Steve Linn

"Boxes of Dreams (Louise Nevelson)" sculpture portrait

2002

Sandblasted carved glass, cast glass, bronze and wood. Steve Linn describes himself as a documentary sculptor, conducting meticulous research on each of his selected subjects and ...

Mirror polished stainless steel. Inspired by David Smith's "Cubi" series, this sculpture juxtaposes cubes and 90 degree-angled square tubes to exhibit patterns, shapes, and negative...

Artist Mary Shaffer used a glass original to cast the long piece of bronze "flowing" from the geometric cube cast for the top. Mary Shaffer has worked primarily in glass since the 1...

Steel and acrylic lacquer paint California-based sculptor Joseph Slusky says of his work: "Beyond the more immediate historical art roots of my work from the Cubist, Constructivist ...

wooden sculpture of found objects painted black. case with lid and hinges.

Louise Nevelson is one of the most revered and unique sculptors of the 20th century. Her work has had an undeniable influence on a host of significant artists ranging from Tony Crag...

A dramatic pair of sculptural Found Objects panels, circa 1970. Cream painted wood frame construction with a heavy plywood back. Varying sections comprised of intricately arranged vintage furniture parts, architectural salvage and wood letters...

Caviar20 is excited to be offering this striking collage by the inimitable Louise Nevelson, who is regarded as one of the most original, influential, and successful American sculptors of the 20th century. Nevelson's enduring appeal lies in her distinct visual language, which is apparent in all of her works, regardless of medium. While her iconic monochromatic wood assemblages are instantly recognizable, she continuously experimented with diverse materials, including resin, steel, and bronze, as well as numerous printmaking techniques. Collage was an important part of Nevelson's practice, defining her signature aesthetic. Much like her approach to printmaking, her collages possess a sculptural ethos that transcends the two-dimensional surface, imbuing the composition with a remarkable sense of volume, texture, and depth. One could argue that Nevelson's sculpture was informed by collage in that she took assorted existing forms combining them in order to create an entirely new and distinct arrangement. This untitled collage is an exceptional example of the artist's mastery of the medium. Featuring an assemblage of wood veneer, mirror, and metal, this work reflects Nevelson's meticulous sense of form and rhythm. Subtle details, such as the alternating direction of the wood veneer grain further heighten the visual complexity of the otherwise minimal composition. The inclusion of wood veneer marks a notable shift for Nevelson, who was previously loyal to a strict monochromatic palette of black or white. It wasn’t until the 1970s with her experimentation in collage that she expanded her palette. Nevelson also created jewellery and this collage acknowledges her activity in that realm. Created at the age of 83 during the final chapter of her career, this piece powerfully captures Nevelson's enduring spirit and dedication to artistic innovation. Today Nevelson's work can be found in every major public collection across North America and beyond. Questions about this piece? Contact us. Visit our Toronto gallery on Thursdays or by appointment. "Untitled" USA, 1983 Mixed media collage Metal, mirror, wood, and wood veneer on grey mat board mounted on 0.25" Luan plywood Signed and dated by artist, bottom right Nevelson Estate no. LN 40830 19.5"H 15.75"W (work) 31"H 21"W (framed) Very good condition Literature: Stein, Judith. Louise Nevelson Collages...