.
1973 Exhibition at the Wally Findlay Gallery in Palm Beach, then in New York.
Private exhibition at the Tamenaga Gallery, Tokyo. Meets art publisher Alain Mazo.
1974 Private exhibition at the Galerie Wally Findlay, Paris, then in New York.
1975 Exhibition at the Wally Findlay Gallery, New York.
1976 Private exhibition at the Mitsukoshi Gallery, Tokyo.
Publication of the album “Parcs” by Editions Mazo-Paris.
1977 June : Private exhibition at the Galerie René Kieffer, Paris
Private show of paintings and pastels at the Galerie Wally Findlay, Paris.
1978 Retrospective exhibition of lithographic works at Vision Nouvelle.
June-July : Exhibition at the Wally Findlay Gallery, New York.
Important private showat the Mitsukoshi Gallery, Tokyo.
1980 Designs his first tapestry, executed by Atelier 3...
Category
Late 20th Century Post-Impressionist Figurative Prints
Materials
Lithograph
Fete Champetre
By Jean Dufy
Located in San Francisco, CA
This artwork titled "Fete Champetre" c.1950 is an original colors lithograph by renown artist Jean Dufy, 1888-1964. It is hand signed and numbered 80/220 in pencil by the artist. The...
Category
Mid-20th Century Fauvist Figurative Prints
Materials
Lithograph
Murmures
By Jean-Pierre Cassigneul
Located in San Francisco, CA
This art work titled "Murmures" 1989 is an original color lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and inscribed E.A (Artist Proof) in pencil by the artist. Referenced and pictured in the artist's catalogue raisonne by Mazo. plate #31. The image size is 23.80 x 30 inches, framed size is 39.25 x 44.5 inches. Custom framed in a wooden gold frame, with fabric matting and gold color spacer. It is in excellent condition.
About the artist:
Jean-Pierre Cassigneul is a French painter known for his serene portraits of women in hats that recall the French Post-Impressionist avant-garde, including the works of Pierre Bonnard and Edouard Vuillard. He was born on July 13, 1935, in Paris.
He studied at the École des Beaux-Arts in Paris and went on to exhibit in various group exhibitions, including the Salon d' Automne in Paris (of which he was member), the Salon de la Jeune Peinture, He exhibited at the Beaubourg Center in Paris in 1977 and solo as of 1952, on a regular basis in France but also in New York, and Tokyo and worldwide
Jean PierreCassigneul is known for his charming and extremely popular Van Dongen-influenced paintings of women in floral hats, complete with frequent allusions to other aspects of the Années Folles.
1952 First private exhibition at the Galerie Lucy Kroge in Paris aged 17.
1954 Enters into the Académie Charpentier and then decides to study under Jean Souverbie
at the Ecole des Beaux-Arts de Paris.
1955 He passes his entrance exam a year later and enrolls at the "Ecole Nationale Superieure"
des Beaux-Arts de Paris. Works in Chapelain-Midy’s studio.
1958 First exhibition at the Galerie des Beaux-Arts.
1959 Appointed member of the Salon d’Automne.
1956–1960 Instructed by the French painter Roger Chapelain-Midy.
1963 Present at the Salon de la Jeune Peinture for the first time.
1964 Private exhibition at the Galerie Tivey-Faucon, Paris.
Meets Kiyoshi Tamenaga, who becomes his art dealer for Japan.
1965 Creation of his first lithographic works.
Exhibition at the Galerie Bellechasse, Paris.
1966 Present at the International Exhibition of Figurative Art, Tokyo.
Exhibition at the Galerie Bellechasse, Paris.
1968 Exhibition at the Galerie Juarez in Palm Beach, USA.
Private exhibition at la Galerie Vital, Paris.
1969 Exhibition of lithographic works at the Mitsukoshi Gallery, Tokyo.
1970 January : Exhibition at the Wally Findlay Gallery, Palm Beach, then in New York.
First trip to Japan, where he stays for three months.
Important private exhibition at the Mitsukoshi Gallery, Tokyo.
1973 Exhibition at the Wally Findlay Gallery in Palm Beach, then in New York.
Private exhibition at the Tamenaga Gallery, Tokyo. Meets art publisher Alain Mazo.
1974 Private exhibition at the Galerie Wally Findlay, Paris, then in New York.
1975 Exhibition at the Wally Findlay Gallery, New York.
1976 Private exhibition at the Mitsukoshi Gallery, Tokyo.
Publication of the album “Parcs” by Editions Mazo-Paris.
1977 June : Private exhibition at the Galerie René Kieffer, Paris
Private show of paintings and pastels at the Galerie Wally Findlay, Paris.
1978 Retrospective exhibition of lithographic works at Vision Nouvelle.
June-July : Exhibition at the Wally Findlay Gallery, New York.
Important private showat the Mitsukoshi Gallery, Tokyo.
1980 Designs his first tapestry, executed by Atelier 3...
Category
Late 20th Century Post-Impressionist Figurative Prints
Materials
Lithograph
Hong Kong urbanscape lithograph
By Ramon Moscardo Fernandez
Located in Barcelona, Barcelona
Josep Moscardó (1953) - Girona Cathedral
Lithograph - Hand signed
Lithograph measures 54x76 cm.
Frameless.
Numbered 12/150
Barcelona, 1953
Painter, sculptor and draftsman of deep-r...
Category
1990s Fauvist Landscape Prints
Materials
Lithograph
$457 Sale Price
36% Off
Toulouse-Lautrec, Composition, The Circus by Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Fairfield, CT
Medium: Lithograph on vélin paper
Year: 1952
Paper Size: 12.125 x 9.25 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the album, The Circus by Toulouse-Lautrec, 1...
Category
1950s Post-Impressionist Figurative Prints
Materials
Lithograph
$716 Sale Price
20% Off
Toulouse-Lautrec, Composition, The Circus by Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Fairfield, CT
Medium: Lithograph on vélin paper
Year: 1952
Paper Size: 12.125 x 9.25 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the album, The Circus by Toulouse-Lautrec, 1...
Category
1950s Post-Impressionist Figurative Prints
Materials
Lithograph
$716 Sale Price
20% Off