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Artist: Richard Heinrich
"Off Set", Richard Heinrich, Abstract Contemporary Steel Sculpture, Metal
By Richard Heinrich
Located in New York, NY
"Off Set" by Richard Heinrich
Abstract, Large-Scale Outdoor Metal Sculpture in steel
Pictured with "Flying Home" at Uncommon Ground IV, Bridge Gardens, Brid...
Category
1980s Abstract Richard Heinrich Art
Materials
Steel
"1099", Richard Heinrich, Abstract Contemporary Bronze Sculpture, Metal
By Richard Heinrich
Located in New York, NY
"1099 Maquette" by Richard Heinrich, 1999
Bronze
Contemporary Abstract Sculpture, Industrial, Modern, Indoor, Outdoor
Category
2010s Abstract Richard Heinrich Art
Materials
Bronze
"Off Minor", Richard Heinrich, Abstract Contemporary Steel Sculpture, Metal
By Richard Heinrich
Located in New York, NY
"Off Minor" by Richard Heinrich, 1999
Steel
Contemporary Abstract Sculpture, Industrial, Modern, Indoor, Outdoor
Category
2010s Abstract Richard Heinrich Art
Materials
Steel
The Sacred Temple, Geometric Abstract Screenprint by Richard A Heinrich
By Richard Heinrich
Located in Long Island City, NY
Artist: Richard A. Heinrich, American
Title: The Sacred Temple
Medium: Silkscreen, signed and numbered in pencil
Edition: X/XX
Image Size: 15.5 x 14 inches
S...
Category
Late 20th Century Minimalist Richard Heinrich Art
Materials
Screen
"NY Bridge", Richard Heinrich, Abstract Contemporary Bronze Sculpture, Metal
By Richard Heinrich
Located in New York, NY
"NY Bridge Maquette" by Richard Heinrich, 2000
Bronze
Contemporary Abstract Sculpture, Industrial, Modern, Indoor, Outdoor
Category
2010s Abstract Richard Heinrich Art
Materials
Bronze
"Balzac", Richard Heinrich, Abstract Contemporary Bronze Sculpture, Metal
By Richard Heinrich
Located in New York, NY
"Balzac Maquette" by Richard Heinrich, 1999
Bronze
Contemporary Abstract Sculpture, Industrial, Modern, Indoor, Outdoor
Category
2010s Abstract Richard Heinrich Art
Materials
Bronze
"Fractal", Richard Heinrich, Abstract Contemporary Steel Sculpture, Metal
By Richard Heinrich
Located in New York, NY
"Fractal" by Richard Heinrich, 2011
Steel
Contemporary Abstract Sculpture, Industrial, Modern, Indoor, Outdoor
Category
2010s Abstract Richard Heinrich Art
Materials
Steel
"Equinox", Richard Heinrich, Abstract Contemporary Steel Sculpture, Metal
By Richard Heinrich
Located in New York, NY
"Equinox" by Richard Heinrich, 2011
Steel
Contemporary Abstract Sculpture, Industrial, Modern, Indoor, Outdoor
Category
2010s Abstract Richard Heinrich Art
Materials
Steel
"Bop for Sid", Richard Heinrich, Abstract Contemporary Steel Sculpture, Metal
By Richard Heinrich
Located in New York, NY
"Bop for Sid" by Richard Heinrich, 2011
Steel
Contemporary Abstract Sculpture, Industrial, Modern, Indoor, Outdoor
Category
2010s Abstract Richard Heinrich Art
Materials
Steel
The Red Temple, Abstract Minimalist Screenprint by Richard A Heinrich
By Richard Heinrich
Located in Long Island City, NY
Artist: Richard A. Heinrich, American
Title: The Red Temple
Medium: Silkscreen, signed and numbered in pencil
Edition: 10/20
Image Size: 15.5 x 14 inches
Siz...
Category
Late 20th Century Minimalist Richard Heinrich Art
Materials
Screen
"Solstice", Richard Heinrich, Abstract Contemporary Steel Sculpture, Metal
By Richard Heinrich
Located in New York, NY
"Solstice" by Richard Heinrich, 2011
Steel
Contemporary Abstract Sculpture, Industrial, Modern, Indoor, Outdoor
Category
2010s Abstract Richard Heinrich Art
Materials
Steel
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James Edward Lewis (August 4, 1923 – August 9, 1997) was an African-American artist, art collector, professor, and curator in the city of Baltimore. He is best known for his role as the leading force for the creation of the James E. Lewis Museum of Art, an institution of the HBCU Morgan State University. His work as the chairman of the Morgan Art Department from 1950 to 1986 allowed for the museum to amass a large collection of more than 3,000 works, predominantly of African and African diasporan art.[1] In addition, he is also well known for his role as an interdisciplinary artist, primarily focused on sculpture, though also having notable examples of lithography and illustration. His artistic style throughout the years has developed from an earlier focus on African-American history and historical figures, for which he is most notable as an artist, to a more contemporary style of African-inspired abstract expressionism.
Early and personal life
James E. Lewis was born in rural Phenix, Virginia on August 4, 1923 to James T. Lewis and Pearline (Pearlean) Harvey.[5] Lewis' parents were both sharecroppers. Shortly after his birth, his father moved to Baltimore for increased job opportunity; James E. was subsequently raised by his mother until the family was reunited in 1925. They lived for a short time with distant relatives until moving to a four-bedroom house on 1024 North Durham Street in East Baltimore, a predominantly African-American lower-class neighborhood close to Johns Hopkins Hospital. Lewis' primary school, PS 101, was the only public school in East Baltimore that served black children. Lewis grew up in a church-going family, his parents both active members of the Faith Baptist Church, devoting the entirety of their Sundays to church activities. His parents worked a variety of different jobs throughout his youth:[6] his father working as a stevedore for a shipping company, a mechanic, a custodian, a mailroom handler,[6] and an elevator operator.] His mother worked as both a clerk at a drugstore[7] and a laundress for a private family.[4]
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William King, a sculptor in a variety of materials whose human figures traced social attitudes through the last half of the 20th century, often poking sly and poignant fun at human follies and foibles, died on March 4 at his home in East Hampton, N.Y. He was 90.
His death was confirmed by Scott Chaskey, who is married to Mr. King's stepdaughter, Megan Chaskey.
Mr. King worked in clay, wood, bronze, vinyl, burlap and aluminum. He worked both big and small, from busts and toylike figures to large public art pieces depicting familiar human poses -- a seated, cross-legged man reading; a Western couple (he in a cowboy hat, she in a long dress) holding hands; a tall man reaching down to tug along a recalcitrant little boy; a crowd of robotic-looking men walking in lock step.
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His subjects included tennis players and gymnasts, dancers and musicians, and he managed to show appreciation of their physical gifts and comic delight at their contortions and costumery. His suit-wearing businessmen often appeared haughty or pompous; his other men could seem timid or perplexed or awkward. Oddly, or perhaps tellingly, he tended to depict women more reverentially, though in his portrayals of couples the fragility and tender comedy inherent in couplehood settled equally on both partners.
Mr. King's work is in the collections of the Metropolitan Museum of Art and the Museum of Modern Art in New York and the Smithsonian American Art Museum in Washington, among other places, and he had dozens of solo gallery shows in New York and elsewhere. But the comic element of his work probably caused his reputation to suffer.
Reviews of his exhibitions frequently began with the caveat that even though the work was funny, it was also serious, displaying superior technical skills, imaginative vision and the bolstering weight of a range of influences, from the ancient Etruscans to American folk art to 20th-century artists including Giacometti, Calder. and Elie Nadelman.
The critic Hilton Kramer, one of Mr. King's most ardent advocates, wrote in a 1970 essay accompanying a New York gallery exhibit that he was, "among other things, an amusing artist, and nowadays this can, at times, be almost as much a liability as an asset."
A "preoccupation with gesture is the focus of King's sculptural imagination," Mr. Kramer wrote. "Everything that one admires in his work - the virtuoso carving, the deft handling of a wide variety of materials, the shrewd observation and resourceful invention - all this is secondary to the concentration on gesture. The physical stance of the human animal as it negotiates the social arena, the unconscious gait that the body assumes in making its way in the social medium, the emotion traced by the course of a limb, a torso, a head, the features of a face, a coiffure or a costume - from a keen observation of these materials King has garnered a large stock of sculptural images notable for their wit, empathy, simplicity and psychological precision."
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Located in Wilton Manors, FL
Klaus Ihlenfeld (b.1934). Untitled, ca. 1960. Welded bronze. 8" h.; 5.5 " w; 3.25" d (base). Signed with initial under base.
Provenance: Directly from estate of Harry Bertoia. The piece was a gift from Ihlenfeld and is a very early example created during Bertoia apprenticeship era.
Excellent condition.
Klaus Karl Otto IhlenfeldHe was born in Berlin, Germany in 1934. He studied art at the Hochschule für Bildende Künste and completed graduate work with the metal sculptor Hans Uhlmann. He visited the US in 1957 for the first time living in Durham, NC, where he befriended Dr. W. R. Valentiner, the Rembrandt authority and Director of the Museum of Art, Raleigh, NC. Through this friendship in 1960 he met and worked with the metal sculptor Harry Bertoia in Barto, PA.
He joined the Staempfli Gallery in NYC and entered in many group and one-man shows. He has been an Artist-in-Residence in Ogden, Utah; Huntington Museum of Art in West Virginia, Penn State University at University Park; the Colorado State University in Denver; and Shippensburg University. He has large commissions at Kutztown University, Pottstown Hospital, and a monumental relief sculpture at the Emigrant Savings Bank in NYC. He has traveled extensively in Spain, Greece, and Mexico. He is living and working on a farm in Barto, PA welding bronze and forged iron metal sculptures and painting watercolors.
Group Shows:
North Carolina Museum of Art in Raleigh, NC - 1957
Solomon R. Guggenheim Museum in New York City - 1962
Staempfli Gallery in New York City - 1962, 1964 and 1965
Gallery Ludwig Lange in West Berlin, Germany - 1977
Gallery Herbert Remmert and Dr. Barth in Dusseldorf in West Germany - 1981
Jack Savitt Gallery in Macungie, PA - 1981 and 1984
Heinz Ortleb Gallery, West Berlin, Germany - 1992
Central Bucks Chamber of Commerce Show at the James A. Michener Art Museum in Doylestown, PA - 1997
Berks Art Alliance Show at the Reading Art Museum in Reading, PA - 1997
Mayfair Festival of the Arts at the Allentown Art Museum - 1998
Baum School of Art in Allentown, PA - 1997
Schwenkfelder Library and Heritage Center Art Show in Pennsburg, PA - 2001
Reading Public Museum in Reading PA, 2014
Solo Shows:
Kutztown University in Kutztown, PA - 1960 and 1965
Allentown Art Museum in Allentown, PA - 1960 and 1961
Staempfli Gallery in New York City - 1962
Penn State University in University Park, PA - 1964 and 1972
Berks Art Alliance in Wyomissing, PA - 1966
Bertha Eccles Art Center in Ogden, Utah - 1967
Mansfield University in Mansfield, PA - 1967
Huntington Museum of Art in Huntington, WV - 1971
Shippensburg University in Shippensburg, PA - 1972
Albright College in Reading, PA - 1973
Ianuzzi Gallery in Scottsdale, AZ - 1974
Gallery Heimat 85 in West Berlin, Germany - 1977
Jack Savitt Gallery in Macungie, PA - 1981
College Misericordia in Dallas, PA - 1983
Schwenkfelder Library and Heritage Center in Pennsburg, PA, 2013
Periodical Reference:
Kaye, Ellen "The Obsessive Collector," Philadelphia Inquirer Sunday Magazine Sptember 21, 1986 pp. 32-33.
Chronology:
1-30-1934 Born in Berlin, Germany. Father, Kurt Ihlenfeld, Lutheran pastor, novelist, critic and publisher was born in 1901 in Colmar, Alsace Lorain. Mother, Annie Stuhlmann, was born in 1905 in Breslau, Lower Silesia.
1940 - 1950 Public schools in Berlin; Löwen, Lower Silesia; Coswig, Radebeul, Glaubitz, Saxony. Königin Luise-Gymnasium in Dahlem, Berlin. First artworks, drawings and paintings; few sculptures.
1950 - 1956 Studied at the Hochschule für Bildende Künste in West Berlin, Germany. Graduate work with metal sculptor Hans Uhlmann. For 2 years maintained own studio at the Academy. Friendship with writer Günter Grass, and painter F. S. Sonnenstern. Met painters: Max Pechstein, Karl Schmidt-Rottluff, Carl Hofer, Max Kaus, and sculptors: Bernhard Heiliger, Renee Sintenis, and Richard Scheibe...
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Richard Heinrich art for sale on 1stDibs.
Find a wide variety of authentic Richard Heinrich art available for sale on 1stDibs. You can also browse by medium to find art by Richard Heinrich in metal, steel, bronze and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the abstract style. Not every interior allows for large Richard Heinrich art, so small editions measuring 6 inches across are available. Customers who are interested in this artist might also find the work of Matt Shlian, Val Bertoia, and Peter Millett. Richard Heinrich art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,500 and tops out at $60,000, while the average work can sell for $11,000.