Metal Sculptures

V R T X S - Neon Violet (2025) JL MEYER Aluminum with acrylic enamel / Black marble base 33 x 20 x 20 cm Signed About the Artist José Luis Meyer (1981) is a contemporary sculptor...

This beautiful Laser cut sculpture is part of Ilanit`s Calligraphy series. It is made of laser cut aluminium covered with automotive paint. As all of Ilanit`s works, this work is ba...

Fire by Jane DeDecker Allegorical Element Figurative Bronze with Gold Leaf 72x14x20" bronze ed/17 (available patina is the darker blue-grey hue) Shipping price includes the custom p...

"Celebration de Cinquante" is a wall sculpture made of fold formed, forged and fabricated bronze and patina. Approximately 45 by 210 by 4.5 inches. The shape and size of the install...

Inspired by dance and weightlessness, Granville Beals' industrial metal sculptures are primarily about relationships. Concerned with form and abstraction, he does not merely manipula...

"Gershwin" by Richard Pitts Brushed aluminum Richard Pitts works in many media, from steel to wood to bronze to aluminum, not to mention his paintings. His often colorful, abstract ...

Artwork made with birch, acrylic, satin lacquer & metallic gold venetian plaster UltraMarine is a mixed media wall sculpture. Made from acrylic washes on birch, MDF and gold metallic Venetian plaster paint. Finished with an elegant satin clear lacquer to enhance the wood grain. The multiple opacities of navy and indigo are almost denim-like in color and allow the brown wood grain to add texture and interest to the piece. Ultramarine takes on the abstract form of a soaring building or perhaps a church spire or other tall building in form. Ultramarine is a monochromatic piece which is minimalistic in nature, so the form, composition and the balance of the piece trump a definitive subject matter. However, the shape is reminesent of mid-century modernism, the sputnik design movement and futurism. The result is an elegant wall sculpture...

Family Eternal by Jane DeDecker Figurative Bronze Wall mounted Relief 13x13x1" limited edition of 50, signed and numbered Nativity Scene of the new born Jesus. *Shipping price inclu...

Title: Lantern Column I Year: 1998 - 2014 Medium: Mold blown glass, cast polymer, steel, cast iron Size: 41 3/4" inches Niho Kozuru (髙鶴丹穂) is a Japanese-born mixed media artist based in Boston, MA. Kozuru casts and reconfigures molds of her own designs, classical and industrial turned architectural forms in unexpected materials. Using rubber, glass and clay she creates columns with undulating silhouettes. The “Lantern Columns” are a group of 7 towers, ranging from 4 feet to 7 feet tall. They have been shown in various configurations in multiple US States as well as the Fukuoka City Museum in Kyushu, Japan. Kozuru made 60 components by blowing glass into molds of her own designs while at Artists in Residency at Penland School of Crafts in North Carolina. After traveling the world, the Lantern Columns have been arranged into their final configuration, with a steel armature within and each topped with a vivid cast iron final...

Inspired by dance and weightlessness, Granville Beals' industrial metal sculptures are primarily about relationships. His original artworks capture the...

Standing Together by Jane DeDecker Figurative Bronze. 42x24x24" Sandstone base is included. Two Girls stand back to back holding hands Sisters, or Best Friends. A union for life. A...

Untitled, 1975 Bronze ED. 1 of 6 20 x 6 x 4 in Literature: Le Minotaure. Cardenas 1925-2001. May 15 - June 15, 2003. Illustrated on page 9 of the catalog.

"Flare" by Kevin Barrett Unique bronze, abstract tabletop sculpture Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. Bronze M...

Kristina Fjellman, a Minnesota-based visual artist and performer, seamlessly blends sculpture and performance art in her captivating work. She has garnered recognition with exhibitio...

Caged Bird by Jane DeDecker Abstract Figurative Bronze on Glass ©2021 13" x 12" x 8" Ed/11 A piece about the Covid19 pandemic and the spirit that lives on ...

David Hare Dancer, circa 1955 Bronze with integral stand 68 high x 17 wide x 13 1/2 deep inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

"The Ties that Bind" by Jane DeDecker Cast bronze depiction of a father taking a time out from playing ball to help tie his child's shoe. 36" x 44" x 31" limited edition of 17, sign...

In this bronze sculpture the artist (unknown) has welded together a group of totems or monuments into a unified piece. T Neo-Dada Abstract Sculpture: Assemblages In contrast, abstra...

Artist and designer Pedro Friedeberg is known for his surrealist paintings, prints, and sculptural furniture. He was the subject of a 2009 retrospective at the Museo del Palacio de B...

"[Masakazu Kobayashi's] woven Waves in dyed threads rank[s] among the most perfect in aesthetic effectiveness ever produced by contemporary weaving….This Japanese way of conjuring up such transparency with threads, of perceiving the thread itself as something creative is highly artistic. They celebrate aesthetic beauty in a way no one can elude.” From “Textile Art and the Avant-garde,” Erika Billeter (Contemporary Textile Art: the Collection of the Pierre Pauli...

Always drawn from life and most often constructed in re-claimed steel, Iain Nutting’s sculptures reflect his belief in the importance of the conservation of animals and of the natura...

Earth by Jane DeDecker Allegorical Element Figurative Bronze 72x32x20" bronze ed/17 (available patina is a darker blue-grey hue) Shipping price includes the custom packing/crating n...

Double sided artwork, consists many color layers, colors will change when you pass by the object, during the day or the incoming light. One side witth hand crafted "crystals" one si...

This small glazed porcelain sculptural vessel by Jon Puzzuoli features a light blue-green palette and a wave pattern over the surface of the piece. The flared neck is finished with 1...

Steel on the concrete base 1/1 Units

"Urban Scene" is a painted steel sculpture by Ralph Wickstrom created in 1997. Deceivingly thin the sculpture is made up of straight lines and right angles...

The modern Sculpture " Siqiniq ” is a unique Totem made from a burnout mold by David Marshall in 2021, sand cast in aluminium in our foundry, handcrafted by the Artist in his work...

Forward Still by JaneDeDecker Abstract Figurative Sculpture ©2015 80x54x10" limited edition of 21 A contemplative person walks on the top of a large ring ABOUT THE ARTIST: 'Part of...

​"Casa De La Serpiente" - House of the snake, 29/60, 1996 aluminum, paint, signed.​ Edgard Negret was born in 1920-2012 Colombia. He studied at the Scho...

"Sojourner" by Bill Barrett Fabricated bronze Bill Barrett is considered a central figure in the second generation of American metal sculptors and is internationally known for his a...

Ana GUITEL NIGRI, Universe 1, floor sculpture, Stainless steel, spiritual levels, minimalist sculpture

Born in Colorado and raised in Nebraska, Sandy Graves first forayed into the art world by presenting work as a child and 4-H member at local county fairs. As she continued her educat...

"MAOLA 7" Steel Wall Sculpture 43 x 28 x 4 in Edition 1/1 by ILLYA TIGOIS Unique sculpture Medium: steel & acrylic varnish The "MAOLA" project is a series of works aimed at allowi...

"Ascendant Isten" Minimalist Abstract Wooden Sculpture by Michael Enn Sirvet Hanging indoor/outdoor sculpture in cherry wood Ascendant Isten--Sanskrit for '1'-- is made of 252 hand-...

Antique American modernist mixed media sculpture painting by Duayne Hatchett (1925 - 2015) . Mixed media metal sculpture . Signed on verso.

Check It Out by Jane DeDecker 48x22x15" ed/31 Figurative Bronze with Sandstone base A child steadies a stack of books on their head, ABOUT THE ARTIST: 'Part of Jane's artistic geniu...

Bronze on oak base Edition of 9 variations Stamped with monogram signature and uniquely numbered 416, 7/9 The raised bronze patterns are finely rubbed and lacquered which will preven...

Carole Eisner's indoor sculptures, averaging two to four feet tall, are made from a welded collage of drops and cut-out steel pieces from the same series of scrap she found in a Conn...

"The Present" by Jane DeDecker Cast Aluminum Nativity Creche with Joseph, Mary and baby Jesus and an Angel Make your Christmas yard display extra special with this beautiful sculptu...

"Guided Spirit" by Kevin Barrett Painted steel on a stainless steel base This sculpture measures 76"h and rests on a 28" steel pedestal for a total heigh...

"Resistance pt.1" Abstract Sculpture 49 x 11 x 11 in Ed. 1/1 by ILLYA TIGOIS Unique sculpture Medium: steel & acrylic paint (varnish) ABOUT THE ARTIST Illya Trofymchuk is a Ukrai...

"The Arts Council of Great Britain asked Richard Hamilton to organise a Duchamp retrospective at the Tate Gallery in 1966. The almost complete works of Marcel Duchamp opened on 18 Ju...

The nautilus never fails to fascinate. This sculpture is my interpretation of its beautifully articulated shell using dichroic glass and stainless steel. I have employed a minimal...

This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. While typically, King Ferguson paints both sides of the canvas and cuts a flap on the the frontside to reveal the color of the back of the canvas, she unexpectedly does the opposite here. The painting is hung from the "frontside" of the canvas, revealing to us the raw edges of her linen canvas, stapled to the stretchers. Two oblong shapes of pink and red dominate the center of the painting. A thin semioval cut has been made inside of both of these shapes. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...

Artwork made with acrylic, enamel & lacquer on MDF Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Art Fair in NY...

"Lyra Series 27" by Bill Barrett Cast bronze Bill Barrett is considered a central figure in the second generation of American metal sculptors and is internationally known for his ab...

Thomas's current inflatable steel sculpting technique is something he stumbled upon during a demo for one of his sculpture classes. Steel, Thomas says, has a clay-like malleability a...

Always drawn from life and most often constructed in re-claimed steel, Iain Nutting’s sculptures reflect his belief in the importance of the conservation of animals and of the natura...

Alberto Saucedo (Born 1960) Texas Artist (Sculptor/Painter) 28" tall x 9" wide without plinth. 29" tall x 12" wide with plinth Medium: Sculpture 2014 II / IV "The Bather" Alberto was born in 1960. He was raised in Mexico City. Alberto Saucedo began his career as self-taught artist who demonstrated at a young age a remarkable talent and passion for art that eventually at seventeen years of age led him to formal studies at Universidad Nacional Autónoma de México and later on enrolled at San Diego City College. There he focused on Commercial Art and Interior Design. It was there, where he evolved his unique personal style. It was also at this time that he discovered the work of Master sculptor Francisco Zuñiga and studied sculpture with him. Sculpture subsequently became a major part of Saucedo’s work, and achieved his first real recognition in his field. Saucedo’s training has included a generous study of art history, where he incorporates his sensuous, spiritual and classical techniques, transforming it into a style that becomes evident in his work. A few Notable Clients: Bodybuilder/Actor/Governor Arnold Schwarzenegger. Actress Rita Moreno. Businessman (Founder of SeaWorld) George Millay. Mr Gary Lillian Former Vice President Marketing of PepsiCo, Inc. and now President of Javo Beverages in California. Italian Ambassador to Mexico. Exhibits 1985 – Arts and Crafts Fair, México City. 1985 – Solo show Casa Pedro Domeq, México City 1988 – 1989 – Una noche de Arte, México City 1995 – Solo show Galeria Dagen Bela, San Antonio, TX 1996 – Introspecciones (KVDA Channel 60) San Antonio, TX 1996 – Two Artist from Mexico City, Galería Sol y Luna, San Antonio, TX 1996 – Expo-Formalidades, Universidad Nacional Autónoma de México (UNAM), México City. 1998 Jamboree, San Antonio Art League Museum, San Antonio, TX 1999 – Group Show, Galería 10/10, México City. Publications: 1985 – Prepara muestra Alberto Saucedo, Excelsior, México 1989 – Revista Impacto. Alberto Saucedo escultor de raigambre prehispánica. 1994 – Southwest Art Magazine, April 1996 – Architectural Digest, Rita Moreno, April pg 204 also view letters August issue, 1996. 1996 – Mural’s wedding. San Antonio Express News 1999 – Oblate Virgin winning admirers. San Antonio Express News. 2004 – The Hill Country Edge. Art on the Edge, Alberto Saucedo. October and December magazines. 2007 – Explore Magazine. Alberto Saucedo a master in many mediums. October. 2008 – The Sun News Paper. Wild Flower Wonderlands Butterfly granite sculpture. April. 2002 – “Contemporary Chicana and Chicano Art Vol.2, Bilingual Press. Arizona State University. 2005 – Triumph of Our Communities. Four Decades of Mexican American Art. Bilingual Press. Arizona State University. Commissions: 1989 – Life size sculpture of “Sitting woman...

A series of works .. ANCIENT .. ..FOREST .. ..AQUA .. all these series have a magical connection with each other. They have the ancient spirit of past civilizations and sections of d...

Alfred Van Loen 1978 (1968 in casting?) signed 18 1/2" x 5 1/2" abstract stainless steel sculpture "Grand Kabucki", mounted on wood base, overall size 21 1/2" x 7" If there are any ...

Always drawn from life and most often constructed in re-claimed steel, Iain Nutting’s sculptures reflect his belief in the importance of the conservation of animals and of the natura...

"Muse #3" by Hans van de Bovenkamp Stainless steel Renowned for his monumental sculpture created primarily for open-air public locales, Hans Van de Bovenkamp has been described as a...

Couple in love synchrony

Artist: Jean Richardson, American (1940 - ) Title: Gemini Year: 1989 Medium: Bronze Sculpture Edition: 10 Size: 18 x 19 x 12 in. (45.72 x 48.26 x 30.48 cm) Base: 3 x 12 x 12 inches

Lupine by Jane DeDecker Cast bronze figure ©2010 ed/17 37x15x12" Classical female partial nude, gathering a bouquet of Lupine. first four photos with colorful patina are of the a...

This is a one of a kind original figurative sculpture by San Diego artist, Susan Hawkins. Its dimensions are 9x8.5x.2.25. It is made of bronze. A certificate of authenticity will fol...

Artist: Jean Richardson, American (1940 - ) Title: Genesis Year: 1989 Medium: Bronze Sculpture, signature and numbering inscribed Edition: 50 Size: 16 x 15.5 x 12 inches Base: 1.5 x...