Edgard Negret Art

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial...

Forged from stainless steel, this contemporary outdoor sculpture is by Alexander Caldwell. The Alberta artist favors sculpting with metal and creating clean lines that are rendered in a vivid palette. The form of this playful piece–a tower of stacked logs is inspired by nature. The industrial material is coated in a brilliant shiny yellow automotive or oilfield paint. It stands an impressive 76 inches (193 cm.) high. “Alexander Caldwell’s sculptures are immaculate in execution and finish” Paul Kuhn...

This red, geometric, contemporary, outdoor steel sculpture is by French-Canadian artist Phillipe Pallafray. Available on commission, please allow 4-6 weeks for completion. Four sta...

"Pump" by Kevin Barrett Abstract wall relief sculpture in painted aluminum Barrett is noted for creating contemporary metal sculpture and sculpture wall pieces for indoor and outdoo...

Nancy Graves New York State Governor's Arts Award, 1988 Bronze, polychrome patina and baked enamel on base with Award plaque 10 1/4 × 7 × 10 1/4 inches Hand signed and dated with inc...

Silver Waves, Adela Akers, linen, horsehair, paint & metal foil, 63” x 24”, 2014 “There is a mathematical discipline in the way the work is constructed,” ...

"Back from the Yellow Brick Road" by Richard Pitts Powder-coated aluminum Richard Pitts works in many media, from steel to wood to bronze to aluminum, not to mention his paintings. ...

A dynamic mid-century abstract painted metal sculpture by acclaimed American Modernist Eduardo (Edward Arcenio) Chavez (1917–1995). Constructed from intersecting steel planes and fin...

The project "Eternal and Brilliant" is based on portraits of famous artists of the world and Ukraine. The concept of the work - the image of internal and external psychological image...

Steve Tobin Red Dancing Root, 2024 Forged and welded steel, multicoat acrylic paint 17 x 16 x 16 inches STo003 Steve Tobin (b. 1957, Philadelphia) is a conceptual artist whose acade...

In 1914, a group of intrepid young men set forth into the northern wilderness with the ambition to document the uncharted territory of the Canadian collective unconscious. Their medium was that of sketchbooks and paint, and with these they rendered a vast and previously unknowable landscape into a tangible national identity. One could call their distinct style picturesque, as it cohered to many of the attributes prescribed by 18th century thinker William Gilpen – for capturing nature so as to make it both palatable and empowering for the viewer. During the romantic period in Europe, certain visual tropes emphasized the beauty of the natural landscape despite the rapid advancements of industrialism. As such, the picturesque, when applied properly, enabled the viewer to apprehend and revel in the vastness of change and opportunity with which they were presently confronted. It is at a similar juncture that we contemplate the works of contemporary sculptor and installation artist Shayne Dark, who’s large scale arborescent schemes present a striking encapsulation of both the magnitude as well as the limits of our natural resources. In an age where the re-assessment of our modes of production and consumption has become a main constituent of our identity, his work serves as a potent reminder of this position’s precarity. One piece resembling a cluster of branches, for example, balances in a tenuous fashion, relying on the equal distribution of weight among all its parts to stay upright. In another work, the boughs extend upwards from a base so small it threatens to tip over. As opposed to the romantic and idealized conceptions of a nature as realized in the compositions of the Group of Seven, Dark, by working in the industrial material of hot forged steel, acknowledges the imprint of the human hand on our surroundings. As art critic and theorist Rosalind Krauss...