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René Lalonde
Quiet Neighbourhood

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The Fans
Located in Toronto, ON
Image Size: 16" x 20" Limited Edition of 10 Giclée on Canvas Hand Signed by Andre Philibert
Category

2010s Landscape Prints

Materials

Giclée

Irish Landscape
By Ronnie Wood
Located in Toronto, ON
18 3/4" x 24 1/2" Unframed Digital and Screenprint with Blind Embossing Hand Signed by Ronnie Wood
Category

21st Century and Contemporary Landscape Prints

Materials

Digital, Screen

Miami
Located in Toronto, ON
12" x 8.5" Unframed Limited Edition Silkscreen of 100 Hand Signed by Diana Christiansen
Category

21st Century and Contemporary Landscape Prints

Materials

Screen

Heart of the City
Located in Toronto, ON
18" x 26" Unframed Limited Edition Artist Proof Lithograph of 15 Hand Signed by Basil Liaskas
Category

21st Century and Contemporary Landscape Prints

Materials

Lithograph

9 to 5
By Charles Fazzino
Located in Toronto, ON
16" x 11" Unframed Limited Edition 3-D Serigraph Numbered of 475 Hand Signed by Charles Fazzino
Category

21st Century and Contemporary Landscape Prints

Materials

Screen

Meet Me in Toronto
By Charles Fazzino
Located in Toronto, ON
Regular Edition 6.5" x 13" Unframed Limited Edition 3-D Lithograph Numbered of 200 Hand Signed by Charles Fazzino DX Edition 6.5" x 13" Unframed Limited Edition 3-D Lithograph Numbe...
Category

21st Century and Contemporary Landscape Prints

Materials

Screen

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Sierra Mountain Stream in Autumn, Contemporary California Giclée on Canvas
Located in Soquel, CA
Substantially framed contemporary limited edition giclée print on canvas of a beautiful plein air impressionist landscape painting by California artist Donald R. Britton (American, b.20th Century), 2007. Some small areas of oil paint highlights added to canvas print by the artist. The landscape features a calm mountain stream flowing past large boulders and yellow autumn trees, with tall majestic mountains in the background. Hand signed lower right "DR Britton" with the edition number 11/100. Signed and dated in the print "DR Britton '07", lower left. Displayed in a custom rustic style contemporary wood frame with linen liner and gold trim. Canvas size: 20"H x 16"W. Don Britton is a contemporary representational landscape painter of the western US with focus on the southwest, the Pacific coast and the Sierras. Recent Awards and Publications: 2019: Juror's Purchase Award, "Pacific Bluffs" at Art for Heaven's Sake Annual Art Festival, Redlands, CA 2016: First Place,"Land Put to A Higher Use", The 9th Annual Ralph Love Plein Air Competition in Temecula, CA 2014: "Canyon Clouds" and "Carmel Wetlands" were juried in to the Museum of the Art Institute Regional Show in San Diego 2012: "View from Mather Point" was selected for installation in the US Embassy in Sri Lanka. 2011: "On the Rocks" selected as a finalist in the Artist's Magazine annual national competition. 2010 - "Your Composition Should Evoke an Emotion" feature article in International Artist, pp 52-59, vol 70, 2010 2010 - "Morning Becomes the Valley" and "Lamoille Canyon" selected for installation in the US Embassy in Yemen 2010 - Grant from Nevada Arts Council 2008 - Grant from Nevada Arts Council 2007 - Paint America National Competition Top 50 Miniatures 2007 - First Place, Oil Painting, Carson Valley Art Association Annual Exhibit Artist’s Statement: I have been surrounded by artists virtually all my life. I received my first drawing instruction at the age of six from my father. We were living in New Mexico at the time and he was an avid amateur landscape painter there. Although I dabbled in painting off and on for years, my first career took a different path. Following a BA from the University of Colorado and a PhD from The Ohio State University I entered a career in neuroscience research. However, in 2004, I committed to painting full time and was almost immediately rewarded with the joy of recreating scenes I loved. I am indebted to numerous mentors along the way including Mark Tompkins, Skip Whitcomb, William Scott Jennings, Jim Wilcox...
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The King, 2018, landscape, wildlife, gold, red, pink, orange, black, print
By Alexis Kandra
Located in Jersey City, NJ
"The King" by Alexis Kandra is a limited edition signed and numbered giclée print on Moab paper based on an original oil painting with metallic gold foil and gold leaf pen. Edition ...
Category

2010s Contemporary Animal Prints

Materials

Archival Ink, Archival Paper, Giclée

The Mountain, 2018, landscape, wildlife, gold, blue, tan, orange, black, print
By Alexis Kandra
Located in Jersey City, NJ
"The Mountain" by Alexis Kandra is a limited edition signed and numbered giclée print on Moab paper based on an original oil painting with metallic gold foil and gold leaf pen. Edit...
Category

2010s Contemporary Animal Prints

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Permafrost, landscape, skyscape, polar bear, saber tooth, husky, wildlife, gold
By Alexis Kandra
Located in Jersey City, NJ
"Permafrost" by Alexis Kandra is a limited edition signed, titled, dated and numbered giclée print on Moab paper based on an original oil painting with metallic gold foil (edition total of 5). The image features a surreal wildlife scene of a fantastical grouping of animals -- in the foreground of the landscape is a (now extinct) saber tooth tiger...
Category

2010s Contemporary Animal Prints

Materials

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Monet's Garden-L. E. Embellished Giclee on Canvas. Signed, comes with COA
By Howard Behrens
Located in Clinton Township, MI
Limited Edition Embellished Giclee on Canvas, AP 17/50 24 x 36 in. Signed by Artist, comes with Certificate of Authenticity Good Condition
Category

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Materials

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James Bartholomew, Atlantic Colours, Limited Edition Signed Sea Print for Sale
By James Bartholomew
Located in Deddington, GB
James Bartholomew Atlantic Colours Limited Edition Print of 195 Image Size: H 53cm (21″) x W 79cm (31″) Signed by the artist Atlantic Colours is a limited edition giclee print by James Bartholomew. Bartholomew uses short and sharp brush strokes to portray the turbulent sea. James Bartholomew works on a comparatively large scale (typically 70cm x 50cm or bigger) which allows for a loose approach. – Much smaller and I find the process becomes a bit fiddly! I mostly work in pastel & watercolour together, the mediums soon becoming mixed up. The pastel will sometimes get wet and moved around within the paint, becoming simply a pigment. Other times it is used over the top of the dry paint. Through this method, the vibrancy can be reintroduced with the pastels and the painting can be changed at any stage. This leaves plenty of room to experiment on the surface without worrying about spoiling the painting, which I find quite liberating. I have also recently discovered a new love for painting in acrylic. I find the vibrancy and depth of the pigments particularly good for my marine subjects and the intense hues sometimes found when sun combines with sea water. I try to create paintings that are as uplifting and inspiring as the subjects are to me and to convey the energy and vibrancy that draw me to them. The things I paint are basically the things I love. From breaking waves on the Cornish coast at first light, to vibrant, crumbling Venetian facades. From a storm arriving...
Category

2010s Prints and Multiples

Materials

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