Prints and Multiples

Serigraph on paper. Hand signed and numbered by the artist. Image size approx 16 x 16 inches. Edition of 275. Artwork is in excellent condition. Certificate of Authenticity is inc...

mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from Christian Stoll‘s body of works titled 'Hemisphere' Hemisphere I by Ch...

large scale photograph of the iconic HOLLYWOOD sign in golden California sunlight with downtown Los Angeles in the distance HOLLYWOOD by Christian Stoll 48 x 48 inches (122 x 122c...

large scale conceptual environmental still life photographs playing with viewer's perspective creating individual letters from found objects spelling the word HOPE H-O-P-E by Christian Stoll Focusing in on this epic photograph work, you will find yourself lost in the artwork's details. Reminiscent of the appropriation artwork of Vik Muniz, Christian Stoll arranges everyday objects to spell letters of the alphabet. Only at close inspection does the viewer realize he/she is looking at an actual photograph, created in camera rather than with digital manipulation. _________________________ Artwork can be installed vertically or horizontally and across multiple walls 4 individual photographs individual artwork size 24 x 24 inches (61 x 61cm) horizontal artwork...

a large scale photograph of lush emerald green nature oasis, a highly detailed observation of the soothing natural beauty of the California redwood forest Redwoods (hexaptych) by Er...

FRANCES H. GEARHART and Sisters (THE GEARHARTS) FRUIT FOR SALE c.1928 Color block print. Unsigned. This is an original block print from “Let’s Play”, an intended but unpublished children’s book done in collaboration with her sisters Edna and May in 1928. Image 8 x 7 inches. On a tissue thin laid paper. Irregular sheet 9 3/8 x 8 1/2. The entire series consisted of over 20 children's images. There were very few printed. The editions of the various children varied but likely no more than 50. This impression very well printed with good colors, Very good condition. The margins are likely as issued with the irregular edges. The margins and paper used for this series varies from one print to the next. A bit of tape remnants at top center sheet edge. A very nice example of this print. It is not unusual for impressions of this series to be unsigned, although many are signed "The Gearharts" The Provenance of this example is fascinating. It was acquired from a gentleman who knew the Gearharts as a child in the early 50's in Pasadena. It was part of a collection given to him by Frances. In his adult years he was in the military and took the collection with him as he traveled around Europe, After 81 years, based on the original prints, this book was published by the “California Book...

Very beautiful poster to promote the 1990 French Tennis Open (Roland Garros Tournament) now called Roland Garros, which is one of the four Grand Slam tournaments. Since 1980, the F.F...

Large format photograph of a summer beach scene on the Mediterranean island of Lampedusa, from an earlier body of works (2012) by iconic Italian photographer Massimo Vitali, renowned...

An original hand-colored lithograph on wove paper after American artist John James Audubon (1785-1851) titled "Grey Fox", 1849-1870. (Plate 21, No. 5). Limited edition: approx. 8,000...

Tracey Emin Curled Up, 2022 Two colour lithograph on Somerset Velvet Warm White 400 gsm paper 23 3/5 × 29 9/10 inches Edition 99/100 Signed, dated and numbered in graphite pencil low...

This poster was printed for an exhibition of Chagall's monumental work held at the National Museum, Nice 1974. Published by the Society of Friends of the National Marc Chagall Biblic...

White Glove ( Michael Jackson ) by Tom Schierlitz a highly detailed still life photograph of the glamorous King of Pop 's iconic Swarovski crystal rhinestone leather glove 64 x 48 i...

An original signed screenprint on unbranded heavy white wove paper by American artist/art publisher Sewell Sillman (1924-1992) titled "I-S #1", 1968. Hand pencil signed and dated by ...

A wonderful small-scale abstract cubist etching by Bay Area artist Michael Pauker (American, b. 1957). Numbered ("1/4") and signed "Michael Pauker" along the bottom edge. Acquired wi...

mesmerizing baroque details in a long forgotten Mediterranean architecture masterpiece discovered in baroque Sicily, Italy 50 x 44 inches /...

Paper Size: 28.5 x 20 inches ( 72.39 x 50.8 cm ) Image Size: 19.5 x 20 inches ( 49.53 x 50.8 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: Czwiklitzer #276A. A rare exhibition poster...

Wooden postcard Open edition Not signed or numbered Mint Our mission is to connect art collectors to opportunity. Whether it be figurative, abstract o...

“Maternity, Nature & Peace” shows a mother cradling a young child along with Alvar’s allegorical representation of community, peace and nourishment. Warm colors compose the image wit...

Published for a major American Art retrospective in Milan, Italy from a collection from the Whitney Museum. The image of “Three Flags, 1958” was used for the design of this exhibiti...

Paper Size: 39 x 27.5 inches ( 99.06 x 69.85 cm ) Image Size: 26 x 26 inches ( 66.04 x 66.04 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional ...

Kate Heiss Sunflower Fields Linocut Edition of 30 Image Size 30 x 30cm Mounted size 40x 40cm Oil based inks on 300GSM Soft white Somerset Velvet Paper Signe...

Jean-Baptiste VALADIE Treasure : Harlequine Original lithograph Handsigned in pencil Limited /199 copies On vellum 71 x 55 cm (c. 28 x 22 in) Excellent condition

Artist: Jean Jansem (French/Armenian, 1920-2013) Title: Les Quais a Venise Year: 1966 Medium: Color lithograph Edition: Numbered 127/160 in pencil Paper: Arches paper Image size: 18....

Known for their work in painting, photography, sculpture, and film, McDermott & McGough comprises visual artists David McDermott and Peter McGough, who formed their partnership on th...

Paper Size: 14.5 x 10.5 inches ( 36.83 x 26.67 cm ) Image Size: 13.5 x 9.5 inches ( 34.29 x 24.13 cm ) Framed: No Condition: A: Mint Additional Details: Lithograph from the boo...

This artwork is a original embellish serigraph on canvas by French artist Fanch (Francois Ledan, born 1949) it is signed at the lower right corner. The canvas size is 18.75 x 15.5 in...

First edition poster from the Bicentennial series commissioned by Mobil Oil Corporation for the Bicentennial. Recognized by the American Revolution Bicentennial Administration. Pape...

Amazing work that is quite powerful in person! Must see. The Pathfinder, 2020, Giclee Print On 300 gsm cotton rag. 28 × 32 in from an Edition of 539. O...

Paper Size: 14 x 11 inches ( 35.56 x 27.94 cm )_x000B_Image Size: 9.5 x 8.25 inches ( 24.13 x 20.955 cm )_x000B_Framed: No_x000B_Condition: B: Very Good Condition, with signs of hand...

Winning buyer: Use code FREESHIP for complimentary packing and shipping (some exclusiions apply) Gorgeous Yayoi Kusama offset lithograph poster published by David Zwirner...

THE HAWK is an original hand drawn lithograph by the Argentine artist, Aldo Luongo. Hand printed at Circle Gallery NYC using traditional lithography methods ...

Artist: Theo Tobiasse (French/Israeli, 1927-2012) Title: La Princesse et le Bouffon Year: 1978 Medium: Color lithograph Edition: Numbered 60/175 in pencil Paper: Wove Image siz...

Abstract figurative woodblock print of a beach landscape with a boat. The print is stamped by the artist and titled and editioned in pencil. This print is editioned 47 of 86 and the print is not currently framed. Artist Biography: Born in Gastonia, North Carolina in 1924, John Biggers studied at Hampton Institute (now Hampton University) under Viktor Lowenfeld and muralist Charles White. In 1943, Biggers' mural, Dying Soldier, was included in the exhibition curated by Lowenfeld, Young Negro Art, at the Museum of Modern Art in New York. After serving in the United States Navy, Biggers transferred to Pennsylvania State University where he earned his bachelor’s and master’s degrees as well as his doctorate in art education. In 1949, Biggers accepted a faculty position at Texas State University for Negroes (now Texas Southern University) in Houston, where he founded and chaired the art department until his retirement. In the early 50s, he won prizes for his work at annual exhibitions held at the Museum of Fine Arts, Houston and the Dallas Museum of Art. In 1957, he traveled to Africa on a UNESCO fellowship to study Western African cultural traditions, becoming one of the first black artists to study the culture first-hand rather than through library research. His work was profoundly influenced by his experiences in Africa. He was known for his murals, but also for his drawings, paintings, and lithographs, and was honored by a major traveling retrospective exhibition from 1995 to 1997. He created archetypal imagery that spoke positively to the rich and varied ethnic heritage of African Americans, long before the Civil Rights era drew...

Boyer, Ralph L. (American, 1879-1952). CENTRE HARBOR, N.H. Etching, not dated. Number 12 of the edition of 60. Signed in pencil and inscribed "imp rlb" just below the image. Further inscribed in the lower margin with the Title, the edition size and number, and the artist's name and "Westport, Conn." where he lived and worked. 9 7/8 x 7 3/4 inches (plate), 13 x 10 1/2 inches (sheet). Tape residue at the upper corners, else in very good condition. Boyer was well known as a sporting artist. Derrydale...

Takanawa no kihan is a modern artwork realized between 1843 and 1847 after Utagawa Hiroshige. Ukiyo-e color woodblock print from the Touto hakkei (The Eight Famous Views of the Capital of the East) series. Mounted under passepartout. The artwork depicts the port of Takanawa, a suburb of Minato in southern Tokyo, and is one of the very rare sheets by Utagawa Ando Hiroshige...

Artist: Alvar Title: Woman with Birds Year: c.1980 Medium: Color lithograph Paper: Wove Image size: 18.5 x 24.5 inches Framed size: 26.5 x 32.65 inc...

large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the body of works titled 'Hemisphere' Hemisp...

Forever (Small), 2020 Damien Hirst Laminated Giclee print on aluminium composite panel Stamp signed and numbered from the edition of 2573 on a label affixed verso Published by Heni ...

Salvador DALI Much Ado About Shakespeare : Romeo and Juliet, 1968 Original etching Handsigned Justified EA On Japan paper 33.5 x 25 cm (c. 13 x 10 inch) REFERENCES : - Catalog ra...

Original poster: Palm Springs The Desert Oasis original poster by Bill Ogden. The poster is not linen-backed. Excellent condition. Mint. 1969. ...

Louisa Chase was born in Panama City, Panama. Seven years later, her family moved to Lancaster, Pennsylvania. She studied painting and sculpture at Syracuse University and at the Yal...

Copper-line engraving by Jacobus Houbraken (1698-1780) after the painting by Gibson. Houbraken was a Dutch engraver famous for his series of portraits of famous English historical f...

Bright vibrant blue, yellow lithograph in color. This is signed in the plate and dated. Dufy's abstract drawing lithograph was drawn by the artist direct on to plastic plates newly developed by Cowell's of Ipswich, and proofed under his supervision. The original edition called for 3000. I do not know how many were actually printed. The sheer logistics of the operation, the costly effort of distribution to over 4000 schools, finally ended the great adventure of the School Prints...

This artwork "Two Horsemen" c.1960 is an original woodcut by noted Japanese artist, Tomikichiro Tokuriki, 1902-1999. It is hand signed and numbered 38/100 in pencil by the artist. The image (Block mark) size is 15.25 x 20.5 inches, sheet size is 16.5 x 21.15 inches. It is in very good condition, hanging tape remaining on the back. About the artist: Print artist. Tokuriki was born in Kyoto, where he has always worked. The last of a long line of traditional-style painters, he turned early to woodblock prints and became a leader of the Kyoto 'Sosaku Hanga'. He graduated from the Kyoto City School of Fine Arts and Crafts and then from the Kyoto City Specialist School of Painting in 1924. In 1928 he studied 'Nihonga' painting under Tsuchida Bakusen (1887-1936) and Yamamoto Shunkyo (1871-1933) and exhibited with Kokuga Sosaku Kyokai, but about the same time in 1929 he changed to woodblock printing under the influence of Hiratsuka Un'ichi and began to contribute to the early print magazine 'Han'. He was a member of Nihon Hanga Kyokai from 1932, and active in promoting 'Sosaku Hanga' in Kyoto. He was a co-founder of the Kyoto magazine 'Taishu hanga' in 1932, which helped create the sense of a local school of the Creative Print Movement much encouraged by Hiratsuka. He produced many sets of prints before and during the Pacific War based on traditional subjects, such as 'Shin Kyoto fukei' ('New View of Kyoto', 1933-4), which also included designs by Asada Benji (q.v.) and Asano Takeji (b.1900), and 'Tokyo hakkei' ('Eight Views of Tokyo', 1942). Most of these were published by Uchida of Kyoto, but after the war Tokuriki set up his own publishing company called Matsukyu, which also began to teach block-carving to artisans and artists, in later years many of them foreigners. In 1948 he also set up a sub-company called Koryokusha consisting of artists who would produce their prints under the financial umbrella of Matsukyu. Later sets include 'Hanga Kyoto hyakkei' ('One Hundred Print Views of Kyoto', 1975). Tokuriki has continued to be active in teaching and writing, producing a long series of articles on print techniques in 'Hanga geijutsu' magazine during the 1970s. Bibliography Smith, Lawrence, 'Modern Japanese Prints 1912-1989: Woodblocks and Stencils', BMP, London, 1994, p. 36 and no. 50.Statler, Oliver, 'Modern Japanese Prints: An Art Reborn', Turtle, Rutland, Vermont, and Tokyo, 1956, pp. 118-22.Tokuriki, Tomikichiro (trans. Arimatsu, Teruko), 'Woodblock Printing', Arimatsu Color Book Series no. 14, 8th English edn, Hoikusha, Osaka, 1977.Kanagawa Prefectural Museum of Modern Art, 'Kindai Nihon no mokuhanga-ten', exh. cat., 1990.Merritt, Helen, 'Modern Japanese Woodblock...

Copper-line engraving by Jacobus Houbraken (1698-1780) after the painting by Godfrey Kneller. Houbraken was a Dutch engraver famous for his series of portraits of famous English his...

'Popular Astronomy' Vanity Fair portrait of Irish astronomer Sir Robert Stawell Ball (1840-1913). In 1867 he became Professor of Applied Mathema...

Many places, many times intermingle in the work of Roberto Juarez. His life is so much a part of his work, that each new body of work introduces subjects, styles and motifs that see...

Publisher GKM. Unframed. Edition of 200 ex. Paper: 300gr. Goya. Signed, dated and numbered. Free shipment worldwide. Corneille, one of the founders of the COBRA group, has passed ...

Ranchos Winter by American impressionist Robert Daughter shows two women approaching the pueblo with the sun reflecting off the sides of the buildin...

This is a cast metal sculpture of a woman and child, mother and baby in a rocking chair. It has a patina on a white metal. Not sure if it is steel or aluminum. It is and older vintage piece and has wear to patina where it sits and rocks on table. It is not signed or numbered and there is no foundry mark. Hence it is being sold as being after or in the manner of Henry Moore. Henry Spencer Moore (1898 – 1986) Moore was born in Castleford, the son of a coal miner. He became well-known through his carved marble and larger-scale abstract cast bronze sculptures, and was instrumental in introducing a particular form of modernism to the United Kingdom later endowing the Henry Moore Foundation, which continues to support education and promotion of the arts. After the Great War, Moore received an ex-serviceman's grant to continue his education and in 1919 he became a student at the Leeds School of Art (now Leeds College of Art), which set up a sculpture studio especially for him. At the college, he met Barbara Hepworth, a fellow student who would also become a well-known British sculptor, and began a friendship and gentle professional rivalry that lasted for many years. In Leeds, Moore also had access to the modernist works in the collection of Sir Michael Sadler, the University Vice-Chancellor, which had a pronounced effect on his development. In 1921, Moore won a scholarship to study at the Royal College of Art in London, along with Hepworth and other Yorkshire contemporaries. While in London, Moore extended his knowledge of primitive art and sculpture, studying the ethnographic collections at the Victoria and Albert Museum and the British Museum. Moore's familiarity with primitivism and the influence of sculptors such as Constantin Brâncuși, Jacob Epstein, Henri Gaudier-Brzeska and Frank Dobson led him to the method of direct carving, in which imperfections in the material and marks left by tools became part of the finished sculpture. After Moore married, the couple moved to a studio in Hampstead at 11a Parkhill Road NW3, joining a small colony of avant-garde artists who were taking root there. Shortly afterward, Hepworth and her second husband Ben Nicholson moved into a studio around the corner from Moore, while Naum Gabo, Roland Penrose, Cecil Stephenson and the art critic Herbert Read also lived in the area (Read referred to the area as "a nest of gentle artists"). This led to a rapid cross-fertilization of ideas that Read would publicise, helping to raise Moore's public profile. The area was also a stopping-off point for many refugee artists, architects and designers from continental Europe en route to America—some of whom would later commission works from Moore. In 1932, after six year's teaching at the Royal College, Moore took up a post as the Head of the Department of Sculpture at the Chelsea School of Art. Artistically, Moore, Hepworth and other members of The Seven and Five Society would develop steadily more abstract work, partly influenced by their frequent trips to Paris and their contact with leading progressive artists, notably Pablo Picasso, Georges Braque, Jean Arp and Alberto Giacometti. Moore flirted with Surrealism, joining Paul Nash's modern art movement "Unit One", in 1933. In 1934, Moore visited Spain; he visited the cave of Altamira (which he described as the "Royal Academy of Cave Painting"), Madrid, Toledo and Pamplona. Moore made his first visit to America when a retrospective exhibition of his work opened at the Museum of Modern Art in New York City.[28] Before the war, Moore had been approached by educator Henry Morris, who was trying to reform education with his concept of the Village College. Morris had engaged Walter Gropius as the architect for his second village college at Impington near Cambridge, and he wanted Moore to design a major public sculpture for the site. In the 1950s, Moore began to receive increasingly significant commissions. He exhibited Reclining Figure: Festival at the Festival of Britain in 1951, and in 1958 produced a large marble reclining figure for the UNESCO building in Paris. With many more public works of art, the scale of Moore's sculptures grew significantly and he started to employ an increasing number of assistants to work with him at Much Hadham, including Anthony Caro and Richard Wentworth. Moore produced at least three significant examples of architectural sculpture during his career. In 1928, despite his own self-described "extreme reservations", he accepted his first public commission for West Wind for the London Underground Building at 55 Broadway in London, joining the company of Jacob Epstein and Eric Gill. At an introductory speech in New York City for an exhibition of one of the finest modernist sculptors, Alberto Giacometti, Sartre spoke of "The beginning and the end of history" Moore's sense of England emerging undefeated from siege led to his focus on pieces characterised by endurance and continuity. Yet Moore had a direct influence on several generations of sculptors of both British and international reputation. Among the artists who have acknowledged Moore's importance to their work are Sir Anthony Caro,[ Phillip King and Isaac Witkin, all three having been assistants to Moore. Other artists whose work was influenced by him include Helaine Blumenfeld, Drago Marin Cherina, Lynn Chadwick, Eduardo Paolozzi, Bernard Meadows, Reg Butler, William Turnbull, Robert Adams, Kenneth Armitage, and Geoffrey Clarke...

Erté (Romain de Tirtoff) (1892-1990) 'Manhattan Mary IV' Serigraph (Silk screen print) (Artist's Proof IL/L) Signed in pencil 70 x 56cm (sheet) 41.5 x 3...

Jaime Corum's equine portraiture captures the conformation and the spirit of the horse through an understanding informed by years of experience in equine s...

THE DOOR OF JUSTICE is an original, hand drawn, limited edition lithograph by the highly acclaimed African-American woman artist Elizabeth Catlett, master printmaker and sculptor bes...

Sunflower is painted from nature, flowers donated for my birthday. They touched me with their simplicity, I imagined a picture of a sunny day on the field sown with a sunflower :: Di...

The Forager convenes with the council of miniature sprites in a sylvan glen, the figures delicately illuminated with holographic foil and dimensional details. This elaborate print fe...

This piece is an original lithograph in colors on wove paper created by Wifredo Lam in 1947. Lam, was a Cuban artist who sought to portray and revive the enduring Afro-Cuban spirit ...

Francis Bacon Grand Palais, 1972: Vintage 1970s Francis Bacon exhibition poster published on the occasion of: Francis Bacon at the Gran...

In the early 1970s, skate culture and street art became deeply intertwined, and a new medium for artists was born: the skate deck. In earlier days, when skateboarding was a still a subculture on the fringe, simply being a skater was enough to set oneself apart from the crowd. However, the growing popularity of the sport pushed many creative skaters to find ways to individualize their boards. Borrowing from motifs and styles popularized by graffiti artists, skaters designed the undersides of their boards an extension of themselves. In the decades since, fine art, street art, and skate culture have become inseparable, with renowned artists like Keith Haring, Shepard Fairey, Yayoi Kusama, and Yoshitomo Nara reproducing some of their most famous works on the decks of skateboards. RETNA Beyond The Streets Limited Edition Skate Deck From a sold out edition of 75. Blue and white. Published in conjunction with the 2018 Los Angeles exhibit, Beyond the Streets. Medium: Silkscreen on maplewood skateboard deck Dimensions: 8 x 31 inches New and sealed in its original packaging. World renown street and studio artist, RETNA (American b. 1979) creates work that blends free-hand graffiti styling with influences from ancient Egyptian hieroglyphics and archetypal calligraphy. Retna has become known for his long and geometric script, which he developed while looking towards Egyptian and Native American traditional...