William Walworth Stilson

St. John's Chapel, Varick Street, New York City, 1909 Etching, NYC History

1909

William Walworth Stilson, (American, 1874-1962) Signed: Walworth Stilson, (in plate, lower, right) " Hippodrome ”, 1910 Etching on thin paper, on loose sheet, a rich impression with a light stain outside of image. Museum matting and backing included. Plate Size: 6" x 3 3/4" Sheet Size: 11 3/4" x 9" A brief biography of this interesting artist will be included with this etching. Artist Biography: The facts regarding the life of Walworth Stilson are limited to a history of the Stilson family, census reports of New Milford, Connecticut, and a few details from a letter regarding prints by Stilson donated to the Metropolitan Museum of Art. ***Please view my other listings for more by Stilson*** Artist Biography: The facts regarding the life of Walworth Stilson are limited to a history of the Stilson family, census reports of New Milford, Connecticut, and a few details from a letter regarding prints by Stilson donated to the Metropolitan Museum of Art. Stilson’s father, William Bostwick Stilson, was born in New Milford, Connecticut on September 30, 1842, and worked as a civil engineer. His mother, Ida Cynthia Alford, was born in Oswego, New York on June 25, 1851. The two were married August 4, 1869. The couple resided in New Milford, where a son, Jay Alvord, was born April 24, 1870, a daughter Mabel Louise was born March 11, 1872, and William Walworth was born July 29, 1874. The family moved to Jackson, Michigan circa 1882, where the father worked for the Michigan Central...

William Walworth Stilson, (American, 1874-1962) Signed: Walworth Stilson, (in pencil, lower, right) & Walworth Stilson, (in plate, lower, right) " Grand Central Terminal from Murray Hill Hotel ", circa 1910-1915 Etching on wove paper, on loose sheet, a strong impression in good original condition. Museum matting and backing included. Plate Size: 9 7/8” x 7" Sheet Size: 16" x 11 5/16" This noted landmark of the city opened to the public, February, 1913, and remains one of the destinations for tourists. A brief biography of this interesting artist will be included with this etching. ***Please view my other listings for more by Stilson*** Artist Biography: The facts regarding the life of Walworth Stilson are limited to a history of the Stilson family, census reports of New Milford, Connecticut, and a few details from a letter regarding prints by Stilson donated to the Metropolitan Museum of Art. Stilson’s father, William Bostwick Stilson, was born in New Milford, Connecticut on September 30, 1842, and worked as a civil engineer. His mother, Ida Cynthia Alford, was born in Oswego, New York on June 25, 1851. The two were married August 4, 1869. The couple resided in New Milford, where a son, Jay Alvord, was born April 24, 1870, a daughter Mabel Louise was born March 11, 1872, and William Walworth was born July 29, 1874. The family moved to Jackson, Michigan circa 1882, where the father worked for the Michigan Central...

Hans Füsser (German, 1898-1959) Signed: Hans Füsser (Lower, Right) " Siebengebirge ", circa 1920s Etching Plate Size: 6 1/4" x 8 1/2" Housed in a 1/2" Frame Overall Size: 12 3/...

Werner Koepf, (German/American, 1909-1992) Signed: Koepf, '40, (lower, right) " Greenwich Village " , (titled by artist on stretcher verso) Oil on canvas 20" x 24" Housed in a ...

Medium: original etching. Printed in 1888 and published by The New York Etching Club. Image size: 5 3/4 x 3 1/2 inches (145 x 90 mm). Signed in the plate, not hand-signed. Condition...

Washington At Pohick Church - 1932 Etching On Paper 1932 black and white etching depicting George Washington at Pohick Church by Ernest David Roth (German, 1879-1964). George Washin...

'St. Mark's Church on the Bowery', aquatint with etching, edition not stated but small, 1932. Signed in pencil. Signed in the plate lower left and titled in the plate lower right. A superb, atmospheric impression, on cream wove paper, with full margins (1 1/8 to 2 inches), in excellent condition. Matted to museum standards, unframed. Image size 9 3/4 x 7 3/8 inches (248 x 187 mm); sheet size 13 1/8 x 10 inches (333 x 254 mm). Impressions of this work are held in the collections of the Princeton University Art Museum and the Five College Museums. ABOUT THE ARTIST Born in Vienna, Leon Dolice left a secure position in the family business to pursue his artistic interests. He began his art education in his teens and early twenties when he traveled through Europe to study the works of the Old Masters. He immigrated to America in 1920 and made his home in Manhattan. As a printmaker, he chose as his subjects the architecture, back streets, dock scenes, and other aspects of New York City life that were being overtaken by the modern world. In 1950, learning of the coming demolition of the Third Avenue El, Dolice created a series of Third Avenue and other New York City landmarks that were threatened with extinction. His images from that period provide a record of a New York that has passed into history. During his lifetime, Dolice exhibited throughout Europe and the United States. Retrospectives of his work include a one-man show of his graphic work at Tribeca Gallery, New York; the traveling exhibition ‘Vintage New York’ with the New Rochelle Council on the Arts; and the Hofstra Museum, Hempstead. Dolice's works are in the permanent collections of the Museum of the City of New York, the National Gallery of Art, the New York Historical Society, Georgetown University, the Philadelphia Print Club, and the New York Public Library, as well as private and corporate collections. ABOUT ST. MARKS CHURCH St. Mark's Church in-the-Bowery is a parish of the Episcopal Church located at 131 East 10th Street, at the intersection of Stuyvesant Street and Second Avenue in the East Village neighborhood of Manhattan in New York City. The property has been the site of continuous Christian worship since the mid-17th century, making it New York City's oldest site of continuous religious practice. The structure is the second-oldest church building in Manhattan. In 1651, Petrus Stuyvesant, Director General of New Netherland, purchased land for a bowery or farm from the Dutch West India Company and, by 1660, built a family chapel at the present-day site of St. Mark's Church. Stuyvesant died in 1672 and was interred in a vault under the chapel. Stuyvesant's great-grandson, Petrus "Peter" Stuyvesant, sold the chapel property to the Episcopal Church for $1 in 1793, stipulating that a new chapel be erected to serve Bowery Village, the community which had coalesced around the Stuyvesant family chapel. In 1795, the cornerstone of the present-day St. Mark's Church was laid, and the fieldstone Georgian-style church, built by the architect and mason John McComb Jr., was completed and consecrated on May 9, 1799.[4] Alexander Hamilton provided legal aid in incorporating St. Mark's Church as the first Episcopal parish independent of Trinity Church in New York City. By 1807, the church had as many as two hundred worshipers at its summer services, with 70 during the winter. While the 19th century saw St. Mark's Church grow through its many construction projects, the 20th century was marked by community service and cultural expansion. Today, the rectory houses the Neighborhood Preservation Center, the Greenwich Village Society for Historic Preservation, and the Historic Districts Council, as well as other preservation and community organizations such as the Poetry Project, the Millennium Film Workshop, and the Danspace Project. St Mark's has supported an active artistic community since the 19th century. In 1919, poet Kahlil Gibran was appointed a member of the St. Mark's Arts Committee, and the next year, the two prominent Indian statues, "Aspiration" and "Inspiration" by sculptor Solon Borglum...

James Irza Arnold (American, 1887-1965) "New York City Hall, Built 1804-1811,” circa 1920s Etching presented in gilt frame with gilt liner. sight: 18 ½ by 12 ½ inches frame: 24 ¾ b...