Small Abstract Sculptures

An abstract sculpture hand molded with styrene. This piece is very consist of bright yellow and blue, contrasting against each other. Rick Lazes is a three dimensional artist who w...

Alexandra Nechita 2002 Glass Sculpture 49 cm x 39 cm x 14 cm Gouache Signed Poster

Inspired by everyday life, his travels, current events and people he meets, Grégoire creates poignant abstract and figurative sculptures and paintings. In 2018 at the Dubai Global Ar...

John Poché creates polished aluminum and stainless-steel kinetic sculptures. His works range in scale from small indoor tabletop works to large-scale outdoor sculptures triggered exc...

This abstract optic glass sculpture created by Czech artist Tomas Brzon is noteworthy for both its geometric shape and purity. Brzon uses pure optic glass, void of any defects, which...

This abstract optic glass sculpture created by Czech artist Tomas Brzon is noteworthy for both its geometric shape and purity. Brzon uses pure optic glass, void of any defects, which...

This abstract optic glass sculpture created by Czech artist Tomas Brzon is noteworthy for both its geometric shape and purity. Brzon uses pure optic glass, void of any defects, which...

This abstract optic glass sculpture created by Czech artist Tomas Brzon is noteworthy for both its geometric shape and purity. Brzon uses pure optic glass, void of any defects, which...

This abstract optic glass sculpture created by Czech artist Tomas Brzon is noteworthy for both its geometric shape and purity. Brzon uses pure optic glass, void of any defects, which...

This abstract optic glass sculpture created by Czech artist Tomas Brzon is noteworthy for both its geometric shape and purity. Brzon uses pure optic glass, void of any defects, which...

This abstract optic glass sculpture created by Czech artist Tomas Brzon is noteworthy for both its geometric shape and purity. Brzon uses pure optic glass, void of any defects, which...

Lead Singer, bronze, sculpture, Allan Houser, Native American, Drummer, Apache Allan Houser Haozous Warm Springs Chiricahua Apache 1914-1994 National Medal of Arts awardee Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. Ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *”Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States. This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma. Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs. Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist. Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time. In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction. With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes. As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble. A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond. Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans. Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994. “It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams...

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculptu...

Balloon Dog is an iconic work within the highly acclaimed Celebration series, which JEFF KOONS began in the mid 1990s. The Celebration artworks reference certain times of year (holidays and birthdays) but also the celebration of the cycle of life. What else could suggest the cheer of children’s parties more eloquently than a colorful balloon, twisted into the instantly recognizable form of a dog. According to the artist, “It is about celebration and childhood and color and simplicity – but it’s also a Trojan horse. It’s a Trojan horse to the whole body of art work.” Balloon Dog has the profoundness of an archaic sculpture. The monumental Balloon Dog sculptures...

Basket By Ken Ferguson (1928-2004) 21" x 13" Ken Ferguson received an M.F.A. in 1954 from Alfred University, and went on to become an influential teacher and artist in his field of pottery. From 1964 until 1996, when he was named Professor Emeritus, Ferguson was Head of the Ceramics Department at the Kansas City Art Institute. His students included Kurt Weiser...

"Plata" is an original mixed media wall sculpture by J.Margulis. J.Margulis (Caracas, 1970) began his career as an artist through photography while studying Management in his native...

Whitewashed Sage (2022), gray and white concrete abstract face sculpture, metal wire, earthy Biomorphic and earthy yet industrial style wall sculpture, shelf sculpture or tabletop s...

Speckled Sage (2022), gray concrete abstract face sculpture, metal wire, earthy Biomorphic and earthy yet industrial style wall sculpture, she...

Biomorphic and earthy yet industrial style wall sculpture, shelf sculpture or tabletop sculpture. Abstracted face sculpture made with concrete, pigment and wire. The piece is smoot...

This character is from A Fantastic Collision of The Three Worlds XXVIII. Amita Bhatt received her BFA from the Maharaja Sayajirao University, Vadodara, India and her MFA from the Maryland Institute College of Art, Baltimore, Maryland. Bhatt’s work has been exhibited at noteworthy venues such as the Bluestar Contemporary Art Center, Walters Art Museum, The Station Museum of Contemporary Art, and The Project Row Houses, all in the United States as well as Museo Pedro de Osma in Peru. She has also been the recipient of several prestigious awards and recently served as a Grant Panelist on the National Endowment for the Arts. Her works are included in many important private and public collections. Bhatt digs deep into world philosophies and mythologies to answer questions pertaining to our political as well as personal belief systems. Unafraid to explore uncomfortable territories, the artist mines from a range of sources to create hybrid creatures that are often symbolic of man’s psychological condition in an angst-ridden zeitgeist. In exploring issues of identity and violence, Bhatt’s research led her to the beginnings of mankind. Most ancient creation...

Industrial felt and wood

Industrial felt and wood

Desert Breeze, Sculpture by Allan Houser Haozous, Bronze, Cloaked Figures,Apache Allan Houser was represented by Glenn Green Galleries (formerly known a...

Sherry Owens Queen of the Night, 2019 Bronze, patina 8 x 19 x 11 1/2 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrt...

Carved Acrylic Sculpture (Clear) 24 x 16 x 2 inches Edition 1 of 7 When Collier creates a new water surface she starts with a brush that she ...

Artist: Garth Evans (British, b. 1934) Title: "The Duck (N.6., No. 3)" Year: 1982 Medium: Painted plywood wall-hanging sculpture Signed and titled Dimensions: 24" x 12" x 7" Conditio...

Artist: Sophia Vari, Greek (1940 - ) Title: Entwined Bodies Year: circa 1985 Medium: Bronze Sculpture, Signature and number inscribed with foundry stamp Edition: 4/6 Size: 12.5 x 2...

Available in 24" and 30" sizes. Tom Marosz's art is the culmination of skills, craft, and the attempt to manipulate light in ways that no one expects. His fascination with light is e...

Available in 24" and 30" sizes. Tom Marosz's art is the culmination of skills, craft, and the attempt to manipulate light in ways that no one expects. His fascination with light is e...

Tom Marosz's art is the culmination of skills, craft, and the attempt to manipulate light in ways that no one expects. His fascination with light is evident in every piece he makes. ...

Merino and alpaca blend yarn, steel wire

Available in 24" and 30" sizes. Tom Marosz's art is the culmination of skills, craft, and the attempt to manipulate light in ways that no one expects. His fascination with light is e...

Artist : Arnie Zimmerman Title : Platter Materials : Stoneware, glaze Date : 1982 Dimensions : 22.75" x 23.5" x 4.5" Description : Hand-signed and dated o...

Starfire Sunburst Dichroic Wings’ is an abstracted glass sculpture featuring brilliant multi color dichroic glass. The sculpture strikes beautiful simplicity with its intertwining li...

‘Starfire Dichroic Wings’ is an abstracted glass sculpture featuring brilliant multi color dichroic glass. The sculpture strikes beautiful simplicity with its intertwining lines, alo...

"Tear for Henry" is an abstract glass sculpture in the blue azurelite color, which Tom laminates, grinds and polishes resulting in the glass's architectural form. Tom Marosz’s drive to test the limits of manipulating light began early on; teenage interests in photography and optics yielded early holography projects. His efforts were deemed so cutting edge during the 1960’s that he ended up collaborating with the Navy Electronics Lab team in Point Loma...

"Glass Windseed" by Norman Mooney Cast glass In 1994 Mooney moved from Ireland to New York City and has been exhibiting locally and internationally for more than 20 years. His wall...

Tom Marosz's art is the culmination of skills, craft, and the attempt to manipulate light in ways that no one expects. His fascination with light is evident in every piece he makes....

This is a kinetic piece where the top part rotates. Please contact us to receive a video file of it moving. Gary manipulates the metal into breathtakingly balanced arabesques of seem...

Margulis’ utmost concern is the creation of geometric shapes conceived mostly by changing the perspective of the viewer accompanied by the philosophical notion that everything in lif...

Peter Voulkos Title: Plate CR952-W Medium: Woodfired ceramic Year: 1989 Signed and dated by the artist Size: approx. 20.5 x 5 inches A West Coast potter and sculptor, Peter Voulkos (1924-2002) led in the development of pottery as an art form. . With an MFA from California College of Arts and Crafts (1952), he taught at Black Mountain College (1953) where he was exposed to the avant-garde. In 1954, Voulkos moved to Los Angeles to become the chairman of a newly established ceramics department at the Los Angeles County Art Institute (later renamed the Otis Art Institute) and soon assembled a remarkable group of students: Paul Soldner, Jerry Rothman, Kenneth Price, John Mason, Henry Takemoto...

Peter Voulkos Title: Plate CR1056-W Medium: Woodfired ceramic Year: 1992 Signed and dated by the artist Size: approx. 24 x 4.5 inches A West Coast potter and sculptor, Peter Voulkos (1924-2002) led in the development of pottery as an art form. . With an MFA from California College of Arts and Crafts (1952), he taught at Black Mountain College (1953) where he was exposed to the avant-garde. In 1954, Voulkos moved to Los Angeles to become the chairman of a newly established ceramics department at the Los Angeles County Art Institute (later renamed the Otis Art Institute) and soon assembled a remarkable group of students: Paul Soldner, Jerry Rothman, Kenneth Price, John Mason, Henry Takemoto...

Peter Voulkos Title: Plate 1329-W Medium: Woodfired ceramic Year: 1998 Signed and dated by the artist Size: approx. 20.5 x 21 x 5.25 inches A West Coast potter and sculptor, Peter V...

Peter Voulkos Title: Plate CR1190-W Medium: Woodfired ceramic Year: 1995 Signed and dated by the artist Size: approx. 19.5 x 20.5 x 5.75 inches A West Coast potter and sculptor, Peter Voulkos (1924-2002) led in the development of pottery as an art form. . With an MFA from California College of Arts and Crafts (1952), he taught at Black Mountain College (1953) where he was exposed to the avant-garde. In 1954, Voulkos moved to Los Angeles to become the chairman of a newly established ceramics department at the Los Angeles County Art Institute (later renamed the Otis Art Institute) and soon assembled a remarkable group of students: Paul Soldner, Jerry Rothman, Kenneth Price, John Mason, Henry...

Sugar pine with satin polyurethane finish, maple plywood, letterpress on pigmented embossed cotton paper (Edition of 15) This artwork is offered by ClampArt, located in New York City.

Pencil on Panel No. 19 by Norman Mooney Pencil on Aluminum Panel with Clear Coat Norman Mooney is an Irish artist located in New York City and has been exhibiting locally and intern...

Wood Fired Platter Material: Stoneware and woodfired Year: 1989 Signed Dimensions: 3 x 22 x 22" Provenance - Charles Cowles Gallery, NYC A West Coast potte...

Awatovi Visual Prayers, II, Hopi overlay, silver, black, contemporary, Kabotie limited edition of 40 The Heard Museum in Phoenix, Arizona commissioned Michael Kabotie to do a large sculpture/gate for them in 2006. It is done in his signature Hopi overlay style. Kabotie calls it “Visual Prayers” and he describes it as being loosely related to the ancient kiva murals at the Hopi village of Awatovi. His version shows the woven forms of smoke and feathers that the Hopi use to convey prayers that are for the health, long life and blessings for all people. Michael Kabotie was born on September 3, 1942 on the Hopi Indian Reservation in northeastern Arizona. He grew up in the village of Shungopavi and attended school on the reservation until the Hopi high school was closed. He graduated from Haskell Indian School in Lawrence, Kansas in 1961. While in his junior year there he was invited to spend the summer at the Southwest Indian Art Project at the University of Arizona. Participants included Fritz Scholder, Helen Hardin, Charles Loloma and Joe Hererra (who became a lifelong friend and his primary artist mentor). After high school, Michael attended the University of Arizona, studying engineering. After dropping out of college he held a one-man show at the Heard Museum and his work was on the cover of Arizona Highways magazine. In 1967 Michael underwent his Hopi manhood initiation into the Wuwutsim Society and was given his Hopi name, Lomawywesa (Walking in Harmony). Both Michael and his father, Fred Kabotie, have been innovators in the Native American Fine Arts Movement, creating paintings that reflect traditional Hopi life in contemporary media. Fred Kabotie was one of the Hopi art...

This sculpture will be exhibited at Scope Art Fair Miami Beach 2017

Title : Splice Materials : Slip-cast porcelain, Glaze, Decals, and Resin dipped flowers Dimensions : 8.5" x 21" x 14" Rain Harris uses her artistry with m...

Seeing the Sunset, Allan Houser pink Tennessee marble, abstract couple, Apache Seeing the Sunset, pink Tennessee marble, abstract couple, Apache Alla...

Voice-over stands for a voice that is not part of the narrative, a voice spoken by someone who appears elsewhere when an event happens. We know what we hear may not be a fact, what w...

Tom Marosz plays with the manipulation of negative space, quite a powerful element when used correctly. Often it is the major element that explains the “story” of his sculpture So...

Tom Marosz's art is the culmination of skills, craft, and the attempt to manipulate light in ways that no one expects. His fascination with light is evident in every piece he makes....

Tom Marosz's art is the culmination of skills, craft, and the attempt to manipulate light in ways that no one expects. His fascination with light is evident in every piece he makes....

Angel of Emotional Awareness Bronze 23.3 x 8 x 7.5 inches 58.9 × 21.1 × 19.1 cm This sculpture is from THE SPIRIT COLLECTION and was featured in Blake Ward...

Angel of Success. Considered an archangel by some, Perpetiel encourages our dreams and aspirations and assists by bring our awareness to the diligence and focus required to be succes...

Valley House Gallery & Sculpture Garden presented the first solo exhibition in the United States of sculpture and works on paper by Italian artist ALEX CORNO in 2015. In his studio n...

Valley House Gallery & Sculpture Garden presented the first solo exhibition in the United States of sculpture and works on paper by Italian artist ALEX CORNO in 2015. In his studio n...

Konstantinos Stamatiou Untitled, 2015 
acrylic paint with recycled plastic bottles and straws 57 x 15 x 20 cm