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Ramie 288

"Visage (A.R. 288)", Ceramic Dish Stamped Madoura Plein Feu, Edition Picasso
By Pablo Picasso
Located in Madrid, ES
PABLO PICASSO Spanish, 1881 - 1973 VISAGE (A.R. 288) stamp underneath: Foundry Mark: EDITION
Category

1950s Modern Figurative Sculptures

Materials

Ceramic

Face, Pablo Picasso, 1950's, Earthenware, Decorative Art, Design, Interior,
By Pablo Picasso
Located in Geneva, CH
works 1947-1971, by Alain Ramié, Editions Madoura, 1988, illustrated under no.288, p.150.
Category

1950s Post-War More Art

Materials

Ceramic, Clay, Earthenware, Glaze

Pablo Picasso, "Face Turned Pitcher, " ceramic
By Pablo Picasso
Located in Chatsworth, CA
referenced as number 288 in "Picasso, Catalogue of the edited ceramic words" by Alain Ramie, 1988.
Category

1950s Surrealist More Art

Materials

Clay

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Category

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Category

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Materials

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Ceramic Owl Vase (A.R. 135) from the Madoura Pottery by Pablo Picasso
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Pablo Picasso "Visage" Madoura Ceramic Pitcher
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Category

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“Le Picador II” from the book Sabartés
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Category

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Materials

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Pablo Picasso 'Visage' A. R. 243
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Category

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Materials

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Pablo Picasso 'Visage d'homme vers la gauche' Drawing' 1914
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Category

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Materials

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Two Russian Malachite and Gilt Bronze Urns, Designed by Galberg
By Ekaterinburg Faceting Factory, Russia
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Category

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Materials

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Alain Ramie's Picasso Catalogue of the Edited Ceramic Works 1947-1971. Madoura
By Pablo Picasso
Located in Miami, FL
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Pichet Têtes, by Picasso, Pitcher, 1950's, Edition, Black and white, Design
By Pablo Picasso
Located in Geneva, CH
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Recent Sales

Face
By Pablo Picasso
Located in New York, NY
. Catalogue reference: Ramié 288
Category

1950s Modern Abstract Sculptures

Materials

Ceramic, Faience

Face
Face
H 11.88 in W 5.25 in D 4.25 in
Pablo Picasso Madoura Ceramic Vase 'Visage' Ramié 288
By Pablo Picasso
Located in Miami, FL
This Picasso ceramic vase "Visage" is executed in an edition of 500, made of white earthenware clay, decorated with engobes with glaze and beautiful hues of red, brown and black. The...
Category

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Pablo Picasso for sale on 1stDibs

One of the most prolific and revolutionary artists the world has ever seen, Pablo Picasso had a tremendous impact on the development of 20th-century modern art. Although he is best known for his association with the Cubist movement, which he founded with Georges Braque, Picasso’s influence extends to Surrealism, neoclassicism and Expressionism.

“Every act of creation is, first of all, an act of destruction,” the Spanish artist proclaimed. In Picasso's Cubist paintings, he emphasizes the two-dimensionality of the canvas, breaking with conventions regarding perspective, foreshortening and proportion. Picasso was inspired by Iberian and African tribal art. One of his most famous pre-Cubist works is Les Demoiselles d’Avignon (1907), a painting considered immoral and shocking at the time for its depiction of nude women whose faces resemble Iberian tribal masks.

Picasso made many portraits in this style, most often of the women in his life, their expressively colored faces composed of geometric shards of surface planes. In Woman in a Hat (Olga), 1935, he painted his first wife as an assemblage of abstract forms, leaving the viewer to decipher the subject through the contrasting colors and shapes. Picasso was a tireless artist, creating more than 20,000 paintings, drawings, prints, ceramics and sculptures. Tracing his life’s work reveals the progression of modern art, on which he had an unparalleled influence.

Browse an expansive collection of Pablo Picasso's art on 1stDibs.

Finding the Right Sculptures for You

The history of sculpture as we know it is believed to have origins in Ancient Greece, while small sculptural carvings are among the most common examples of prehistoric art. In short, sculpture as a fine art has been with us forever. A powerful three-dimensional means of creative expression, sculpture has long been most frequently associated with religion — consider the limestone Great Sphinx in Giza, Egypt — while the tradition of collecting sculpture, which has also been traced back to Greece as well as to China, far precedes the emergence of museums.

Technique and materials in sculpture have changed over time. Stone sculpture, which essentially began as images carved into cave walls, is as old as human civilization itself. The majority of surviving sculpted works from ancient cultures are stone. Traditionally, this material and pottery as well as metalbronze in particular — were among the most common materials associated with this field of visual art. Artists have long sought new ways and materials in order to make sculptures and express their ideas. Material, after all, is the vehicle through which artists express themselves, or at least work out the problems knocking around in their heads. It also allows them to push the boundaries of form, subverting our expectations and upending convention. As an influential sculptor as much as he was a revolutionary painter and printmaker, Pablo Picasso worked with everything from wire to wood to bicycle seats.

If you are a lover of art and antiques or are thinking of bringing a work of sculpture into your home for the first time, there are several details to keep in mind. As with all other works of art, think about what you like. What speaks to you? Visit local galleries and museums. Take in works of public art and art fairs when you can and find out what kind of sculpture you like. When you’ve come to a decision about a specific work, try to find out all you can about the piece, and if you’re not buying from a sculptor directly, work with an art expert to confirm the work’s authenticity.

And when you bring your sculpture home, remember: No matter how big or small your new addition is, it will make a statement in your space. Large- and even medium-sized sculptures can be heavy, so hire some professional art handlers as necessary and find a good place in your home for your piece. Whether you’re installing a towering new figurative sculpture — a colorful character by KAWS or hyperreal work by Carole A. Feuerman, perhaps — or an abstract work by Won Lee, you’ll want the sculpture to be safe from being knocked over. (You’ll find that most sculptures should be displayed at eye level, while some large busts look best from below.)

On 1stDibs, find a broad range of exceptional sculptures for sale. Browse works by your favorite creator, style, period or other attribute.