Medium Still-life Sculptures

Original Contemporary Sculpture Wood, plastic whale, plastic squid, dyes, pigmented finish, clear finish Artist's Commentary: "The sperm whales of the world consume more squid each year by mass than the mass of the human population of the planet. It's a lot of squid. They're almost constantly hunting squid. What you may not have known is that there is some evidence giant squid...

Medium: Dyed Mahogany and basswood As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the vis...

Artist Commentary: This very three dimensional wall piece is created out of split bamboo. The bamboo starts out as a whole strip, then is split down finer and tied into a star shape...

Red & white stoneware & porcelain in neutral shades. Using over 50 hand thrown & slipcast vessels to create and uplifting artwork. Exploring numerous matt & gloss glazes on a variety...

Shaped aluminum with black flock mounted to a polished stainless steel base with flocked feet. Size: 25 x 21 x .375 inches (base 3.5 x 9 x .25 inches). Engraved artist signature on...

Artist: Kuno Vollet Title: Bronze Gingko with 8 leaves sculpture Materials: Cast bronze, white marble base Size: 80 x 10 x 10 cm _________________________________________________...

Artist: Kuno Vollet Title: Bronze Gingko with 8 leaves sculpture Materials: Cast bronze, white marble base Size: 80 x 10 x 10 cm _________________________________________________...

Artist: Kuno Vollet Title: Grey Bronze Gingko with 8 leaves sculpture four or three of them in gold leaf - arrangement of gold leaves can be chosen by client. Base can be chosen be...

"Beasts of Burden" (2023) by Andy Evansen is an original handmade watercolor painting on paper that depicts horses resting in the shade alongside a small creek. This piece measures 15 x 22 inches and 21 x 28 inches in its frame. Andy Evansen’s interest in art started in childhood, as he can’t recall a time when he wasn’t drawing. He began painting watercolors in the mid 1990s as a change of pace from his career as a medical illustrator. Choosing a ‘style’ was not difficult, as Andy was always inspired by the watercolor paintings of British artists Trevor Chamberlain, David Curtis...

Edition of 300. Museum of Graffiti exclusive. OSGEMEOS (b. 1974, São Paulo, Brazil), translated as “THE TWINS”, Gustavo and Otavio Pandolfo, have worked together since birth. As children growing up in the streets of the traditional district of Cambuci (SP), they developed a distinct way of playing and communicating through artistic language. With the encouragement of their family, and the introduction of Hip Hop culture in Brazil in the 1980s, OSGEMEOS found a direct connection to their dynamic and magical world and a way to communicate with the public. Guided mainly by their willpower, together they explored with dedication and care the various techniques of painting, drawing and sculpture, and had the streets as their place of study. Artist: Os gemeos Limited edition of only 300 Skateboards Released by Graffiti Of Museum only released during Art Basel 2023...

Aqua and white glass sculpture installation - blown and hot sculpted glass (set of 5) Martinez' glass sculptures are hot sculpted glass which is hand molded entirely by the artist. The piece is signed and numbered on the base by the artist. Each set is unique. Installation dimensions (approx): 30 L x 17 W x 10.5 H inches glass sculpture, glass art, sculpture art, glass installation...

As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The figure is abstract...

'Poppy, Seeds' by David Kimball Anderson, 2021. Bronze, steel, and paint, 26 x 20 x 8 in. This sculpture features a square vase cast in bronze and finished with a grey patina. It fea...

Available at Madelyn Jordon Fine Art. 'Silver Water Bottle with Flower and Yarrow' by David Kimball Anderson, 2023. Bronze, steel, and paint, 27 x 8 x 8 in. This sculpture features a...

This large geode is an intriguing sculpture with immense depth and contrasting textures. Size: 31 x 25 x 5 inches Size with base: 41 x 25 x 5 inches

Please allow a three month turnaround time for piece to be made. About the Geologic Editions: The Geologic Editions are studies for Colorado Cascade Mural. David pieced together bit...

TUSCAN YIN/YANG PRISON is a stoneware clay sculpture with Butterscotch glaze by Brooklyn, New York artist Rene Murray. It measures 20"H x 25"W x 13"D. The ...

"Beaded Flower 5" is an original piece by Jeff Rubio made from stoneware beads, glaze, rope, metal hardware, steel paperclip. This pieces measures 30"h x 7.5"w x 2.5"d and comes with...

Self-taught and born in Geneva in 1943, Michel L.Y. Tornare transforms forgotten pieces of wood into true works of art. Inspired by his love of nature and keen sense of observation, ...

Medium: Mahogany As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The ...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. In this enchanting piece, Henk Jan Sanderman invites us into a ...

Her poetic porcelain plates examine and reimagine the history of art in a way that values ​​women not only in body, but in wholeness, power, and love. Focusing on the narrative quali...

Please allow a three month turnaround time for piece to be made. About the Geologic Editions: The Geologic Editions are studies for Colorado Cascade Mural. David pieced together bit...

Heather Allen Hietala’s mixed media art is designed to tell a story. The American artist uses the vessel as a metaphor for life’s journey. Hietala hand-builds ceramic canoe-like shap...

'Eticuera' is a contemporary cast glass sculpture by David Ruth from the Chill Project Series. Made from cast glass, the piece is initially derived from textures taken off ice and ro...

'Routan' is a contemporary cast glass sculpture by David Ruth from the Chill Project Series. Made from cast glass, the piece is initially derived from textures taken off ice and rock...

The crocodile was the first piece Richard Orlinski made. The artist is fascinated by its ability to survive having withstood natural disasters and glaciations. Man and crocodile shar...

"Beaded Flower 10" is an original piece by Jeff Rubio made from terra cotta and stoneware beads, glaze, rope, metal hardware, steel paperclip. This pieces measures 30"h x 7.5"w x 2.5...

Shaped aluminum with aqua powder coat on polished aluminum base Edition 12 of 25

Medium: dyed wood As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The...

Artist: Kuno Vollet Title: Brass Gingko with 5 leaves art sculpture Materials: Bronze, black granite base Polished bronze to gold adds highlights to the leaves. Art Deco Mid-centu...

Artist: Kuno Vollet Title: Golden Gingko with 6 leaves art sculpture Materials: Cast brass, gold leaf, black granite base (rough or smooth finish available) Size: 60 x 9 x 9 cm 2...

Artist: Kuno Vollet Title: Grey Bronze Gingko with 8 leaves sculpture four or three of them in gold leaf - arrangement of gold leaves can be chosen by client. Base can be chosen be...

Fiberglass / Carbon Fibre Impregnated With Catalysed Polyester Resin Graphite Filled Acrylic Laquor On Filled Polyester Resin Base "Don Frost, sculptor, creator of completely unique...

Please allow a three month turnaround time for piece to be made. About the Geologic Editions: The Geologic Editions are studies for Colorado Cascade Mural. David pieced together bit...

"Tipping Iris" in purple, free standing sculpture. Enamel on aluminum and steel sculpture created by artist Gary Bukovnik that reflects the cascading beauty in his watercolors and dr...

Elijah David Herschler (1940-2023) Ribbon sculpture Chromed metal 25.25" H x 24.5" W x 9" D approximately Modern, abstract minimalist sculpture on stand in polished, mirror finish,...

Medium: Bleached Poplar, Concrete As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visu...

Medium: Walnut As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The fi...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a video editing keyboard on a white background, embedded in resin and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso. Art measures 7 x 7 x 1.75 in (each) The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape. Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects. The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas. Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

In this series of outdoor ‘singing’ bowl sculptures, Marlene Hilton Moore continues to explore the theme of ‘listening.’ This stainless-steel bowl is laser cut with the word “Sing” i...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a black computer keyboard on a white background and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso. Art measures 8.75 x 8.75 x 1.25 in (each) The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape. Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects. The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas. Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...

A native of Charlotte, North Carolina, Paul Rousso attended the Cleveland Institute of Art in Ohio and went on to earn his BFA from the California College of the Arts in 1981. In his...

Hand carved aspen wood sculpture torched burnished and painted Greg Joubert was born in 1977 and raised in the seaside New England town of Hingham, Massac...

A canoe shaped ceramic vessel glazed in light brown and pierced by a darning needle is perched on a floating shelf below a mixed media work on paper. The image repeats the canoe shap...

Provenance Acquired by the gallery directly from the artist. Description This sculpture by Bela Bacsi was inspired by a Hellenistic marble based on...

Michele Brody, Nature in Absentia: Cattails Plucked Out, Handmade Cast Paper The essence of Michele Brody’s work thrives on the interaction with n...

Hand-crafted Colorful Glass Artwork. This unique glass artwork, titled "Flower Bud," is a hand-crafted piece made using the fusion glass process. The design resembles a blooming fl...

This series of four sculptural wall pieces combines painting and organic materiality, exploring the intersection of nature and contemporary art. Made from reclaimed corkwood, each wo...

Mole's Breath frame with neutral ceramics. Contains both Stoneware and Porcelain ceramic pieces. ADDITIONAL INFORMATION: Ceramic on Stone 80 H x 80 W x 7 D cm (31.50 x 31.50 x 2.76 ...

White stoneware & porcelain shades of white. Using over 50 hand thrown & slipcast vessels to create an uplifting artwork. Exploring numerous matt & gloss glazes on light ceramic & po...

"Mickey Lagerfeld Pill Can (White)" resin, automotive paint, automotive gloss and metal sculpture by artist Skyler Grey. Skyler Grey © inscribed on back. Depicts Mickey Mouse as Karl Lagerfeld on side of can of pills. Can lid detaches to fit inside 23 x 25 x 25-inch wooden collector box (included.) Text on front of sculpture reads: "No 5 Chanel...

A one of a kind 30x24x24 Still Life Realist Bronze Sculpture executed by artist Maidy Morhous. A certificate of authenticity will be provided upon its purchase or delivery. An acc...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

"Tipping Tulips" in light orange, free standing sculpture. Enamel on aluminum and steel sculpture created by artist Gary Bukovnik that reflects the cascad...

"Tipping Iris" in purple, free standing sculpture. Enamel on aluminum and steel sculpture created by artist Gary Bukovnik that reflects the cascading beauty in his watercolors and dr...

limestone and oils 27 x 23 x 6 in c. 2005 What's more comfortable than a jean jacket? When I was working on the "What is America?" series, a jean jacket was at the top of the list of iconic clothes...

Orange Tipping Tulips free standing sculpture in a limited edition of three. enamel on aluminum and steel sculpture created by artist Gary Bukovnik that reflects the cascading beauty...

CASTLE LORD is a porcelain clay sculpture with Turquoise Glaze and slip, by Brooklyn, New York artist Rene Murray. It measures 26"H x 23"W x 10"D. It's an ...