Bruno Romeda

"Square" Contemporary Geometric Abstract Sculpture Bronze Unique European.

1997

Brutalist Aluminum Brass Contemporary Totem Sculpture Abstract non objective The work has a sensational presence and look great to the ey...

Modern artist George L.K. Morris created this abstract biomorphic nonobjective plaster sculpture during the WPA era of the 1930s / 40s. Monogrammed. Though George Lovett Kingsland Morris studied with realist painters John Sloan and Kenneth Hayes Miller at the Art Students League, the influence of their points of view was replaced by that of abstractionists Amedee Ozenfant and Fernand Leger. The paintings of Morris were two-dimensional, hard-edged and brightly colored. Born in New York City in 1905, Morris became a full-fledged abstractionist and a founder in 1936 of the American Abstract Artists. He edited "The World of Abstract Art, the group's publication, and was their president from 1948-1950. Morris had graduated from Yale in 1928 and studied at the League until 1930, when he went to Paris to attend the Academie Moderne. A sculptor, writer, art critic and teacher in addition to abstract painter Morris himself later taught at the Art Students League from 1943-1944, as well as St. John's College, Annapolis, Maryland, 1960-1961. Morris' intrinsic abstract bent was made even clearer by his positive feeling for Hans Arp's sculpture. He and Arp edited the French art magazine, "Plastique." Morris also edited the "Bulletin of the Museum of Modern Art" and "Partisan Review." He died in 1975 in New York City. George LK...

"Construction 1982" Abstract Wall Sculpture Contemporary Mid 20th Century Modern Painted wood assemblage, 36 x 45 x 4 inches overall. Note the label states 3 foot diameter referring to circular portion. Exhibited, Seymour Fogel Constructions Paintings and Drawing, 1984, typed on Graham Modern label verso Seymour Fogel was born in New York City on August 24, 1911. He studied at the Art Students League and at the National Academy of Design under George Bridgeman and Leon Kroll. When his formal studies were concluded in the early 1930s he served as an assistant to Diego Rivera who was then at work on his controversial Rockefeller Center mural. It was from Rivera that he learned the art of mural painting. Fogel was awarded several mural commissions during the 1930s by both the Works Progress Administration (WPA) and the Treasury Section of Fine Arts, among them his earliest murals at the Abraham Lincoln High School in Brooklyn, New York in 1936, a mural in the WPA Building at the 1939-1940 New York World's Fair, a highly controversial mural at the U.S. Post Office in Safford, Arizona (due to his focus on Apache culture) in 1941 and two murals in what was then the Social Security Building in Washington, D.C., also in 1941. Fogel's artistic circle at this time included Phillip Guston, Ben Shahn, Franz Kline, Rockwell Kent and Willem de Kooning. In 1946 Fogel accepted a teaching position at the University of Texas at Austin and became one of the founding artists of the Texas Modernist Movement. At this time he began to devote himself solely to abstract, non-representational art and executed what many consider to be the very first abstract mural in the State of Texas at the American National Bank in Austin in 1953. He pioneered the use of Ethyl Silicate as a mural medium. Other murals and public works of art done during this time (the late 1940s and 1950s) include the Baptist Student Center at the University of Texas (1949), the Petroleum Club in Houston (1951) and the First Christian Church, also in Houston (1956), whose innovative use of stained glass panels incorporated into the mural won Fogel a Silver Medal from the Architectural League of New York in 1958. Fogel relocated to the Connecticut-New York area in 1959. He continued the Abstract Expressionism he had begun exploring in Texas, and began experimenting with various texturing media for his paintings, the most enduring of which was sand. In 1966 he was awarded a mural at the U.S. Federal Building in Fort Worth, Texas. The work, entitled "The Challenge of Space", was a milestone in his artistic career and ushered in what has been termed the Transcendental/Atavistic period of his art, a style he pursued up to his death in 1984. Painted and raw wood sculpture...

"Reclining Man" Ashcan Early 20th Century American Scene Social Realism Gay Nude Isadore Konti (1862 - 1938) "Reclining Man" 7 1/2 w x 4 1/2 d x 7 high inch...

The First rock- original sculpture bronze iron. by the Spanish artist AMANCIO GONZALEZ bronze. 7 ejemplares Fantastic piece of art representing Spanish sculpture AMANCIO Gonzalez (...

AYN GALLERY propose a curated collection of unique objects like this exceptional and a unique table from the artist Philippe Pasqua. Pasqua is one of the ...

The undulating gentle curves of this sculpture by artist Jana Osterman emulate organic egg shaped forms found in nature. Created out of gypsum, polymer and bronze, the finish is patinated with acid which gives the piece a beautiful deep blue weathered finish. Layers of wax protect this sculpture so it can be handled easily. The weight of the sculpture is 9.0lbs. This is one in a series of nine...

"Adorned I" Abstract Bronze Sculpture 44" x 9" x 7" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in 1979. He started exhibiting in individual and group exhibitions in Alexandria since 1980 and up until now. Sarkis Tossoonian won the second prize in Sculpture in the 5th Biennale of Port Said in 2001. Sarkis Tossoonian excels in blending two different mediums in his works like non shiny bronze with shiny golden brass. His figures stand for both male and female dressed elegantly and representing mostly noble graceful figures Although metals are his favorite material, Tossoonian returned to Aswan symposium to carve another statue of granite for the second time. This year, the artist wants to carve what he wished to do last year but failed due to the disobedience of the stubborn piece of stone. A long and thin sculpture...