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19th Century American Etching

American Trees - Etching - 19th Century

American Trees - Etching - 19th Century

Located in Roma, IT

"Trees" is an original etching representing American plants and trees, realized an Anonymous artist for a german publication in 9th Century. The state of preservation of the artwork...

Category

19th Century Figurative Prints

Materials

Etching

Map of South America - Original Etching - Late 19th Century

Map of South America - Original Etching - Late 19th Century

Located in Roma, IT

This Map of South America is an etching realized by an anonymous artist. The state of preservation of the artwork is good with some small diffused stains. Sheet dimension: 41.5 x 2...

Category

Late 19th Century Modern Figurative Prints

Materials

Etching

19th century etching black and white seascape print figure waves rocks signed
19th century etching black and white seascape print figure waves rocks signed

19th century etching black and white seascape print figure waves rocks signed

By James Fagan

Located in Milwaukee, WI

"The Fisherman's Catch" is a signed (in pencil lower right and in plate lower left) etching by James Fagan. It depicts a fisherman walking on a beach in black and white. It is signed...

Category

1880s American Realist Landscape Prints

Materials

Etching

19th century landscape etching tree field black and white figure pastoral scene
19th century landscape etching tree field black and white figure pastoral scene

19th century landscape etching tree field black and white figure pastoral scene

By D. Landers, after Charles Harold Davis

Located in Milwaukee, WI

"Homeward Bound" is an original etching by D. Landers after a painting by Charles Harold Davis. The artist signed the piece lower right. It depicts a woman in a field. 13 1/4" x 20...

Category

1880s American Realist Landscape Prints

Materials

Etching

My Ain Fireside, from the portfolio Some Modern Etchings
My Ain Fireside, from the portfolio Some Modern Etchings

My Ain Fireside, from the portfolio Some Modern Etchings

Located in Middletown, NY

Etching on thick, hand made laid paper, 8 1/8 × 5 13/16 inches (206 × 148 mm), full margins. Scattered light age tone surface soiling, dog-eared corners, and minor edge nicks. An imp...

Category

Late 19th Century American Realist Portrait Prints

Materials

Handmade Paper, Laid Paper, Etching

Les Moissonneurs (The Reapers)

Les Moissonneurs (The Reapers)

By Alphonse Legros

Located in New York, NY

Alphonse Legros (1837-1921), Les Moissonneurs (The Reapers), etching, c. 1890, signed in pencil lower right margin. Reference: Bliss 464, third state (of 3). In excellent condition, ...

Category

19th Century American Realist Figurative Prints

Materials

Etching

Fly Fishing, Saranac Lake
Fly Fishing, Saranac Lake

Fly Fishing, Saranac Lake

By Winslow Homer

Located in Plano, TX

Fly Fishing, Saranac Lake. 1889. Etching, aquatint and burnishing. Goodrich 104. 14 1/4 x 20 5/8; sheet 18 1/2 x 24 1/2. Edition unknown but quite possibly intended 100; highest numb...

Category

Late 19th Century American Modern Figurative Prints

Materials

Etching

Becquet
Becquet

Becquet

By James Abbott McNeill Whistler

Located in Plano, TX

J. Becquet, Sculptor (The Fiddler). 1859. Drypoint. Kennedy 52 state iv; Glasgow 62. state i. 10 1/8 x 7 1/2 (sheet 15 5/16 x 9 3/4). Series: "Sixteen Etchings or Scenes on the Thame...

Category

Mid-19th Century American Impressionist Figurative Prints

Materials

Drypoint, Etching

A Burro Train, New Mexico
A Burro Train, New Mexico

A Burro Train, New Mexico

By Peter Moran

Located in San Francisco, CA

This artwork titled "A Burro Train, New Mexico" 1880 is an original etching on Laid paper by noted British/American artist Peter Moran, 1841-1914. It is signed in the plate as issue....

Category

Late 19th Century American Realist Animal Prints

Materials

Etching

The Rialto
The Rialto

The Rialto

By James Abbott McNeill Whistler

Located in New York, NY

A superb, richly-inked impression of this etching and drypoint, printed in dark brownish black on antique cream laid paper. Second state (of 3). Edition of approximately 30. Signed w...

Category

Late 19th Century American Impressionist Landscape Prints

Materials

Drypoint, Etching

Flowers of the Sea; Herbarium of foraged, pressed and mounted seaweed (etc.)
Flowers of the Sea; Herbarium of foraged, pressed and mounted seaweed (etc.)

Flowers of the Sea; Herbarium of foraged, pressed and mounted seaweed (etc.)

Located in Middletown, NY

An extensive, rare herbarium of Atlantic coast seaweed specimens collected between 1884 and 1885 from New York City to Nantucket. American School, 19th century Flowers of the Sea; H...

Category

19th Century American Realist Mixed Media

Materials

Handmade Paper, Drypoint, Etching

The Fair
The Fair

The Fair

By James Abbott McNeill Whistler

Located in Plano, TX

The Fair. 1895-96. Lithograph. Way 92, Levy 144, Tedeschi, Stratis and Spink 135 state ii. Image 9 1/4 x 6 1/2 (sheet 13 x 9 5/8). A fine impression printed on antique cream-laid pa...

Category

Late 19th Century American Modern Figurative Prints

Materials

Drypoint, Etching

Coenties Slip
Coenties Slip

Coenties Slip

By Charles Frederick William Mielatz

Located in Middletown, NY

Lower Manhattan and the Seaport as the artist imagined it would have appeared before 1835. New York: 1907. Etching with drypoint on Japon paper, 13 7/8 x 9 3/4 inches (353 x 248 mm...

Category

Late 19th Century American Modern Landscape Prints

Materials

Handmade Paper, Drypoint, Etching

A Burro Train, New Mexico

A Burro Train, New Mexico

By Peter Moran

Located in Middletown, NY

Etching with aquatint on heavy laid paper, 7 x 9 1/4 inches (172 x 233 mm), full margins. Signed in the plate, lower right image area. Minor corner loss, top right, and a 1/4 inch ed...

Category

Late 19th Century American Realist Animal Prints

Materials

Laid Paper, Etching

Fonte Nuova, Siena
Fonte Nuova, Siena

Fonte Nuova, Siena

By Joseph Pennell

Located in Middletown, NY

Etching with drypoint on lightweight Japon paper, 9 3/4 x 9 7/8 inches ( 247 x 250 mm); sheet 14 x 12 3/4 inches (355 x 324 mm), full margins. Signed in pencil in the lower margin. I...

Category

Late 19th Century American Modern Landscape Prints

Materials

Handmade Paper, Drypoint, Etching

Ruins of a Mosque, Tlemciem, Algeria
Ruins of a Mosque, Tlemciem, Algeria

Ruins of a Mosque, Tlemciem, Algeria

By Samuel Colman

Located in Middletown, NY

New York: New York Etching Club, 1887. Etching with aquatint in brown ink on cream laid paper, 4 x 5 inches (98 x 125 mm), full margins. In excellent condition.

Category

Late 19th Century American Realist Portrait Prints

Materials

Laid Paper, Etching, Aquatint

Recent Sales

The Olive Trees of the Riviera

The Olive Trees of the Riviera

By Charles Caryl Coleman

Located in Wellesley, MA

This image depicts the olive trees of the Riviera in France. It is a beautiful landscape image. More details: Etching on Satin. Signed in pencil. 11 x 15 1/4. In excellent...

Category

19th Century American Realist Landscape Prints

Materials

Etching

The Lime Burner

The Lime Burner

By James Abbott McNeill Whistler

Located in Wellesley, MA

Born in Lowell, Massachusetts, James McNeill Whistler became one of the most influential late 19th-century American painters and etchers, although he lived primarily in England.

Category

Late 19th Century American Realist Portrait Prints

Materials

Etching

Business Neglected

John George BrownBusiness Neglected, 1884

Unavailable

H 13.5 in W 9.5 in

Business Neglected

By John George Brown

Located in Wellesley, MA

Born into a poor family in Durham, England, John George Brown earned a reputation as one of 19th-century America's most skilled painters of children, especially entrepreneurial, chee...

Category

Late 19th Century American Realist Portrait Prints

Materials

Etching

Idyll
Idyll

Idyll

By Frederick Stuart Church

Located in Saint Augustine, FL

An original etching by American artist Frederick Stuart Church (1842-1924), titled "Idyll", 1888. Signed in the plate lower left. Mint Condition. Matted in 100% cotton, acid free mat...

Category

Late 19th Century American Impressionist Figurative Prints

Materials

Etching

Dissertation Upon Roasted Pig
Dissertation Upon Roasted Pig

Dissertation Upon Roasted Pig

By Frederick Stuart Church

Located in Saint Augustine, FL

An original etching by American artist Frederick Stuart Church (1842-1924) titled "Dissertation Upon Roasted Pig", 1884. Signed in the plate lower left "F. S. Church NY 83'". Publish...

Category

Late 19th Century American Impressionist Figurative Prints

Materials

Etching

The Court Jester
The Court Jester

The Court Jester

By William Merritt Chase

Located in Saint Augustine, FL

An original signed in the plate etching on Japan paper by American artist William Merritt Chase (1849-1916) titled "The Court Jester", 1878. Image size: 7' x 4'. Sheet size: 9 1/2" x...

Category

Late 19th Century American Impressionist Figurative Prints

Materials

Etching

Etching with Lighthouse by M.M.Taylor
Etching with Lighthouse by M.M.Taylor

Etching with Lighthouse by M.M.Taylor

By Margaret M. Taylor Fox

Located in Paonia, CO

Philadelphia born American painter, illustrator, and etcher Margaret M. Taylor Fox ( 1857 - c.1941 ) attended the Philadelphia Academy of Fine Arts which house a collection of her ...

Category

19th Century American Impressionist Landscape Prints

Materials

Etching

Annie Seated
Annie Seated

Annie Seated

By James Abbott McNeill Whistler

Located in Plano, TX

Annie Seated. 1858-59. Etching and drypoint. Kennedy 30.ii; Glasgow 32.iii. 5 3/4 x 3 3/4. Illustrated: Beall, American Prints in the Library of Congress; Lumsden, The Art of Etching...

Category

19th Century American Impressionist Portrait Prints

Materials

Drypoint, Etching

Black Lion Whart
Black Lion Whart

Black Lion Whart

By James Abbott McNeill Whistler

Located in Plano, TX

Black Lion Wharf. 1859. Etching. Kennedy catalog 42 state .iii; Glasgow catalog 54 state .iv. Image: 6 x 8 7/8 (sheet 8 x 11 7/8). Glasgow records 101 known impressions.Plate 1 fro...

Category

Mid-19th Century American Modern Landscape Prints

Materials

Etching

Little Arthur
Little Arthur

Little Arthur

By James Abbott McNeill Whistler

Located in London, GB

JAMES ABBOTT McNEILL WHISTLER (1834-1903) Little Arthur Signed in the plate Etching Framed Plate size 6 by 5 cm., 2 ¼ by 2 in. (frame size 24.5 by 22.5 cm., 9 ¾ by 9 in.) Early i...

Category

Mid-19th Century American Realist Figurative Prints

Materials

Etching

Bibi Lalouette.
Bibi Lalouette.

Bibi Lalouette.

By James Abbott McNeill Whistler

Located in Plano, TX

Bibi Lalouette. 1859. Etching and drypoint. Kennedy catalog 51. state i; Glasgow catalog 33 state ii. 9 x 6. Glasgow records 67 known impressions. A fine impression, printed with ton...

Category

19th Century American Modern Portrait Prints

Materials

Drypoint, Etching

The Music Room
The Music Room

James Abbott McNeill WhistlerThe Music Room, 1859

Sold

H 13.25 in W 17.25 in D 0.75 in

The Music Room

By James Abbott McNeill Whistler

Located in Plano, TX

The Music Room. 1859. Etching and drypoint. Kennedy catalog 33 state ii; Glasgow catalog 39 state iv. Image: 5 11/16 x 8 1/2 (sheet 8 1/2 x 11 1/4). Glasgow records 52 known impressi...

Category

Mid-19th Century American Modern Portrait Prints

Materials

Etching

New England Winter: The Old Homestead.
New England Winter: The Old Homestead.

New England Winter: The Old Homestead.

By Gustave Adolph Hoffman

Located in Plano, TX

New England Winter: The Old Homestead. 1896. Etching and aquatint printed in grey-green. 7 3/4 x 11 3/4 (sheet 10 x 13 1/16). A rich impression in printed on grey-green ink on white ...

Category

Late 19th Century American Modern Landscape Prints

Materials

Etching, Aquatint

A Span of Old Battersea Bridge (an English landmark and a  favorite of Whistler)
A Span of Old Battersea Bridge (an English landmark and a  favorite of Whistler)

A Span of Old Battersea Bridge (an English landmark and a favorite of Whistler)

By Sir Frank Short

Located in New Orleans, LA

This image is an original aquatint by Sir Frank Short and was not produced after the work of another artist. Hardie describes the scene, "Through an opening between the heavy timbers...

Category

Late 19th Century American Realist Landscape Prints

Materials

Etching, Aquatint

Becquet
Becquet

James Abbott McNeill WhistlerBecquet, 1859

Sold

H 10.13 in W 7 in D 0.5 in

Becquet

By James Abbott McNeill Whistler

Located in Plano, TX

J. Becquet, Sculptor (The Fiddler). 1859. Drypoint. 10 1/8 x 7 1/2 (sheet 12 3/4 x 9 1/2). Series: "Sixteen Etchings or Scenes on the Thames and Other Subjects" (Thames Set), plat...

Category

Mid-19th Century American Impressionist Figurative Prints

Materials

Drypoint, Etching

The Little Wheelwright's
The Little Wheelwright's

The Little Wheelwright's

By James Abbott McNeill Whistler

Located in Plano, TX

The Little Wheelwright's. 1886. Etching. Kennedy 245; Glasgow 242. 2 1/2 x 3 3/4 (sheet 5 1/8 x 6 1/8). There was no lifetime edition. Glasgow lists only 13 other known impressions. ...

Category

Mid-19th Century American Impressionist Figurative Prints

Materials

Etching

Niagara River
Niagara River

Niagara River

By Amos Sangster

Located in Buffalo, NY

A pair of Sangster etchings framed.

Category

19th Century American Realist Landscape Prints

Materials

Archival Paper, Etching

Landscape with Horses.
Landscape with Horses.

Landscape with Horses.

By James Abbott McNeill Whistler

Located in Plano, TX

Kennedy catalog 36 state ii; Glasgow 45 state ii. Image: 4 7/8 x 7 3/4 (sheet 6 7/8 x 9 5/8).The Glasgow catalog records 32 known impressions. A scarce early etching -- there was no ...

Category

Mid-19th Century American Impressionist Landscape Prints

Materials

Drypoint, Etching

Venice from the Sea
Venice from the Sea

Venice from the Sea

By Joseph Pennell

Located in Middletown, NY

A serene landscape of the Venetian skyline at twilight. Etching on watermarked W King cream wove paper, 3 7/8x 8 7/8 inches (97 x 212 mm), full margins. An excellent and well inked ...

Category

Late 19th Century American Modern Landscape Prints

Materials

Handmade Paper, Etching

Venice from the Sea

Venice from the Sea

By Joseph Pennell

Located in Middletown, NY

Etching on W King cream wove paper, 3 7/8x 8 7/8 inches (97 x 212mm), full margins. Signed in the plate, upper right. An excellent and well inked impression. Horizontal watermark, lo...

Category

Late 19th Century American Modern Landscape Prints

Materials

Handmade Paper, Etching

Goshawk / Stanley Hawk [Plate 141]
Goshawk / Stanley Hawk [Plate 141]

Goshawk / Stanley Hawk [Plate 141]

By John James Audubon

Located in New York, NY

Hand-colored etching Aquatint Numbered (at upper right); inscribed (at lower left center and lower right center) John James Audubon’s keen observation, passion for the natural ...

Category

19th Century American Realist Animal Prints

Materials

Aquatint, Etching

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19th Century American Etching For Sale on 1stDibs

Find the exact 19th century american etching you’re shopping for in the variety available on 1stDibs. There are many Impressionist and modern versions of these works for sale. Adding a 19th century american etching to a room that is mostly decorated in warm neutral tones can yield a welcome change — find a piece on 1stDibs that incorporates elements of beige, gray, brown, white and more. A 19th century american etching from James Abbott McNeill Whistler, Peter Moran, Samuel Colman, James Fagan and D. Landers, after Charles Harold Davis — each of whom created distinctive versions of this kind of work — is worth considering. Artworks like these — often created in etching, drypoint and engraving — can elevate any room of your home. A large 19th century american etching can be an attractive addition to some spaces, while smaller examples are available — approximately spanning 2.75 high and 1.88 wide — and may be better suited to a more modest living area.

How Much is a 19th Century American Etching?

The average selling price for a 19th century american etching we offer is $1,600, while they’re typically $150 on the low end and $99,500 for the highest priced.

Finding the Right Prints And Multiples for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.