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Rembrandt van Rijn
The Windmill (1641), Rembrandt engraving

Price:$1,400
$2,000List Price

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Lamentation of Christ oil on paper laid on canvas
By Annibale Carracci
Located in New York, NY
The composition repeats that of a large altarpiece designed by Annibale Carracci for the church of San Francesco a Ripa, Rome (now in the Louvre, Par...
Category

Early 17th Century Old Masters Figurative Paintings

Materials

Canvas, Paper, Oil

Post-Impressionist drawing of a man drinking
Located in New York, NY
The passepartout contains the following legend 'Jean-François Raffaëlli - Paris 1889 - E. Universelle - 1885'.
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Late 19th Century Post-Impressionist Figurative Drawings and Watercolors

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Paper, Color Pencil

Peasant Family, Cornelis Bega. Dutch Golden age painter and engraver.
By Cornelis Bega
Located in New York, NY
Documents indicate that Cornelis Pietersz Bega was born in either 1631 or 1632 in Haarlem. His grandfather was the renowned history painter Cornelis Cornelisz van Haarlem (Dutch, 1562 - 1638), and his extended family included many other more minor painters, sculptors, and craftsmen. In the spring of 1653 he traveled with the portraitist and still life painter Vincent Laurensz van der Vinne (1628–1702) through Germany, visiting Frankfurt am Main, Heidelberg, Strasbourg, and Basel. Although, like Van der Vinne, he may have intended to continue on to Rome, Bega instead returned to Haarlem in June of that year. He joined the Guild of Saint Luke in 1654. Bega died unmarried in 1664 at the young age of 32, likely a victim of the plague that claimed many lives in Haarlem that year. Dutch artist biographer Arnold Houbraken wrote that Bega was the “first and best pupil” of Adriaen van Ostade (Dutch, 1610 - 1685), a painter of low-life genre scenes. Bega similarly specialized in paintings of jovial taverngoers, smokers, quack doctors, alchemists, and musicians, but he also created tender and sympathetic images of peasant families and nursing mothers. Like Ostade, he also produced etchings, and he may have been one of the first Dutch artists to experiment with monotypes. Bega was also a confident draughtsman, and made numerous chalk drawings remarkable for their sculptural quality. Houbraken wrote that Bega and his close friend Leendert van der Cooghen (1632–1681) frequently drew from life together. Early in his career, Bega painted in a loose, rough style similar to Ostade, although his paintings differ from Ostade’s in that they exhibit a greater degree of monumentality and occasionally include classical elements and figures derived from live models. Bega may have been influenced by the classicizing tradition in Haarlem painting, which he would have known both from the extensive art collection he inherited from his grandfather, as well as from contemporary Haarlem painters who had trained there, such as Salomon (1597–1664) and Jan de Bray...
Category

17th Century Dutch School Interior Paintings

Materials

Pastel, Chalk, Satin Paper

Saint Jerome in the Desert, Prague school sanguine drawing
Located in New York, NY
Saint Jerome in the Desert Prague school sanguine drawing.
Category

Early 17th Century Old Masters Figurative Drawings and Watercolors

Materials

Chalk, Paper

Four Indian landscape paintings by illustrator P. G. Sirur. Bombay school
Located in New York, NY
P. G. Sirur was an renowned painter and illustrator who lived and worked in Bombay. His paintings are characterized by effective drawing, in-depth study of anthropomorphism, dexterit...
Category

Early 20th Century Realist Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Sanguine drawing "Shepherdess on a Donkey" by Nicolaes Berchem
By Nicolaes Berchem
Located in New York, NY
Provenance: Mercedes von Dietrichtein, Buenos Aires. Alexander von Dietrichstein. By descendants Morritz von Diestrichstein. Nicolaes Pieterszoon Berchem (1 October 1620 – 18 February 1683) was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, but also of a number of allegories and genre pieces. He was a member of the second generation of "Dutch Italianate landscape" painters. These were artists who travelled to Italy, or aspired to, in order to soak up the romanticism of the country, bringing home sketchbooks full of drawings of classical ruins and pastoral imagery. His paintings, of which he produced an immense number, (Hofstede de Groot claimed around 850, although many are misattributed), were in great demand, as were his 80 etchings and 500 drawings. His landscapes, painted in the Italian style of idealized rural scenes, with hills, mountains, cliffs and trees in a golden dawn...
Category

17th Century Dutch School Figurative Drawings and Watercolors

Materials

Paper, Chalk

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