Oisin Byrne

Red-Orange Cut Flowers, Large Framed Print by Oisin Byrne, Bright Colours

2023

Pink-Brown Cut Flowers by Oisin Byrne, 2023 Additional information: Medium: screenprint 102 x 102 cm 40 1/8 x 40 1/8 in signed, numbered and dated in red ...

Large Cut Flowers by Oisin Byrne, 2023 Additional information: Medium: screenprint 121 x 126 cm 47 5/8 x 49 5/8 in Oisin Byrne (b.1983) is an Irish visua...

Gordon House was born in 1932 in Pontardawe, South Wales. Early exposure to art on trips to the Glynn Vivian Art Gallery as a young boy inspired House towards creative endeavors and ...

Rachel Whiteread is one of Britain's leading contemporary sculptors. Born in London in 1963, she studied painting at Brighton Polytechnic from 1982-85 and sculpture at the Slade Scho...

Kate Brinkworth. Coke, Jelly Beans and Lifesavers- limited edition silk screen print, printed on 400gsm Somerset paper with a beautiful gloss finish. Signed by the artist. Limited ed...

Gavin Dobson Tomato Vine CYMK Silk Screen Print Edition of 50 Size: H 70cm x W 50cm (Please note that in situ images are purely an indication of how a piece may look). Based on an o...

Kerry Day Cactus II Limited Edition Screen Print Edition of 20 Sheet Size: H 42cm x W 29cm x D 0.1cm Sold Unframed Please note that insitu images are purely an indication of how a pi...

Anna Harley Creation IV Limited Edition Print Screenprint on Somerset Satin Paper, printed to the deckle paper edge Edition of 30 Size: H 39cm x W 39cm x D 0.5cm Signed Sold Unframed Please note that any insitu images are purely an indication as to how a piece may look. Anna Harley is a professional fine art screen-printer, making prints at Spike Print Studio in Bristol. She has a Masters Degree in Multi-Disciplinary Printmaking and lives in South Bristol. Her handmade prints are produced in limited editions, so each print is an original artwork, not a reproduction of an artwork made in a different medium. She says, "the screenprinting process suits my practice, because it allows me to build images in fine layers of ink, printing layer upon layer until I am happy with the final print. I use a combination of drawing, digital photography and objects directly exposed on the screen, to create these individual layers. I enjoy the tension this creates in my images – is the print based on a drawing or photograph? Is it attached fabric, pencil marks or ink? While engaged in the creative process, I try to stay open minded about how the finished print will look, to allow the print to make itself – print is an extremely process led way of making art and allowing the unexpected to happen and taking advantage of these happy accidents allows the work to stay fresh and exciting." She is inspired by how it feels to be outside, tree silhouettes, passing seasons, the weather, and the sky and how it changes from sunrise to evening. "I love things that sparkle and twinkle. I often use metallic pigments and, in a move that fully embraced my inner kitsch, I have recently made a snow print using white glitter. " Anna’s work is rooted within the Landscape tradition, while the fabric textures in her prints are an echo of her Scandinavian Arts and Crafts...