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Masami TeraokaMasami Teraoka 'Spring Women II' Limited Edition, Signed Print1980
1980
$2,500
£1,867.38
€2,164.93
CA$3,471.19
A$3,890.75
CHF 2,025.80
MX$47,507.78
NOK 25,720.32
SEK 24,380.55
DKK 16,152.72
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About the Item
Masami Teraoka (American/Japanese, b. 1936)
'Spring Women II' 1980
Single color screenprint on paper
Pencil signed verso
Edition 13/74 and embossed copyright stamp to lower left
15 x 22 inches, framed: 16.25 x 23.5 inches
Provenance: Space Gallery (Los Angeles, CA), Formerly Morphos Gallery, Catherine Clark Gallery (San Francisco, CA), Eyes on Earth Fine Art and Artifacts (Longmont, CO), exhibition labels affixed verso
*Please see companion print 'Spring Women I' on offer.
- Creator:Masami Teraoka (1936, Japanese)
- Creation Year:1980
- Dimensions:Height: 16.25 in (41.28 cm)Width: 23.5 in (59.69 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Print is in very good condition. Frame in stable condition but with scratches/blemishes to finish (see image for example).
- Gallery Location:San Rafael, CA
- Reference Number:Seller: 111-2791stDibs: LU1084110092912
Masami Teraoka
Masami Teraoka brings a contemporary twist to traditional Japanese ukiyo-e woodblock prints, infusing them with ribald imagery and a pop art sensibility. He developed this signature graphic style after moving to the United States in 1961, where he received his BFA and MFA from Otis College of Art and Design. His highly regarded series “McDonald’s Hamburgers Invading Japan” and “31 Flavors Invading Japan” playfully fuse cross-cultural iconography to critique the widespread influence of American consumerism. Teraoka’s work has become more radical since the 1980s, when he began addressing issues like the AIDS epidemic, clergy sex abuse scandals, and nuclear proliferation. He has also drawn inspiration from religious Renaissance and Medieval art, painting grand triptychs that harken back to the stylized, flattened perspective of Edo-era prints.
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