Richard Macdonald Orpheus

There are artists and there are masters. Richard MacDonald will go down in the history of sculpture as Picasso did painting, as an unequivocal master of the art.

Only a number of people can master craftsmanship, far fewer, the art of the human form. Figurative sculpture is a language MacDonald speaks with astounding fluency, and as with any language, MacDonald’s creative drive is formed from a need to share the universal dialect of the human figure with those who understand it; this is the unique privilege the artist affords his viewers.

MacDonald captures the beauty, romance and essence of the human spirit in motion. Influenced by the expressiveness in the figures of Renaissance master Donatello, the emotional intensity of works by 19th century French sculptor Auguste Rodin, and the power of Michelangelo’s sculptures, MacDonald’s inspirational, sensitive works are precisely of the moment, yet profoundly historic by reference. And they dance rhythmically for all to see — in the leap and grace of the dancer, the power of the athlete, the gesture and passion of lovers, the spirit rises, and MacDonald captures it.

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Realist art attempts to portray its subject matter without artifice. Similar to naturalism, authentic realist paintings and prints see an integration of true-to-life colors, meticulous detail and linear perspectives for accurate portrayals of the world. 

Work that involves illusionistic techniques of realism dates back to the classical world, such as the deceptive trompe l’oeil used since ancient Greece. Art like this became especially popular in the 17th century when Dutch artists like Evert Collier painted objects that appeared real enough to touch. Realism as an artistic movement, however, usually refers to 19th-century French realist artists such as Honoré Daumier exploring social and political issues in biting lithographic prints, while the likes of Gustave Courbet and Jean-François Millet painting people — particularly the working class — with all their imperfections, navigating everyday urban life. This was a response to the dominant academic art tradition that favored grand paintings of myth and history. 

By the turn of the 20th century, European artists, such as the Pre-Raphaelites, were experimenting with nearly photographic realism in their work, as seen in the attention to every botanical attribute of the flowers surrounding the drowned Ophelia painted by English artist John Everett Millais.

Although abstraction was the guiding style of 20th-century art, the realism trend in American modern art endured in Edward Hopper, Andrew Wyeth and other artists’ depictions of the complexities of the human experience. In the late 1960s, Photorealism emerged with artists like Chuck Close and Richard Estes giving their paintings the precision of a frame of film.

Contemporary artists such as Jordan Casteel, LaToya Ruby Frazier and Aliza Nisenbaum are now using the unvarnished realist approach for honest representations of people and their worlds. Alongside traditional mediums, technology such as virtual reality, artificial intelligence and immersive installations are helping artists create new sensations of realism in art.

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Figurative sculptures mix reality and imagination, with the most common muse being the human body. Animals are also inspirations for these sculptures, along with forms found in nature.

While figurative sculpture dates back over 35,000 years, the term came into popularity in the 20th century to distinguish it from abstract art. It was aligned with the Expressionist movement in that many of its artists portrayed reality but in a nonnaturalistic and emotional way. In the 1940s, Alberto Giacometti — a Swiss-born artist who was interested in African art, Cubism and Surrealism — created now-iconic representational sculptures of the human figure, and after World War II, figurative sculpture as a movement continued to flourish in Europe.

Lucian Freud and Francis Bacon were some of the leading figurative artists during this period. Artists like Jeff Koons and Maurizio Cattelan propelled the evolution of figurative sculpture into the 21st century.

Figurative sculptures can be whimsical, uncanny and beautiful. Their materials range from stone and wood to metal and delicate ceramics. Even in smaller sizes, the sculptures make bold statements. A bronze sculpture by Salvador Dalí enhances a room; a statuesque bull by Jacques Owczarek depicts strength with its broad chest while its thin legs speak of fragility. Figurative sculptures allow viewers to see what is possible when life is reimagined.

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