Oversized Abstract Sculptures

Gabriel Sobin was born in 1971 in Salon de Provence, France, to an English mother and an American father. Sobin studied at l’École d’Arts Appliqués ...

Tamarind Wood and Lemurian Quartz Crystal come together in a dialogue between organic strength and crystalline clarity. The intricate grain of the wood contrasts with the purity of t...

HUGO G. URRUTIA B. 1974, Mexico Hugo G. Urrutia is a multidisciplinary artist-designer, interested in the cross-pollination between art and architecture. His artwork challenges the...

Contemporary abstract steel standing sculpture, Signed to base "Opera / DA / 87". 1987 Provenance: From the Walden Collection Dimensions: 45 1/2" H; Base: 6 1/2" Diam. Large Abstra...

This is a large sculpture and also includes an artist custom framed silkscreen with extensive handwork titled Line of Time, pencil signed and inscribed, presented in heavy metal and wooden frame (framed piece 24.5 x 30 in., sculpture piece is about 94 X 11 inches) Francoise Schein is a visual artist, trained as an architect - urban planner; She also teaches art at the ESAM Higher School of Arts and Media in Caen in Normandy . She is the founder of the INSCRIRE Association. In 2016, she was elected member of the Royal Academy of Sciences, Arts and Fine Arts of Belgium. Group Exhibitions Spain: 2016, The "5Contemporary" Paris gallery presented a group show at the Museum of Contemporary Art of Genalguacil, Spain. The show included important artists such as Françoise Schein, Mimouni and Pedro Castrortega. Born in Brussels , Françoise Schein left Belgium after studying architecture at the higher institute of architecture of the French community - La Cambre where she wrote her thesis on fundamental rights, then studied urban design at the Columbia University in the City of New York . She lived 11 years in New York where she begins a work on cartography territories. Subway map Floating on NY Sidewalk is his first monumental urban sculpture located at 110 Greene Street in SoHo (1985). At that time her works are abstract landscapes of cities, made up of networks, lines, trajectories, territories, founding texts and stories. They are constructed of very diverse materials and light. Returning back to Europe in 1989, she continues to work on what she calls her drawings-laboratories while beginning to integrate works in cities on civic themes, the main ones: at the Concorde metro station in Paris in 1991 and then in Brussels, Saint-Gilles , in 1992, these two projects took her to Lisbon in 1993 where she lived for five years and produced two monumental works (in azulejos) for the city of Lisbon at Parque metro station ( 1994) and another for the city of Stockholm at the Universitetet station (1998). She continues to travel to cities where she builds successively projects in Haifa , on the facade of the Beth Hagefen Jewish-Arab Cultural Center with Michel Butor (1994). Then she lives in Berlin where she builds the Westhafen station (2000) which takes her to Bremen to make her first human rights park, Rhododendronpark (2002). In 2005, she made the monumental Time Zone Clock in Coventry in 2005. Since 1999, she has also settled in Rio de Janeiro and initiated participatory artistic projects with the underprivileged population of the favelas . Since then, with the help of a locally trained team, many projects have been carried out, including one in Copacabana and more than 20 in different favelas (from 1999 to 2016). These works transformed the Rio workshop into sustainable development for the people who invested it. In Sao Paulo, since 2009, Françoise Schein has produced a monumental work with the participation of 1000 young people from the favela schools at Luz subway station. Her work is monumental recalling the works of Christo, Maria Dompe, Christian Boltanski, Anish Kapoor, Ai Wei Wei...

This purple/lavender piece is by Korean artist, Jaena Kwon. Her dimensional relief work is concerned with painting components and how painting space is constructed. She treats painti...

Brother Mel experimented with various forms of sculpture throughout his 45-year career. This painted-steel wall piece reflects the style that emerged later in his career but the same bold colors and geometric shapes for which Brother Mel is best known. About the Artist: Creating an estimated 10,000 artworks, Brother Mel Meyer...

Ben McLeod (b. 1948, Aberdeen, Scotland) is a preeminent Canadian sculptor whose over five-decade practice is characterized by a profoundly self-propelled trajectory and the cultivat...

Painted welded steel.

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

David E. Peterson – Puzzle #120 (2022) Acrylic, Koa wood, Art Resin 23 x 44 x 3 inches Dynamic, architectural, and deeply textural, "Puzzle #120" by David E. Peterson seamlessly b...

"Arch Suncatcher" is an original piece by Roxana Azar made from digital print on acrylic, nylon chain. This pieces measures 42"h x 19.5"w and comes with a signed Certificate of Authe...

"Suncatcher 3" is an original piece by Roxana Azar made from digital print on digital Print on acrylic, nylon chain. This pieces measures 53"h x 18"w and comes with a signed Certifi...

Out West 2 is from a series of wall sculptures inspired by the open spaces of sky and landscape of the American West. The landscape is abstracted to painterly and geometric forms and...

A life size, powder coated mild steel sculpture, edition 4/5. Available in different colours on request. The piece is shipped dis-assembled (base and two m...

Hand Built and glazed ceramic. Free standing, safe for outdoors. Diptych. My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused on c...

Golden Raintree 01 48.0 x 48.0 x 8.0, 40.0 lbs Organic materials Hand signed by artist Artist's Commentary: "This piece is made up of the fallen sticks of the Golden Raintree, (o...

Linda Stein, Warrior Waging Peace: Addressing Protection 1282 - Feminist Figurative Mixed Media Black and Colorful Contemporary Sculpture Free-standing contemporary sculpture with...

Fever Songs is an interactive public sound installation project that brings together the vocal traditions of many religions, creating an active sonic experience that explores spiritu...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Window 3 is from a series of 7 painted aluminum wall sculptures. These wall sculptures are abstractions on the windows we use in our daily lives. We look into windows as well as out ...

Bill Clark (American, XX-XXI), Found Object Assemblage on Board, 2000, overall painted grey with plaques, register keys, and other objects, ins...

Yvette Cohen’s oil paintings of geometric masses of color on shaped canvas become objects that fluctuate between two and three dimensions, bridging the divide between sculpture and ...

Mary Schiliro’s work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring alternative presentation methods. Using a dipping process wher...

A medium sized, powder coated mild steel sculpture on a steel footing. Open Edition. Available in different colours or finishes on request.

In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...

MATT DEVINE "Anemones #3 (4 pieces)" Steel with Powdercoat (Indoor Only) 17 x 17 x 6 in. Each 17 x 68 x 6 in. Overall *Can be installed on wall or placed on table* Matt Devine is ...

Mary Schiliro’s work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring alternative presentation methods. Using a dipping process wher...

Architecture and functional objects inform the vocabulary of Richard Bottwin’s sculpture. The plywood surfaces, laminated with wood veneers or painted with acrylic colors, are confi...

David Borawski lives and works in Hartford, Connecticut, and received his BFA from the Hartford Art School of the University of Hartford. A multi-media installation artist, his work...

Walnut, brass, Black Osmo finish

A fine figurative abstract metal sculpture titled “Floating Angel” by American artist Judith Brown (1932-1992). Brown was born in New York City, attended Sarah Lawrence College of Ne...

A steel sculpture by Bruce Stillman from 1980. A kinetic sculpture with rotating components perched atop a whimsically modernist base. Artist: Bruc...

Artist: Paul von Ringelheim, Austrian/American (1933 - 2003) Title: Spiral 1 Medium: Painted Flame-Cut Steel Sculpture Size: 47 x 52 x 8 in. (119.38 x 132.08 x 20.32 cm)

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

"Screen Sculpture #62" by David Hayes Abstract Metal Outdoor Sculpture in black-painted, welded steel American modern master David Hayes creat...

"White Washed" by Joan Giordano Mixed media, archival newspapers, photographs, corrugated cardboard Museum shown and collected artist Joan Giordano is known for her unique hand made paper sculpture and wall relief sculpture and Japanese influenced wall scrolls...

I wove a tapestry as I returned home to the front-line city of Kharkov, which is constantly under fire. At home, I felt that I wanted to implement the ideas that I had come up with earlier, I wanted to create something new, and the sounds of sirens and explosions did not bother me anymore. Created with the sound of sirens and explosions. Combining bright particles of yarn and thread, I imprint my positive attitude, I live a full life, I breathe. This work is one of the sari of my knitted tapestries, a modern interpretation of the carpet tapestries that used to be hung on the wall, let my bright tapestries...

Ahol Sniffs Glue David Anasagasti (Cuban American, born 1980). An original graffiti painting on found object, produced for the artist's "Geographies Of Trash" movement. The work features the artist's signature purple "sleepy eye...

"Pump" by Kevin Barrett Abstract wall relief sculpture in painted aluminum Barrett is noted for creating contemporary metal sculpture and sculpture wall pieces for indoor and outdoo...

The modern Outdoor / Indoor Sculpture " Fissure ” is a unique Mural made from a burnout mold by David Marshall in 2024, sand cast in aluminium in our foundry, handcrafted by the Art...

Incredible Brutalist torch-cut wall mountable sculpture by artist Gene Montez Flores. Designed to hang as shown. Produced during in the early 1960s in his California studio. Has neve...

Joseph Fucigna is a multi-media artist whose work is rooted in process, play and the innate qualities of the materials used. Through experimentation, play and innovation he creates sculptures, paintings and drawings that are known for their power to transform materials, inventiveness and odd but suggestive subject matter. The ultimate goal is to create an artwork that is a perfect balance between suggestive content, and the formal qualities of the material that allow both to be active participants. Joseph Fucigna received his Masters of Fine Arts degree from the School of Visual Arts in New York City. He also attended the Triangle Workshop in Pine Plains, NY and worked with the renowned sculptor Sir Anthony Caro and critic Clement Greenberg. Fucigna is a full-time Professor of Art at Norwalk Community College and is the Chair of the Studio Arts Program. Fucigna has also taught in the Art Department at the State University of New York, Stony Brook. Presently, he resides and works in Weston, CT. Fucigna has exhibited nationally including shows at the Fitchburg Art Museum in Massachusetts, Real Art Ways in Connecticut, the United Nations, Grounds for Sculpture in New Jersey, the Lyman Allyn Art Museum in Connecticut, the New York State Museum in Albany, NY and the Burchfield Art Center in Buffalo NY. He has had one-person exhibitions at the Fred Giampietro Gallery, Sculpture Barn, Norwalk Community College Art Gallery, Artist Space New Haven and the Bannister...

Window 2 is from a series of 7 painted aluminum wall sculptures. These wall sculptures are abstractions on the windows we use in our daily lives. We look into windows as well as out ...

Mixed media: linen canvas, acrylic paint, wood, mirrored acrylic glass, polished stainless steel Eric Beauplace is a French contemporary plastic artist born in 1962 who lives & work...

David E. Peterson is a Painter, Sculptor, and Deconstructive Designer. His "Leaners" are stunning and will add a contemporary feel to any space. Peterson sources each exotic wood pie...

In Sylvia Schwartz' structures, silicone molds are cast from both natural and hand-made forms, including clay coils, volcanic rock patterns, seaweed, and her own fingerprints. The h...

Yvette Cohen’s oil paintings of geometric masses of color on shaped canvas become objects that fluctuate between two and three dimensions, bridging the divide between sculpture and ...

David Borawski lives and works in Hartford, Connecticut, and received his BFA from the Hartford Art School of the University of Hartford. A multi-media installation artist, his work...

"Pointe (kyklos III)" by John Van Alstine Slate, pigmented and sealed steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and metal, whi...

"Minted" Abstract Sculpture 47" x 23" x 23" in by Shawn Kolodny Medium: Stainless Steel & Automotive Paint Creating art to reflect the times we live in, Kolodny creates art for our...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Gridded, Size: 30" x 48" x 2.5'' inch, ...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2025 Style: Contemporary Art, Subject: Life, Size: 45.5" x 62" x 5.5'' inch, (115x1...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Love, Size: 48.5" x 55" x 5.5'' inch, (123x1...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Forest, Size: 42" x 33" x 4.5'' inch, (106x8...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Playtime, Size: 32.5" x 50" x 4.5'' inch, (8...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Mystere, Size: 44" x 71" x 4'' inch, (11...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Mystere, Size: 29" x 47" x 4'' inch, 74x...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Malachite, Size: 44" x 71" x 4'' inch, (...