Bronze Nude Sculptures

The male figure lies atop a cresting wavelike column, seemingly elevated by the experience. One hand is nearly touching his heart while the other hand is held open in a gesture of re...

Bathing woman drying her right foot also known as "Suzanne" by Aimé-Jules DALOU (1838-1902) A bronze sculpture with a nuanced dark brown patina Signed on the base " Dalou " A very...

Movement in bronze You can rightly call Romee Kanis an old acquaintance of the gallery, her work was regularly seen at the gallery until a few years ago. We restore this tradition in...

Even though Helle Rask Crawford often refers to classic myths in her sculptures, sh is not a classical sculptor in the neoclassical sense. Rather, Helle Crawford could be defined as ...

"I create this sculpture at the very beginning of my career. I sculpted it from a real model. The girl was very lost in her thoughts or dreamed of something. Her body was relaxed an...

A late 17th c. Italian carved figure of Mermaid, Circle of Filippo Parodi (Genoa, 1630 – July 22, 1702) Dimensions: h. 29.13 in, w. 30.31 in, p. 18.9 in (at the base) Magnificent Italian Baroque sculpture depicting a mermaid seated on the rock. All the virtuosity of the sculptor unfolds in this carved group. The fantastic creature is featured seated, the upper part of the body darting forward, the head looking upwards. Sophisticated hairstyle with rows of pearls intertwined in her hair, her loose locks fly in the wind and bring movement to the whole sculpture. The wide-open eyes with hollowed-out pupils make it possible to follow the mermaid's gaze, towards the sky. The half-open mouth further magnifies this bewitching and seductive attitude. Its long double tail ending in fins wraps on either side of a rocky mound strewn with objects evoking the underwater world: seashells and shells, branches of coral. The ornamental richness combined with the great care taken in its execution make it a work in which the splendor of Italian Baroque art unfolds in such characteristic scenic movement. The composition betrays a strong influence from Filippo Parodi, the leader of Genoese Baroque sculpture, and points to an artist from his circle. Our sculpture was probably part of a decorative monumental palace. The iconographic theme evoking the marine world finds its application in the numerous fountains and artificial grottos, designed in Italian palaces at the turn of the 17th and 18th centuries. Giacomo Filippo Parodi (Genoa 1630 – July 22, 1702) was an Italian Baroque sculptor of the Genoese school, who introduced Bernini's aesthetic to Genoa. In his youth fathers a first apprenticeship with a carpenter, he went to Rome where he became a pupil of Bernini. He had the opportunity to admire in person the works and style of the French sculptor Pierre Puget...

Grand tour bronze sculpture of the "Crouching Venus" after the antique. Fine patina. 19th century. Ferdinand Barbedienne (French, 1821-1902). not signed . rare. museum...

Presenting a magnificent early Art Nouveau bronze by Belgian artist Jef Lambeaux(1852-1908.) “Leda and the Swan”, is an original Art Nouveau Bronze,...

Deborah Ballard is best known for conceiving of figures and groupings of figures who relate to one another (and the viewer) through their body language, relationships and dialogue. S...

Louis Armand Bardery (French, 1879-1952) Muse of Dance Bronze with green and brown patination Signed and stamped with foundry mark 18 x 6 inches Louis Armand Bardery was a student o...

Getting Close to the Sky is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 37.5 × 16 × 8.5 cm (14.8 × 6.3 × 3.3 in). The sculpture is signed and num...

20th Century Continental School Europa Bronze on stone base 11 in. h. x 8.5 in. w. x 4.5 in. d., overall Inspired by the Greek myth Europa and the Bull Phoenician princess abducted to Crete by Zeus...

The meditation garden II is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 27 × 12 × 8 cm (10.6 × 4.7 × 3.1 in). The sculpture is signed and numbere...

Art Deco patinated bronze titled "The Discus Thrower" by Claire Jean Roberte Colinet (1880-1950) Raised on a circular green marble base and the attached to a square lacquered metal b...

In this thoughtful sculpture by Canadian artist Richard Tosczak, the gestures of a female figure, head bent, arms wrapped, are captured in bronze. Known for his beautiful figurative work, this piece retains the artist’s signature highly textured appearance and green-black patina. Tosczak’s pieces are first conceived on paper in quick pen and ink drawings. The spontaneity of this approach is evident in the almost abstract appearance of the sculpture. This piece is number three in an edition of eight. “The ineffable, vital qualities of the human spirit (is what I’m trying to communicate.)” - Richard Tosczak Born in Belgium, Richard Tosczak studied philosophy and sculpture at the University of Alberta. At that time, Tosczak began working in steel and was influenced by a number of his professors who appreciated the work of a British abstract sculptor, Sir Anthony Caro considered one of the greatest sculptors of his generation. Further studies were pursued in France with another internationally acclaimed classic sculptor, Martine Vaugel...

An Exquisite bronze figural pairing of two putti with butterfly wings. One putti holds a bow, while his counterpart cowers behind him. A dynamic piece of fabric hovers over the grouping, showcasing expertly modeled drapery, embellishing the composition of the piece. The figural grouping and pose is base off of a painting by William-Adolphe Bouguereau (1925 - 1905), a french academic painter who created realistic genre paintings of modernized mythological scenes. Itasse studied under Belloc and Jacquot and exhibited at the Salon from 1864 to 1893. The artist worked on multiple public commissions for the Louvre (Retour de la Chasse), l Opera (Philidor, Puccini, Cambert), the Trocadero Palace (L Astronomie) and Hotel de Ville de Paris. He specialized in busts, portrait reliefs of contemporary personalities, also sculpting a number of genre and allegorical works, such as The Kiss, The Birth of Love, Astronomy and Science. Amongst other awards he won a medal at the 1875 Salon and an honorable mention at the Universal Exhibition of 1889. Artist: Adolphe Itasse...

Fisherman on stilt III is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 45 × 25 × 19 cm (17.7 × 9.8 × 7.5 in). The sculpture is signed and numbered...

Madeleine by Nando Kallweit. Bronze sculpture, edition of 7 Dimensions: 153cm tall

Egyptian Scribe is a limited edition bronze sculpture.

This large bronze statuette of a reclining nude with legs outstretched, arms tucked in and straining to sit up was created rapidly in gestures that verge on abstraction. The modern and dynamic formalism that departs from realism allows the viewer to focus on emotive qualities of pure form. This is number 1 in an edition of 8. Tosczak is a Belgian-born, Edmonton-based figurative sculptor. He studied philosophy and modernist sculpture, working in steel, at the University of Alberta where a number of the professors had a strong affiliation with Sir Anthony Caro and Clement Greenberg. Richard pursued further artistic training in the Loire Valley with Martine Vaugel...

William Zorach (American 1891-1966) First Steps, 1918 Bronze 8.5 x 5 x 4 inches, including base Born in 1887 in Lithuania, William Zorach immigrated with his family to the United States when he was just four years old, settling in Cleveland, Ohio. Zorach displayed an exceptional artistic talent at a young age and, at the recommendation of his seventh-grade teacher, began studying lithography at night at the Cleveland School of Art. It was not long before he was apprenticing at a lithography company in Cleveland. It was there that he realized he wanted to become an artist - to escape the commercial end of the field in which he was suddenly immersed. In 1907, Zorach saved enough money to move to New York and study art at the National Academy of Design, where he received several awards for his paintings and drawings. He continued his studies in Paris in 1910 at La Palette. This year abroad would turn out to be quite fruitful because in Paris he was greatly influenced by the Cubist and Fauvist movements and had several paintings exhibited at the Salon d'Automme. This influence and subsequent success fueled his career back in the states where he was honored with his first one-man exhibition. Due to this new-found stability, he married a young woman he met at school in Paris, and they moved to New York and set up a studio. Shortly after, their work was accepted into the famous 1913 Armory Show. For the next nine years, Zorach continued to think of himself as a painter, although he had already begun to experiment in sculpting. He was experiencing modest success with his painting and was therefore reluctant to abandon it completely. However, he was impelled toward sculpting, and in 1922, he painted his last oil. Zorach's involvement with sculpture began largely be accident. While he was working on a series of wood-block prints, Zorach suddenly became more interested in the butternut panel than the print and turned the panel into a carved relief. With no formal training as a sculptor, Zorach's first sculptures were of wood and his carving tools were primitive, such as a jack-knife. I n fact, his early works have a certain stylized look, suggesting the influence of various primitive arts such as African and American folk. Zorach found his sculptural direction by instinct, but was not unaware of what other sculptors were doing, both here and abroad. He soon allied himself with a growing number of modern sculptors who believed in the esthetic necessity of carving their own designs directly in the block of stone or wood rather than modeling them in clay. From the beginning he found a deep satisfaction in the slow and patient process of freeing the image from its imprisoning block, watching the forms emerge and appear. "The actual resistance of tough material is a wonderful guide," Zorach said in a lecture on direct sculpture in 1930. The sculptor "cannot make changes easily, there is no putting back tomorrow what was cut away today. His senses are constantly alert. If something goes wrong there is the struggle to right the rhythm. And slowly the vision grows as the work progresses." Zorach also found that the material itself had a constantly modifying effect on the artist's vision. The grain of the wood, the markings in the stone, the shape of the log or boulder all set limits and suggested possibilities. He was always sensitive to the characteristic qualities of his material and occasionally let them play a major role in determining his forms. In works such as these, the feel of the original material is preserved in the finished piece and is often heightened by leaving parts of the original surface untouched and other areas roughly marked by the sculptors tools...

Sous le soleil exactement is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 36 × 24 × 25 cm (14.2 × 9.4 × 9.8 in). The sculpture is signed and numbe...

Hospitality - Sculpture is a fine sculpture realized by the Italian artist Orfeo Tamburi (Jesi, 1910- Paris, 1994) during the 20th century. Edition of 99 exemplars. Bonded bronze sculpture with a golden patina. Mounted on a Guatemala green marble base. Guatemala green marble, as its name suggests, is a marble coming from India, also known ad India Green; it is characterized by an intense green color with white veins with an irregular and uneven shape. Dimensions: cm 10 x 10 x 2 (base); cm 29 (height of sculpture). Excellent conditions. This artwork - born on a project realized by the artist in the 1930's and manufactured posthumous - represents a sensual nude woman who symbolizes the hospitality. Delightful creation by the great Italian painter Orfeo Tamburi. He firstly embraced the principles of the Roman School, from which he matured an evocative language with warm chromatic intonations that found favorite themes in portraits and urban views. After a trip to Paris where he discovered the painting of Cèzanne, the artist began a long friendship with Giuseppe Ungaretti, the director Marcello Pagliaro and Curzio Malaparte...

Little Diver is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 38 × 18 × 20 cm (15 × 7.1 × 7.9 in). Height of the sculpture with the metal base: 63 cm (24.8 i...

RYSZARD PIOTROWSKI (born in 1952) Sculptor. He graduated from the Academy of Fine Arts in Warsaw. His works include intimate, small forms in marble, bronze and silver. He specializes...

The meditation garden is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 26 × 13 × 7 cm (10.2 × 5.1 × 2.8 in). The sculpture is signed and numbered, ...

The Waiting Time is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 72 × 26 × 21.5 cm (28.3 × 10.2 × 8.5 in). The sculpture is signed and numbered, i...

Contemporary bronze sculpture on a marble base made by Polish artist Ryszard Piotrowski. The artwork depicts human figure in an acrobatic pose. It is very dynamic. The surface is tex...

Jacques COQUILLAY (né en 1935) Marie Original bronze Size : 56x39x17cm Copy No. 4/8 Signature and numbered on the base. Original bronze made with ...

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

PIETA III by Lorenzo Vignoli contemporary bronze sculpture by Italian sculptor Lorenzo Vignoli based in Carrara, Italy Sculpture dimensions: 20in W x 14inch H x 9inch D 52cm W x 3...

A fine quality, twentieth-century bronze model of a roaring lioness by Alberic Collin (Belgian 1886-1962). Prior to casting by the Valsuani foundry it w...

Jesús Curiá Perez Adan Y Eva bronze 26.50h x 9.50w x 8.75d in 67.31h x 24.13w x 22.23d cm ed. 4/8 JCP070 Jesús Curiá's sculptures arouse something more than purely aesthetic pleasu...

A fine large cast figural bronze fountain of a nude boy with pan flute and three frogs known as “Frog Baby” by American sculptor Edward Berge (1876-1924)....

Happiness Small Bronze Mother Body Child Figurative Nude Sculpture Contemporary Jits Bakker was a versatile Dutch artist: sculptor, painter, watercolorist, drawer, glass artist, sil...

Serie Olimpo Vulcano bronze, 2/8 30h x 14w x 8.75d in 76.20h x 35.56w x 22.23d cm ed. 2 JCP072 Jesús Curiá's sculptures arouse something more than purely aesthetic pleasure. We can ...

Artist/Designer; Manufacturer: Victor Salmones (Mexican, 1937-1984) Marking(s); notes: signed; marking(s); ed. 1/10 Materials: bronze Dimensions (H, W, D): 21"h, 10.75"w, 16.75"d; 36...

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

For Benson Landes, sculpture was most definitely a passion. His oeuvre of cast bronzes is populated with ‘off duty’ ballet dancers, rather wistful women, often caught in moments of solitary repose. Such an obvious appreciation of the grace and elegance of the female form was, no doubt, heightened by 25 years spent in the couture business, which Benson entered at the age of 14. The sculptor admitted that his time as an apprentice at his father’s clothing workroom and factory was given rather reluctantly, as he always harbored desires to become an artist. The young boy’s sense of responsibility was clearly equal to his creativity, though, as Benson knuckled down and learned the family trade. At the age of 18, however, a 2 year conscription to the RAF provided one of the few opportunities for Benson to experience artistic freedom. The possibilities of otherwise unobtainable materials such as pastels, paper, perspex and plaster of paris fuelled his ingenuity at the base’s well-stocked workshop. On completion of his RAF service, Benson briefly returned to the clothing factory...

Wonderful Art Nouveau "Ebrezza" bronze sculpture of a woman lying on a bed of roses. It bears at the base the signature Barbella and the wording “Rome Palm Sunday 31 III 1912” Brand...

Dame Elisabeth Frink. English ( b.1930 - d.1993 ). Maquette For Man And Eagle. Bronze With Gold Brown Patina. Signed And Numbered 1/7 Lower Left. Size 8.7 inches x 10.2 inches ( 22cm x 26cm ). Depth 2.8 inches ( 7cm ). Weight 7.1lb ( 3.24KG). Available for sale; this original bronze plaque with raised relief is by Dame Elisabeth Frink and was conceived and cast in 1967. The maquette is presented and supplied unmounted. There is the option to hang the plaque from 2 rings applied to the rear when in previous ownership. This vintage bronze plaque...

Edition of 12

This Sculpture is made by Jos de Wit. It is made of pear wood. The wood, and al other material he uses for his sculptures he also uses for building instrume...

Sculptor, engraver and medallist. Serge Zelikson received his secondary artistic education in his native country. In 1914 he arrived in Paris, where he studied at the Ecole des Beaux...

This thoughtful female figure has wrapped her arms around herself. The light green patina highlights this gentle gesture. The study feels intimate, and indeed, the sculptor's wife wa...

Artist/Designer; Manufacturer: Victor Salmones (Mexican, 1937-1984) Marking(s); notes: signed, marking(s); ed. 4/10 Materials: bronze Dimensions (H, W, D): 78"h, 13"w, 14"d; 77.5"h,...

Singing by Hubert YENCESSE (1900-1987) A bronze sculpture with a nuanced brown patina signed on the base " H. Yencesse " cast by " A. Rudier fondeur Paris " (with the foundry mark) ...

Sculpture - original. Numbered 1/4. Founder GODAR. Born in 1960 in a family of artists collecting the bronzes of the Italian Renaissance, sculpture has always been part of the en...

Standing Nude 97. Signed and numbered on base Cam '97, edition 6/6. Very good condition. Measures 18" H. base about 6x6 inches Cameron Douglas was born in Perth, Scotland in 1957 ...

Lost wax bronze 3/8. founder Paumelle. French artist, born in 1954 in Versailles. Lives and works in Paris but also in Lozère (in the south of France) where, as soon as she can, she ...

A superb bronze cast of Edgar Degas’ iconic dancer, Danseuse agrafant l’épaulette de son corsage presents a moment of disarming intimacy: a young ballerina absorbed in adjusting the ...

Sofia is a limited edition bronze sculpture with a brass plating and a mild steel base.

De Gave The Gift Small Bronze Sculpture Classical Contemporary Mythology The sculptures of Margot Homan (1956, Oss, NL) show a perfect command of the old craft of modelling and scul...

Hans Harders (1875 Mörel - 1955 Berlin), Boy playing the shawm, around 1930. Dark patinated bronze with round plinth on a black marble base (2 cm high), t...

Moeder Studie 3 Mother Study 3 Bronze Contemporary Figurative Sculpture In Stock About Jits Bakker (1937–2014) Jits Bakker was a versatile Dutch artist: sculptor, painter, watercolo...

Sculpture in Resin from Elisabeth Cibot Born in 1960 in a family of artists collecting the bronzes of the Italian Renaissance, sculpture has always been part of the environment of...

RICHARD LOUIS GARBE, RA (1876-1957) Helios Signed and dated 1929 Plaster with patinated surface 86 cm., 33 ¾ in. high Garbe was born in Dalston, London, the son of Gustave Garbe,...

Bronze founder CHAPON 3/8. Lost wax. Sophie Susplugas lives and works in Paris. From her earliest years she carved busts, hands, dancers and dancers. It all starts with the ground...

Artist: Kuno Lange, German (1950 - ) Title: Mother and Newborn Year: 1997 Medium: Bronze Sculpture, signature and number on base Edition: 2/9 Size: 28 in. x 7 in. x 3.5 in. (71.12 cm...

Fredda Brilliant (1903-1999) 'The Young Atlas' Bronze 52.5 x 41.5 x 27.5; 16kg Fredda Brilliant was a Polish sculptor and actress, born in Łódź, Pola...