
'Gertrude Stein', Manhattan, Pop Art, Modernism, Paris, Cubism, Avante-Garde
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'Gertrude Stein', Manhattan, Pop Art, Modernism, Paris, Cubism, Avante-Garde1980
1980
Price:$1,650
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Located in Santa Cruz, CA
'Red Man/White Man' by James Scott, 1979.
Large Pop Art Figural, First Nation, Native American, RCMP
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'Figural Interior' by André Dignimont.
Paris, Académie Julian, Salon D’Automne, Benezit, Bordello
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Signed lower right, "Dignimont" for André Digni...
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'Mid-century Abstract', NYMoMA, Paris, XXXII Venice Biennale, MALI, Lima, Peru
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Located in Santa Cruz, CA
'Midcentury Biomorphic Abstract' by Emilio Rodríguez Larraín, 1964.
NYMoMA, Paris, XXXII Venice Biennale, Museo de Arte de Lima, Lima, Peru
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Signed, lower right, 'E.R. Larrain' for Emilio Rodríguez Larraín (Peruvian, 1928-2015), and inscribed 'Roma, Nov 1963, Enero 1964'. (Rome, Nov 1963-January 1964). Verso titled, "L'Homme C'est Sujet à Errer" (Man Tends to Wander), and bearing the artist's self-portrait in india ink and wash.
Exhibited: XXXII Venice Biennale, 1964. (original exhibition label verso)
Previously with Staempfli Galleries, New York. This painting is registered in the Archives of American Art as 'Staempfli Gallery, inventory #775'.
A monumental and historically distinguished work by this groundbreaking Peruvian Modernist who drew inspiration from Peruvian indigenous and pre-colonial culture. The paintings of Emilio Rodríguez Larraín are held in the permanent collections of museums worldwide including the Musée de la Ville de Paris, Peru's Museo de Arte de Lima and the Museum of Modern Art in New York. This painting was selected by the Peruvian Government for exhibition at the XXXII Venice Biennale in 1964 and is the largest single recorded work by the artist.
Emilio Rodríguez Larraín received his Bachelors of Architecture in 1949 from Peru's Universidad Nacional de Ingeniería and held his first solo exhibition in Lima after visiting Europe in 1950. In 1951, he returned to Europe in the company of the artists Alfredo Ruiz Rosas and Joaquín Roca Rey...
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Located in Santa Cruz, CA
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A fine and detailed, cabinet-size oil painting showing an elegant Parisian cafe and bar, the interior lit by luminous, floor-to-ceiling stained-glass windows and filled with fashionably-dressed patrons drinking and socializing beneath a haze of pipe and cigar smoke. A minor, period masterpiece, providing an animated view of the city's fin-de-siècle nightlife, and characterised by finely observed and fully-realized figures showing an unusual degree of both social commentary and psychological penetration.
Edouard-Jean Dambourgez first studied with Jules Lefebvre and, subsequently, as an engraver and chromo-lithographer under Gustave Boulanger. In 1880, Dambourgez commenced exhibiting at the Salon des Artistes Français, and, in 1883, was elected a member of the Society. Throughout the 1880's, he exhibited frequently and with success at the major Paris salons including the Salon d'Automne, the Salon des Independants and the Salon des Champs-de-Mars. In 1884, he was commissioned by the Louvre to engrave all illustrations for the catalog to the Thiers Collection, recently bequeathed to the Museum. The recipient of numerous prizes, medals and juried awards, Dambourgez was awarded an honorable distinction by the Salon in 1888, and an honorable mention in 1891.
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'Girl in Red', Guggenheim, LACMA, Rome, Academy of Fine Arts, Venice Biennale
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Located in Santa Cruz, CA
'Girl in Red' by Carlo Maria Mariani, 1959.
Guggenheim, Los Angeles County Museum of Art, Rome, Academy of Fine Arts, Venice Biennale
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Signed upper right, 'C. Mariani' for Carlo Maria Mariani (Italian, 1931-2021) and dated 1959.
Framed dimensions: 22.5 x 1.5 x 17.5 inches
A native of Rome, Carlo Mariani first studied there at the Academy of Fine Arts where he was influenced by the prevailing styles of Hyper-Realism and Conceptualism. In 1994, he moved to New York City where he began to paint figural landscapes in a traditional, neo-classical style. The 1990s brought Mariani wide recognition and numerous honors, as he represented Italy three times at the Venice Biennale. Additionally, in 1998, he received the prestigious Antonio Feltrinelli Award for lifetime achievement in painting.
Mariani continues to be best known for his refined and painterly, Renaissance technique. He was a central figure in Rome’s avant-garde in the 1970s and is widely regarded as an influential forerunner of 1980's Postmodernism. He achieved an international reputation, beginning in the early 1980s, for his arcane and, often, controversial paintings...
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Medium: Offset-Lithography; The complete November, 1981, Vol. XI, No. 11 issue of "Interview" magazine
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Condition: One small tear at right center edge of cover page. In otherwise excellent condition
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