Marcy Gregory

Nocturne Voyagers II wood sculpture

The coloration and construction of the artwork projects this disk toward the viewer and floats the work off the wall both visually and psychologically. Doak was an aviation visionary...

This abstract landscape, painted in acrylic and pastel on linen, is dominated by flowing trees with exaggerated, curving branches. The form of the trees are dynamic and organic, and ...

This painting is based on my journey to the magical Holy Isle in Northern England. Vibrant pink flowers with flowing petals dominate the foreground, blending into the surrounding gre...

This painting was inspired by the many themes within my art. Duality is seen in the changing textures and colors, creating a strong sense of depth, concave to convex as well as dark to light. Emergence, another theme, occurs with each layer of paint. New forms start to emerge as if by magic, creating a sense of excitement and mystery. In this painting, I hope to evoke the colorful growth and blossoming of spring. Jean Wolff - Born 1947, Cleveland, Ohio Jean received her Bachelor’s degree with honors from the University of Wisconsin. She continued her studies in sculpture and painting at Otis Art Institute, Los Angeles, CA and the University of California, Los Angeles. Jean Wolff’s artwork has been exhibited in numerous galleries and owned in public and private collections throughout the United States. Representative venues include Gensler & Associates; Los Angeles Municipal Art Gallery; Aaron Gallery, Washington, D.C.; Irvine College Gallery, Irvine, CA; Shidoni Gallery, Santa Fe, NM; University of Connecticut Invitation Sculpture Show; Concordia University, Irvine, CA; Bowers Museum, Santa Ana, CA; Social and Public Art Resources, Venice, CA; Fairmont Hotel, San Jose, CA; Marriott by Courtyard, Sherman Oaks...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a video editing keyboard on a white background, embedded in resin and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso. Art measures 7 x 7 x 1.75 in (each) The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape. Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects. The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas. Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...

This piece titled "The Great Uncertain" is an original artwork by Jason Andrew Turner as part of his "Welcome Home" solo exhibition. This piece is made using Turner's signature abstr...

German artist Philipp Liehr first discovered his extraordinary dexterity as a dental technician. He soon perfected this artistically as a cartoonist and during his training as a scul...

Narrative figures in various combinations of human, animal and natural forms are the main characters of this work. This blending of forms is reflective of nature, mythology and story...