Sam Francis

Untitled, Sam Francis

1982

Rich, vibrant and powerful, James Rosenquist created Sailor, Speed of Light in 1999 as one of the original lithographs to comprise his famed, Speed of Light portfolio.  Hand-signed a...

Included in America: The Third Century portfolio, Roy Lichtenstein created Bicentennial as an original color lithograph with screenprint in 1975, conceived to celebrate the 200th ann...

This beautiful original six-color lithograph, printed on Arches Cover White paper in 1982, was created by Richard Diebenkorn and is monogrammed by the artist in pencil, dated and num...

In both the content and process of his art, Twombly was interested in the layering of time and history, and of various meanings and associations. His art situates itself in the context of the history of Western civilization as well as the process-oriented aspects of Abstract Expressionism. Created by Cy Twombly...

An intricate work of stunning beauty, Shards III was created as a color lithograph and screenprint by Frank Stella in 1982.  Hand-signed in pencil, dated and numbered, the artwork me...

Created by Ellsworth Kelly in 1983 as a color lithograph, Ellsworth Kelly's Untitled is hand-signed and numbered in pencil. Measuring 29 x 41 in. (73.7 x 104 cm), unframed, this art...

Nelson Mandela, Artist's Motivation, Signed Limited Edition Lithograph Many people are unaware that Nelson Mandela turned his hand to art in his 80's as a way of leaving a legacy for his family. He spent time with an art tutor and learnt to draw. In 2002, when creating the The Motivation print, he told Anna and Laura from Belgravia Gallery of his desire to become a full time artist when he retired. This artwork is a handwritten Artist’s Motivation by Nelson Mandela and reads: “Today when I look at Robben Island I see it as a celebration of the struggle and a symbol of the finest qualities of the human spirit, rather than as a monument to the brutal tyranny and oppression of apartheid. Robben Island is a place where courage endured in the face of endless hardship, a place where people kept on believing when it seemed their dreams were hopeless and a place where wisdom and determination overcame fear and human frailty. It is true that Robben Island was once a place of darkness, but out of that darkness has come a wonderful brightness, a light so powerful that it could not be hidden behind prison walls, held back by prison bars...

Nelson Mandela, Earth, Signed Limited Edition Lithograph Many people are unaware that Nelson Mandela turned his hand to art in his 80's as a way of leaving a legacy for his family. H...

Robert Motherwell Untitled (from Portfolio 9), 1967 Lithograph, 1967 22.25 x 17.25 in. (56.52 x 43.82 cm.) Signed; lower left with artist's trademark initials; numbered, Publisher...

ROSENQUIST, JAMES (1933 - 2017) F-111 (Castelli Gallery Poster) Offset Lithograph c. 1965 Signed and dated in pencil along lower edge Sheet Size: 28” x 22”, Fresh ...

NEVELSON, LOUISE (1899-1988) "Dusk in August" Lithograph in colors, 1967 Signed, dated, titled, and numbered in pencil lower margin This impression is XVIII/XX Sheet Size: 17” x 22” Published by Hollander’s Workshop with their blindstamp This lithograph by Louise Nevelson was made in collaboration with eight other artists in 1967. The other artists included in this portfolio collaboration are Roy Lichtenstein, Louise Nevelson, Willem de Kooning, Robert Motherwell, Henry Pearson, Sam Francis, Richard Lindner, and Saul Steinberg. Louise Nevelson is one of American’s foremost artists, Nevelson’s sculpted wood assemblages transcended space and transformed the viewer’s perception of art. She was an American sculptor best known for her monochromatic wooden assemblages. During the 1950s, she began to create unique arrangements contained in wooden frames amassed from a range of found objects—usually woodcuts or bits of furniture—that were then painted a uniform black, white, or gold, as seen in her seminal work Royal Tide I (1960). Louise Nevelson emerged in the art world amidst the dominance of the Abstract Expressionist movement. In her most iconic works, she utilized wooden objects that she gathered from urban debris piles to create her monumental installations - a process clearly influenced by the precedent of Marcel Duchamp's found object sculptures and "readymades." Nevelson’s prints share with her sculpture an interest in silhouetted forms and the layering of elements, but distinguish themselves by their vivid color, depth and movement.. Louise Nevelson experimented in several different print mediums. A 1963 Ford Foundation grant enabled June Wayne of the Tamarind Lithography Workshop, Los Angeles, to extend an invitation to Nevelson. This initial collaboration led to twenty six lithographs, mostly black with dark blue or red, which combined hand-drawn elements with printed lace. Nevelson returned to Tamarind in 1967 to complete sixteen large scale lithographs know as Double Imagery. In these lithographs Nevelson played with landscapes of shadows and reflections using irregular shaped papers and a limited palette of black, red, grey and blue. For her brilliant compositions in varied mediums critics hailed her as the leading sculptor of the twentieth century. A pioneering grand dame of the art works, Nevelson’s iconic persona was characterized by her skilled mixing and matching of ethnic clothing...

JAMES ROSENQUIST (B. 1933) "Woman in the Sun" 15 color lithograph from aluminum plate on mould-made paper, white Rives BFK, 1991 Catalog #225 She...