Sergii Shaulis

№5 Bronze sculpture Edition of 3 by Sergii Shaulis

2018

"The Man Without a Rod №3" Bronze Sculpture 26x20x9in Ed. 3/8 by Sergii Shaulis Limited Edition 3/8 From "The man without a rod" series Approximate weight 77 lbs. The artist spent almost ten years of his life in the making of this eight-piece series. It is an introspective representation of what he calls absolute hopelessness. “It's about the emptiness of the soul, but it's also about starting anew; when you feel nothing but finding the power inside of you to stand up and move.” ABOUT ARTIST Born on 27 May 1985 in Kharkiv, Ukraine. From 2005 to 2011 studied at the Kharkiv State Academy of Design and Arts, at the Faculty of "Fine Arts" specialty "Easel and monumental sculpture." Now studying postgraduate at Kharkiv State Academy of Design and Arts. Works are in private collections in Ukraine, Israel, Germany, USA, Australia, Finland, Holland, Spain, Belgium, England. Education 2002‑2005 Faculty of Engineering and Physics (NTU KhPI) 2005‑2011 Easel and monumental sculpture (KSADA) 2012-2016 postgraduate education (KSADA) Exhibitions 2007-15 City exhibition HONSKHU. Kharkiv. 2007-14 Ukrainian Exhibition KONSKHU. Kyiv. 2008-11 "The maestro and his students", KSADA. Kharkiv (Audience Award 2009) 2008 11 International Triennial of sculpture. Kyiv . 2009 “Male portrait”, gallery KSADA. Kharkiv . 2009 "You get SMS ", Kharkiv ( Grand Prix "The best sculpture project "). 2009 “Gogol-fest”, Museum Arsenal. Kyiv. 2016 "Corpus", Come in gallery, Kharkiv. 2016 KSADA "Loft", Kharkiv. 2017 “Art seasons”, M17. Kyiv. 2017 Gallery "Semiradskiy", Kharkiv. 2017 "Mundi contraria", M17. Kyiv. 2018 "More than sculpture", ArtUkraineGallery. Kyiv. 2018 “Auguste Rodin. "Premonition of the future...

"Songbird" Bronze and Marble sculpture 22.5" x 5" in by Ibrahim Abd Elmalak Songbird, 2008 Bronze & Marble 57 x 13 cm, Signed & Dated Sculptures that mostly depict his characteri...

"Metamorphosis" Bronze and Marble sculpture 22" x 6" in by Ibrahim Abd Elmalak Songbird, 2004 Bronze & Marble 56 x 16 cm, Signed & Dated Sculptures that mostly depict his charact...

"Chrysalis" Bronze and Marble sculpture 19" x 15" in by Ibrahim Abd Elmalak Chrysalis, 2005 Bronze & Marble 48 x 39 cm, Signed & Dated Sculptures that mostly depict his character...

Nando Kallweit’s "Amici V" is a contemporary bronze sculpture that captures the essence of unity and connection through its strikingly elongated abstract forms. This modern figurative artwork features three faceless figures standing tall together, their textured surfaces and slender silhouettes evoking a sense of strength and harmony. The interplay of light and shadow on the dark patina enhances the sculpture’s expressive depth, making it a sophisticated addition to minimalist, abstract, and contemporary art collections. Amici V symbolizes companionship, resilience, and shared experiences, resonating deeply with collectors who appreciate art that conveys emotion through form. German sculptor Nando Kallweit produces figurative bronze sculptures and reliefs with aquiline and a graceful modern appeal. Kallweit is inspired by seemingly disparate cultures; the strength of ancient Egyptian sculptures...

Reaching, ca. 1980. Cast bronze. Signed in lower region on wrist. A rare example from the artist's later period influenced by figurative abstraction with expressionist tendencies. James Edward Lewis (August 4, 1923 – August 9, 1997) was an African-American artist, art collector, professor, and curator in the city of Baltimore. He is best known for his role as the leading force for the creation of the James E. Lewis Museum of Art, an institution of the HBCU Morgan State University. His work as the chairman of the Morgan Art Department from 1950 to 1986 allowed for the museum to amass a large collection of more than 3,000 works, predominantly of African and African diasporan art.[1] In addition, he is also well known for his role as an interdisciplinary artist, primarily focused on sculpture, though also having notable examples of lithography and illustration. His artistic style throughout the years has developed from an earlier focus on African-American history and historical figures, for which he is most notable as an artist, to a more contemporary style of African-inspired abstract expressionism. Early and personal life James E. Lewis was born in rural Phenix, Virginia on August 4, 1923 to James T. Lewis and Pearline (Pearlean) Harvey.[5] Lewis' parents were both sharecroppers. Shortly after his birth, his father moved to Baltimore for increased job opportunity; James E. was subsequently raised by his mother until the family was reunited in 1925. They lived for a short time with distant relatives until moving to a four-bedroom house on 1024 North Durham Street in East Baltimore, a predominantly African-American lower-class neighborhood close to Johns Hopkins Hospital. Lewis' primary school, PS 101, was the only public school in East Baltimore that served black children. Lewis grew up in a church-going family, his parents both active members of the Faith Baptist Church, devoting the entirety of their Sundays to church activities. His parents worked a variety of different jobs throughout his youth:[6] his father working as a stevedore for a shipping company, a mechanic, a custodian, a mailroom handler,[6] and an elevator operator.] His mother worked as both a clerk at a drugstore[7] and a laundress for a private family.[4] Lewis' primary exposure to the arts came from Dr. Leon Winslow, a faculty member at PS 101 who Lewis saw as "providing encouragement and art materials to those who wanted and needed it." In fifth grade, Lewis transferred to PS 102. Here, he was able to receive specialized Art Education in Ms. William's class under the guidance of Winslow. He was considered a standout pupil at PS 102 as a result of his introduction to the connection between the arts and the other studies. His time spent in Ms. Pauline Wharton's class allowed for him to experiment with singing, to which he was considered a talented singer. His involvement in this class challenged his earlier belief that singing was not a masculine artistic pursuit. He was able to study both European classics and negro spirituals, which was one of his earliest introductions to arts specific to American black culture. Under Ms. Wharton's direction, he was also involved in many different musical performances,[6] including some works of the Works Progress Administration's Federal Theatre Project.[8] Lewis attended Paul Laurence Dunbar High School, where his love of the arts was heightened through his industrial art class with Lee Davis...

Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculptors of our time. He is a living master whose work is considered to be both personal a...

Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculptors of our time. He is a living master whose work is considered to be both personal a...