Abstract Figurative Sculptures

Da sempre sono attratto dagli oggetti semplici, spesso dimenticati o fuori contesto. Riporto alla luce piccoli frammenti del quotidiano – giocattoli, gadget, elementi della cultura p...

Created in 1953, ceramic Picador A.R. 200 is a round plate of white earthenware clay with oxidized paraffin decoration (brown, green, white) in a stanniferous enamel bath...

A lovely Native New Mexico sculpture of a corn man delicately sculpted in a beautiful translucent pink alabaster. Attached to a dark wooden base which compliments the beautiful pink ...

Tribute to Jean Arp. This decorative piece has been painted by hand on glazed porcelain with an intense red color. Jean Arp Sargadelos Porcelain Vase. last quarter 20th Century sign...

Ferran Soriano - Sculptor (Barcelona, 1944) Ferran Soriano has been exhibiting his works of art since 1970 around the world (in Spain, Europe and the USA). He has got works of art in...

Bust of Quiet Woman is cast nickel. The surface was then re-carved to accent each of the original marks in the wood. This is the only Hostetler sculpture ever cast in nickel and the ...

Ben McLeod (b. 1948, Aberdeen, Scotland) is a preeminent Canadian sculptor whose over five-decade practice is characterized by a profoundly self-propelled trajectory and the cultivat...

Betsy Enzensberger sculpts works that create a visceral longing and remembrance of the most nostalgic delights from childhood. The artist uses the familiarity of those sweet treats t...

"The Visitor" is an acrylic on shaped canvas painting stretched over a wooden armature creating a 3D wall sculpture. With this majestic figure adorned in radiant color, artist Claes ...

Catherine Bohrman's bronze sculptures encompass gestural form with figurative elements. Her international style has been noted to possess soft edges that belie the magnitude of their density. Her sculpture "Chrysalis" is a museum quality bronze...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his travels. In his ongoing series of memory jugs, Thompson adorns stoneware vessels with a kaleidoscope of ceramic shards, found objects, and pocket-sized trinkets he collected over the course of his life. Also known as forget-me-not jugs or spirit jars, memory jugs are African American folk art objects that honor a loved one who has recently passed. Small tokens and mementos of the deceased are gathered and affixed to the exterior of a jug or vase, an abundance of memories that celebrates a life lived to the fullest. Michael Thompson applies this tradition to his own practice, creating tactile assemblages of this and that. Formed in the manner of collage, each jug honors the lost memories of generations past and his own memories of personally discovering each item. With varied sources for materials including Kyoto, Turkey, and Mexico, a great number of the found shards are 18th and 19th century ceramics...

"Club" is a bronze cast sculpture made by Kiki Smith in 1992. The artwork is 33 x 8 x 6 inches and weighs less than 50 lbs. The work is signed and dated, lower middle, "Kiki Smith 19...

"Land & Sea" Bronze sculpture 16" x 14" inch by Ibrahim Abd Elmalak Double-faced Bronze & Marble Signed & Dated Sculptures that mostly depict his characteristic figu...

"The man without a rod Nr.2" Aluminum Sculpture Edition of 5 by Sergii Shaulis From "The man without a rod" series Edition of 5 Medium: aluminium, patina Aluminum. Approximate weigh...

Ceramic abstract face with hat 8.5 x 19.6 x 8.0, 2.2 lbs Ceramic Hand signed by artist Artist's Commentary: "Project 'Iliad.' The artworks in this section are influenced by the H...

EMILE-ANTOINE BOURDELLE (French, 1861 - 1929). La Nuit de profil (The Night in profile) Conceived 1900-1904 Cast 1972 Patinated bronze Interior signature "BY BOURDELLE." Foundry st...

A unique root creature sculpture made from lacquered wood with colored pencil by American artist Jon Brooks (20th century). Brooks was born in Manchester, N...

Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculptors of our time. He is a living master whose work is considered to be both personal a...

This figurative outdoor sculpture in female form is forged in bronze and stainless steel. Galina Stetco used her own body as a model for the mould of this compelling and poignant l...

Ivars Miķelsons (1962)

"QUEEN VICTORIA" is created and from acrylic and found objects on round MDF panel by renowned Black African American artist Richard J. Watson. It includes a photograph of a figure, p...

To Chicago-based artist Patrick Fitzgerald, his miniature car sculptures are a means of traveling through time. Born from a fascination with the soap box derby cars of his youth, eac...

"Tempests" Bronze & Marble Sculpture 12" x 8" in by Ibrahim Abd Elmalak Double-faced Bronze & Marble Signed & Dated Sculptures that mostly depict his characteristic ...

"Heart and Soul" Wood Sculpture 19" x 9" in by Ibrahim Abd Elmalak Sculptures that mostly depict his characteristic figures of feminine form and feeling – a central element to Abd E...

Dale Dunning’s eclectic and contemporary sculptural work explores universal themes. This wall sculpture is made from laser-cut brushed aluminum. The ‘head’ is mounted on a background...

Her poetic porcelain plates examine and reimagine the history of art in a way that values ​​women not only in body, but in wholeness, power, and love. Focusing on the narrative quali...

Roberto Estopinan, Cuban, 1920 - 2015 Dimensions: 24.5" wide x 13" high plus 6" high base. Roberto Estopiñán (1921–2015) was a Cuban American sculptor known for his sculptures of the human form, including political prisoners. Born in Camaguey, Cuba, he lived in the United States for over fifty years. His works are held by major institutions such as the Museum of Modern Art, the Whitney Museum and the Smithsonian Museum of American Art. Roberto Gabriel Estopinan, a sculptor, draftsman, and printmaker, was born in Havana, Cuba on March 18, 1921. Estopiñán enrolled at the San Alejandro Academy when he was just 14 years old and became the protegé and studio assistant of the sculptor Juan José Sicre. After graduation he traveled first to Mexico, where he met and befriended Francisco Zuniga, and studied Pre-Columbian sculpture. In 1949 he traveled to Europe, visiting England, France and Italy. In these trips he encountered the sculpture of Henry Moore and Marino Marini, and their humanistic yet formal visions would be influential on Estopinan's work. Estopiñán was a pioneer of direct carvings using wood and of welding techniques in Latin America. Throughout the 1950s, Estopiñán received important prizes at various national exhibitions in Havana. In 1953 he was the only semi-finalist from Latin America at the Tate Gallery's international sculpture competition for a Monument to the Unknown Political Prisoner. In 1961, the artist moved to New York, where he resided until 2002. Roberto Gabriel Estopiñán a Cuban emigre sculptor who emigrated to exile in the United States not long after Fidel Castro’s revolution in 1959, is considered one of Latin America’s most important 20th-century artists. His work, which includes drawings and prints as well as sculptures in wood and bronze, is in the collections of New York’s Museum of Modern Art, the Smithsonian’s American Art Museum, the Art Institute of Chicago, and the Detroit Institute of Art, among many locations. He is best known for his stark, disturbing renderings of political prisoners, the fruit of his own experiences as a dissident under both Castro and his predecessor, the dictator Fulgencio Batista, and for his representations of the female torso that can remind viewers of both classical statuary and the high-modern, abstractly elongated work of Henry Moore.mHe was born in Havana to a father from Asturias in northwest Spain and a mother of African descent. Estopiñán was something of a prodigy. At the age of fourteen, he won the first prize in drawing at the Centro Asturiano, a regional association for Cubans of Asturian descent. Shortly afterward he received special permission to enter the San Alejandro Academy of Fine Arts in Havana. At the school he was mentored first by its director, the painter Armando Menocal (1863-1941), then by the landscape artist Antonio Rodríguez Morey (1872-1967), and finally by Juan José Sicre (1898-1974), regarded as one of Cuba’s greatest sculptors. Sicre, a professor of sculpture at the Academy, had helped introduce European modernist art to Cuba, and from the 1930s through the 1950s had sculpted monumental figures in Havana of José Martí and other Cuban national heroes that stand to this day. Estopiñán was first Sicre’s student, then his assistant, and, finally, his colleague for the next fifty years. After graduating from San Alejandro in 1942, Estopiñán began simultaneously teaching art at the Ceiba del Agua School for young men, assisting Sicre in public art projects and developing his own artistic vision. He also traveled widely, to Mexico, New York, France, and Italy. From the late 1940s through the 1950s his sculpture evolved from an early neoclassical phase under the influence of Maillol to what he defined as “formalist humanism”: emphasizing the abstract beauty of the shapes he sculpted while not abandoning the human figure as the basis of his work. As the 1950s progressed he chose to carve in native Cuban woods...

Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculptors of our time. He is a living master whose work is considered to be both personal a...

Inspired by dance and weightlessness, Granville Beals' industrial metal sculptures are primarily about relationships. His original artworks capture the...

Keith Haring (1958-1990), After Baby. Painted plexiglass sculpture on a base. Studio Editions. Signed and numbered, limited edition of 50. 32 x 24 x 3 cm; 12.60"x9.5"x1.18". A certif...

This finely crafted black-on-buff geometric olla by Juan Quezada Celado features interlocking stepped and square-grid motifs that wrap around the vessel in a precise, rhythmic patter...

This is a great sculpture with real gravitas and elegance. A great conception in terms of the forms and planes. Can be a star piece in a room - stone and surface are very attractive! Active primarily in the mid to late 20th century, Leo De Beer...

Hand carved sculpture by artist Isabel Ritter. Beautiful encased female sculpture. Stunning on a plinth or a shelf. About the Gallery: Folly & Muse was established in 2015 in London...

Forged from bronze, this contemporary figurative indoor sculpture was made by Galina Stetco. The silhouette of a human bust has a hole where the heart is located and a metal ladder c...

Wood, stone, iron. The raw material and the material of a sculptor. ancestor of any architectural practice. But the architect, the sculptor and the artist do not remain alone in thei...

Judith Brown, American "Reveler" Steel sculpture of a body in motion, dancer Signed with initials Initialed "JB" Base: 11" X 6" X 1.75" Sculpture: 16" X 10" X 10" Judith Brown (December 17, 1931 – May 11, 1992) was an American dancer and a woman AbEx sculptor who was drawn to images of the body in motion and its effect on the cloth surrounding it. She welded crushed automobile scrap metal into energetic moving torsos, horses, and flying draperies. "One of the things that made Judy stand out as an artist was her ability to work in many different mediums. Some of this was by choice, and sometimes it was by necessity. Her surroundings often dictated what medium she could work with at any given time. After all, you can't bring you're welding gear with you to Rome ."Brown attended Sarah Lawrence College in Yonkers, New York (B.A., 1954), where she learned to weld from her teacher, Theodore Roszak, a pioneering abstract expressionist sculptor. Her style similar to Leonard Baskin and John Chamberlain. Figurative abstract expressionism. Brown's work was exhibited widely throughout the United States and Europe, featured in group shows at the Museum of Contemporary Crafts, the Boston Arts Festival, The New Britain Museum of American Art, and many other galleries and museums. Brown's one-person exhibitions include shows at Zygos Gallery in Cyprus and Galeriea de Antonio Souza in Mexico City, as well as galleries and museums in Vermont, Florida, and New York City. Brown's artwork was also displayed in windows at Tiffany's and Bonwit Teller in their New York City department stores. In addition to displaying her work in exhibition settings, Brown received many public and private commissions throughout her career. Her public commissions may be found in many U.S. states including New York, Vermont, New Jersey, Virginia, Georgia, and California; and she has work currently housed with several museums and corporations including the Pepsi Company, Marriott Corporation, Dartmouth College, Vermont Law School, Jewish Museum, and the Museum of Dance. Select Commissions Mural Sculpture, Lobby, Louisville Radio Station WAVE Fountain, commissioned by Architectural Interiors, New York City Model, designed and executed for Festival of Two Worlds, Spoleto, Italy Sculpture, designed for Electra Film Productions, NYC Noah's Ark, exhibited at Bronx Zoo, New York City, at Rochester Museum and Science Center, Rochester, New York, and at Hopkins Center, Hanover, New Hampshire Store Windows, executed Tiffany & Company Windows, New York City, Christmas 1957, 1959, 1962, October 1969, Spring 1979, and October 1980 Wall Sculptures: for Youngstown Research Center (1963-4), commissioned by Youngstown Steel Company, Youngstown, Ohio; for Hecht and Company, Landmark Shopping Center, Alexandria, Virginia, Daniel Schwartzman, Architect; for Lobby, 570 Seventh Avenue, New York City, Giorgio Cavaglieri, Architect; for Lobby, Cities Service Company's New Research Center, Cranbury, New Jersey; for Ottauquechee Health Center, Woodstock, Vermont Eternal Lights: for Congregation Beth-El, South Orange, New Jersey; for Congregation Sharey Tefilo, East Orange, New Jersey Menorahs: commissioned by Architect Fritz Nathan for the Permanent Collection of the Jewish Museum, New York City; commissioned by Smith College for the Helen Hill Chapel, Northampton, Massachusetts; commissioned by Jules Scherman, of Wisteria Press, Inc., New York City Altar Cross, commissioned by Smith College for the Helen Hill Chapel, Northampton, Massachusetts Landscape, Memorial Piece for Gustave Heller, YM-YWCA, Essex County, New Jersey Memorial Plaque for Robert A. Ferguson, Westchester County Airport, Purchase, New York Sculpture for Vice President's office, Atlantic Richfield Company, New York City Bronze Relief Sculpture for Gymnasium Lobby, South Richmond High School, Staten Island, New York, Daniel Schwartzman, Architect Poster, Stratton Arts Festival, Stratton, Vermont Medallion, commissioned by Brandeis University National Women's Committee, New York City Model for Fountain for the Plaza at Windsor, Vermont Bronze Sculpture, commissioned by Intramural, Inc. for Building Lobby, N/E Cor. 79th Street and Second Avenue, New York City Presentation Piece, commissioned by Graphic Arts Associates of Delaware Valley, Philadelphia, Pennsylvania Wall Mural, Noah's Ark, Roosevelt Hospital, New York City 1977: Designed and executed Hanes Hosiery "Million Dollar Award"; Designed and executed "Old Spice" Smart Ship Award 1978: Commissioned to design and execute the "Walter White Award" for the NAACP for presentation to Hubert Humphrey; Commissioned to design and execute the Award for the Honorees of the National Board YWCA's First Tribute to Women in International Industry 1979: Designed and executed Jewelry for the Museum of Modern Art, New York City; Designed and executed limited edition of Mazuzas for Brandeis University-National Women's Committee, New York City 1980: Bronze Cross commissioned for St. James Episcopal Church, Woodstock, Vermont 1982: Eubie Award, New York Chapter of the National Academy of Recording Arts and Sciences 1985: Two Sculptures, Marriott Hotel, Orlando, Florida 1986: Two large Sculptures for indoor reflecting pools, Palm Desert Hotel, Palm Springs, California; John Portman, Eight Sculptures for Peachtree Plaza Hotel, Atlanta, Georgia; John Portman, Beach House, Sea Island, Georgia 1987: Loan Installation, DeCordova Museum, Lincoln, Massachusetts 1988: Eleven foot outdoor Sculpture for Front Plaza, River Court, Charles River, East Cambridge, Massachusetts, H. J. Davis Development Corp.; Tomie dePaola, Outdoor Sculpture of Bird, New London, New Hampshire 1989: Room Screen, 51/2 feet, Rita Moreno, Los Angeles, California; Martha Graham Award for presentation to her in Boston, Massachusetts 1990: Fireplace Screen, Sharon Mills, Chattanooga, Tennessee Selected exhibitions 1957: "The Patron Church", Museum of Contemporary Crafts, New York City 1958: Dallas Museum of Art, Dallas, Texas; The Jewish Museum, New York City 1959: Detroit Institute of Arts; Pennsylvania Academy of the Fine Arts, Philadelphia 1962: National Academy of Arts and Letters, New York City 1963: Arkansas Arts Center, Little Rock, Arkansas; Newport Art Association, Newport, Rhode Island 1964: "West Side Artists", Riverside Museum, New York City; "The Crafts and Worship", Dallas Museum of Art, Dallas, Texas; Hopkins Center, Dartmouth College, Hanover, New Hampshire 1966: "Recent Acquisitions", Aldrich Museum of Contemporary Art, Ridgefield, Connecticut; Byron Gallery, New York City 1967: Byron Gallery, New York City; Southern Vermont Art Center, Manchester, Vermont; University of New Hampshire, Durham, New Hampshire 1968: New Britain Museum of American Art, New Britain, Connecticut; "Exhibit of Encaustic Drawings", Kanegis Gallery, Boston, Massachusetts 1969: Graham Gallery, New York City 1970: "Birds and Beasts", Graham Gallery, New York City 1971: Art Gallery of Ontario, Toronto 1972: Brandeis University, Waltham, Massachusetts; SUNY, Plattsburgh, New York 1973: Fairleigh Dickinson University, William Penn Memorial Museum, Harrisburg, Pennsylvania; Sculpture in Tiffany & Co. Windows, New York City 1974: DeCordova Museum, Lincoln, Massachusetts; Hopkins Center, Dartmouth College, Hanover, New Hampshire; Library Art Center, Newport, New Hampshire 1975: "New England Women", DeCordova Museum, Lincoln, Massachusetts; "Animal Sculpture", New Britain Museum of American Art, New Britain, Connecticut; "From Vermont: Past to Present", Gallery 641, Washington, D.C.; Art Association of Newport, Rhode Island; Brattleboro Museum and Art Center, Brattleboro, Vermont 1976: The 41st International Eucharistic Congress, Philadelphia, Pennsylvania; Montshire Museum, Hanover, New Hampshire 1977: Group Show sponsored by Artists Equity, Union Carbide Building, New York City; Institute for the Arts of the Archdiocese of Washington, Gallery Kormendy, Alexandria, Virginia; Contemporary Arts Gallery, Loeb Student Center, New York University, New York City 1979: "Judaica II" sponsored by the YM-YWHA of Metropolitan New Jersey, West Orange, New Jersey; Special Exhibition of Sculpture, Tiffany and Company, New York City; The Brattleboro Museum, Brattleboro, Vermont; Fleming Museum, University of Vermont, Burlington, Vermont; Visual Artists' Coalition, Connecticut College for Women 1980: One man shows: New York University, Contemporary Arts Gallery, Washington Square Park, New York City; St. Gaudens Museum, Cornish, New Hampshire; Tiffany and Company Windows, New York City; Group Show: "The Figure", sponsored by Pratt Institute 1983: One Man Shows: Howard Monroe Gallery, Chapel Hill, North Carolina; Alwin Gallery, London; Group shows: "Regional Selections", Hood Museum of Art, Dartmouth College, Hanover, New Hampshire 1983/5: Participant in Outdoor Sculpture Installation at Rose Hill Campus, Fordham University, New York City 1984: Helen Day Art Center, Stowe, Vermont 1985: DeCordova Museum, Lincoln, Massachusetts; Hopkins Center, Dartmouth College, Hanover, New Hampshire (Best in Show Award) 1986: The Women's Museum, Washington, D.C. (Sculpture acquired for permanent collection) 1987: Tiffany's Windows, Tiffany and Co., New York City 1988: One Man Show: Southern Vermont Art Center, Manchester, Vermont 1989: One man show: National Museum of Dance, Saratoga Springs, New York; Group Show: 4th International Contemporary Art Fair, London; Tiffany's Windows, Tiffany and Co., New York City 1990: National Museum of American Jewish History, Philadelphia, Pennsylvania She was included in the 2024 show 100 Women of Spirit at Galerie Zürcher, New York Greenwich Village. Artists included April Vollmer, Carrie Johnson, Francine Tint and Victoria Palermo She was included in the show Sparkle - Jewellery Sale...

Wind Girl II medium is a limited edition bronze sculpture with a nickel plating.

A beautiful contemporary sculpture by Susan Woods. This artwork would be a great addition to any location and a wonderful decor for your home or commercial space. The sculpture is a...

Arman, French American (1928-2005) Gambit (Chess pieces) Cast Bronze Sculpture with patina Incised signature near lower edge, 48/70 with impressed "Bronze Romain & Fils" foundry ma...

Wood, stone, iron. The raw material and the material of a sculptor. ancestor of any architectural practice. But the architect, the sculptor and the artist do not remain alone in thei...

Bronze statue, also for external use. Done by a renowned Slovak sculptor Milan Lukáč (studies Academy of Fines Arts in Bratislava and École Nationale Supér...

Wood, stone, iron. The raw material and the material of a sculptor. ancestor of any architectural practice. But the architect, the sculptor and the artist do not remain alone in thei...

Ivars Miķelsons (1962)

German sculptor Nando Kallweit produces figurative bronze sculptures and reliefs with aquiline and a graceful modern appeal. Kallweit is inspired by seemingly disparate cultures; the...

This is an artwork created by the well known Italian artist Carmelo Cappello. It is a multiple, an Abstract Sculpture one of the identical 99 specimen edited in 1978. This piece is ...

This amazing wall sculpture is an abstract figure in a vibrant hand lacquered red color. A graphic drawing on the wall like a Pop Art artwork. Bruno C...

Wood, stone, iron. The raw material and the material of a sculptor. ancestor of any architectural practice. But the architect, the sculptor and the artist do not remain alone in thei...

Wood, stone, iron. The raw material and the material of a sculptor. ancestor of any architectural practice. But the architect, the sculptor and the artist do not remain alone in thei...

Wood, stone, iron. The raw material and the material of a sculptor. ancestor of any architectural practice. But the architect, the sculptor and the artist do not remain alone in thei...

This is an intense bronze abstract sculpture and it was created by the Italian artist Andrea Picini. The artwork is hand made by the technic of the ...

This 35.43" x 9.84" bronze sculpture by Armenian artist, Arman Hambardzumyan, features a faceless figural form with long legs and a short torso. Th...

One of Canada’s leading contemporary sculptors, Dale Dunning continues to create new, original work from his foundry in Ontario. Forged from tube aluminum and coated with a reflectiv...

Wood, stone, iron. The raw material and the material of a sculptor. ancestor of any architectural practice. But the architect, the sculptor and the artist do not remain alone in thei...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Stacking printed on photographic paper Jeon Byeong Sam is a South Korean artist born in 1977 who lives and works in Seoul, South Korea. He is a contemporary artist internationally k...

Untitled 06, 2016 Mixed media on metal sheet (Signed on reverse) 31 1/2 H × 70 9/10 W × 39 2/5 D in 80 H × 180 W × 100 D cm Zsolt Berszán’s work speaks of repulsion and fascination and at the same time speaks about shapes that lie on the border between hallucination and obsession wherein the identity and order were disrupted. Themes such as the double and the metamorphosis, otherwise put, themes of atrophied characters are all representations of the abject. Berszán’s creation is located at the fine border between the representation of identity and its dissolution thusly aiming to represent the non-symbolized. The dynamic separation and the transitional object...

This unique Murano glass sculpture by Paul Kostabi is a unique example of Venetian craftsmanship. Mouth-blown and hand-cut at the Hofmeister Glass Factory in Amberg, it is a truly un...

"Shapes of experience Nr. 2" Sculpture 26 x 14 x 14 in Ed. 1/1 by Sergii Shaulis Medium: aluminum, stainless steel, steel From the EXPERIENCE series Approximate weight 35lbs ABOUT...

A beautiful modernist 20th Century Bronze piece by Joachim Berthold. Here we find this stylish figure sitting in a hoping position looking up that eludes thought and complexity. A me...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the Italian artist Annamaria Gelmi. All the pieces are numbered and signed by the artist and completed by the Certificate of the artist and the Editor who made the artworks. The iron oxidized rust sculpture...