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Period: 1630s
The Card Game: An Early 17th Century Engraving by A. Voet after Cornelis de Vos
By Alexander Voet
Located in Alamo, CA
A 17th century engraving entitled "The Card Game" by old master artist Alexander de Voet after a painting by Cornelis de Vos, created in 1632. The pain...
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Old Masters 1630s More Prints

Materials

Engraving

Southeastern England: A 17th Century Hand-Colored Map by Mercator and Hondius
Located in Alamo, CA
A 17th century copperplate hand-colored map entitled "The Sixt Table of England" by Gerard Mercator and Jodocus Hondius, published in Amsterdam in 1635 in 'Cosmographicall Descriptio...
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1630s More Prints

Materials

Engraving

West Africa: A 17th Century Hand-Colored Map by Mercator/Hondius
Located in Alamo, CA
A 17th century hand-colored map entitled "Guineae Nova Descriptio" by Gerard Mercator and Jodocus Hondius, published in their 'Atlas Minor' in Amsterdam in 1635. It is focused on the...
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1630s More Prints

Materials

Engraving

Southeastern Ireland: A 17th Century Hand Colored Map by Mercator and Hondius
Located in Alamo, CA
A 17th century copperplate hand-colored map entitled "The Second Table of Ireland, Udrone" by Gerard Mercator and Jodocus Hondius, published in Amsterdam in 1635 in 'Cosmographicall ...
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1630s More Prints

Materials

Engraving

Related Items
Hidden Cities I / second state
Located in New York, NY
“Hidden Cities I : The Ministry. Second State.” Contemporary artist Peter Milton created this etching and engraving in 2006. The printed image size is Image size 23.50 x 36.88 inches and the paper size is 31 x 42 inches. This impression is signed, dated, and titled in pencil and inscribed “11/75” – the 11th impression from the total printing of 75. “I do love to draw. I feel that I am being granted membership in the Brotherhood of Merlin, conjuring forth some apparition. As a drawing develops, I sense a vague presence coming more and more into focus, something in a white fog emerging and becoming increasingly palpable.” – P. Milton, “The primacy of touch. The Drawings of Peter Milton” “Working in layers, Milton begins with drawings based on people and places, with nods to Western art history and culture. He is a master of the appropriated image, a term that may conjure Andy Warhol and his Pop Art comrades. But Milton steps further back in history, avoiding the Pop sense of cool advertising and popular culture references. Instead, a broader cultural past is tapped through historical photographs of key players, architecture, and locales, which he reinvents by hand. He adds content drawn from his life as an avid reader – always with multiple possible interpretations – thus incorporating deeper meaning in his cinematic worlds. Elements of Greek mythology, classical music, art history, and history coalesce in his images, which embrace the messiness, sorrow, and elation that is life. One is hard-pressed to imagine a more erudite, skilled, passionate, and cheeky soul. In addition to a storied career in printmaking, since 2007 Milton has fearlessly produced artwork digitally. He now creates images using Adobe Photoshop in files consisting of more than two thousand layers, which are printed both as digital prints on paper and, for display on Led light boxes...
Category

American Realist 1630s More Prints

Materials

Engraving, Etching

Before It Happened (A mysterious staircase offers no clues as to what happened)
Located in New Orleans, LA
This Finnish artist creates a mezzotint in black and white. This impression is #44 of 100 and is signed, dated and titled in pencil. Jukka Vanttinen (Finn, b. 1954) Jukka Vanttinen...
Category

Modern 1630s More Prints

Materials

Mezzotint

Days Gone
Located in New Orleans, LA
Finns always seek the solace of nature. Is this mysterious stairway an escape from the challenges of civilization? Vanttinen created this mezzotint in an edition of 100 and it is tit...
Category

Contemporary 1630s More Prints

Materials

Mezzotint

Days Gone
Days Gone
$475
H 37.5 in W 18.5 in
Foggy Night (the way home or a Stephen King setting)
Located in New Orleans, LA
This impression is #22 Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer Sylvan Cole to exhibit at Associated American Artists Gallery, launching her career as a professional artist/printmaker. With the publication of her book, The Mezzotint: History and Technique, published by Abrams, 1990 and 1996, Carol added author and teacher to her credits. In the ensuing years she has expanded her repertoire of mediums beyond printmaking into other works on paper and painting. In compositions reflecting an appreciation for antiquated machinery and vintage textiles, Wax creates imagery that, in her own words, “… speaks to an inner life perceived in inanimate objects.” She uses stylization and imagination to reinvent subjects, transforming an ordinary typewriter into a monumental icon...
Category

American Modern 1630s More Prints

Materials

Engraving, Mezzotint

Lafitte's Blacksmith House (a bar named for a pirate on Bourbon St, New Orleans)
Located in New Orleans, LA
Lafitte's Blacksmith Shop is a New Orleans landmark at 941 Bourbon St. Like most New Orleans legends, history of Lafitte's Blacksmith Shop is a gumbo of tru...
Category

Contemporary 1630s More Prints

Materials

Mezzotint, Aquatint

Carte Particuliere Des Coste De Bretagne qui Comprend Morlaix
Located in Paonia, CO
Carte Particuliere Des Costes De Bretagne qui Comprend Morlaix, Saint Paul de Leon, les Sept Isles, et L’Isle. Faite par ordre Exprez Du Roy de France is from the collection of ch...
Category

1630s More Prints

Materials

Engraving

Plan of the Park, Garden and Plantations of Goodwood, 18th century engraving
Located in Melbourne, Victoria
Plan of the Park, Garden and Plantations of Goodwood in Sussex the Seat of his Grace the Duke of Richmond and Lenox &c Copper-line engraving with later hand-colouring by Hendrik Hul...
Category

English School 1630s More Prints

Materials

Engraving

Here They Come !
Located in New York, NY
This impression of "Here They Come !" is from the fourth state of eight. There are six known impressions of the fourth state. Edition 150 (final state). It is signed in pencil in the lower left and inscribed "D-1". The image size 13 7/8 x 11 3/4" (34.6 x 28.8 cm) and sheet size 16 3/4 x 14 5/8" (42.8 x 37.1 cm). FRANK W. BENSON (1862-1951) Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category

American Impressionist 1630s More Prints

Materials

Drypoint

Island of Philae, Egypt. Early 19th century engraving, 1820
Located in Melbourne, Victoria
'Ile de Philae : Vue de l'edifice de l'est et de plusieurs monuments' (Island of Philae : View of the east building and other monuments) Elephant folio engraving, by Baltard after...
Category

Other Art Style 1630s More Prints

Materials

Engraving

Colossi of Memnon, Thebes, Egypt. Early 19th century engraving, 1820
Located in Melbourne, Victoria
'Vue des Deux Colosses. Thebes, Memnonium' Elephant folio engraving, by Baltard after Dutetre, from 'Description de l'Egypte', published after Napoleon's expedition to colonize Egyp...
Category

Other Art Style 1630s More Prints

Materials

Engraving

Branches Gold, Limited edition print, Landscape, Tree, Nature art
Located in Deddington, GB
Scots Pine drypoint etching printed onto Japanese gampi tissue and backed onto German Hahnemule printmaking paper. This print depicts a mature pine tree, standing proud from the rest...
Category

Contemporary 1630s More Prints

Materials

Drypoint, Etching

Crossings
Located in New York, NY
CROSSINGS Contemporary artist Frederick Mershimer created the mezzotint engraving entitled "Crossings" in 1998. This impression is signed, titled, and dated in pencil. The printed ...
Category

American Realist 1630s More Prints

Materials

Mezzotint

Crossings
Crossings
$2,950
H 30 in W 41 in D 0.94 in
Previously Available Items
Bordeaux Region of France: A 17th Century Hand-Colored Map by Mercator/Hondius
Located in Alamo, CA
This is a 17th century hand-colored map entitled "Bourdelois Pais de Medoc et la Prevoste de Born" by Gerard Mercator and Henricus Hondius, published in their 'Atlas Minor' in Amster...
Category

1630s More Prints

Materials

Engraving

Valencia and Murcia, Spain: A 17th Century Hand-Colored Map by Mercator/Hondius
Located in Alamo, CA
A 17th century hand-colored map entitled "Regni Valentiae Typus, Valentia and Murcia" by Gerard Mercator and Joducus Hondius, published in Amsterdam in 1635 in 'Cosmographicall Descr...
Category

1630s More Prints

Materials

Engraving

Le Bourguignon - Original Etching by François Perrier - 1630
By François Perrier
Located in Roma, IT
Le Bourguignon is an original artwork realized by François Perrier in 1630. Monogramed on the lower right corner. Etching on paper. Good conditions...
Category

Modern 1630s More Prints

Materials

Etching

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