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Doris WarnerModern Abstract Bronze Sculpture of a Woman's Torso #791970s
1970s
$1,960
$2,45020% Off
£1,482.87
£1,853.5920% Off
€1,711.47
€2,139.3320% Off
CA$2,737.57
CA$3,421.9720% Off
A$3,043.66
A$3,804.5820% Off
CHF 1,593.17
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MX$37,329.48
MX$46,661.8520% Off
NOK 20,285.11
NOK 25,356.3920% Off
SEK 19,151.55
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DKK 12,771.53
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About the Item
Modern Abstract Bronze Sculpture #79
Dynamic bronze sculpture by Doris Ann Warner (American, 1925-2010), circa 1970. This piece is twisted and folded in on itself, implying movement and creating pockets of captivating texture. There is a large slit in one of the arms, engaging the viewer to look through and examine the piece from multiple vantage points. On the inside, there is a radically different texture from the rest of the piece, creating a sense of contrast between inside and outside, sheltered and exposed. This sculpture could be displayed from a variety of different angles.
Signed and dated "Warner" and numbered #79 on the bottom.
First achieving recognition as an abstract expressionist painter, Doris Warner discovered the world of stone carving and returned to the university for instruction in sculpting the three dimensional form. A journey to Pietra Santa, Italy, (The Mecca of sculptors), gave her a month with the Italian professor, Pasquale Martini, experiencing the Italian method of stone carving. She returned with three tons of marble and worked exclusively in that medium.
The impressions and images gathered from extensive travel in Europe, Asia and Africa have inspired recent works. One of the architectural wonders of the world, The Great Stupa of Borabudur, Java, was the source of inspiration for a series of five sculptures. The five sculptures are not intended to be specifically architectonic in form and yet there is an unequivocal sense of history – frozen in time. The mysterious quality of the temple carvings are translated into bronze icons (lost-wax process) and placed on the carved marble.
In addition, Doris focuses on abstracted female figures which emphasize body movement through rhythmic flow of mass and line. She usually sculpted in a series, reworking the same concept until it has been expressed as powerfully as possible.
Education:
University of California, Santa Cruz, California, B.A. 1983
Pietrasanta, Italy Professor Pasquale Martini, 1988
Selected Exhibitions
1995 Tustin Renaissance Gallery, Tustin, California
1990-95 Gallerie One, Sedona Arizona
1992-1993 Carman Brown Gallery, Laguna Beach, California
1989 UCSC Invitational Show, Santa Cruz, California
1988 Gallery of Fine Art, Santa Cruz, California
1986 Jessica Darraby Gallery, Los Angeles, California
1985 Bank Street Gallery, Palo Alto, California
1985 Jalbert Galelry, Saratoga, California
1985 Olive Hyde Art Gallery, Fremont, California
1982 12th International Sculpture Conference-Pro Arts Oakland/San Francisco, CA
Corporate Art Placement Programs:
Hatley Martin Gallery, San Francisco, California
Art Programs, Inc., San Francisco, California
San Jose institute of Contemporary Art, San Jose, California
Publications:
The California Art Review Les Krantz, 1989
- Creator:Doris Warner (1925 - 2010, American)
- Creation Year:1970s
- Dimensions:Height: 10 in (25.4 cm)Width: 14 in (35.56 cm)Depth: 10.5 in (26.67 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Normal age wear consistent with age and use.
- Gallery Location:Soquel, CA
- Reference Number:Seller: DBH91041stDibs: LU54213952442
Doris Warner
Doris Ann Warner began as an Abstract Expressionist painter, but was primarily known for stone carving as well as abstract female figures, which emphasized body movement through rhythmic flow of mass and line. Warner studied at the University of California Santa Cruz as well as Pietrasanta, Italy, with Professor Pasquale Martini in 1988. First achieving recognition as an abstract expressionist painter, Doris Warner discovered the world of stone carving and returned to the university for instruction in sculpting the three dimensional form. A journey to Pietra Santa, Italy, (The Mecca of sculptors), gave her a month with the Italian professor, Pasquale Martini, experiencing the Italian method of stone carving. She returned with three tons of marble and worked exclusively in that medium. The impressions and images gathered from extensive travel in Europe, Asia and Africa have inspired recent works. One of the architectural wonders of the world, The Great Stupa of Borabudur, Java, was the source of inspiration for a series of five sculptures. The five sculptures are not intended to be specifically architectonic in form and yet there is an unequivocal sense of history – frozen in time. The mysterious quality of the temple carvings are translated into bronze icons (lost-wax process) and placed on the carved marble. In addition, Doris focuses on abstracted female figures which emphasize body movement through rhythmic flow of mass and line. She usually sculpted in a series, reworking the same concept until it has been expressed as powerfully as possible. Education: University of California, Santa Cruz, California, B.A. 1983
Pietrasanta, Italy Professor Pasquale Martini, 1988 Selected Exhibitions 1995 Tustin Renaissance Gallery, Tustin, California
1990-95 Gallerie One, Sedona Arizona
1992-1993 Carman Brown Gallery, Laguna Beach, California
1989 UCSC Invitational Show, Santa Cruz, California
1988 Gallery of Fine Art, Santa Cruz, California
1986 Jessica Darraby Gallery, Los Angeles, California
1985 Bank Street Gallery, Palo Alto, California
1985 Jalbert Galelry, Saratoga, California
1985 Olive Hyde Art Gallery, Fremont, California
1982 12th International Sculpture Conference-Pro Arts Oakland/San Francisco, CA Corporate Art Placement Programs: Hatley Martin Gallery, San Francisco, California
Art Programs, Inc., San Francisco, California
San Jose institute of Contemporary Art, San Jose, California Publications: The California Art Review Les Krantz, 1989
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