Medium Still-life Prints

El Anatsui Variation I (B), 2014 Pigment print with hand collage and copper wire 23 x 30.2 inches (58.4 x 76.8 cm) Edition of 16

Salvador Dali - Original Handsigned Etching Title: Statue of Liberty Dimensions: 63.5 x 43.5 cm Sheet: 75.7 X 56.5 cm Handsigned Edition: EA Catalogue raisonné: Michler/Löpsinger 113

This artwork titled "Sunrise Dahlia" c.1990 is an original colors mezzotint by noted German/American artist Gatja Helgart Rothe, 1935-2007. It is hand signed, titled and numbered 64/...

TECHNICAL INFORMATION Alexander Calder Acier du Constructeur, 1965 Lithograph 21 7/16 × 29 3/8 in 54.5 × 74.6 cm Edition of 75 Condition: This work is in excellent condition

Salvador Dali, Dix Recettes d'Immortalité Very Good Condition Audouin-Descharnes, Paris, 1973 Reference: M. & L. 567-577, Field 73-20 The complete set of 11 signed, numbered and not...

Signed in pencil, an artist's proof aside from the edition of 75. Printed at Kelpra Studios, London. Published by Waddington Graphics, London. (Dempsey 64).

Salvador Dali - Fruits With Holes - Original Hand-Signed Lithograph 1969 Dimensions: P. 57 x 37 cm Sheet: 75 x 56 cm Handsigned, EA (Epreuve d'Artiste) Excellent Condition Reference...

C-print on Endura metallic paper (Edition of 5) Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. Begun in 2003, the series of works collect...

C-print on Endura metallic paper (Edition of 5) Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. Begun in 2003, the series of works collect...

C-print on Endura metallic paper (Edition of 5) Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. Begun in 2003, the series of works collect...

Derrick Greaves Title: Bottlenack Vase with Falling Petal Medium: Color lithograph Year: 1971 Signed, numbered or inscribed Edition: XXXV + h.c. Size: 13.7 × 15.2 on 29.4 × 20.7 inches Slight Staining Throughout Trial Proof Hole Punches Top & Bottom Center (see images) Derrick Greaves is one of the most eminent British painters of the last half century. Greaves initially gained acclaim in the 1950s, when he represented Britain at the Venice Biennale along with the other 'Kitchen-Sink' painters with whom he was associated: John Bratby...

Framed Salvador Dali's Lithograph Wild Blackberries 1970 Dimensions: P. 57 x 37 cm Sheet: 75 x 56 cm Handsigned, EA (Epreuve d'Artiste) Excellent Co...

Salvador Dali - Apricot - Original Hand-Signed Lithograph 1969 Dimensions: P. 57 x 37 cm Sheet: 75 x 56 cm Handsigned, EA (Epreuve d'Artiste) aside from the edition of 200. Paper :...

Salvador Dali - Currant's Reverence - Original Hand-Signed Lithograph Dimensions: P. 57 x 37 cm Sheet: 75 x 56 cm Handsigned Edition: XIV/XXXV Lithograph with drypoint in colours, 1...

In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2) Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City. He was three years old when the terrible explosion occurred there and can remember the terrifying confusion and 'the beautiful red sky and objects flying everywhere in the air.'" (Reynolds, p. 25) While growing up in Texas City, Valton's father worked in auto repair, and was known for his skill in mixing colors for paint jobs. After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36) “World of Watermelons” is plate number 19, and is reproduced in "The First Fifty Prints: Valton Tyler" with text by Rebecca Reynolds, published for Valley House Gallery by Southern Methodist University Press, Dallas, Texas, 1972. Of “World of Watermelons”, Tyler said “The title here does not represent my own associations with this print. Friends simply began referring to it as ‘the watermelon print...