Items Similar to Liknon, Graphic Still Life Print with Dice and Leaf, in Red and Green, 1994
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Joe TilsonLiknon, Graphic Still Life Print with Dice and Leaf, in Red and Green, 19941994
1994
About the Item
Liknon by Joe Tilson, 1994
Additional information:
Medium: screenprint, woodblock and etching on BFK Rives paper
57.1 x 76.2 cm
22 1/2 x 30 in
signed, dated, numbered II/XXV and inscribed 'For Penny & Michael - with all best wishes, Joe' in pencil; titled and dated in pencil verso
After serving in the Royal Air Force (1946–49), Tilson studied at St Martin's School of Art (1949–52) and the Royal College of Art (1952–55) where he received the Rome Prize, taking him to live in Italy in 1955. He returned to London in 1957, and from 1958 to 1963 he taught at St Martin's and subsequently taught at the Slade School of Fine Art, University College London, and Kings College, Newcastle upon Tyne, before moving to The School of Visual Arts, New York and then Hochschule fur Bildende Kunste, Hamburg.In 1961 he exhibited at the Paris Biennale.
During the 1960s Tilson became one of the leading figures associated with the British Pop Art movement. Making use of his previous experience as a carpenter and joiner, Tilson produced wooden reliefs and constructions as well as prints and paintings. As a student at the RCA Tilson associated with Frank Auerbach, Leon Kossoff, R. B. Kitaj, Peter Blake, Allen Jones, Patrick Caulfield and David Hockney.
His first one-man show was held at the Marlborough Gallery, London in 1962, shortly followed by a second at the Walker Art Gallery, Liverpool, in '63. In 1977 he joined the Waddington Galleries and also exhibited at the Alan Cristea Gallery and the Giò Marconi Galleries in Milan. Tilson's work gained an international reputation when shown at the XXXII Venice Biennale in 1964, which led to a retrospective at the Boyman's Museum, Rotterdam in 1964. Further retrospective exhibitions followed at the Vancouver Art Gallery in 1979 and the Arnolfini Gallery, Bristol in 1984.
Growing disillusionment with the consumer society led to a change in Tilson work in the 1970s. After moving to Wiltshire in 1972, Tilson began to use a wider variety of materials, including stone, straw and rope in an effort to transcend time and culture by drawing on the motifs of pre-Classical mythology. This body of work was called Alchera.
Tilson's work has been exhibited regularly in solo shows throughout the world: Cortona Centro Culturale Fontanella Borghese, Rome (1990), Plymouth City Museum (1991), Palazzo Pubblico, Siena (1995), Mestna Gallery, Ljubljana (1996) and Galleria Comunale d'Arte, Cesena (2000). Recently a major retrospective was held at the Royal Academy of Arts, London (2002). Among Tilson's awards are the Gulbenkian Foundation Prize (1960) and the Grand Prix d'Honneur, Biennale of Ljubljana (1996). His work forms part of numerous collections worldwide, including Deutsche Bank, and the former collection of David Bowie,
He was elected an Associate of the Royal Academy (ARA) in 1985 and a full Royal Academician in 1991. His career was celebrated with a retrospective exhibition in 2002 at the Royal Academy 'Joe Tilson: Pop to Present' (Sackler Galleries) from April 2002. Tilson lives and works in London and Cortona, Tuscany.
- Creator:Joe Tilson (1928, British)
- Creation Year:1994
- Dimensions:Height: 22.5 in (57.15 cm)Width: 30 in (76.2 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Kingsclere, GB
- Reference Number:1stDibs: LU2718214580852
Joe Tilson
Joe Tilson (1928 – Present) Tilson was born on 24th August, 1928 in London, England. Tilson served in the Royal Air Force from 1946 – 49, after which he studied at St Martin’s School of Art (1949-1952) and the Royal College of Art (1952 – 1955). He won the Rome Prize for graduation, taking him to Italy from 1955 - 1957. From 1958 – 1963, Tilson taught at St Martin’s School of Art, the Slade School of Fine Art, University College London and the School of Visual Arts, New York. During the 1960s, Tilson’s artistic career took off as he attracted attention for his unique wooden reliefs and constructions, prints and paintings in the emerging British Pop Art style. He held his first solo exhibition at the Marlborough Galley, London in 1962. In 1977, Tilson joined the Waddington Galleries, exhibited at the Alan Cristea Gallery and the Giò Marconi Galleries in Milan. At the Venice Biennale in 1964, Tilson’s work began to gain international popularity, earning him a retrospective at the Boyman’s Museum, Rotterdam later that year. Growing anti-consumerist feeling in the 1970s pushed Tilson to begin to incorporate a wider variety of materials in his work, including stone, straw and rope to create a timeless feel to his work. This body of work was called Alchera, and was a huge success. Tilson was made a Royal Academician in 2002 which was celebrated with a retrospective exhibition in the same year at the Royal Academy entitled Joe Tilson: Pop to Present. Tilson is collected internationally, including at the Arts Council England, London; the British Library, London; Christchurch College, Oxford; the Ludwig Múzeum, Budapest; the Tate, London; Royal Academy of Arts, London; Scottish National Gallery of Modern Art, Edinburgh; The Royal Collection; Victoria and Albert Museum, London; Museum of Modern Art (MoMA), New York and the Yale Centre for British Art, New Haven
About the Seller
No Reviews Yet
Vetted Professional Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
1stDibs seller since 2024
32 sales on 1stDibs
Typical response time: 9 hours
- ShippingRetrieving quote...Ships From: Kingsclere, United Kingdom
- Return PolicyThis item cannot be returned.
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllMarine Parade - Etching of Seaside Town with Cars and Figures, 1927-29
By Edward Bawden
Located in Kingsclere, GB
Marine Parade
Category
20th Century Prints and Multiples
Materials
Etching
The Tug, Black and White Seascape Landscape Etching, 20th C
By Julian Trevelyan
Located in Kingsclere, GB
The Tug by Julian Trevelyan
Additional information:
Medium: etching and hand-colouring
54 x 70 cm
21 1/4 x 27 1/2 in
signed, titled and numbered in pencil
Julian Trevelyan was an i...
Category
20th Century More Prints
Materials
Etching
Silo - Etching with Hand Colouring, Monochrome Abstract with Blue and Red, 1974
By Julian Trevelyan
Located in Kingsclere, GB
Silo by Julian Trevelyan, 1974
Additional information:
Medium: etching with hand-colouring
28 x 38 cm
11 x 15 in
signed, titled and numbered in pencil
Category
20th Century More Prints
Materials
Etching
Black Day, from The Flatford Chart by William Tillyer, 2010
By William Tillyer
Located in Kingsclere, GB
Black Day, from The Flatford Chart by William Tillyer, 2010
Additional information:
Medium: etching
44 x 55.5 cm
17 3/8 x 21 7/8 in
Category
20th Century More Prints
Materials
Etching
Melancholy Plough by Bryan Ingham, 1978
By Bryan Ingham
Located in Kingsclere, GB
Melancholy Plough by Bryan Ingham, 1978
Additional information:
Medium: etching
50.8 x 61 cm
20 x 24 in
signed, dated, titled and numbered in pencil
George Bryan Ingham was born in Preston, Lancashire. He studied at the St.Martin's School of Art from 1957-61 with Frederick Gore...
Category
20th Century More Prints
Materials
Etching
Kew Gardens, from London Parks, Green and Orange Graphic Print, 1969-70
By Julian Trevelyan
Located in Kingsclere, GB
Kew Gardens, from London Parks by Julian Trevelyan, 1969-70
Additional information:
Medium: etching and aquatint (unframed)
58.5 x 77 cm
23 1/8 x 30 1/4 in
signed, titled and number...
Category
21st Century and Contemporary Landscape Prints
Materials
Etching
You May Also Like
White Hamburgh Grape: A Framed 19th C. Color Engraving by George Brookshaw
By George Brookshaw
Located in Alamo, CA
This is a 19th century colored aquatint and stipple engraving finished by hand entitled "White Hamburgh Grape", drawn and engraved by George Brookshaw and published in London in 1812 as plate 60 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a cluster of pale green grapes still on the vine. The vine and leaves are shown in attractive shades of green and brown. The plant lays on a brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There is a light brown title rectangle in the lower center which is blank, suggesting this may be a more rare preproduction proof. There are wide white margins.
This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick light beige mat. The frame measures 26" high, 22" wide and 1.13" deep. It is glazed with UV conservation glass. There is a tiny spot in the lower margin on the left and another in the left margin. The print and frame are otherwise in excellent condition.
There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. It depicts a Silver Rock Melon. The two prints would make a striking display pairing...
Category
Early 19th Century Naturalistic Still-life Prints
Materials
Engraving, Aquatint
Silver Rock Melon: A Framed 19th C. Color Engraving by George Brookshaw
By George Brookshaw
Located in Alamo, CA
This is a 19th century colored aquatint and stipple engraving finished by hand entitled "Silver Rock Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate 67 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a Silver Rock Melon still on the vine, but the melon lies on a heater green mat. A wedge of the melon has been dissected to reveal its inner anatomy, including the seeds. The melon skin is a heather and light green color, while the inner portions are a light peach color. The vine and leaves are shown attractive shades of light green and there are soft yellow flowers. The plant is displayed on a light brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There are wide white margins. The title and inscription lies within the lower border.
This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick heather green mat. The frame measures 25.75" high, 21.5" wide and 1.13" deep. It is glazed with UV conservation glass. There is a short thin vertical line of discoloration in the lower margin through the word "melon" and a tiny spot in the upper margin on the left. The print and frame are otherwise in excellent condition.
There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. t depicts a cluster of grapes. The two prints would make a striking display pairing...
Category
Early 19th Century Naturalistic Still-life Prints
Materials
Engraving, Aquatint
The nature explode * 1986. Aquatint, etching on paper 9/13. 41x58 cm
Located in Riga, LV
The nature explode
* 1986. Aquatint, etching on paper 9/13. 41x58 cm
Ivars Poikans 1952. Riga
Ivars Poikāns works in painting, graphics, book illustration, cinema art.
Born on Oct...
Category
1980s Neo-Expressionist Still-life Prints
Materials
Paper, Etching, Aquatint
$830 Sale Price
20% Off
Sunlit Buttercups
By Charlie Davies
Located in Deddington, GB
Sunlit Buttercups by Charlie Davies is a limited edition print made using real flowers and fauna from nature to make the etching plate. Part of the printmaking process that Charlie h...
Category
2010s Contemporary Still-life Prints
Materials
Paper, Etching
Red Door. Limited Edition Etching
By Ian Laurie
Located in Brecon, Powys
Red Door (In Blue). Typical Laurie style, well collected artist. Signed limited edition etching. Numbered 18 of 25. Each one of the edition is ...
Category
2010s Contemporary Still-life Prints
Materials
Etching
$200 Sale Price
20% Off
"Amicua Melon" Hand Finished Color Engraving by George Brookshaw
By George Brookshaw
Located in Alamo, CA
This is a colored aquatint and stipple engraving finished by hand entitled "Amicua Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate LXXII in hi...
Category
Early 19th Century Naturalistic Still-life Prints
Materials
Engraving, Aquatint
Recently Viewed
View AllMore Ways To Browse
Red With Leafs
Penny Green
Minako Iwamura
Miriam Sommerburg Woodcuts
Misia Broadhead
Mithe Espelt Soleil
Mondrian Meets The Beatles
Monkey Glassware
Monkey Stool
Montmartre Paintings Girl Kitchen
Moon Daniel Arsham
Morihiro Hosokawa
Morton Salt Girl Art
Mr Thom
Msd Studio Table
Mstislav Dobuzhinsky
Munetsugu Satomi
Murakami Pillow