Realist Prints and Multiples

Pablo PICASSO and Paul LEMAGNY Portrait of Picasso with Woman Head and Faun, 1956 The upper part (portrait of Picasso) is an original etching by Paul Lemagny The lower part (woman head and faun) is an original etching by Pablo Picasso Printed signature in the plate Annotated 9th state and 'Bon à tirer...

Jean-Baptiste VALADIE Modern Marilyn Original lithograph Handsigned in pencil Limited /199copies On vellum 76 x 56 cm (c. 30 x 22 in) Excellent condition

Peter Handel - "Karina On Stool". Giclée on Hahnemühle Velvet, handsigned. High-quality art print after the original painting: Peter Handel transforms nude photographs painterly i...

Great White Shark Richard Ellis, American (1938) Date: circa 1979 Lithograph, signed and numbered in pencil Edition of 500 Image Size: 18 x 25 inches Size:...

STOW WENGENROTH (1906 – 1978) DUNE ROAD OGUNQUIT, MAINE 1949 (Stuckey 186) Lithograpn signed and numbered in pencil, edition 40. Image 5 7/8 x 10 1/8 inched, sheet 12 x 16. Large sh...

Richard Haas View of Munich (Szoke, 80), 1978 Offset Lithograph with Graphite Stencil on BFK Rives Paper 17 1/2 × 43 1/2 inches Edition 52/150 Signed, titled and numbered 52/150 in graphite pencil on the front Published by Brooke Alexander, New York and Galerie Biedermann, Munich, Germany; Printer: Deli Sacilotto...

Donald Sultan Tulips, 1990 Silkscreen on wove paper 23 × 22 inches Pencil signed, titled and dated and numbered 22/125 on the front margins Unframed Richly colored silkscreen of tuli...

Vintage framed plate signed poster. Zalman Kleiman, Born in Leningrad, Russia in 1933 into a Lubavitcher Hasidic family, was a self taught Chassidic artist living in Crown Heights, ...

YOUNG WOMAN COMBING HER HAIR is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the artist Raphael Soyer - Russian/American Social Realism Painter, 1899-1987. Printed using traditional hand lithography techniques from a hand drawn and etched lithographic stone in black ink on archival Rives BFK printmaking paper 100% acid-free rag. YOUNG WOMAN COMBING HER HAIR is a sensitive, realistically drawn portrait of a young woman combing her long dark hair while seated on a bed, her facial expression appearing somewhat melancholic and pensive, a glimpse of her reflection appearing in the wall mirror behind her. Print size - 14.75 x 11 inches Image size - 10.5 x 8 inches Year printed c.1976 by Master printer Joseph Kleineman in NYC Print is in excellent condition, deckled paper edges, hand signed in pencil and signed in the printing stone on lower right corner, printers chop mark embossed on lower left. From the master printers private collection. Raphael Soyer was a Russian-born painter. He was the twin to the artist Moses Soyer (1899-1974) and the older brother of the painter Isaac...

This realistic nautical limited edition print by Michel Brosseau captures the folded and tied white sails of a boat. The subject is rendered realistically with a flat, light, raw-lin...

Philip Pearlstein Untitled Nude, from Atelier International Portfolio, 1985 Etching. on wove paper Hand signed, numbered 78/85, and dated on the lower front with printer's and publisher's blind stamps. 30 × 22 1/2 inches Unframed This vintage (mid 1980s) etching by Philip Pearlstein is hand signed, numbered and dated from the edition of 85. The late Philip Pearlstein is one of the most renowned realist painters in the world, but has become best recognized of late as Andy Warhol's former roommate in Pittsburgh, who traveled together with Warhol to New York. The Warhol museum in fact hosted a show of the two unlikely artists and roommates. Philip Pearlstein Born in 1924 in Pittsburgh, Pennsylvania, USA, Philip Pearlstein died in 2022. He is considered to be one of the masters of new figuration and modernist realism. He has been examining the question of how the model is represented since the 1960s, his complex works straddling the line between naturalism, abstraction and hyperrealism. His still lives in oil feature nudes with mask...

Philip Pearlstein Olga Hirshhorn is 90, 2010 Lithograph on Aquarelle Arches Paper Pencil signed, dated and numbered 158/185 by the artist on the front 31 1/2 × 24 inches Unframed Thi...

This limited edition print by John Harris captures a close up view of river rocks beneath lightly-rippling water in a horizontal format. It features a cool blue and earth-toned palet...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) Pembroke College, Oxford (1705) Engraving 31 x 44 cm Loggan's view of Pembroke from the second edition of the 'Oxonia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College). Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers. The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...

This artwork titled "Old City Hall, Munich, Germany" c.1930 is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil by the artist at the lower cen...

Curtis C. Harmon (American, 20th century) Fishing Boats at Gloucester, Massachusetts etching signed Curtis C. Harmon (lower right) and titled (lower left) 10 x 12 inches. Discolorat...

color lithograph on Arches paper , edited in 1958 Limited Edition of 300 copies. Hand signed in pencil (lower right), numbered 120/300 in pencil (lower left) Paper size: 67 x 51 cm F...

Peter Doig Poster for Peter Doig Exhibition at Foundation Beyeler, 2015 Offset lithograph poster 14 3/4 × 11 1/2 inches Publisher: Fondation Beyeler, Riehen/Basel, Switzerland; Print...

THREE BALLET DANCERS is an original hand drawn lithograph by Moses Soyer, the renowned Russian-born American realist painter, draftsman, and printmaker. THREE BALLET DANCERS was hand...

PHILIP PEARLSTEIN Nude in New Mexico, 1984 Lithograph on art paper 31 3/5 × 40 3/4 inches Signed, titled, dated and numbered in graphite pencil from the limited edition of only 65. ...

Medium: original etching. Printed in 1900 and published in Leipzig, Germany for Zeitschrift für Bildende Kunst. This impression is printed on cream wove paper, and the plate size is ...

Kehinde Wiley Passing/Posing, Paintings & Faux Chapel (suite of 18 separate prints), 2004 Portfolio of 18 Separate Color offset lithographs in original black paste board portfolio bo...

Medium: original etching. Printed in 1919 and published in Berlin by Paul Cassirer. Plate size: 6 1/2 x 4 1/4 inches (165 x 110 mm). Not signed.

Medium: original etching. Printed in 1900 and published in Leipzig, Germany for Zeitschrift für Bildende Kunst. This impression is printed on cream wove paper, and the image size is ...

Medium: original etching. Printed in 1900 and published in Leipzig, Germany for Zeitschrift für Bildende Kunst. This impression is printed on cream wove paper, and the plate size is ...

Medium: original etching. Printed in 1900 and published in Leipzig, Germany for Zeitschrift für Bildende Kunst. This impression is printed on cream wove paper, and the plate size is ...

Medium: original etching. Printed in 1900 and published in Leipzig, Germany for Zeitschrift für Bildende Kunst. This impression is printed on cream wove paper. Plate size: 7 1/2 x 11...

John Gould, 'Leucippus Fallax' (Buffy Hummingbird), original lithograph with hand-coloring (not a reproduction), c. 1850. Signed in typeset 'J. Gould and H. C. Richter, del et lith.'...

Peter Handel - "Karina In Front Of Porsche". Giclée on Hahnemühle Velvet, handsigned. High-quality art print after the original painting: Peter Handel transforms nude photographs painterly into highly realistic, subjective images. Light and shadow, plasticity and form are modulated with several layers as well as glazing application: The compositions refer to the person depicted and give her an individual presence, so that the person and not the object is accentuated here. A beautiful artwork that looks good in every room and especially in the living room or bedroom. About Peter Handel: Peter Handel is an artist of international format and was born in 1949 in Anklam, East Germany. 1968 - 1971 studied art and sports, 1977 - 1982 teaching position at the GHS Duisburg, since 1979 freelance artist. Handels' art developed out of the American photorealism movement of the 1970s, in which the visual reality of everyday life is depicted realistically, without the intervention of emotion. He transforms his nude photographs into hyper-realistic paintings and graphics that play with the mutual conditionality of reality-representing or reality-simulating images and media art. Through meticulous imitation, Handel thus reflects on the photographic image and its sign-like quality, often on an additional level of reality when there are apparently pasted or hung photographs next to the painted level. The encounter with the painter Peter Handel reveals an old-masterly skill. In the creative process of the highly realistic nudes, light and shadow, plasticity and form are modulated with several layers as well as by glazing application. Handel slowly approaches his painting and in a subjective way arrives at an independent result. Fascinated by the possibilities of painting, Handel confronts and discusses different levels of reality - realistic and idealistic - leaving behind the objective level of pure depiction. Peter Handel's works are represented in numerous exhibitions: 1972 - 1975 Wilhelm Lehmbruck...

Sebastian Münster (German, 1488-1552) LA SITUATION DE LA VILLE DE ROME Antique Map of Rome, 1549 Possibly printed in 1964 Print on paper Publisher:...

A beautiful lithographic poster for a 1966 exhibition of Picasso's engravings at Galerie "65" Cannes. This poster was printed by Mourlot, the Parisian studio known for its striking...

Artist: Peter Milton (American, 1930-) Title: Interiors IV: Hotel Paradise Café Year: 1987 Medium: Resist-ground etching and engraving on copper Paper: BFK Rives Image size: 23.5 x ...

Cyril's Bay - Peter Doig, Contemporary, 21st Century, Magic Realism, Limited Edition Digital pigment print with silkscreen varnish on Somerset Velvet 255gsm with hand torn edges Edit...

Canoe - Island, Contemporary, 21st Century, Silkscreen, Edition Silkscreen Edition of 300 74 x 100 cm (29.1 x 39.3 in.) Signed, dated, and numbered In mint condition, as acquired fro...

Fisherman- Peter Doig, Contemporary, 21st Century, Pigment Print, Magic Realism Edition of 500 Signed and numbered, accompanied by Certificate of Authenticity In excellent condition ...

This artwork titled "Munich, Der Halte Hof" 1910 is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil by the artist at the lower right corner. T...

William Anderson Sherwood (American, 1875-1951) New York Stock Exchange, Early 20th century Etching and aquatint Sight: 16 1/4 x 13 in. Frame...

Nocturnes à Giverny - Contemporary, 21st Century, C Print, Realism, Edition C-Print Edition of 50 21,1 x 26,4 cm (8.3 x 10.3 in.) Signed and numbered In mint condition With certifica...

Elizabeth Catlett Homage to the Panthers, 1993 Color Lithograph on wove paper with deckled edges Signed, titled and dated in graphite pencil on the front Frame Included: elegantly floated and framed in dark wood museum quality frame under UV plexiglass This work, which truly needs no explanation, was exhibited by Gallery 511 in collaboration with Hirschl & Adler in New York City in an exhibition entitled "The Masters" (October 18...

Larry Clark The Smell of Us (Hand signed poster), 2015 Offset lithograph poster Pencil signed by Larry Clark on the back 10 1/2 × 15 1/2 inches Unframed Limited edition poster; hand ...

This artwork titled "London, Holborn House" 1920 is an etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil by the artist at the lower right corner. The i...

Elizabeth Catlett Blues, 1983 Color lithograph on cream wove paper Signed, titled, dated and numbered in graphite pencil on the front Printed and published by the Brandywine Workshop...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: White Irises on Blue Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 200, AP 30 Image Size: 41 x 23...

Peter Handel - "Karina In Front Of Porsche". Giclée on Hahnemühle Velvet, handsigned. High-quality art print after the original painting: Peter Handel transforms nude photographs ...

Medium: original etching. Printed in 1906 at the Alfred Porcabeuf atelier and published in Paris by Gazette des Beaux-Arts. Image size: 6 1/2 x 5 7/8 inches (165 x 149 mm). Signed in...

Three Cocker Spaniels is an original color etching by well known French sports artist Leon Danchin. The three Spaniels are in waiting mode with two lying down and one sitting ...

This is an exclusive handprinted limited edition cyanotype. "Dark Beach Sunrise" is a handmade cyanotype print portraying beautiful sunrise reflection on the beach. Details: + Titl...

Faberge Pansy Egg 24″X18″ Oil and Swarovski® crystals mosaic on Canvas. Stretched and Framed. 2013 This piece is a Limited Edition Geclee reproduction of original art by Oksana Tanasiv painted in 2008. The uniqueness of this piece is that the art is hand-embellished by oil and mosaic of Swarovski crystals, each crystal installed individually by hand representing the exact design of original Faberge Egg. The interesting story behind this art is that artist, Oksana Tanasiv, was inspired by Faberge Eggs while she worked in the Faberge Inc company in Stamford, CT, during 2005-2009 years. She met Faberge's granddaughter Tatiana Faberge...

American 1940s set of four framed original vintage pin-up calendar girl prints. One is signed Gil Elvgren, one is signed Sundblom (Haddon (Sunny) Hubbar...

Giclee on heavy Handmade cotton paper Signed and inscribed with archive In great condition

Samella Sanders Lewis, 'The House of Shango', lithograph, 1992, edition 60. Signed, dated, titled, and numbered '31/60' in pencil. A superb, richly-inked impression, on Arches cream wove paper; the full sheet with margins (1 1/4 to 3 1/2 inches), in excellent condition. Image size 24 x 18 inches (610 x 457 mm); sheet size 30 inches x 22 1/4 inches (762 x 565 mm). Archivally matted to museum standards, unframed. ABOUT THIS WORK “The title of this piece is an unmistakable harkening to African roots. Shango is a religious practice with origins in Yoruba (Nigerian) belief, deifying a god of thunder by the same name. Shango has been adopted in the Caribbean, most notably in Trinidad and Tobago, a fact that underscores the importance of transnationalism to Samella Lewis’s piece. Her work often grapples with issues of race in the U.S., and The House of Shango is no exception. Through a reliance on the gradual transformation of Shango—one that took place across continents and time—Lewis’s piece forms a powerful link between black Americans and their African and Caribbean counterparts. The figure depicted in the piece appears to emerge, quite literally, from the house of Shango. Given the roots and transformative process of the religion, The House of Shango can draw attention to the historical intersections to which black American culture is indebted.” —Laura Woods, Scripps College, Ruth Chander Williamson Gallery, Collection Highlights, 2018 ABOUT THE ARTIST Samella Lewis’ lifelong career as an artist, art historian, critic, curator, collector, and advocate of African American art has helped empower generations of artists in the United States and worldwide, earning her the designation “the Godmother of African American art.” Born and raised in Jim Crow era New Orleans, Lewis began her art education at Dillard University in 1941, transferring to Hampton University in Virginia, where she earned her B. A. and master's degrees. She completed her master's and a doctorate in art history and cultural anthropology at Ohio State University in 1951, becoming the first female African American to earn a doctorate in fine art and art history. Lewis taught art at Morgan State University while completing her doctorate. She became the first Chair of the Fine Arts Department at Florida A&M University in 1953. That same year Lewis also became the first African American to convene the National Conference of African American artists held at Florida A&M University. She was a professor at the State University of New York, California State University, Long Beach, and at Scripps College in Claremont, California. Lewis co-founded, with Bernie Casey, the Contemporary Crafts Gallery in Los Angeles in 1970. In 1973, she served on the selection committee for the exhibition BLACKS: USA: 1973 held at the New York Cultural Center. Samella Lewis's 1969 catalog 'Black Artists on Art', featured accomplished black artists typically overlooked in mainstream art galleries. She said of the book, "I wanted to make a chronology of African American artists, and artists of African descent, to document our history. The historians weren't doing it. It was really about the movement." From the 1960s through the 1970s, her work, which included lithographs, linocuts, and serigraphs, reflected her concerns with the values of human dignity, democracy, and freedom of expression. Between 1969 and 70, Lewis and E.J. Montgomery were consultants for a groundbreaking exhibition at the Oakland Public L designed to create greater awareness of African American history and art. Lewis was the founder of the International Review of African American Art in 1975. In 1976, she founded the Museum of African-American Art with a group of artistic, academic, business, and community leaders in Los Angeles, California. Lewis, the museum’s senior curator, organized exhibitions and developed new ways of educating the public about African American art. She celebrated African American art as an 'art of experience’ inspired by the artists’ lives. And she espoused the concept of African American art as an 'art of tradition', urging museums to explore the African roots of African American art. In 1984, Lewis produced an extensive monograph on Elizabeth Catlett, her beloved mentor at Dillard University. Lewis has been collecting art since 1942, focusing primarily on the WPA era and work created during the Harlem Renaissance. Pieces from her collection were acquired by the Hampton University Museum in Virginia, the world’s earliest collection of African American fine art...

Martin Lewis (1881-1962, Break in the Thunderstorm, drypoint, 1930, signed and titled in pencil (also signed in the plate in a rectangle lower left). Reference: McCarron 86, second s...

Arnold Iger Lily (Readers Digest Association Art Collection), 1988 Intaglio (Hand Signed, Dated, Titled, Numbered & Framed) Signed in pencil lower right recto Numbered "77/350" on lo...

Medium: etching. Etched by Jacques Beurdeley after Jacob van Ruisdael. Catalogue reference: Sanchez & Seydoux 1906-2. Printed in Paris and published in 19...

CHRISTIAN RIESE LASSEN (1956 - ) Hawaii's premier marine artist, Lassen's paintings depict a vibrant idealized vision of the natural world. In his childhood, Lassen's family moved t...

Map of Persiae, Armeniae, Natoliae et Arabiae Descriptio per F de Wit 1688 engraving from: Atlas Contractus Orbis Terrarum Praecipuas ac Novissimas Complectens Tabulas. Amsterda...

This realistic limited edition print captures a highly detailed, cropped, close-up view of water lightly rippling over rocks. The water reflects light above it to add dimension and d...

Faberge Rosebud Egg 24″X18″ Oil and Swarovski® crystals mosaic on Canvas. Stretched and Framed. 2013 Originally the Faberge Rosebud Egg was created by Peter Carl Faberge in 1895 for Empress Alexandra Fedorovna. The uniqueness of this piece is that the art is hand-embellished by oil and mosaic of Swarovski crystals, each crystal installed individually by hand representing the exact design of original Faberge Egg. The interesting story behind this art is that artist, Oksana Tanasiv, was inspired by Faberge Eggs while she worked in the Faberge Inc company in Stamford, CT, during 2005-2009 years. She met Faberge's granddaughter Tatiana Faberge...