Miniature Abstract Sculptures

Al Loving Have a Nice Day, 1992 Mailbox, acrylic paint, rag paper 8 1/2 inches high x 6 1/2 inches wide x 18 3/4 inches deep Al Loving studied painting at the University of Illinoi...

Rust Never Sleeps Platter, Ceramic Sculpture by Daniel Duford, 2023 Additional information: Medium: Ceramic sculpture Dimension: 15 × 15 × 4 in (38.1 × 38.1 × 10.2 cm) About artist...

Antonio Puri's "Tantra" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny seed beads adhered to canvas in a range of red hues, crea...

Antonio Puri's "Tantra" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny seed beads adhered to canvas in a range of red hues, crea...

KAWS is a multi-faceted artist straddling the worlds of art and design in his prolific body of work that ranges from paintings, murals, and large-scale sculptures to product design a...

Eva Bouzard-Hui (American, 1936-2023) Abstract Figural Pottery Sculpture, depicting alligator crawling up woman's torso, with woman on it's back and eating another figure, with sequi...

Eva Bouzard-Hui (American, 1936-2023) Three Abstract Art Pottery Sculptures, celadon glaze, apparently unsigned. 7.5" H x 8" W x 3.5" W. Provenance: Eva Bouzard-Hui artist estate. No...

Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires that the prettiness of an initial surface is made ugly, or there’s a conscious choice to avoid balance in the composition. Hers is a largely intuitive process, the materials entice her. Inspiration from the world that we don't call “art” is where she finds her muse: a wall, a landscape, a window shade transfused with light, a stretch of sand and shadow. Most influential are predecessors like Burri, Vicente, Tapies, Motherwell, Rauschenberg, medieval cloisonné, Vermeer, Breughel, and many, many more. A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC government; and several years as a lawyer at a large NYC law firm. “I was brought up going to galleries and museums, a sometimes reluctant attendant to my parents’ passion for looking and for collecting. My own expressive energy must have simmered internally for years, occasionally emerging in photography, in quilt-making, in other tentative explorations, and certainly in providing opportunity and materials for my children to create. Not until those children were nearly grown did I come unequivocally to the need to make art myself.” In late 2006 Diane began making collages that started her on her current path; in late 2007 she left her consulting job to focus on her artwork full-time. She has studied with Bruce Dorfman at the Art Students League in New York, and has had solo exhibits at the Alexey von Schlippe...

May Wilson (1905–1986) was an American artist and figure in the 1960s New York City avant-garde art world. A pioneer of the feminist and mail art movement, she is best known for her Surrealist junk assemblages and her "Ridiculous Portrait" photo collages. Wilson was born in Baltimore, Maryland, into an underprivileged family. Her father died when she was young. She was reared by her Irish Catholic mother, who sewed piecework at home. Wilson left school after the ninth grade to become a stenographer/secretary to help support her family. When she turned 20, she married a young lawyer, William S. Wilson, Jr., and give birth to her first child. She continued to work until the birth of her second child, after which she devoted her energies primarily to mothering and homemaking. In 1942, the couple had prospered enough to move to Towson, Maryland, where she began to take correspondence courses in art and art history from several schools, including the University of Chicago. In 1948, after the marriage of their daughter, the couple moved to a gentleman's farm north of Towson, where she pursued painting and gave private art lessons to neighbors. She exhibited her paintings, scenes of everyday life painted in a flat, purposefully primitive manner in local galleries and restaurants. In 1952 and 1958, she won awards for work submitted to juried exhibitions at the Baltimore Museum of Art. In 1956, her son, the writer Williams S. Wilson, gave to Ray Johnson, the founder of the New York Correspondence School, his mother's address. This began a friendship and artistic collaboration between Johnson and Wilson, which would last the remainder of her life. Wilson became an integral part of Johnson's mail art circle and was initiated into the New York avant-garde through letters and small works that she exchanged with Robert Watts, George Brecht, Ad Reinhardt, Leonard Cohen, Arman, and many others. When her marriage dissolved, she moved to New York City in the spring of 1966, aged 61, taking up residence first in the Chelsea Hotel and then in a studio next door, where she threw legendary soirées and became known as the "Grandma Moses of the Underground". By the time she arrived, Wilson was already working with photomontage collage techniques. Encouraged by Johnson, who had sent her magazines through the mail, she scissored patterns into images of pin-up girls and muscle men until they resembled doilies or snowflakes, as Wilson called them. She decorated her hotel room and later her studio on West 23rd Street with these and other manipulated, found object images. Around this time, she also began her series of neo Dada "Ridiculous Portraits", for which she would ride the subway to Times Square, where she made exaggerated faces in photo booths. She then would cut and paste her photo-booth face onto postcards, along with Old Master reproductions, fashion shoots, and softcore Playboy magazine pornography. Long before artists such as Cindy Sherman and Yasumasa Morimura embarked on similar critical projects, Wilson's "Ridiculous Portraits" sent up the ubiquitous sexism and ageism that exists in popular and fine-art images of women. At the age of 70, she converted a nude photograph of herself into a stamp that she pasted on envelopes. Her collages and humorous self-portraits were made as gifts and mail-art items for her friends and were not widely known until after her death. Her work was contemporaneous with the Arte Povera artists Jannis Kounellis and ‎Michelangelo Pistoletto. She was also an innovator of junk art assemblages that incorporated real objects, such as high-heel shoes, bed sheets, sauce pans, toasters, liquor bottles, ice trays, and wrapped baby dolls. Her sculptures were inspired by Surrealist and Dada practices and are similar in spirit to Yayoi Kusama's contemporary accumulations. Wilson was the subject of a 1969 experimental documentary by Amalie R. Rothschild, "Woo Hoo? May Wilson". Since her death, May Wilson's work has been featured in numerous exhibitions and retrospectives at the Baltimore Museum of Art, Maryland; Gracie Mansion Gallery, New York; the Morris Museum, Morristown, N.J.; the Pavel Zoubok Gallery, New York City; and The University of the Arts, Philadelphia. Selected Exhibitions 2010 "Seductive Subversion: Women Pop Artists, 1958-1968", University of the Arts, Philadelphia (traveling exhibition) 2008 "1968/2008: The Culture of Collage", Pavel Zoubok Gallery, New York, City 2008 "Ridiculous Portrait: The Art of May Wilson", Morris Museum, Morristown, New Jersey 2008 "Woo Who? May Wilson", Pavel Zoubok Gallery, New York City 1995 [Retrospective], The Baltimore Museum of Art, Maryland 2001 "May Wilson: Ridiculous Portraits and Snowflakes", Gracie Mansion Gallery, New York, City 2001 "Inside Out: Outside In-The Correspondence of Ray Johnson and May Wilson", Sonoma Museum of Visual Art, California 1991 "May Wilson: The New York Years", Gracie Mansion Gallery, New York City 1973 "Sneakers", Kornblee Gallery, New York City 1973 "Small Works: Selections from the Richard Brown Baker Collection of Contemporary Art", RISD Museum, Providence, Rhode Island 1971 Corcoran Gallery of Art, Washington, D.C. 1970 "Sculpture Annual 1970", Whitney Museum of American Art, New York City 1965 The Baltimore Museum of Art, Baltimore, Maryland 1962 The Johns Hopkins University, Baltimore, Maryland 1957 Bookshop Gallery, Baltimore, Maryland Public collections Whitney Museum of American Art (New York City) The Baltimore Museum of Art (Baltimore, Maryland) Brooklyn Museum (Brooklyn, New York) References William S. Wilson, "May Wilson: Constructing Woman (1905-1986)", in Ann Aptaker, ed., Ridiculous Portrait: The Art of May Wilson, ed. Ann Aptaker, Morristown, N.J.: Morris Museum, Camhi, Leslie, "Late Bloomer", Village Voice, December 18, 2001 Giles, Gretchen, "Cosmic Litterers: Artists Ray Johnson and May Wilson: Taking the Cake", "Northern California Bohemian," June 14–20, 2001 McCarthy, Gerard, "May Wilson: Homespun Rebel", Art in America, vol. 96, no. 8, September 2008, pp. 142–47 Sachs, Sid and Kalliopi Minioudaki, Seductive Subversion: Women Pop Artists, 1958-1968. Philadelphia: The University of the Arts, 2010, ISBN 978-0789210654 Wilson, William S. Art is a Jealous Lover: May Wilson: 1905-1986, andy warhol...

"Self-Fish series No 3" Ceramic Abstract Sculpture 13" x 11" in by Lika Brutyan Medium: Clay Lika Brutyan is American photographer, was born in a family of scientists and artists i...

Three Duck Egg Blue Horse Hair Raku Fired Ball Vases by Tamsin Levene. Three Duck Egg blue horse hair raku fired ball vases. Set contains small vase, medium vase, and large vase.  ...

Earthenware, 1986 Publisher : Atelier de Segries (Moustiers-Sainte-Marie) Diameter: 25cm The energy of the artist's gesture can be seen in the peta...

Drawing inspiration from ancient ceramic traditions, including Korean pottery and the Japanese wabi-sabi aesthetic, Laura Pasquino (Grège Gallery) explores the beauty of imperfection...

Linda Stein, Spoon to Shell 917 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 917 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

Christopher Adams creates sculptures that play on biological concepts, specifically adaptive radiation, whereby a pioneering organism enters an untapped environment and then differentiates rapidly without departing too much from its original form. His sculptures suggest varieties of creatures, but not necessarily a specific organism. Many works are suggestive of plant life with leafy tendrils and frayed edges. Adams graduated magna cum laude from Harvard College...

"I am drawn to the aesthetic qualities of jewelry. This interest stems from the color, texture, variety and the association with the female body that jewelry contains. I experiment...

Metallic porcelain multiple. Numbered 13872/2300 on the base. Original printed booklet numbered 1382/2300 in ink on the justification page. Produced by Bernardaud, Limoges. Published...

"The Stationary Pot" by Katharine Morling – Porcelain Sculpture of office and Studio Creative Items Delicate yet bold, The Stationary Pot by Katharine Morling transforms traditional...

Susan Hensel designs images in the computer using specialized software.  It is a form of drawing in stitches that combines aspects of both Adobe Photoshop...

José Sierra is a self-taught artist and ceramicist, born in Mérida, Venezuela in 1975. His work draws inspiration from his heritage, along with pre-Hispanic art, East Asian pottery,...

Set of 3 black ceramic gourd sculptures by Michael Boroniec - ceramic, glaze Dimensions: Left. 17.25 x 4.5 x 4.5 in Center. 24.5 x 6.5 x 6.5 in Right: 20.5 x 5.25 x 5.25 in Michael Boroniec’s "Gourd Vessels" are works that stem from a long tradition of emulating the gourd in utilitarian wares since the Neolithic age. The works are wheel thrown with a localized clay body found in Berkshire County...

Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The sculpture "NESTING LOTUS #3" is a prime...

A glass sculpture by Lino Tagliapietra. "Mandara" is executed in blues, green and black by contemporary artist Lino Tagliapietra. Signed and dated underneath, carved into the glass, ...

Benedict Tatti (1917-1993) worked in New York city as a sculptor, painter, educator, and video artist. He studied stone and wood carving under Louis Slobodkin at the Roerich Museum. He later attended the Leonardo da Vinci School of Art studying under Attilio Piccirelli. In l939 he taught adult classes with the Teachers Project of the WPA and attended the Art Students League for three and a half years on full scholarship. He studied under William Zorach and Ossip Zadkine and later became Zorach’s assistant. Later in his career, he attended the Hans Hofmann School of Fine Arts. During World War II, Tatti served in the United States Army Air Force, where he spent three years assigned to variety of projects. In 1948, Benedict Tatti married Adele Rosenberg in New York City. Throughout his career, Tatti continuously experimented with various media. From 1952-1963, Tatti executed sculptural models of architectural and consumer products for the industrial designers, Raymond Loewy Associates; later he became a color consultant for the firm. In the 1960s, influenced by the Abstract Expressionists, Tatti turned from carving directly in wood and stone to creating assemblage architecture sculptures, using bronze metal and other industrial materials. He was included in the important show "Aspects de la Sculpture Americaine", at Galerie Claude Bernard Paris, France, in October 1960 along with Ibram Lassaw, Theodore Roszak, David Smith, Louise Bourgeois, Danese Corey, Dorothy Dehner, Lin Emery, Lily Ente, David Hayes, Louise Nevelson, Tony Rosenthal, Richard Stankiewicz, Sam Szafran...

Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...

Matt Mitros was born in Philadelphia, PA. Upon completing his BFA at Penn State University, he was an Artist-In-Residence at Arrowmont School of Arts & Crafts as well as the Archie B...

Acrylic paint on cast resin sculpture. Red and white color. Hand signed, numbered and dated on the underside by the artist. Edition of 20. Each is unique. Includes original box. ...

The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consisted of more than a dozen four- to seven-foot lengths of hardwood, each an uneven inch in depth and width. The sticks were warped, with worn yellow paint on one side and raw wood on the other three. Over the years she has painted the raw sides of the sticks, cut the wood into shorter lengths, and sliced paint off – and kept the residue from these actions. Sweibel has also made sculptures ranging from full-length sticks to tiny stick splinters. She built these sculptures using sliced-off paint. Timeworn materials and objects have an intelligence that the artist looks for and listens to. Shaping and reshaping material to find new form and elicit new insights in the material itself is the territory she is mining. The limitations of the process are its strengths. Her work is concerned with fragility, precariousness, adaptability, and strength. It is a visual response to powerful yet unseen forces - like wind and thoughts - that threaten, propel, ruin, and protect. Liz Sweibel is a multidisciplinary artist working in drawing, sculpture, installation, and digital photography and video. Her spare, personal language of abstraction transforms ordinary materials into statements about connectedness and responsibility: every action has an impact, the effects persist in space and over time, and we are accountable. By drawing attention to simple, ordinary “stuff of life” and referencing both shared and personal history, Sweibel’s work explores and reflects back fundamental experiences in response to our world and relationships. Her intention is to reinvigorate viewers’ awareness of the everyday – in its raw beauty and precariousness – in hopes that they might bring heightened senses of sight and care to their daily lives. Sweibel has participated in solo, two-person, and group exhibits in New York, Massachusetts, Maine, Connecticut, Michigan, and Tennessee since 1998. In 2016, Sweibel’s work was in the group shows Lightly Structured at Sculpture Space NYC, Precarious Constructs at the Venus Knitting Art...

System Red-Grey is a unique small size contemporary modern cube sculpture by the famous Dutch artist couple Nel Haringa and Fred Olijve in whi...

Originally from the Northwest with a B.A. from Stanford University, I have painted, published illuminated books, and lived and traveled extensively in Asia. Now working primarily in ceramics, I draw images from the deep well of past experience, always starting from a strong “mind’s eye” vision...

Linda Stein, Spoon to Shell 880 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 880 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

José Sierra is a self-taught artist and ceramicist, born in Mérida, Venezuela in 1975. His work draws inspiration from his heritage, along with pre-Hispanic art, East Asian potter...

"Anti-tank Hedgehog 3" Sculpture 13 x 13 x 13 in Edition 1/1 by ILLYA TIGOIS Unique sculpture Materials: steel 3-8mm. Welding, metalworking. ABOUT THE ARTIST Illya Trofymchuk is...

Antonio Puri's "Tantra in Blue" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny glass seed beads adhe...

"Makaha (Metal)" is a fun modernist freestanding sculpture that brings bold statement to wherever it is placed. Made from .25" thick powder coated mild steel, it is vibrant and dura...

Body Impression, 2021 "Body Impression" is an original sculpture by Spanish artist Elisa Ortega Montilla. This contemporary piece is made with expertly sculpted plywood. This stunni...

This High Gloss Handmade ceramic balloon sculpture is a balloon for life and an art collectors piece. Its Vivid glossy color enhances sophisticated and cheerful space environment. Fo...

Sara Fine-Wilson's "Dense Way" is a ceramic sculpture constructed by combining white, medium brown and deep brown clay bodies together in an intricate mass measuring 12 x 6 x 14 inch...

In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...

Silver glossy ceramic balloon sculpture is a balloon for life and an art collectors piece. Its Vivid glossy color enhances sophisticated and...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...

This Grey Sea Breeze glossy ceramic balloon sculpture is a balloon for life and an art collectors piece. Its Vivid glossy color enhances sophisticated and cheerful space environment....

This whiskey glossy ceramic balloon sculpture is a balloon for life and an art collectors piece. Its Vivid glossy color enhances sophisticated and cheerful space environment. handmade in the picturesque village Arsuf in Israel the balloon creates tension betwen ligtht vs. heavy, temporary vs. enterninty, fragilie vs. solid and more. The baloons can be installed individually as one balloon or in different combinations creating a unique installation for every space and making it an art tool for designers and architects as well as home owners. Harmony and grandeur characterize the work of Reli Smith and Osnat Yaffe Zimmerman in their artistic cooperation under the brand R+O Design. The goal in their work is to create a magical world of bright colors, along with pastels and monochromatic works of differing textures, which together form an aesthetic and “welcoming” tale. A surrealistic world is at the core of their design and art and this can be seen from ceramic sculptures of balloons, giant hearts, garlic heads made of gold, giant golden eggs as well as giant plates...

Susan Hensel designs images in the computer using specialized software.  It is a form of drawing in stitches that combines aspects of both Adobe Photoshop...

Sara Fine-Wilson's "Around" is a gestural 20 x 9 x 8 inch ceramic sculpture in deep chocolate brown. It is constructed out of chocolate stoneware with semi matte glaze with accents ...

Bench (work no. HVP01145) is a small size contemporary modern abstract geometric aluminum sculpture by acclaimed Dutch constructivist Henk van Putten, who was born in The Netherlands...

Yoshiyuki Miura was born in Fukuoka, Japan, in 1958. In 1985, he graduated in sculpture art from the Tokyo National University of Fine Arts, he then mo...

Sara Fine-Wilson's "Polyp" is a gestural 13.75 x 10 x 10 inch ceramic sculpture in white and cream with accents of grey and teal. It is constructed out of white stoneware and layered...

Jungle Buddy Boo Bear by Craig Campbell Expressionistic Wildlife Sculpture Bear 6 x 3 x 3" Bronze edition of 200 Jungle Buddies originated as clay sketches and were so delightful ...

José Sierra is a self-taught artist and ceramicist, born in Mérida, Venezuela in 1975. His work draws inspiration from his heritage, along with pre-Hispanic art, East Asian pottery,...

Pareja 05 is a unique contemporary modern abstract sculpture by Spanish artist Eduardo Lacoma from his latest series Pareja, Spanish for couple. The sculpture consists of two handmade constructions from cut, welded and polished steel, that are mounted together to form a true complementary couple. The outer element is 5 mm carbon steel which has been varnished, the inner element is 5 mm corten steel which has been oxidized. Due to the manual process of building and finishing, each element has its own characteristic look, sometimes very smooth, sometimes a little rough but always very sophisticated. From all sides it offers intriguing views, now more closed, then more open. It fits perfectly in a contemporary modern interior setting, on a side table, on a shelf or even on a plinth. It evokes feelings of mid-century modern design whilst being a one-of-a-kind 21st century piece. Eduardo Lacoma (1968, Spain) is a practicing sculptor since many years, in addition to his career as an electronics technician. Being profoundly inspired by art during a trip to Barcelona in his teens, he taught himself the fine art of sculpting, combining materials such as iron, steel and stone. Living and working in Pamplona in the Basque region of Spain, he was originally inspired by the architecture of Gaudi. Gradually his interest shifted however to the sculptural forms of Eduardo Chillida and Jorge Oteiza...

Realized by the Artist in 3 different variants, each with a different central body. Declaration of authenticity signed by the Artist on rear of photo in 1975. Provenance: Private Col...

Composition BRGT is one of the most recent unique small size contemporary modern cube sculptures of a new series by the famous Dutch artist co...

"Raku Vase with Fireworks" is an original ceramic vase by Marty Marcus. The artist signed the piece on the bottom. It features brightly colored abstract patterns on an earth-toned background. The vessel is a unique piece of décor priced well under $900. Part of the Design Lovers Sale...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

This small exquisite "Bronze Sculpture II" is in excellent condition and a perfect example of Eugene Caples craftsmanship. This is mainly abstract with some graphic or architectural elements and is so delightful that mythical creatures demand to be considered. It cries out to be touched and held, looked at and caressed. The beautiful patina on the surface gives voice to the many hands that have done these things. Eugene Caples is a designer and craftsman who worked in Kansas City in the 1960s and later through the early 21st century. He attended the Kansas City Art Institute, earning his Bachelors of Fine Arts in Industrial Design in 1959. In 1963 he was accepted to Cranbrook Academy of Art, Bloomfield Hills, Michigan. The Cranbrook Academy of Art was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists are alumni of Cranbrook and include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald...

Sculpture SC1503 (red) is a contemporary modern abstract geometric object sculpture by Dutch visual artist Let de Kok. This sculpture consists of two ceramic elements and both the r...

In Baker’s work, there is solace in the geometry of fundamentals, and a practice that focuses on the ephemeral nature of paper and the ease of its transportability, which allows her to create large-scale constructions. A desire for definitive certainties and incontrovertible truths in an era of “alternative facts”, precipitate the need for Baker to assert her clarification of evidence. A new major installation has been created for her exhibition at ODETTA that layers baroque design elements found in paper cup carrying trays with anxiety-provoking phrases, rendered as gorgeous, yet fragile paper spheres...

A one of a kind 15" x 15" x 9" Surreal Abstract Mixed Media Resin Porcelain Ceramic Sculpture executed by artist Sasha Koozel Reibstein. A certificate of authenticity will be provide...

Sara Fine-Wilsons ”Jagged” is a gestural 16 x 9.5 x 6 inch ceramic sculpture in shades of brown, white and cream. In this powerful and evocative sculpture individual slab and pinched...