Cotton Sculptures

flashe on muslin with quilt batting, silk, nylon netting & metallic scrim

Neon Hills, Original Fiber Wall Hanging Artwork 6x36 (HxW), Wood, Cotton, Wool Neon Hills is a fiber art piece that will breathe life into any blan...

28.5" x 21.25” Acrylic on muslin over mdf This is a rather handsome piece, with a warm light brown flanked ochre yellow and deep blue-violet. The irregular angles of the upper left...

Title: Into the light Year: 2019 Technique: pigment (Iwaenogu), glue, and & water on cotton (Washi) marouflaged on panel Size: 50 x 50 x 4 cm FUSAKO EKUNI (JPN) Born in 1947 in Yokohama, Japan Lives & works in Tokyo, Japan Fusako Ekuni is graduated from Musashino Art University, Faculty of Visual Communication Design and Musashino Gakuen, the faculty of Japanese Art Style Painting. Into the Light by John K. Grande A great contemplative, an artist who fuses light with colour, Fusako Ekuni has taken on the challenge of projecting our soul’s eternal perceptual connectivity to something very simple – light. Colours are treated with an instinct, the ritual inherent to Fusako Ekuni’s paintings involve the physics of the process itself. The slow process, the seeming point of emergence or disappearance these perpetual, eternal, changeable colour flows embody are less like paintings than beatific slow motion reifications of the physics of life… These paintings are homages to the pre-verbal universe, where the invisible forces of life - colour and light – interact magically, seemingly invisibly. The artist is the medium. Like the Spanish Surrealist Juan Miro, Fusako Ekuni is producing several paintings simultaneously. At different stages of completion, each painting can take months until the colours complete their harmonic journey into completion. The artist is an eternal seeker. For 18 years, Fusako Ekuni has moved from a traditional Japanese art style to explore a more fluid process that involves layering pure dry pigment and glue, placing these elements intuitively onto board to produce works that embody a feeling of slow flow… The colours relate as people do, one to the other, in a perpetual slow flow. A particular particularized, sub-atomic beingness associated with light is what results. This interest in the physics of light is ever present in Fusako Ekuni’s Into the Light series. Like James Turrell’s Roden Crater project in the Arizona Desert, the content in Fusako Ekuni’s art is ultimately this existential interaction between our eye’s perception and colour light compositions that always seem to be at a point of change. Fusako’s sense of light and colours as elements in and for themselves an artist works with recall the American painter Richard Pousette-Dart’s painterly explorations. Art becomes a source where the ideas are simply phenomena, visual and colourful. Light is the binding medium the colours interact with. The sense of simple presence and absence, of feelings and emotions likewise recalls Mark Rothko’s contemplative colour compositions. One colour next to another colour, overlapping or meeting, becomes a topography of feelings, of placement… it is all in these words, Fusako Ekuni’s sense of immediacy, of the moment, of how colour is perceived before we read its forms – as colour - in light. Solo exhibitions 2012 Toronto Art Expo, Toronto, Canada 2010 Promo Arte Gallery, Omotesando, Tokyo, Japan 2009 Toronto Art Expo, Toronto, Canada 2008 Toronto Art Expo, Toronto, Canada 2007 Gallery Kowa, Omotesando, Tokyo, Japan 2005 Gallery Muramatsu, Kyobashi, Tokyo, Japan Group exhibitions 2019 P/CAS YIA, galerie bruno massa...

"Rift", linen, cotton rope and aluminum, 96" x 65", 1991. This abstract, geometric woven textile wall sculpture was done by contemporary American fiber artist, Blair Tate. Artist st...

Drift, cotton, wool, woven, linen, silk and embroidery threads, 41" x 50", 2008. This contemporary abstract tapestry was done by British textile artist, Jo Barker. Jo Barker (b. 196...

Touch of Green, mercerized cotton, 31 1/2” x 36” x 1/4”, 2008. This tapestry was done by American textile artist, Ethel Stein (1917–2018). She worked prim...

"Jaiselmer", linen, cotton rope and aluminum, 73" x 39", 1999. This abstract, geometric woven textile wall sculpture was done by contemporary American fiber artist, Blair Tate. Arti...

Title: Into the light Year: 2019 Technique: pigment (Iwaenogu), glue, and & water on cotton (Washi) marouflaged on panel Size: 40 x 40 x 4 cm FUSAKO EKUNI (JPN) Born in 1947 in Yokohama, Japan Lives & works in Tokyo, Japan Fusako Ekuni is graduated from Musashino Art University, Faculty of Visual Communication Design and Musashino Gakuen, the faculty of Japanese Art Style Painting. Into the Light by John K. Grande A great contemplative, an artist who fuses light with colour, Fusako Ekuni has taken on the challenge of projecting our soul’s eternal perceptual connectivity to something very simple – light. Colours are treated with an instinct, the ritual inherent to Fusako Ekuni’s paintings involve the physics of the process itself. The slow process, the seeming point of emergence or disappearance these perpetual, eternal, changeable colour flows embody are less like paintings than beatific slow motion reifications of the physics of life… These paintings are homages to the pre-verbal universe, where the invisible forces of life - colour and light – interact magically, seemingly invisibly. The artist is the medium. Like the Spanish Surrealist Juan Miro, Fusako Ekuni is producing several paintings simultaneously. At different stages of completion, each painting can take months until the colours complete their harmonic journey into completion. The artist is an eternal seeker. For 18 years, Fusako Ekuni has moved from a traditional Japanese art style to explore a more fluid process that involves layering pure dry pigment and glue, placing these elements intuitively onto board to produce works that embody a feeling of slow flow… The colours relate as people do, one to the other, in a perpetual slow flow. A particular particularized, sub-atomic beingness associated with light is what results. This interest in the physics of light is ever present in Fusako Ekuni’s Into the Light series. Like James Turrell’s Roden Crater project in the Arizona Desert, the content in Fusako Ekuni’s art is ultimately this existential interaction between our eye’s perception and colour light compositions that always seem to be at a point of change. Fusako’s sense of light and colours as elements in and for themselves an artist works with recall the American painter Richard Pousette-Dart’s painterly explorations. Art becomes a source where the ideas are simply phenomena, visual and colourful. Light is the binding medium the colours interact with. The sense of simple presence and absence, of feelings and emotions likewise recalls Mark Rothko’s contemplative colour compositions. One colour next to another colour, overlapping or meeting, becomes a topography of feelings, of placement… it is all in these words, Fusako Ekuni’s sense of immediacy, of the moment, of how colour is perceived before we read its forms – as colour - in light. Solo exhibitions 2012 Toronto Art Expo, Toronto, Canada 2010 Promo Arte Gallery, Omotesando, Tokyo, Japan 2009 Toronto Art Expo, Toronto, Canada 2008 Toronto Art Expo, Toronto, Canada 2007 Gallery Kowa, Omotesando, Tokyo, Japan 2005 Gallery Muramatsu, Kyobashi, Tokyo, Japan Group exhibitions 2019 P/CAS YIA, galerie bruno massa...

Title: Into the light Year: 2019 Technique: pigment (Iwaenogu), glue, and & water on cotton (Washi) marouflaged on panel Size: 30 x 30 x 4 cm FUSAKO EKUNI (JPN) Born in 1947 in Yokohama, Japan Lives & works in Tokyo, Japan Fusako Ekuni is graduated from Musashino Art University, Faculty of Visual Communication Design and Musashino Gakuen, the faculty of Japanese Art Style Painting. Into the Light by John K. Grande A great contemplative, an artist who fuses light with colour, Fusako Ekuni has taken on the challenge of projecting our soul’s eternal perceptual connectivity to something very simple – light. Colours are treated with an instinct, the ritual inherent to Fusako Ekuni’s paintings involve the physics of the process itself. The slow process, the seeming point of emergence or disappearance these perpetual, eternal, changeable colour flows embody are less like paintings than beatific slow motion reifications of the physics of life… These paintings are homages to the pre-verbal universe, where the invisible forces of life - colour and light – interact magically, seemingly invisibly. The artist is the medium. Like the Spanish Surrealist Juan Miro, Fusako Ekuni is producing several paintings simultaneously. At different stages of completion, each painting can take months until the colours complete their harmonic journey into completion. The artist is an eternal seeker. For 18 years, Fusako Ekuni has moved from a traditional Japanese art style to explore a more fluid process that involves layering pure dry pigment and glue, placing these elements intuitively onto board to produce works that embody a feeling of slow flow… The colours relate as people do, one to the other, in a perpetual slow flow. A particular particularized, sub-atomic beingness associated with light is what results. This interest in the physics of light is ever present in Fusako Ekuni’s Into the Light series. Like James Turrell’s Roden Crater...

The artistic collaboration of Kelly Bugden + Van Wifvat has produced a thought-provoking body of sculptures, paintings, and constructions. Nature, childhood memories, and everyday ar...

Doug Johnston’s Coil D Empire is a white and blue thread cotton minimalist abstract sculpture measuring 23 x 21 priced at $3000. Doug Johnston’s work includes art, design, architecture and music. He utilizes and explores a variety of mediums and methods such as installation, fiber art, sculpture, photography, and collaborative performance. Since 2010, Johnston has focused on a process of coiling and stitching rope into a variety of functional and sculptural objects. Bio Born in 1979 in the west Texas desert and raised in Tulsa, OK, Doug Johnston lives and works in New York City. Doug Johnston's work includes art, design, architecture and music, utilizing and exploring a variety of mediums and methods such as installation, fiber art, sculpture, photography, and collaborative performance. Since 2010 he has focused on a process of coiling and stitching rope into a variety of functional and sculptural objects. His work has been presented in numerous exhibitions around the United States and in online and print journals; an ongoing line of coiled and stitched rope pieces is available in boutiques and galeries around the world. After graduating from Drury University with undergraduate degrees in Architecture and Studio Art, Doug later earned a Master of Architecture Degree from Cranbrook Academy of Art. He has served as a guest critic and lecturer at several universities. His professional experience includes architecture, teaching, and architectural metal fabrication. Currently Doug works with his wife, Tomoe Matsuoka, in their Brooklyn studio. exhibitions and events 2014 Das Haus Curated by Louise Campbell at the IMM Cologne, Germany 2013 Light Sculptures (solo), Mondo Cane, New York, NY Modern Craft, NoHo Design District / Merchants House Museum, New York, NY LLIIGGHHTTSS, 7 Dunham Place, New York, NY Sleight of Hand, Brian Morris Gallery, New York, NY Cabinets of Curiosity, Mint, London, UK Material Material, collaboration with Debbie Carlos, Little Paper Planes, San Francisco, CA 2012 Next Wave, MATTER, New York, NY Partners and Spade, New York, NY Product Porch, San Diego Museum of Contemporary Art, San Diego, CA A Spatial Surprise, Mint, London, UK We're Revolting, Creatures of Comfort, Los Angeles, CA Lecture: Physical Thought, Shieh Chen University Architecture and Fashion Departments, Taipei, Taiwan Under 500, Mondo Cane, New York, NY 2011 Art of Space: Nests, lecture and public installation workshop, Springfield, MO Performances with the Friendly Falcons, various locations, New York City 2008-2010 Musical Performance with Chris Doyle...