Enamel Still-life Sculptures

Jean Lowe (American, b. 1960) Book-form sculpture, 2004 "Please Don't Eat Daisy", Enamel painted papier-mache Hand signed and dated verso Dimensions 10.5"h x 12.75"w x 4"d This title is well suited for vegetarians, vegans and plant based diets! Jean Lowe is a California-based painter and sculptor. She creates installations and sculptural works of enamel-painted papier-mâché. Lowe earned a B.A. from UC Berkeley in 1983. She earned her MFA from UC San Diego in 1988. She was a lecturer at UC San Diego from 1992 to 2008. Lowe's installations are handmade, labor intensive and visually playful installations, with papier-mâché furnishings and objects juxtaposed to site specific wall painting. Lowe says of her installations, "Intellectually I am driven by an interest in challenging a status quo anthropocentric world view and formally interested in marrying that content to a 'domestic' decorative esthetic." Many of Lowe's installations have quoted 18th and 19th century French decoration, rife with romanticized images of animals and nature and imbued with a sense of class and privilege. Into this fabric she substitutes or integrate corresponding contemporary attitudes--both about our treatment of the land and its other inhabitants and our attitudes regarding decoration: the wrestling match between high and low art. Wry humor. Lowe creates sculptural representations of everyday objects using papier-mâché and enamel paint. She is known for her papier-mâché books and has created a large collection of them with evocative and amusing titles. Her work Books and Ideas in an Age of Anxiety comprises a collection of them in display cases and is situated in Byers Hall at UCSF as part of the J. Michael Bishop Art Collection at Mission Bay. Among the book titles are: Accelerated Zen Buddhism: How to Win at the Hereafter. Anxiety: The Unexploited Weight Loss Tool. Artistic Mammography. The Eco-Tourist's Guide to Las Vegas. A Guide to Box Wines. Hot Buttered Cop Porn. How to Dominate Women. Militant Feminist Veganism for All. The Triumph of Minimalism and other such titles. Exhibitions Lowe has exhibited in both New York and Los Angeles. She participated in the 1994 exhibition Bad Girls West. Curated by Marcia Tucker, Bad Girls was a humorous and transgressive look at gender and feminist issues. It featured work from artist across many media, including photo, painting, sculpture, performance, film, comics, advertisements, writings and more. Janine Antoni, Andrea Bowers, Nancy Dwyer, The Guerrilla Girls...

"Olive Chanel Pearl Can (Patina Green)" resin, enamel, automotive paint and automotive gloss sculpture by artist Skyler Grey. Skyler Grey © signature below label on sculpture. Depict...

Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Bro...

Creating sculptures of exquisite peculiarity is an art in which Takei excels. His elegantly crafted works embody the notion of the whimsical, contradictory and idiosyncratic. There is an immediately detectable sense of humor and quick wit about the sculptures in this exhibition. Beyond playfulness, however, Takei’s aim is to challenge the viewer to alter the way in which they look at reality. Taking cues from the Surrealists of the early 20th century, Takei transforms the mundane into the fantastic - and sometimes absurd. His work is a constant inquiry into the meaning of functionality and the perception of purpose. Much like Man Ray’s iconic readymade sculpture, The Gift (1921), and Meret Oppenheim’s infamous fur-covered teacup (Object, 1936), Takei recontextualizes those pragmatic objects that we immediately recognize. With his piece Soft Shoulders (2011), Takei deconstructs a wooden clothes hanger...

Carmen Almon uses copper sheeting, brass tubing, steel wire and enamel paint to create exquisite botanical sculptures. She captures the fragility of a moment in time by interpreting ...

Carmen Almon uses copper sheeting, brass tubing, steel wire and enamel paint to create exquisite botanical sculptures. She captures the fragility of a moment in time by interpreting particular plants based on her memories of them. “These botanical compositions seem to defy their sheet-metal origins to come alive. Branches bend, vines loop, leaves twist, and a few surprising bugs, from butterflies to beetles, drop in to colonize her plants.” Through her work, one is reminded of the beautifully illustrated botanical books of the 17th and 18th century – Linneaeus, Ehret, Redouté – which Carmen often refers to for inspiration. Each piece takes up to twelve weeks to complete, therefore, few are realized each year making them rare treasures. In reference to our human connection to flowers, Carmen states, “Romance, marriage, funerals. Subconsciously, they represent so many things, innocent beauty, courage in the face of obstacles and continuity in the cycle of life and death. When I work on a plant, I am often thinking of this.” Almon grew up in Barcelona and Washington DC and resides in New Orleans, Louisiana. Her works are exhibited at the Chinese Porcelain Gallery, NY; and Octavia Art Gallery...

Carmen Almon uses copper sheeting, brass tubing, steel wire and enamel paint to create exquisite botanical sculptures. She captures the fragility of a moment in time by interpreting particular plants based on her memories of them. “These botanical compositions seem to defy their sheet-metal origins to come alive. Branches bend, vines loop, leaves twist, and a few surprising bugs, from butterflies to beetles, drop in to colonize her plants.” Through her work, one is reminded of the beautifully illustrated botanical books of the 17th and 18th century – Linneaeus, Ehret, Redouté – which Carmen often refers to for inspiration. Each piece takes up to twelve weeks to complete, therefore, few are realized each year making them rare treasures. In reference to our human connection to flowers, Carmen states, “Romance, marriage, funerals. Subconsciously, they represent so many things, innocent beauty, courage in the face of obstacles and continuity in the cycle of life and death. When I work on a plant, I am often thinking of this.” Almon grew up in Barcelona and Washington DC and resides in New Orleans, Louisiana. Her works are exhibited at the Chinese Porcelain Gallery, NY; and Octavia Art Gallery...

Carmen Almon uses copper sheeting, brass tubing, steel wire and enamel paint to create exquisite botanical sculptures. She captures the fragility of a moment in time by interpreting particular plants based on her memories of them. “These botanical compositions seem to defy their sheet-metal origins to come alive. Branches bend, vines loop, leaves twist, and a few surprising bugs, from butterflies to beetles, drop in to colonize her plants.” Through her work, one is reminded of the beautifully illustrated botanical books of the 17th and 18th century – Linneaeus, Ehret, Redouté – which Carmen often refers to for inspiration. Each piece takes up to twelve weeks to complete, therefore, few are realized each year making them rare treasures. In reference to our human connection to flowers, Carmen states, “Romance, marriage, funerals. Subconsciously, they represent so many things, innocent beauty, courage in the face of obstacles and continuity in the cycle of life and death. When I work on a plant, I am often thinking of this.” Almon grew up in Barcelona and Washington DC and resides in New Orleans, Louisiana. Her works are exhibited at the Chinese Porcelain Gallery, NY; and Octavia Art Gallery...

a sculpture by Hing Yi

Carmen Almon uses copper sheeting, brass tubing, steel wire and enamel paint to create exquisite botanical sculptures. She captures the fragility of a moment in time by interpreting ...

Cast aluminium, hand painted with enamel, conceived 1968, executed 1976, stamped with the artist’s initials, inscribed with title, number, and date on the end of the filter, from the...

"Rose - Yellow on Blue" — layered laser cut aluminum and enamel on aluminum panel — 32 x 32 x 7 inches each. Signed and numbered limited edition of 35. Set of Six Roses also available. Or you can create a grouping of 2, 3, 4, etc., which also makes a stunning installation. 3-4 week lead time for the artist to create. An incredibly dimensional wall sculpture made with multiple layers of enameled laser cut aluminum, a material that contrasts the delicate subject of many "Kalish Editions" works – roses. See the FP Contemporary website for more colors. Michael Kalish is an internationally acclaimed mixed-media artist based in Los Angeles. His passion for metal started with vintage car parts...

Signed and numbered limited edition of 9. Commission Only, lead time apx. 8-9 weeks. Layered laser cut aluminum pieces painted with enamel assembled and placed over an enclosed 4K ...

"Candy Rose - Blue on Orange" — custom paint on layered laser cut aluminum — 32 x 32 x 7 inches. Edition of 18. THIS IS A COMMISSION-ONLY PIECE THAT IS MADE UPON REQUEST. PLEASE AL...

"Candy Rose - Blue on Red" — custom paint on layered laser cut aluminum — 32 x 32 x 7 inches. Edition of 18. Please contact gallery regarding availability. THIS IS A COMMISSION-ONLY PIECE THAT IS MADE UPON REQUEST. PLEASE ALLOW 3-4 WEEKS LEAD TIME. *PLEASE CONTACT GALLERY REGARDING AVAILABILITY. An incredibly dimensional wall sculpture made with multiple layers of laser cut aluminum, a material that contrasts the delicate subject of many "Kalish Editions" works – roses. See the FP Contemporary website for more colors. Michael Kalish is an internationally acclaimed mixed-media artist based in Los Angeles. His passion for metal started with vintage car parts and license plates and evolved to more refined laser cut aluminum and mirrored stainless steel sculptures, with references to American culture. In his most daring and bold expression of the force of nature known as love, the renowned sculptor unveiled his own artistic sonnet in sculpture form – "THE ART OF FINDING LOVE...

"Coffee Cup - Yellow on Blue" — layered laser cut aluminum and enamel on aluminum panel — 30 x 30 x 8 inches. Edition of 35. Please contact gallery regarding availability. This wall...