Hard-Edge Art

Photo-realist still life painting of lush green lotus plants on a soft grey sky background "Lotus Number Twenty-Eight", painted by Frank DePietro in 201...

Budd Hopkins (1931-2011). Abstract, 1968. Oil on canvas, 30 x 52 inches; 31 x 53 inches framed. Signed and dated lower margin. Provenance: Timothy Collins (1940-2017), Palo Alto, CA...

Frank Stella's work references many of the key developments or movements in post-war American art; Op Art, hard-edge abstraction, conceptual art, and Minimalism. His iconic concentri...

“CITY RISING” was painted in circa 1990 with acrylic on canvas. The stretched canvas size is 41.50 x 33.50 inches. The artist's initials “M. D. C.” are in the lower right. This pain...

“Metope” was painted in 1996 with acrylic on canvas. The stretched canvas size is 56.25 x 46.25 inches. The artist's initials “M. D. C.” are in the lower left. Unframed. Between the...

Ristvedt works as comfortably in a hard-edge methodology as she does in a fluid, more gestural style. The hard-edge painting, C Major is tuned perfectly. A master at letting go and a...

A painting by Karl Benjamin. “No. 36” is a hard edge, geometric abstract oil on canvas in a palette of dark blues and greens. The artwork is signed verso, "#36 1964 Karl Benjamin." ...

Nicely painted mid century hard edge abstract by Gabrielle Roos. Oil on canvas. Signed verso.

Edition of 200 Coney Island Philomena Marano is known for her colorful cut paper technique. She worked with Robert Indiana. Ms. Marano's work is in m...

An original hard edge abstraction by American artist James Koenig titled "Cool Triangles. This work is part of Draw Near exhibition which opened at Benjaman Gallery on March 11. Th...

Robert Glick (American, born 1950) "The Cove" 2024 Acrylic paint, Canvas, Stretcher bars The artist signed the bottom right and the back of the painting. This painting by Robert Gli...

An original American Modern hard edge abstraction by James Koenig. This work titled "Hot Triangles" is part of the Draw Near exhibition currently on view at Benjaman Gallery.

Artist: Richard Mortensen Title: Red, Blue and Yellow Composition Year: 1962 Medium: Screenprint, signed, titled and numbered in pencil Edition: 62/75 Image Size: 19.75 x 12.75 inche...

A great strong-edge painting by Naohiko Inukai, No. 16 is part of a series the artist created in the mid 1960s. Many from this series were shown at Inuk...

An original hard edge abstraction by American artist James Koenig. This piece is featured in Draw Near which is currently on view at Benjaman Gallery.

Jay Rosenblum (1933 - 1989) Untitled, 1973 Acrylic on canvas 54 x 128 inches Signed twice and dated on the reverse Provenance: Private Collection, Long Island Jay Rosenblum experim...

Colorful Hard Edge painting by an unknown artist. Possibly created by Canadian artist, Brian Fisher. This painting was purchased from an estate in Seattle, Washington in the early ...

Hannes Grosse Untitled Abstract I Color Silkscreen on "Roemerturm"-Buetten, 225gsm Year: 1978 Size: 27.3 × 19.4 inches (69.4 x 49.4 cm) Edition: 71 of 160 Signed, numbered and date...

This work is large and has strong presence and vibe! Great for a contemporary space that wants a bold and graphic and alive feel to it. Provenance: Private collection, NY Circles w...

Covers 13 Green (Abstract Painting) Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tape ...

Covers 13 Red 2 (Abstract Painting) Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tape ...

Cut Space (Abstract Painting) Acrylic on paper. Unframed. As a multidisciplinary artist, Snow uses different mediums and supports. Each work results from preliminary studies drawn ...

Covers 13-Black D (Abstract Drawing) Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tap...

Covers 3 - orange (Abstract painting) Aquatint made with oil based Charbonnel Etching Ink, printed on 100% rag paper Copperplate Warm White. Unframed. "Edition 5/20 This piece is ...

Acrylic on paper. Unframed. As a multidisciplinary artist, Snow uses different mediums and supports. Each work results from preliminary studies drawn with pen or pencil and which so...

Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tape to mask out shapes and employ hard e...

Ltd ed archival pigment print., ed 50 Original art was created as part of Marano's"American-Dream-Land," Coney Island series and later translated to an edition. Philomena Marano has spent decades “penetrat[ing] the soul of Coney Island to reveal its twin promises of candy-colored paradise and garishly ornate nightmare,” as Ann Aptaker describes, through the prints and cut-paper collage in her “American Dream-land” series (1979-). These colorful, graphic style works evoke the energy and amusement of Coney Island through depictions of the rides, the boardwalk, clowns, and food vendors. Ms. Marano is a daughter of Brooklyn. She holds a BFA from Pratt Institute, is an intimate of the visual poetry of Coney Island, created the winning poster for the first Spirit of Brooklyn poster...

David Jonston (1933-1916) #505 Black Mountain, 1969. Watercolor and ink on Japan paper, 12.5 x 18 inches. Framed measurement 20.5 x 26.5 inches. Signed and dted lower left. Tit...

Covers 13-Purple A (Abstract Painting) Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses t...

Covers 13 Red Orange (Abstract painting) Gouache on handmade paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tape t...

Artist: Al Held (American, 1928–2005) Title: Scholes II Year: 1991 Medium Screenprint, signed and numbered in pencil Edition Number 18/80 Print Size: 29h x 34w in. (73.66 x 86.36 cm)...

A colourful French Tachiste abstract oil on canvas by Antoine Arlandis. Signed bottom right. Arlandis was born in Valence, Spain, in 1946. His family moved to Algeria but eventually settled in Marseille, France. From an early age Arlandis loved to draw and paint. An autodidact his first formal training came when he worked with Roche a former pupil of Matisse...

Martin Schreiber (1924-2005). White Fins, 1972. Painted steel. 9" h., 16" w., 6" d. Signed and dated on base. Minor staining, oxidation and paint loss evident. Metal structure itself is in perfect condition with no bent areas or conservation. Born in Berlin, Germany, after his family moved there from Poland, Martin Schreiber immigrated to the United States in 1939 to escape war-torn Europe, and later served as a US Army soldier in WWII. He was a student of the late Reuben Tam...

Susan Kiefer Untitled Yellow 02 (Geometric, Abstract, Gestural, Vibrant) Oil on Canvas 2023 Size: 16 x 16 x 1.25 in (40.64 x 64.64 x 3.17 cm) COA provided *On stretcher frame, galle...

Brian Wall Untitled Hard Edge Minimalist Etching (Geometric Abstraction) from the 1960s, 1969 Etching on wove paper with deckled edges Hand signed and numbered 22/75 by the artist in...

An original hard edge abstraction by American artist James Koenig titled "Ribbon Structure". This work created in 1971 will be featured in the u...

Reuven Kadim (Mark Berman) Kadim, Israeli, born Philadelphia, Pennsylvania,USA, 1929-2014. Identified with geometric abstract art. Since 1985 worked with classical ancient Mediterranean imagery, and Since 1995 worked exclusively with computer on new versions of Islamic and fractal patterns. 1983 Curator of the 17th International Biennale of Sao Paulo, Brazil. 1961-72 Art Critic for "Jerusalem Post"; 1966-73 Art Critic for "Yedioth Ahronoth" newspaper. Lived and worked in Rehovot. Education 1948-49 Los Angeles City College, California, USA, Anthropology and Architectural Design 1954-56 New Bezalel School of Art, Jerusalem Teaching 1977-84 The Technion, Israel Institute of Technology, Haifa, Architecture, and Town Planning since 1979 Bezalel Academy of Art & Design, Jerusalem 1984 Sadna Workshop for Architecture and Design, Tel Aviv. Reuven Berman...

NOTE: There is NO CHARGE for the frame on this work Philomena Marano has spent decades “penetrat[ing] the soul of Coney Island to reveal its twin promises of candy-colored paradise and garishly ornate nightmare,” as Ann Aptaker describes, through the prints and cut-paper collage in her “American Dream-land” series (1979-). These colorful, graphic style works evoke the energy and amusement of Coney Island through depictions of the rides, the boardwalk, clowns, and food vendors. Many are large-scale papier collé installations, a technique Marano learned from Robert Indiana in whose studio she formerly assisted. In conjunction with “American Dream Land,” in 1981 Marano and Richard Eagan co-founded the Coney Island Hysterical Society, which undertakes projects such as restoring old rides in response to the alarming rate at which they were shutting down in the fabled amusement park of their childhood. Ms. Marano is a daughter of Brooklyn. She holds a BFA from Pratt Institute, is an intimate of the visual poetry of Coney Island, created the winning poster for the first Spirit of Brooklyn poster...

Silkscreen Edition of 200 Philomena Marano has spent decades “penetrat[ing] the soul of Coney Island to reveal its twin promises of candy-colored paradise and garishly ornate nightm...

Prisoners by Michael Challenger, British (1939) Date: 1971 Acrylic on Canvas, signed, titled and dated verso Size: 48 x 60 in. (121.92 x 152.4 cm)

Nicely painted mid century hard edge abstract by Gabrielle Roos. Oil on canvas. Signed verso.

Edition limited to 50 Size: 22" x 28" Philomena Marano has spent decades “penetrat[ing] the soul of Coney Island to reveal its twin promises of candy-colored paradise and garishly or...

An original hard edge abstraction by American artist James Koenig. This work titled "Ribbon Structure #4" is part of the Draw Near exhibition currently on view at Benjaman Gallery

Acrylic on linen - Unframed This acrylic painting on linen is one of a series of 10 that the artist developed from a painting that incorporated a photograph she took of a flatbed tr...

This painting on cut linen canvas by Linda King Ferguson depicts a diamond shape that is dominated by a horizontal vesica piscis shape. The two intersecting circles are a dark salmon orange and a deep wine red (left to right). The canvas at the intersection of the two circles has been cut and peeled back to reveal that the back of the painting has been painted pink. While the trangular shape above the interseccting circles has been painted an ashy brown, the lower section has been left raw. Her Equivalence Series began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...

sbc 195 (Abstract painting) Acrylic on Linen - Unframed Like sbc 194, this acrylic painting on medium-weave linen deviates from Cantrick’s habitual formats. Indeed, the seascape f...

sbc 195 (Abstract painting) Acrylic on Linen - Unframed Like sbc 194, this acrylic painting on medium-weave linen deviates from Cantrick’s habitual formats. Indeed, the seascape f...

Covers 13-Purple B (Abstract painting) Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses ta...

Covers 13 - orange (Abstract Painting) Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses ta...

Covers 13 Green (Abstract Painting) Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tape ...

Covers 13-Blue Black (Abstract Painting) Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses...

Covers 13-Black B (Abstract painting) Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses ta...

Ambient Space (Abstract Painting) Acrylic on paper. Unframed. As a multidisciplinary artist, Snow uses different mediums and supports. Each work results from preliminary studies dr...

sbc 154 (Abstract painting) Acrylic on linen - Unframed This acrylic painting on linen is one of a series of 10 that the artist developed from a painting that incorporated a photog...

sbc 154 (Abstract painting) Acrylic on linen - Unframed This acrylic painting on linen is one of a series of 10 that the artist developed from a painting that incorporated a photog...

Acrylic on linen - Unframed This acrylic painting on linen is one of a series of 10 that the artist developed from a painting that incorporated a photograph she took of a flatbed tr...

This archival pigment print is a ltd. edition of 25 Archival ink printed on MOAB Entrada white paper Paper size 21.5 X 26.5 in. Image size 18.25 X 23.5 in The Globe of Thunder is an actual attraction performed by daredevils in traveling circus shows. The Globe of Thunder attraction might have 2 to 6 motorcycles cycling round inside the mesh globe...

Big Lolly & Cone is a mixed media piece featuring a swirly lollypop, an icon of american amusements and escapism plus an ice-cream cone, another sweet treat. The swirly lolly is ren...

The Vortex of Doom is an actual attraction performed by daredevils in traveling circus shows. After decades of creating Coney Island inspired images, t...

"Bill-Board-Walk, Burning/Coney Island" is a portrait of the vernacular signage and architectural wonder of the billboard attractions at America's most famous amusement park, Coney Island. The original art was created in cut paper, 50" X 37" and is in the collection of Chase Bank. It is part of Marano's "American-Dream-Land" series and was recently translated into a ltd ed. (25 ) archival pigment print, 30.5 x 24 inches. Bold, bright and with a daring figure diving in flames, this piece transcends location and time. Philomena is a daughter of Brooklyn, a master of cut paper and a former assistant to Robert Indiana where she learned the cut paper practice that she continues to explore in her work. She has been exhibited by Tabla Rasa...