Abstract Figurative Sculptures

Artist: Yayoi Kusama (1929) Title: Pumpkin, Red/White Year: 2016 Medium: Painted cast resin sculpture Sculpture Size: 4 × 3.5 x 3.5 inches Inscription: ©Yayoi Kusama, as issued Notes...

Artist: Yayoi Kusama (1929) Title: Pumpkin, Yellow/Black Year: 2016 Medium: Painted cast resin sculpture Sculpture Size: 4 × 3.5 x 3.5 inches Inscription: ©Yayoi Kusama, as issued No...

This figurative outdoor sculpture in female form is forged in bronze and stainless steel. Galina Stetco used her own body as a model for the mould of this compelling and poignant l...

Pablo Picasso Malaga 1881 - 1973 Mougins Petite Chouette, 1949 White earthware with engobe decoration, glazed interior 13 x 15 x 11 cm Impressed studio marke to undersite "EDITION P...

Jackson Pollock 400% & 100% Bearbrick Vinyl Figure (set of 2): A rare highly collectible Bearbrick Jackson Pollock statue piece, splattered from head to toe in Pollock’s signature a...

This finely crafted black-on-buff geometric olla by Juan Quezada Celado features interlocking stepped and square-grid motifs that wrap around the vessel in a precise, rhythmic patter...

This sculpture is one of a kind piece, no other one exists, and it was realized in 1980 by the well known Italian artist Bruno Chersicla. This is a kinetic abstract sculpture, most ...

Four lengths of azure blue glass lightly brushed with charcoal intersect in an elegant wave form by artist John Paul Robinson. Robinson was educated at the Georgian College of Art...

Yayoi Kusama’s My Heart That Blooms in the Darkness of the Night (2012) is a striking example of her ability to merge visual art with emotional depth and symbolic resonance. Crafted ...

Inspired by dance and weightlessness, Granville Beals' industrial metal sculptures are primarily about relationships. Concerned with form and abstraction, he does not merely manipula...

Bronze sculpture by Latin American sculptor Raúl Valdivieso (Chilean, 1931-1993). Valdivieso is known for his reinterpretation of the classic organic forms and human figures. Raúl Valdiveso was born September 9, 1931 in Santiago, Chile. In 1952 he began his studies at the School of Fine Arts at the University of Chile. There he took to sculpture and studied under professors like Marta Colvin...

Architectural wood head sculpture combining figurative portraiture, carved architecture and anthropotectural concepts exploring the body as a place of inhabitation. Anthropotecture ...

“Woman” is a Stainless Steel Sculpture by the artist Marian Owczarski. It measures approximately 15 x 8.5 x 6 inches. The date of creation is unknown,...

Reg Cotterell Butler (1913 - 1981) Bronze Musée Imaginaire Conceived 1961-62, cast 1963 Stamp signed and impressed with monogram Initials © RB Numbered 9/9, Cast by Valsuani Fou...

Artist: Yayoi Kusama (1929) Title: Pumpkins, Yellow/Black, Red/White (Two Sculptures) Year: 2016 Medium: Painted cast resin sculptures Sculpture Size: 4 × 3.5 x 3.5 inches, each Insc...

Tribute to Jean Arp. This decorative piece has been painted by hand on glazed porcelain with an intense red color. Jean Arp Sargadelos Porcelain Vase. last quarter 20th Century sign...

Inspired by dance and weightlessness, Granville Beals' industrial metal sculptures are primarily about relationships. Concerned with form and abstraction, he does not merely manipula...

This is a great sculpture with real gravitas and elegance. A great conception in terms of the forms and planes. Can be a star piece in a room - stone and surface are very attractive! Active primarily in the mid to late 20th century, Leo De Beer...

Warthog Divining Figure. Kuba, DRC. Late 19th century. Carved wood with palm oil patina, 12.5 incehes (l), 3.25 inches (h), 2 5/8 inches (d). Loss evident at tip of right ear and on snout. Provenance: Ex. collection Martin and Faith-Dorian Wright; J.J. Klegman; Angelo Caggiula-Carulucci, chief magistrate in Belgian Congo for King Leopold...

William King (1925-2015). Reclining figure, ca. 1965. Cast and welded bronze, 7 x 9.5 x 5 inches. Unsigned. William King, a sculptor in a variety of materials whose human figures traced social attitudes through the last half of the 20th century, often poking sly and poignant fun at human follies and foibles, died on March 4 at his home in East Hampton, N.Y. He was 90. His death was confirmed by Scott Chaskey, who is married to Mr. King's stepdaughter, Megan Chaskey. Mr. King worked in clay, wood, bronze, vinyl, burlap and aluminum. He worked both big and small, from busts and toylike figures to large public art pieces depicting familiar human poses -- a seated, cross-legged man reading; a Western couple (he in a cowboy hat, she in a long dress) holding hands; a tall man reaching down to tug along a recalcitrant little boy; a crowd of robotic-looking men walking in lock step. But for all its variation, what unified his work was a wry observer's arched eyebrow, the pointed humor and witty rue of a fatalist. His figurative sculptures, often with long, spidery legs and an outlandishly skewed ratio of torso to appendages, use gestures and posture to suggest attitude and illustrate his own amusement with the unwieldiness of human physical equipment. His subjects included tennis players and gymnasts, dancers and musicians, and he managed to show appreciation of their physical gifts and comic delight at their contortions and costumery. His suit-wearing businessmen often appeared haughty or pompous; his other men could seem timid or perplexed or awkward. Oddly, or perhaps tellingly, he tended to depict women more reverentially, though in his portrayals of couples the fragility and tender comedy inherent in couplehood settled equally on both partners. Mr. King's work is in the collections of the Metropolitan Museum of Art and the Museum of Modern Art in New York and the Smithsonian American Art Museum in Washington, among other places, and he had dozens of solo gallery shows in New York and elsewhere. But the comic element of his work probably caused his reputation to suffer. Reviews of his exhibitions frequently began with the caveat that even though the work was funny, it was also serious, displaying superior technical skills, imaginative vision and the bolstering weight of a range of influences, from the ancient Etruscans to American folk art to 20th-century artists including Giacometti, Calder. and Elie Nadelman. The critic Hilton Kramer, one of Mr. King's most ardent advocates, wrote in a 1970 essay accompanying a New York gallery exhibit that he was, "among other things, an amusing artist, and nowadays this can, at times, be almost as much a liability as an asset." A "preoccupation with gesture is the focus of King's sculptural imagination," Mr. Kramer wrote. "Everything that one admires in his work - the virtuoso carving, the deft handling of a wide variety of materials, the shrewd observation and resourceful invention - all this is secondary to the concentration on gesture. The physical stance of the human animal as it negotiates the social arena, the unconscious gait that the body assumes in making its way in the social medium, the emotion traced by the course of a limb, a torso, a head, the features of a face, a coiffure or a costume - from a keen observation of these materials King has garnered a large stock of sculptural images notable for their wit, empathy, simplicity and psychological precision." William Dickey King...

Metal contemporary wall sculpture in a mask form. The Canadian sculptor Dale Dunning often uses recycled metals—this human-shaped head is fabricated from the centers of laser-cut bru...

Nando Kallweit’s "Amici V" is a contemporary bronze sculpture that captures the essence of unity and connection through its strikingly elongated abstract forms. This modern figurative artwork features three faceless figures standing tall together, their textured surfaces and slender silhouettes evoking a sense of strength and harmony. The interplay of light and shadow on the dark patina enhances the sculpture’s expressive depth, making it a sophisticated addition to minimalist, abstract, and contemporary art collections. Amici V symbolizes companionship, resilience, and shared experiences, resonating deeply with collectors who appreciate art that conveys emotion through form. German sculptor Nando Kallweit produces figurative bronze sculptures and reliefs with aquiline and a graceful modern appeal. Kallweit is inspired by seemingly disparate cultures; the strength of ancient Egyptian sculptures...

From a single piece of silver cloud alabaster, the artist has carved a poetic and modern depiction of a reclining figure. The composition of negative and positive spaces changes as t...

Ivars Miķelsons (1962)

A white marble sculpture by Mario DeNoto. A modern abstract figure of subtly human-like features and slight gray veining. Artist: Mario DeNoto Title: Abstract Figure Medium: White...

Karl Josef Dierkes (1924 Dalhausen - 2008 ibid.), Reclining Female Nude, circa 1960. Bronze 26.5 cm (length), x 11 cm (height) x 7 cm (depth), signed “K.[arl] J.[osef] Dierkes” on th...

"Experience №1 v.2" Bronze Sculpture 18 x 6 x 6 in Edition 1/5 by Sergii Shaulis 2019 From the EXPERIENCE series Bronze Approximate weight 15lbs ABOUT ARTIST Born on 27 May 1985 ...

Rather than being literal reproductions of buildings, Leroy Johnson’s iconic, signature house sculptures are alive with texture and symbolism, celebrating the resilience of communiti...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his travels. In his ongoing series of memory jugs, Thompson adorns stoneware vessels with a kaleidoscope of ceramic shards, found objects, and pocket-sized trinkets he collected over the course of his life. Also known as forget-me-not jugs or spirit jars, memory jugs are African American folk art objects that honor a loved one who has recently passed. Small tokens and mementos of the deceased are gathered and affixed to the exterior of a jug or vase, an abundance of memories that celebrates a life lived to the fullest. Michael Thompson applies this tradition to his own practice, creating tactile assemblages of this and that. Formed in the manner of collage, each jug honors the lost memories of generations past and his own memories of personally discovering each item. With varied sources for materials including Kyoto, Turkey, and Mexico, a great number of the found shards are 18th and 19th century ceramics...

Ferran Soriano - Sculptor (Barcelona, 1944) Ferran Soriano has been exhibiting his works of art since 1970 around the world (in Spain, Europe and the USA). He has got works of art in...

Smooth-surfaced, black granite has been engineered and sculpted into an elegant and classic depiction of a human figure by Jeremy Guy. The formalist play of positive and negative spa...

"QUEEN VICTORIA" is created and from acrylic and found objects on thick, round panel by renowned Black African American artist Richard J. Watson. It includes a photograph of a figure...

This is an abstract 3D wall sculpture in wood, acrylic, rope, and ink. it is from artist Paul Cava's "Wood Work" series, which applies the collage aesthetic he has incorporated into ...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the Italian artist Annamaria Gelmi. All the pieces are numbered and signed by the artist and completed by the Certificate of the artist and the Editor who made the artworks. The iron oxidized rust sculpture...

This sculpture consists of two pieces. The dimensions of each piece are: 51x8x8 cm and 47x8x8 cm respectively. At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Authenticity, guaranteeing its originality and provenance. We offer secure worldwide delivery to any address you specify, ensuring that your purchase arrives in pristine condition. If you require additional shipping options or a bespoke quote from our trusted network of carriers, please do not hesitate to contact us. Our team is here to help you find the best solutions for a smooth and secure delivery experience. Born: 1978, Cape Town, South Africa. Lives and works: Edinburgh, Scotland. Jonathan Freemantle...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

Da sempre sono attratto dagli oggetti semplici, spesso dimenticati o fuori contesto. Riporto alla luce piccoli frammenti del quotidiano – giocattoli, gadget, elementi della cultura p...

Inspired by the timeless tradition of classical reclining figures, this contemporary bronze sculpture reinterprets the female form through a distinctly modern and minimalist lens. Pa...

This lithograph is a piece of my private collection from artists of the 20th Century. It is original, signed by artist and numbered 217/220. It is vibrant in color and in very good...

JOAN MOORE West Sussex 1909 - 1996 London Three Swans, 1970 Welded and patinated sheet iron Signed on the reverse: "Joan Moore" 83 x 165 x 72 cm Joan Moore was the wife of English s...

This unique Murano glass sculpture by Paul Kostabi is a unique example of Venetian craftsmanship. Mouth-blown and hand-cut at the Hofmeister Glass Factory in Amberg, it is a truly un...

Bronze sculpture created by Tommaso Cascella and his wife. 20x12 cm. Work signed with felt-tip pen inside the left paw. Good conditions. Tommaso Cascella (1890–1968) was an Itali...

Artist: Jean Richardson, American (1940 - ) Title: Genesis Year: 1989 Medium: Bronze Sculpture, signature and numbering inscribed Edition: 50 Size: 16 x 15.5 x 12 inches Base: 1.5 x...

Roberto Estopinan, Cuban, 1920 - 2015 Dimensions: 24.5" wide x 13" high plus 6" high base. Roberto Estopiñán (1921–2015) was a Cuban American sculptor known for his sculptures of the human form, including political prisoners. Born in Camaguey, Cuba, he lived in the United States for over fifty years. His works are held by major institutions such as the Museum of Modern Art, the Whitney Museum and the Smithsonian Museum of American Art. Roberto Gabriel Estopinan, a sculptor, draftsman, and printmaker, was born in Havana, Cuba on March 18, 1921. Estopiñán enrolled at the San Alejandro Academy when he was just 14 years old and became the protegé and studio assistant of the sculptor Juan José Sicre. After graduation he traveled first to Mexico, where he met and befriended Francisco Zuniga, and studied Pre-Columbian sculpture. In 1949 he traveled to Europe, visiting England, France and Italy. In these trips he encountered the sculpture of Henry Moore and Marino Marini, and their humanistic yet formal visions would be influential on Estopinan's work. Estopiñán was a pioneer of direct carvings using wood and of welding techniques in Latin America. Throughout the 1950s, Estopiñán received important prizes at various national exhibitions in Havana. In 1953 he was the only semi-finalist from Latin America at the Tate Gallery's international sculpture competition for a Monument to the Unknown Political Prisoner. In 1961, the artist moved to New York, where he resided until 2002. Roberto Gabriel Estopiñán a Cuban emigre sculptor who emigrated to exile in the United States not long after Fidel Castro’s revolution in 1959, is considered one of Latin America’s most important 20th-century artists. His work, which includes drawings and prints as well as sculptures in wood and bronze, is in the collections of New York’s Museum of Modern Art, the Smithsonian’s American Art Museum, the Art Institute of Chicago, and the Detroit Institute of Art, among many locations. He is best known for his stark, disturbing renderings of political prisoners, the fruit of his own experiences as a dissident under both Castro and his predecessor, the dictator Fulgencio Batista, and for his representations of the female torso that can remind viewers of both classical statuary and the high-modern, abstractly elongated work of Henry Moore.mHe was born in Havana to a father from Asturias in northwest Spain and a mother of African descent. Estopiñán was something of a prodigy. At the age of fourteen, he won the first prize in drawing at the Centro Asturiano, a regional association for Cubans of Asturian descent. Shortly afterward he received special permission to enter the San Alejandro Academy of Fine Arts in Havana. At the school he was mentored first by its director, the painter Armando Menocal (1863-1941), then by the landscape artist Antonio Rodríguez Morey (1872-1967), and finally by Juan José Sicre (1898-1974), regarded as one of Cuba’s greatest sculptors. Sicre, a professor of sculpture at the Academy, had helped introduce European modernist art to Cuba, and from the 1930s through the 1950s had sculpted monumental figures in Havana of José Martí and other Cuban national heroes that stand to this day. Estopiñán was first Sicre’s student, then his assistant, and, finally, his colleague for the next fifty years. After graduating from San Alejandro in 1942, Estopiñán began simultaneously teaching art at the Ceiba del Agua School for young men, assisting Sicre in public art projects and developing his own artistic vision. He also traveled widely, to Mexico, New York, France, and Italy. From the late 1940s through the 1950s his sculpture evolved from an early neoclassical phase under the influence of Maillol to what he defined as “formalist humanism”: emphasizing the abstract beauty of the shapes he sculpted while not abandoning the human figure as the basis of his work. As the 1950s progressed he chose to carve in native Cuban woods...

This abstract figurative sculpture by Gal Melnick is from here latest body of works. It is a laser cut metal sculpture which is painted with automotive pai...

This is a plaster cast relief sculpture painted with black and white designed to be mounted directly to the wall or installed on a shelf. It is an abstract image evoking flowing water and sea life. It is reminiscent of a fossil or natural or scientific curiosity in a "Wunderkammer," or historical cabinet of curiosities. It is signed on the back. Ava Blitz...

"Evolution, Bison" (2019) by Julia Mulligan is an original, handmade ceramic and gold leaf sculpture on a wooden base that depicts a bison with gold horns. My childhood, from about...

'Blue Poppies', 2015 Donald Sultan Painted Aluminum on Polished Aluminum base 24.4 x 24 x 3 in. / 62 x 61 x 8 cm. Edition of 25, Signed by the artist The specific information regard...

Stacking printed on photographic paper Jeon Byeong Sam is a South Korean artist born in 1977 who lives and works in Seoul, South Korea. He is a contemporary artist internationally k...

Hand carved sculpture by artist Isabel Ritter. Beautiful blue wings are carved perfectly. Stunning on a plinth or a shelf. About the Gallery: Folly & Muse was established in 2015 in...

Ivars Miķelsons (1962)

Girl With Blue Ribbon Tribute To Picasso Signed near base "Omaggio A Picasso' or as a tribute to Picasso. Measures 16"H x 10"W x 7"D. Walter Furlan was born in 1931 in Chioggia, a s...

"Signs Nr.2" Sculpture 20 x 20 x 4 in Ed. 1/1 by Sergii Shaulis Medium: Ceramic From the SIGNS series Approximate weight 32 lbs ABOUT ARTIST Born on 27 May 1985 in Kharkiv, Ukrai...

This is a shadow box construction approx. 13" x 9" x 2.5" with painted and collaged materials including historic photographs of Black figures and other found objects. Encased in a dark wood frame under glass. It is signed and dated along the lower edge. PROVENANCE: Exhibited in "Portals + Revelations: Richard J. Watson," the African American Museum in Philadelphia, Oct 2021 - Mar 2022. "Most of my works are supported by memories of the past and suggested realities. Issues of social politics, ancestral references, and astral projections are presented with fragmented elements...

"The man without a rod Nr 1" Sculpture 34.6x13x10 in Ed 2/5 by Sergii Shaulis From "The man without a rod" series Approximate weight 40 lbs The artist spent almost ten years of...

Astian Rey "SOLAR TOTEM"

"Heart and Soul" Wood Sculpture 19" x 9" in by Ibrahim Abd Elmalak Sculptures that mostly depict his characteristic figures of feminine form and feeling – a central element to Abd E...

This Modernist ceramic sculptures depicts an abstracted and cubist human form sitting cross legged with his back bent forward and arms outstretched. The sculpture, realized by Jaru o...

Keith Haring Mickey Mouse Bearbrick: Set of two (400% & 100%): A unique, timeless collectible trademarked & licensed by the Estate of Keith Haring. The partnered collectible reveals Keith Haring's Mickey Mouse artwork...

Pair, sisal, wool, stilon, 125" x 77", 1989. This large figurative, abstract tapestry was done by textile artist, Lilla Kulka (b. 1946, Krakow, Poland). Artist Statement: "I creat...