Small Abstract Sculptures

Steve Tobin 3 Part White Roots, 2024 Forged and welded steel, multicoat acrylic paint 20 x 22 x 20 inches STo002 Steve Tobin (b. 1957, Philadelphia) is a conceptual artist whose aca...

Italian stainless steel with blue tint. Sculptor Santiago Medina Italian stainless steel sculptures are at marquee public art venues worldwide such as Harvard, Stanford University, ...

Italian stainless steel that shows the genesis of sculpture from rough unfinished at the bottom to highly polished at the top (unique piece). Sculptor Santiago Medina Italian stainl...

Italian stainless steel with a special high-temperature patina. Sculptor Santiago Medina Italian stainless steel sculptures are at marquee public art venues worldwide such as Harvar...

Two-piece Italian stainless steel with a blue tint. Allows the collector to change the position of the pieces so the collector can become part of the artistic expression. Sculptor S...

Edition of 7 Sculptor Santiago Medina Italian stainless steel sculptures are at marquee public art venues worldwide such as Harvard, Stanford University, City of Miami-Pinecrest Circ...

Edition of 7 Sculptor Santiago Medina Italian stainless steel sculptures are at marquee public art venues worldwide such as Harvard, Stanford University, City of Miami-Pinecrest Circ...

Edition of 7 Sculptor Santiago Medina Italian stainless steel sculptures are at marquee public art venues worldwide such as Harvard, Stanford University, City of Miami-Pinecrest Circ...

Edition of 7 Sculptor Santiago Medina Italian stainless steel sculptures are at marquee public art venues worldwide such as Harvard, Stanford University, City of Miami-Pinecrest Circ...

Italian Stainless Steel With Hyperthermal Prismatic Patina This sculpture will be shipped directly from the artist's studio.

Italian stainless steel with turquoise tinting. This sculpture will be shipped directly from the artist's studio.

Italian stainless steel with red tinting. This sculpture will be shipped directly from the artist's studio.

Italian stainless steel with blue tinting. Wall or table top sculpture. This sculpture will be shipped directly from the artist's studio.

Lisa Meek transforms books by cutting their bindings, painting the pages and folding them to create floral blossoms rooted in the words of the authors. Each page has been lightly tin...

Lisa Meek transforms books by cutting their bindings, painting the pages and folding them to create floral blossoms rooted in the words of the authors. Each page has been lightly tin...

Lisa Meek transforms books by cutting their bindings, painting the pages and folding them to create floral blossoms rooted in the words of the authors. Each page has been lightly tin...

Nayla Kai Saroufim is a Lebanese artist based in Los Angeles and Beirut. She earned a degree in Illustration and Art Direction from the Académie Libanaise des Beaux-Arts. She had wor...

Nayla Kai Saroufim is a Lebanese artist based in Los Angeles and Beirut. She earned a degree in Illustration and Art Direction from the Académie Libanaise des Beaux-Arts. She had wor...

Nayla Kai Saroufim is a Lebanese artist based in Los Angeles and Beirut. She earned a degree in Illustration and Art Direction from the Académie Libanaise des Beaux-Arts. She had wor...

Nayla Kai Saroufim is a Lebanese artist based in Los Angeles and Beirut. She earned a degree in Illustration and Art Direction from the Académie Libanaise des Beaux-Arts. She had wor...

Alex Gabriel Bernstein presents a bold and refreshing exploration of visual form and storytelling through the art of glass. Bernstein skillfully combines metaphor with the impact and...

Alex Gabriel Bernstein presents a bold and refreshing exploration of visual form and storytelling through the art of glass. Bernstein skillfully combines metaphor with the impact and...

Alex Gabriel Bernstein presents a bold and refreshing exploration of visual form and storytelling through the art of glass. Bernstein skillfully combines metaphor with the impact and...

Abel Barreto Olivera, based in Havana Cuba

Abel Barreto Olivera, based in Havana Cuba

Alex Gabriel Bernstein (b. 1972) Aqueous Galaxy Half Moon 2023 Cast and cut glass, fused steel 10.25 x 20.50 x 4.25 in (26.04 x 52.07 x 10.80 cm)

Alex Gabriel Bernstein (b. 1972) Steel Bust, 2023 Cast and cut glass, fused steel 23.50 x 8.50 x 8.50 in (59.69 x 21.59 x 21.59 cm)

Zheng Lu Undercurrent, 2023 Stainless steel 23.62 x 16.54 x 12.6 in. 60 x 42 x 32 cm ZL115.03 Gravity-defying sculptures by Zheng Lu (b. 1978, Chifeng, Inner Mongolia) are installed...

Las obras del maestro Atchugarry vienen de la naturaleza, es una piedra de marmol forjada por siglos, unica he irrepetible, luego son esculpidas a mano usando las tecnicas originales...

Las obras del maestro Atchugarry vienen de la naturaleza, es una piedra de marmol forjada por siglos, unica he irrepetible, luego son esculpidas a mano usando las tecnicas originales...

Edition of 30 Shaped powder-coated aluminum, printed the same on each side with UV-cured archival inks, clear coated and mounted to a polished aluminum base 23 x 24 x 4 in (58.42 x ...

An outdoor sculpture made out of powder coated stainless steel. This sculpture is a rich, vibrant, and shiny red. Rick Lazes is a three dimensional artist who works in a variety of...

An outdoor sculpture made out of powder coated stainless steel. This sculpture is a rich, vibrant, and shiny red. Rick Lazes is a three dimensional artist who works in a variety of...

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculptu...

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculptu...

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculptu...

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculptu...

Czech artist Tomáš Brzon has worked in glass for over 20 years, and exhibited across Europe and the United States. Born in 1982, Tomáš attended The School of Glassmaking under the tu...

Nayla Kai Saroufim is a Lebanese artist based in Los Angeles and Beirut. She earned a degree in Illustration and Art Direction from the Académie Libanaise des Beaux-Arts. She had wor...

Artist Statement: I fully believe a certain "luck factor" exists when working with glass; sometimes a piece turns out and others crack or break. Glass can be solid/liquid, can be...

Nayla Kai Saroufim is a Lebanese artist based in Los Angeles and Beirut. She earned a degree in Illustration and Art Direction from the Académie Libanaise des Beaux-Arts. She had wor...

Nayla Kai Saroufim is a Lebanese artist based in Los Angeles and Beirut. She earned a degree in Illustration and Art Direction from the Académie Libanaise des Beaux-Arts. She had wor...

This modern indoor sculpture by David Chamberlain was inspired by music and is made out of mahogany wood. The graceful curves of this contemporary solid mahogany sculpture by David Chamberlain appear in one illuminating perspective to emulate the image of a heart. Hand carved from one piece of this rare wood; the abstract form’s surface is such that the insides become the outsides creating a continuous, enigmatic, integrated form. The naturally rich grain is highly finished with a soft lustre that accentuates the form. Chamberlain’s sculptures...

Brazilian Steatite on Absolute Black Granite base

Nayla Kai Saroufim is a Lebanese artist based in Los Angeles and Beirut. She earned a degree in Illustration and Art Direction from the Académie Libanaise des Beaux-Arts. She had wor...

Yayoi Kusama Pumpkins (set of 2 large plush pumpkins): An iconic, vibrantly colored pop art set - these large Kusama plush (soft) pumpkins feature the univ...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Magic Form 1 2015 Stainless Steel Enamel painted high-gloss lacquered -mirror finished 13.2283 in x 22.9134 in x 25.6693 in (336 mm x 582 mm x 652 mm)

Inspired by everyday life, his travels, current events, and the people he meets, Grégoire creates poignant abstract and figurative sculptures and paintings. In 2018 at the Dubai Glob...

Maqueta Armonía de Volúmenes y Espacios -La Hoyada- BMPC-002, 1980(1982) Edition /25 Bronze 48 x 37 x 26 cm 18.8 x 14.5 x 10.2 in. ABOUT THE ARTIST Narváez was born in Porlamar, Venezuela, in 1905; he was the fifth son of eleven siblings; his parents were Jose Lorenzo Narváez and Vicenta Rivera. Don José Lorenzo, a multifaceted and creative man, sowed the seed of creativity in his son. “My father did not fit in with his fantasies of cabinetmaker, bricklayer, master builder, and self-taught architect.”1 From an early age, Francis was led to the artistic activity, he traced, carved, made replicas of the furniture and the saints restored by his father. In 1920 he obtained his first professional assignment, a San Rafael for the Church of Carupano, and, in 1922, his father authorized him to travel to Caracas to pursue his studies as an artist. He studied at the atelier of Marcos Castillo, at of the Angel Cabre y Magriña and at the Academy of Fine Arts in Caracas, where he was introduced to the painters and intellectuals of the time. In 1928 he presented his first solo exhibition at the Club Venezuela. With the money raised from the sale of the works and the support of Monsignor Sosa, and the Ministers Centeno Grau and Arcaya, he studied in Paris on a scholarship. Once there, he enrolled at the Académie Julian, where Tito Salas, Cristóbal Rojas and Arturo Michelena had also studied. It was in Paris where, unable to work in wood, he turned to stone carving. “In Paris, I didn’t have wood, so I carved a lot in stone (…), when there were demolitions I purchased chunks of stone, I would take them to the workshop and carve them.”2 His first attempts at volumetric sculptures and painting in plain colours, linked to the thematic of American miscegenation and Creole reality, can be traced back to that first trip to Paris. During his stay in the French city, Arturo Uslar Pietri, Alfredo Boulton, and Finita Vallenilla supported the artist both financially and logistically, and in February of 1930, the trio of friends arranged another exhibition for him at the Club Venezuela. Narváez describes his exhibition as follows: “(…) in it I feel that the sculptural work is more my own, done with more assurance, a response to my pursuit of large planes, stylisation and synthesis.”3 By then, as Boulton himself noted in his book about the artist, Narvaez departed from most of the artistic traditions that prevailed by that time in Venezuela. In 1931 he returned to Caracas and established his atelier at the Barrio Obrero in Catia. The atelier became the hub of the intellectual life of the time. “In those years, the atelier of Francisco Narváez was the hub of the greatest Venezuelan hope. Nothing comparable to it can be found either before or since.”4 From that year onwards, exhibitions, projects, trips, and awards we multiplied. He was awarded the President of the Republic of Venezuela Prize, the National Sculpture Prize of the 1st Official Venezuelan Art Salon, and the John Boulton Prize of the 3rd Annual Venezuelan Art Salon; for the Military Academy, he produced a spectacular relief entitled La Patria. In 1945, commissioned by the architect Carlos Raúl Villanueva, he produced two groups of sculptures known as Las Toninas, both located in the O’Leary Square. There, as he himself states, he incorporates some baroque patterns into the figures to the source itself: “It is a work of balance between the decorative requirements and the sculpture of planes and angles.”5 In 1948 he was awarded the National Painting Prize. In the same year, he was called upon by the architect Carlos Raul Villanueva to participate in the project for the arts integration in the Universidad Central de Venezuela. Francisco Narváez’s public output continued with works such as the statue of Fermín Toro, La Educación, La Ciencia, three murals (produced by María Luisa Tovar) for the Instituto de Medicina Experimental, El Cristo; el Atleta, the equestrian statue of General Rafael Urdaneta. In 1953 he was appointed Director of the School of Plastic and Applied Arts, and in July of the same year, he exhibited “Francisco Narváez, Maderas, Piedras y Bronces” (Francisco Narváez, Woods, Stones and Bronzes) at the Museum of Fine Arts. Narváez is, unquestionably, one of the great Venezuelan sculptors, his work goes through various stages and interests; as the art world evolves, the artist does not remain in his initial scopes of work. His creations are not imposed by the prevailing trends or fashion but do evolve by experimenting with new materials and interests. When one peruses the artist’s lengthy list of exhibitions, commissions, and awards, it is worth remembering the Narvaez who embark on his career as a child and who, overcoming obstacles, knew how to make the most of his curiosity. He did not settle for living off his successes. He did not remain stagnant as many creators of his environment did. Narvaez managed to understand the changes in the history of art around him. We must not overlook the fact that Francisco Narvaez is an artist amid all the changes occurring in the art world. He moves from the classics to the great transformations in the art world. It is the Europe of Picasso, Braque, Arp. He observes, he is aware of what is happening in the centres of the world of art, but between his craft and his sensitivity, the result is NARVAEZ, his stamp, and his identity. Francisco Narváez comes from tradition, and his first stage is linked to the classics, to the exploration of his heritage, but always with his very own language. Throughout his prolific career, he knew how to remain true to himself, without disregarding the influences of his surroundings or his artistic interests: his ability as a sculptor, his selection of materials, whether they were wood, stone or bronze; his choice of the subject of his work…His mastery and great craftsmanship are a constant that over time have made him a leading player in the history of contemporary Venezuelan and world art. From his beginnings, no subject was foreign to him. His paintings, drawings, aquarelles, and sketches are testimony to his prolific output. Among his themes are portraits, our traditions, still lifes, and landscapes. Narváez is an artist who represents his time. Later, he evolved towards purer and simpler forms, abandoning figurative art for short periods. In 1956 he declared to the newspaper El Nacional: “Every day I am freeing myself, it is a soul that frees itself from the ephemeral wrappings of the circumstantial always, as well as from the inevitable weight of the anecdote. This second stage of my work is remarkably close to abstractionism, even if there are still certain figures or figurations in the sculptures that I will shortly be showing. However, pure, and absolute abstractionism, it will treat the form itself as the sole reason for its existence on the plane of artistic excellence.”6 The artistic development was his professional life. Each period of his life as an artist, he went one step further, searching, solving, seeing plenty of things and understanding how diverse expressions were transforming themselves. His hands followed his gaze and his mind, always inquisitive. He added movement to the volumes. Arturo Uslar Pietri, “Formas Nuevas”, Cromotip editions, 1956 “Francisco Narváez is a path: the path that Venezuelan sculpture...

"Evolutionary Substance" Sculpture 20" x 4" inch by Dmitry Kawarga Medium: plexiglass, 3D printing, polymers Artist Dmitry Kawarga - Biomorphic radica...

Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...

"Female Substance" Sculpture 20" x 4" inch by Dmitry Kawarga Medium: plexiglass, 3D printing, polymers Artist Dmitry Kawarga - Biomorphic radical. He ...

This piece contains colorful flowers, constructed out of paper that was torn from book pages, inside of a basket made from book covers Lisa Meek’s sculptures, collectively titled Bi...

An outdoor sculpture made out of powder coated stainless steel. This sculpture is a rich, vibrant, and shiny blue. Rick Lazes is a three dimensional artist who works in a variety of media including wood, plaster, stainless steel, glass, plexiglass, and marble. Lazes’ first studio was heated by a coal potbelly stove...

View works. From early childhood, ceramic artist Uriel Caspi (Israeli, b. 1994) has been fascinated with clay. Working with clay to articulate thoughts and feelings, the artist has d...

An outdoor sculpture molded with powder coated stainless steel. This sculpture is an rich, vibrant, and shiny brown. Rick Lazes is a three dimensional artist who works in a variety...

An abstract sculpture hand molded with styrene. This piece is very consist of many shades of orange and blue, contrasting against each other. Rick Lazes is a three dimensional arti...