Items Similar to Russian Judaica "Vision" Abstract Kabbalah Figure Steel Sculpture Grisha Bruskin
Want more images or videos?
Request additional images or videos from the seller
1 of 9
Grisha BruskinRussian Judaica "Vision" Abstract Kabbalah Figure Steel Sculpture Grisha Bruskin1992
1992
About the Item
Grisha Bruskin
(Russian, b. 1945)
Vision, 1992
steel
Hand signed and inscribed Grisha Bruskin in Cyrillic
numbered 117/300
Genre: Contemporary
Subject: Religious
Medium: Steel
Grisha Bruskin (born October 21, 1945) is a Russian artist known as a painter, sculptor, and printmaker. He was born in Moscow. Between 1963 and 1968, he studied at the Moscow Textile Institute (Art Department). In 1969, he became a member of the Artists’ Union of the USSR. Bruskin’s participation in the famous Sotheby’s auction in Moscow (1988) brought him worldwide fame, when his piece, “Fundamental Lexicon” was sold for a record price.
He relocated to New York in 1988. In 1999, at the invitation of the German government and as a representative of Russia, Bruskin created a monumental triptych, “Life Above All” for the reconstructed Reichstag in Berlin. In 2001 he published a memoir-style book, “Past Imperfect.” In 2012 he received the Kandinsky Prize in the “Project of the Year” category, for his project, “H-Hour.” Bruskin lives and works in New York and Moscow. Part of the generation of emigre Russian artists, many Jewish, that included Yuri Kuper, Komar and Melamid, Mikhail Grobman, Eduard Steinberg, Erik Bulatov, Viktor Pivovarov, Vladimir Yankilevsky, Ilya Kabakov and Samuel Akkerman. Grisha Bruskin is a contemporary Russian artist, a member of the generation of the Post Soviet Avant Garde whose
paintings and sculptures juxtapose figures from Jewish mysticism with USSR Soviet Union-era symbols. Bruskin's series Alefbet (1984) and Fundamental Lexicon (1986), demonstrate Bruskin’s inventive use of Hasidic text, human and mystical angel figures, and creatures. Bruskin studied at the Moscow Art School and the Moscow Textile Institute. Bruskin’s works were considered controversial for their depictions of Judaic figures wearing Soviet uniforms. Bruskin represented Russia in the 57th Venice Biennale, and his works are held in the collections of the Art Institute of Chicago, The Museum of Modern Art in New York, and the State Pushkin Museum of Fine Arts in Moscow, among others. He currently lives and works between New York, NY and Moscow, Russia.
He is one of the best-known and most successful contemporary artists of Russian origins.
Select Solo Exhibitions
2017 Grisha Bruskin: Imperfetto Passato, Gallerie D’Italia, Milan, Italy
2015 Paintings and Sculpture, Meyerovich Gallery, San Francisco, California Venice Biennale
2014 H-Hour, Marlborough Gallery, New York, New York
2013 Archeologist’s Collection, Udarnik, Moscow, Russia
2012 — H-Hour, Multimedia Art Museum, Moscow, Russia
2010 — Grisha Bruskin, Alefbet, Tapestry, Musée d’art et d’histoire du Judaїsme, Paris, France
2009 New Work, Old Story: 80 Artists at the Passover Table, Contemporary Jewish Museum,
Grisha Bruskin: Twilight of the Gods, Marlborough Gallery, New York, New York
2006 — Grisha Bruskin, Archeologist’s Collection, Galerie Patrice Trigano, Paris, France Grisha
Bruskin, Alefbet, Tapestry Project, State Pushkin Museum of Fine Arts, Moscow, Russia
2001 — Grisha Bruskin, Life is Everywhere, State Russian Museum, St. Petersburg, Russia; traveled
to the State Pushkin Museum of Fine Arts, Moscow, Russia
Select Group Exhibitions
2017 — Venice Biennale, Venice, Italy
2015 — Summer Group Exhibition, Marlborough Gallery, New York
2011 — Judaism: A World of Stories, De Nieuwe Kerk Amsterdam, Amsterdam, The Netherlands
2009 — New Work, Old Story: 80 Artists at the Passover Table, The Contemporary Jewish Museum, San Francisco, California
Sculpture, Marlborough Gallery, New York, New York 1989-2009. Mur de Berlin. Artistes pour la liberté. Jardins du Palais-Royal, Paris, France The Claude and Nina Gruen Collection of Contemporary Russian Art. Jane Voorhees Zimmerli
Art Museum, New Brunswick, New Jersey Summer Exhibition, Marlborough Gallery, New York, New York
2008 Fragile Persuasion: Russian Porcelain and the Fine Art of Propaganda, Hillwood Estate
Museum & Gardens, Washington D.C. Nonconformist. The Second Russian Avant-garde 1955-1988,
2007 — Summer Exhibition, Marlborough Gallery, New York, New York Painting and Sculpture,
Sots-Art. Art politique en Russie de 1972 à Aujourd’hui, Maison rouge, Paris, France Fifty-fifty.
2006 RUSSIA! Nine Years of Masterpieces and Master Collections, Solomon R. Guggenheim
Museum, New York, New York
2002 — La Parade des Animaux, Festival International de Sculpture de Monte-Carlo, Monaco
Russian Revolutions: Generations of Russian Jewish Avant-Garde Artists, Singer Gallery, Mizel Center for Arts and Culture, Denver, Colorado
Sculpture by Magdalena Abakanowicz, Arman, Fernando Botero, Grisha Bruskin, Lynn Chadwick and others, Marlborough Gallery, New York, New York
2001 Dumbo Double Deuce; New York & Russian Artists, Brooklyn, New York
2000-2001 — Sammlung Hans & Uschi Welle, Kupferstichkabinett, Berlin, Germany
2000 Nonconformisten 1955-1988, Die Zweite Russische Avantgarde, Chronik, Germany Nilder und Fotodokumente aus der Sammlung, Bar-Gera Markisches Museum der Stadt, Witten, Germany
1998 — It’s the Real Thing - Soviet and Post-Soviet Sots Art and American Pop Art, Frederick
R.Weisman Art Museum, University of Minnesota, Minneapolis
1988 Ich lebe, Ich sehe: Künstler der achtziger Jahre in Moskau, Kunstmuseum Bern, Switzerland
Olympiad of Art, National Museum of Contemporary Art, Seoul, South Korea Sowjetkunst heute, Museum Ludwig, Cologne, Germany Glasnost - Die neue Freiheit der sowjetischen Maler, Kunsthalle Emden, Emden, Germany
Select Public Collections
Art Institute of Chicago, Chicago, Illinois
Galeria de Arte Nacional, Caracas, Venezuela
Israel Museum, Jerusalem, Israel
Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, New Jersey
Jewish Museum, New York, New York
Kunsthalle Emden, Emden, Germany
Museum Ludwig, Cologne, Germany
Reichstag, Berlin, Germany
State Pushkin Museum of Fine Arts, Moscow, Russia
State Russian Museum, St. Petersburg, Russia
State Tretyakov Gallery, Moscow, Russia
The Achenbach Foundation for Graphic Arts, Fine Arts Museums of San Francisco
The Museum of Modern Art, New York, New York
- Creator:Grisha Bruskin (1945, Russian)
- Creation Year:1992
- Dimensions:Height: 6 in (15.24 cm)Width: 6 in (15.24 cm)Depth: 4 in (10.16 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:minor tarnishing to surface of steel commensurate with age; overall good condition. please see photos.
- Gallery Location:Surfside, FL
- Reference Number:Seller: 24051stDibs: LU38215762212
Grisha Bruskin
Born in 1945, the Russian artist Grisha Bruskin graduated from the Art Department at the Moscow Textile Institute in 1968. As a member of the Soviet Artists' Union, he staged a number of controversial exhibitions, most of which were closed down by the Soviet authorities. Bruskin immigrated to his current home, New York City, in 1989. Refusing to adhere to the government-sanctioned style of Socialist Realism, Bruskin became a major figure in the Soviet Non-Conformist Art movement, dedicating himself to the research and presentation of his Jewish heritage and its associated mythologies, mysticism, and sacred texts. Bruskin's work juxtaposes this powerful visual vocabulary of Judaic imagery and text with symbolic remnants of the now dissolved Soviet Union. In Alefbet (1984) and Alefbet-Lexicon (1987), his most reknown painting series, Bruskin combines Hasidic text, figures in religious uniform and a slew of Jewish mystical symbols to produce an image system. Bruskin's prints continue this exploration of the conflict between religious and political mythology, investigating the point of intersection between two prescribed notions of social identity as manifested through tradition, image and text. A prolific writer as well as visual artist, Bruskin's work is included in many permanent public collections, such as The Art Institute of Chicago, Illinois; The Museum of Modern Art, New York, NY; Jewish Museum, New York, NY; Kunsthalle Emden, Germany; State Pushkin Museum of Fine Arts, Moscow, Russia; State Russian Museum, St. Petersburg, Russia, and Museo Galeria de Arte, Caracas, Venezuela.
About the Seller
4.9
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1995
1stDibs seller since 2014
1,766 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Shipping from: Surfside, FL
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllAbstract Metal Sculpture Navajo Native American Indian Art Woman Pollen Keeper
By Melanie Yazzie
Located in Surfside, FL
Melanie Yazzie (1966-)
Pollen Keeper II (maquette)
Powder-coated metal, 2008
Hand signed, titled, dated and numbered 2/30, attributed, titled, dated and numbered again to paper label
Mounted to a white composition plinth
Provenance: The Freund Family Collection
Melanie Yazzie is a Navajo sculptor, painter, printmaker, and professor. She teaches at the University of Colorado at Boulder. Yazzie was born in 1966 in Ganado, Arizona, United States. She is Navajo of the Áshįįhí, born for Tó Dichʼíinii. She grew up on the Navajo Nation. Although she grew up on the Navajo Nation, Melanie Yazzie is of the Salt Water Clan born for the Bitter Water Clan. She first studied art at the Westtown School in Pennsylvania. Yazzie earned a BA in Studio Art with a minor in Spanish from Arizona State University in 1990 and an MFA in printmaking from the University of Colorado at Boulder in 1993.
Melanie Yazzie works a wide range of media that include printmaking, painting, sculpting, and ceramics, as well as installation art. Her art is accessible to the public on many levels and the main focus is on connecting with people and educating people about the contemporary status of one indigenous woman and hoping that people can learn from her experience. Her subject matter is significant because the serious undertones reference native postcolonial dilemmas. Melanie's work focuses primarily on themes of indigenous people. Her work often brings images of women from many indigenous cultures to the forefront. Thus her work references matrilineal systems and points to the possibility of female leadership. Yazzie is known for her multilayered monotype prints that focus on storytelling and reflect her dreamtime friends and companions. The works are filled with colors and textures that reflect different world. The works are made with stencils and often she is printing with soy based inks called Akua inks that are safe for the artist and the environment. The works most often are printed on Arches 88 due to the absorbing quality of that 100% rag paper. It is a fine art paper made in France and very soft to the touch. It is a paper designed originally for screen printing but is the perfect surface for many of the works Yazzie creates. The works often are monotypes as opposed to monoprints. So the works are a one of a kind work of art and not made in multiples.
She is a Professor and Head of Printmaking at the University of Colorado at Boulder. She teaches printmaking courses and travels extensively to indigenous communities within the United States and abroad. She can always be found through the University of Colorado Art and Art History Department. In addition to teaching at the Institute of American Indian Arts, the College of Santa Fe (now Santa Fe University of Art and Design), Boise State University, and the University of Arizona, Yazzie has taught at the Pont Aven School of Contemporary Art in France.
Yazzie has led over 100 international print exchanges over a 20-year time period. Many of these exchanges include artists from Siberia, Japan, New Zealand, Australia, Canada, Mexico, and Germany.
In 2012, the Denver Art Museum welcomed Yazzie as artist-in-residence, making her the first in the Native Arts department.
A selection of major exhibitions from the 1990s to present include "Between Two Worlds" (2008) at Arizona State University, "Traveling" at the Heard West Museum (2006), "About Face: Self-Portraits by Native American, First Nations, and Inuit Artists" at the Wheelwright Museum (2005), "Making Connections" (2002) in Bulova, Russia, "Navajo in Gisborne" (1999) in Gisborne, New Zealand and "Watchful Eyes" (1994) at the Heard Museum.
In September 2013 she co-curated the exhibition "Heart Lines: Expressions of Native North American Art" in Colorado University Art Museum, partially based on her private collection and including her work "Pollen Girl". Artists featured: Norman Akers, Maile Andrade, Kenojuak Ashevak, Pitseolak Ashoona, Corwin Clairmont, Jimmie Durham...
Category
Early 2000s Contemporary Abstract Sculptures
Materials
Metal
Israeli Art Abstract Iron Cutout Iconic Sheep Sculpture Steel Menashe Kadishman
By Menashe Kadishman
Located in Surfside, FL
Renowned Israeli sculptor Menashe Kadishman (1932-2015),
Sheep
iron sculpture,
Hand signed with initials in yellow paint.
Menashe Kadishman was born in Tel-Aviv in 1932. He is a Gr...
Category
1970s Modern Abstract Sculptures
Materials
Iron
Bronze Architectural Model Sculpture Tempio Bretton Architecture Maquette
Located in Surfside, FL
TEMPIO BRETTON: from the catalogue MONUMENTA, 19th International Sculpture Biennale, Antwerp, Belgium.
Tempio Bretton was created in homage to the celebrated English landscapist Capability Brown for the occasion of an exhibition at Bretton Hall in the Yorkshire Sculpture Park , a park in the style of the great master of English garden design. The inclusion in the English garden of a temple ruin, or "eye-catcher," (architectural folly) was used to draw the eye and mind to a focus in time and space, present the beholder with an immediate relationship to an historic past made new within his or her own surroundings, and create a depth of space never before seen in garden design.
I took the idea of the temple ruin eye-catcher and reduced it to a scale at the point where architecture and sculpture merged. Tempio Bretton is not capacious enough to walk into, yet it is considerably larger than a man.
One view of it presents a knot of golden columns clustered together, topped by a dome shape. The only clue from this side to the temple's non-conformity to historic principle is a sharp notch cut into the square base.
Viewed from the opposite side, the cluster of columns capped by an angular top opens up as if to welcome someone in, yet the mysterious core is still impenetrable. These contradictions articulate a confrontation between past and present, and an exciting truth. The past is always at the heart of our constructions in the present.
Walter Dusenbery (born September 21, 1939 in Alameda, California) is an American sculptor. He attended the San Francisco Art Institute, earned an MFA from California College of Arts and Crafts, and then studied in Japan and Italy under Isamu Noguchi. He also held teaching positions at Harvard University and University of California, Berkeley Graduate School of Design. From 1971 to 1988, he lived both in Pietrasanta,Italy, and in Little Italy, New York City. Dusenbery's preferred material is stone, particularly travertine or granite. Dusenbery has a particular interest in adding sculpture to public places, such as federal buildings, to humanize the space, but in 1988, he assembled a show of small, entirely hand-carved alabaster sculptures, called "Walter Dusenbery, The Personal Side," at the Fendrick Gallery in Washington, D.C.. In 1977, Dusenbery created Pedogna, on permanent loan from The Metropolitan Museum of Art to Landmarks, the public art program of The University of Texas at Austin.
That same year, 1988, he was awarded a large commission for the Fulton County Building Atrium in Atlanta, Georgia. The commission was for three fountains and related structures over three stories in height, designed for informal and ceremonial public events, Limestone, marble, granite and travertine fountains, pavilions, seating and meeting areas, performance and concert platforms, staircases and planters for hanging gardens. After completion of the "Atlantacropolis," Dusenbery withdrew from the gallery world and focused his energy on site-specific commissions. (like the landscape works of Maya Lin and Beverly Pepper) Seeking a large-scale stone studio for projects closer to home, he discovered there were none. In 1995, he approached sculptor and patron of sculpture J. Seward Johnson Jr. with the idea of creating a state-of-the-art stone-carving studio, so that American sculptors would not have to travel abroad to realize their work. Johnson agreed to fund such a facility, if Dusenbery would direct it. In 1996, Dusenbery designed the facility for the Stone Division at Johnson Atelier Technical Institute of Sculpture, and was its first director. The facility was situated in "a building resembling an airplane hangar," The studio offered the ability to digitally scan three-dimensional forms. The Stone Division was a success and attracted a strong group of sculptors: Magdalena Abakanowicz, Lawrence Argent, Barry X Ball...
Category
20th Century American Modern Abstract Sculptures
Materials
Bronze
Rare Oded Halahmy Cast Sculpture Art Menorah Artisan Judaica in Jewish Museum
Located in Surfside, FL
Oded Halahmy (Iraqi-Israeli, b. 1938)
Bronze and aluminium
"Peace Shalom Salaam" Hanukkah/ Chanukah menorah, 1997
The base signed on one side with his stamped initials, "O.H. © 97."
This simple pomegranate menorah by Iraqi art...
Category
Early 2000s Pop Art Figurative Sculptures
Materials
Metal
French Brutalist Silvered Cast Bronze Sculpture Lamp Pierre Casenove Fondica Art
Located in Surfside, FL
Pierre Casenove (French)
Silver patina bronze table lamp having a column form and various stamped patterns to the body, stamped signed mark to back of bas...
Category
1990s Post-Modern Abstract Sculptures
Materials
Metal
Brutalist Hand Forged Iron Mosaic Sculpture Menorah Israeli David Palombo
By David Palombo
Located in Surfside, FL
Hand Forged Iron Stone Mosaic Hanukah Menorah Candelabra
David Palombo was an Israeli sculptor and painter. He was born in Turkey to a traditional family and immigrated to the Land of Israel with his parents in 1923. They lived in the Nahalat Shiva neighborhood of Jerusalem. In 1940 he began his studies at Bezalel Academy of Arts and Design, and from 1942 was a student of sculptor Ze’ev Ben-Zvi. For a period of time, Palombo was an assistant at Ben-Zvi’s studio and also taught at Bezalel. During this period he was also a member of the “Histadrut HaNoar HaOved VeHaLomed” (The General Federation of Students and Young Workers in Israel). In the 1940s he took art lessons at night. In 1948 he went to Paris, where he visited the studio of the sculptor Constantin Brancusi whose work influenced him. Around 1958 he married the artist Shulamit Sirota. In 1960 he quit his job to devote himself to art. In 1964 he married for the second time to the artist Yona Palombo. The two of them went to live in an abandoned home on Mount Zion in Jerusalem. In 1966 he was killed when the motorcycle on which he was riding ran into a chain stretched across the street to prevent the desecration of Shabbat. His widow opened a museum in their home that was active until the year 2000.
Work by Palombo is included in the Judaic collection of the Jewish Museum (a well known Hanukkah menora). Palombo executed the impressive metal gates of the Tent of Remembrance at the Yad Vashem, the memorial to the martyrs of the holocaust, as well as the gates to the Knesset Building the United Nations Educational Scientific and Cultural Organization (Unesco award) awarded him a scholarship for study in Japan. He worked in marble, granite, bronze, iron and steel. as well as with glass mosaic tiles. Palombo’s early works, in the 1950s, were influenced by modernist sculptors such as Brancusi. These works were composed of abstract images from nature and were carved out of stone or wood. At the end of the 1950s he began making metal sculptors, using the technique of welding. His work took on a more abstract and expressive character.
Education
1940 Painting with Isidor Ascheim, New Bezalel School for Arts and Crafts, Jerusalem
1942 Sculpture with Zeev Ben Zvi, Jerusalem
1956 Mosaic, Ravenna, Italy
1958 Welding Course
Awards And Prizes
1966 UNESCO Award
Exhibitions:
Sculpture in Israel, 1948-1958 Mishkan Museum of Art, Kibbutz Ein Harod
Artists: Zvi Aldouby, Yitzhak Danziger, Arieh Merzer, Dov Feigin, Aaron Priver, David Palumbo, Menashe Kadishman, Kosso Eloul, Yehiel Shemi, Zahara Schatz.
The Spring Exhibition of Jerusalem Artists, Artists' House, Jerusalem
Artists: Palombo, David Bezalel Schatz, Mordechai Levanon, Fima, Ludwig Blum
12 Artists, The Bezalel National Museum, Jerusalem
Avraham Ofek, Aviva Uri, Avigdor Arikha, Yosl Bergner, Lea Nikel, Palombo, Ruth Zarfati...
Category
Mid-20th Century Arte Povera Abstract Sculptures
Materials
Stone, Iron
You May Also Like
Moonshine - Haude Bernabé, 21st Century, Contemporary metal sculpture, figure
By Haude Bernabé
Located in Paris, FR
Steel sculpture
Unique work
Signed on the base
Born in Brest and with a scientific background, Haude Bernabé has devoted herself to art since the early ...
Category
2010s Contemporary Figurative Sculptures
Materials
Steel
Grey head - Haude Bernabé, 21st Century, Contemporary metal sculpture, figure
By Haude Bernabé
Located in Paris, FR
Steel sculpture
Unique work
Signed on the base
Born in Brest and with a scientific background, Haude Bernabé has devoted herself to art since the early 1990s. Her first passion was ...
Category
2010s Contemporary Figurative Sculptures
Materials
Steel
Someones in my head - Haude Bernabé, 21st Century, Contemporary metal sculpture
By Haude Bernabé
Located in Paris, FR
Polished and patinated steel sculpture
Unique work
Signed and dated on the base
Born in Brest and with a scientific background, Haude Bernabé has devoted herself to art since the ea...
Category
2010s Contemporary Figurative Sculptures
Materials
Steel
The Lunatic - Haude Bernabé, 21st Century, Contemporary metal sculpture, figure
By Haude Bernabé
Located in Paris, FR
Polished steel sculpture
Unique work
Signed and dated on the base
Born in Brest and with a scientific background, Haude Bernabé has devoted herself to art since the early 1990s. Her...
Category
2010s Contemporary Figurative Sculptures
Materials
Steel
Sheep
Located in New York, NY
Hung Yi was born in Taichung, Taiwan in 1970. The artist’s works are inspired by Taiwanese culture or day-to-day life in Taiwan. In the 1990s, it was popula...
Category
2010s Contemporary Abstract Sculptures
Materials
Enamel, Steel, Stainless Steel
Price Upon Request
Large Bright Green Limited Edition Mild Steel Sculpture "I am the Question"
By Uwe Pfaff
Located in Cape Town, ZA
A life size, powder coated mild steel sculpture, edition 1/7. Available in different colours on request.
Category
2010s Contemporary Figurative Sculptures
Materials
Steel