Items Similar to Chinois inventa, dit-on, la poudre a canon, nous en fit don
Want more images or videos?
Request additional images or videos from the seller
1 of 10
Georges RouaultChinois inventa, dit-on, la poudre a canon, nous en fit don1926
1926
$1,750
£1,322.78
€1,520.11
CA$2,436.86
A$2,710.91
CHF 1,421.09
MX$33,126.68
NOK 18,095.86
SEK 17,034.75
DKK 11,347.07
Shipping
Retrieving quote...The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation
About the Item
Chinois inventa, dit-on, la poudre a canon, nous en fit don
(The Chinese invented gunpowder, they say, and made is a gift of it)
Aquatint, roulette, drypoint, acid bite, and scorper, 1926
From: Miserere, Plate 38
Initially started by Ambrose Vollard, this portfolio was published in 1948 by Editions de l'Etoile Filante, Paris
This image is the cover illustration for the 1938 MOMA catalog, The Prints of Georges Rouault (print out in Artist File)
Provenance: Stanley Yulish, Cleveland
Rouault’s Miserere (Mercy) series, first titled Miserere et Guerre (Mercy and War), was commissioned in 1916 by art dealer Ambroise Vollard (1865–1939). Originally planned as a two-volume book comprised of 50 prints each, Miserere was only partially realized — with 58 prints published in 1948. The series illustrates man’s cruelty to man, relates human suffering to the passion of Christ, and speaks to the redemption and salvation that can be achieved through that experience.” Haggerty Museum of Art
‘Rouault began his Miserere series during the somber days of World War I and had finished it by 1927. He first drew the images in India ink and later reproduced them as engravings, reworking the plates over the years—scraping deeper with a file or sanding with emery paper.
He later wrote of this time: “When I was about thirty, I felt a stroke of lightning, or of grace, depending on one’s perspective. The face of the world changed for me. I saw everything that I had seen before, but in a different form and with a different harmony.”
“Rouault was born into a poor family in the Belleville neighborhood of Paris during the Franco-Prussian War at the end of the 19th century, and he lived and worked in the city through both the first and second world wars. Apprenticed at age 14 to a stained-glass restorer working on Saint-Severin Church in Paris, Rouault attended the Ecole des Beaux-Arts alongside Matisse. His mentor there was the Symbolist Gustave Moreau, and the influence of this early master of intuitive self-examination and personal mythmaking never left him. Encouraged by Moreau to look inward at the same time that his day-to-day life was saturated with the suffering of poverty and war, Rouault drew early and often on the subjects he had learned about while working on the stained glass in Parisian cathedrals, especially the Stations of the Cross.” Westmont College
“The series (Miserere) is concerned with three types of humanity: the bourgeoisie, who are depicted as vicious and deluded; the poor and outcast, who are seen as ennobled by suffering; and Jesus Christ, who is the archetype and the analogue of both the artist and his beloved outsiders.”
Westmont College
“The artist has contrived a method that allows black-and-white prints to glow with the inner light of stained glass and ripple with the atmospheric brushstrokes and washes of painting. The style is deliberately simple, but the rigorous logic of its conception and the infinitely patient authority of its execution result in something deep and powerful.” Westmont College
- Creator:Georges Rouault (1871-1958, French)
- Creation Year:1926
- Dimensions:Height: 25.5 in (64.77 cm)Width: 19.75 in (50.17 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Very rich impression in the original presentation folder.
- Gallery Location:Fairlawn, OH
- Reference Number:Seller: FA93881stDibs: LU14016449982
Georges Rouault
Executed in 1937, Carlotta belongs to a group of portraits of members of society. Unlike Picasso and Toulouse-Lautrec, who portrayed these individuals with pathos, Rouault’s approach was unapologetic and raw. In the present work several layers of pigment can be discerned; the build-up of translucent and opaque layers of paint creates a three-dimensionality that characterizes the artist’s strongest work. Furthermore, the work is highlighted by the deep swaths of black delineating the subject, representing a signature element of Rouault’s portraiture of this period.
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Gold Seller
Premium sellers maintaining a 4.3+ rating and 24-hour response times
Established in 1978
1stDibs seller since 2013
798 sales on 1stDibs
Typical response time: <1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Shipping from: Fairlawn, OH
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllEn bouche qui fut fraîche, goût de fiel (In the mouth that was once fresh, ...
By Georges Rouault
Located in Fairlawn, OH
En bouche qui fut fraîche, goût de fiel (In the mouth that was once fresh, the taste of bitterness)
Aquatint, drypoint, roulette and burnishing over heliogravure, 1922
Unsigned as ...
Category
1920s French School Figurative Prints
Materials
Aquatint
En bouche qui fut fraîche, goût de fiel (In the mouth that was once fresh, ...
By Georges Rouault
Located in Fairlawn, OH
En bouche qui fut fraîche, goût de fiel (In the mouth that was once fresh, the taste of bitterness)
Aquatint, drypoint, roulette and burnishing over heliogravure, 1922
Unsigned as ...
Category
1920s French School Figurative Prints
Materials
Aquatint
En bouche qui fut fraîche, goût de fiel (In the mouth that was once fresh, ...
By Georges Rouault
Located in Fairlawn, OH
En bouche qui fut fraîche, goût de fiel (In the mouth that was once fresh, the taste of bitterness)
Aquatint, drypoint, roulette and burnishing over heliogravure, 1922
Unsigned as ...
Category
1920s French School Figurative Prints
Materials
Aquatint
Ne sommes-nous pas forçats? (Are we not Slaves?)
By Georges Rouault
Located in Fairlawn, OH
Ne sommes-nous pas forçats? (Are we not Slaves?)
Aquatint and heliogravure on Arches laid paper watermarked "Ambroise Vollard"
Signed and dated in the plate lower left (see photo)
P...
Category
1920s French School Figurative Prints
Materials
Aquatint
Qui ne se grime pas? (Who does not wear a mask?)
By Georges Rouault
Located in Fairlawn, OH
Qui ne se grime pas?
(Who does not wear a mask?)
Aquatint, roulette, drypoint, acid bite, and scorper, 1923
Signed in the plate loweer left (see photo)
Dated in pencil
Series: Miser...
Category
1920s French School Figurative Prints
Materials
Aquatint
Loin du sourire de Reims (Far from the Smile of Rheims)
By Georges Rouault
Located in Fairlawn, OH
Loin du sourire de Reims (Far from the Smile of Rheims)
Aquatint, drypoint, roulette and burnishing over heliogravure, 1922
Signed with the initials in the plate and dated (see photo...
Category
1920s French School Figurative Prints
Materials
Aquatint
You May Also Like
Femme Affranchie A' Quatorze Heures Chante Midi - Georges Rouault
By Georges Rouault
Located in Roma, IT
Signed on plate.
Edition of 450 prints, belonging to the suite “Miserere”, considered as the most important religious graphic work of XX century. The single prints, realized with a s...
Category
1940s Post-Impressionist Figurative Prints
Materials
Etching
Des Ongles Et Du Bec
By Georges Rouault
Located in Roma, IT
Edition of 450 prints, belonging to the suite “Miserere”, considered as the most important religious graphic work of XX century.
The single prints, realized with a sophisticated mixe...
Category
1940s Post-Impressionist Figurative Prints
Materials
Etching
Femme Hideuse from The Reincarnations du Pere Ubu, by Georges Rouault
By Georges Rouault
Located in Long Island City, NY
Femme Hideuse from The Reincarnations du Pere Ubu
Georges Rouault, French (1871–1958)
Date: 1928
Etching with Aquatint, signed in the plate
Image Size: 12 x 8 inches
Size: 17 x 13 in...
Category
1920s Expressionist Figurative Prints
Materials
Etching, Aquatint
Femme Affranchie A' Quatorze Heures Chante Midi
By Georges Rouault
Located in Roma, IT
Signed on plate.
Edition of 450 prints, belonging to the suite “Miserere”, considered as the most important religious graphic work of XX century. The single prints, realized with a s...
Category
1940s Post-Impressionist Figurative Paintings
Materials
Etching
Sunt lacrimae Rerum - from "Miserere" by G. Rouault - 1926
By Georges Rouault
Located in Roma, IT
Wonderful original etching with aquatint realized by Georges Rouault between 1917 and 1923, published as a suite in 1948. Sheet in perfect conditions.
The artwork is part of the important suite Miserere, considered as the most important religious graphic of XX century. Sunt lacrimae Rerum represents an episode of Christ's passion with a kneeling figure looking upwards. Miserere suite is divided in two themes: religious and profane; one is linked to Christ's passion and the other is dedicated to the human event, to the pilgrimage of pain on earth, made even more tragic by war. In the 58 original plates, Rouault lingers on the conditions of humanity. Like few other contemporaries, Rouault represents human figures placing him at the center of an absurd and squalid theater. Interesting the use of contrasts and the shapes of the figures with black outlines.
Published in the Catalogue "Georges Rouault: Oeuvre Gravé", by Isabella Chapon.
Georges Rouault (Paris, 1871) has been an interesting exponent of French...
Category
1920s Modern Figurative Prints
Materials
Etching
Cristal de Roche from Le Reincarnations du Pere Ubu, by Georges Rouault
By Georges Rouault
Located in Long Island City, NY
Cristal de Roche from Le Reincarnations du Pere Ubu
Georges Rouault, French (1871–1958)
Date: 1928
Aquatint on Arches, signed in the plate
Image Size: 12.5 x 8 inches
Size: 17.5 x 13...
Category
1920s Expressionist Figurative Prints
Materials
Aquatint
More Ways To Browse
Antique Saw
Parisian China
Antique Church Cross
19th Century Chinese School
Antique Cathedral Glass
Antique Canon
Antique Canons
Antique Chinois
Antique End Of Day Glass
L Moreau
Stanley Antique
Fire Extinguisher
Joseph Klein
Large Black Swan Sculpture
Magdalen College Oxford
Magdalen College
Male Nude Old Masters
Metal Balloon Sculpture