Paint Still-life Sculptures

Joshua Smith Cecile Walker Cycles Based on Cecile Walker Cycles, Melbourne Cardboard, MDF, plastic card, LED lighting, balsa wood, aluminum tubing, wire, recycled card, adhesive pape...

This beautiful blue and white dimensional butterfly piece is made of wood panel, butterflies, acrylics and bioresins. The artist, Kristina Grace, re...

From the Apathy Series, Andrew Smenos' recent body of ceramic sculptures, comes "CALL NOW WHILE SUPPLIES LAST" – a cargo ship sinking slowly... At 6x3x3"...

Girls, 2018 by Casey Waterman Plaster, Glass, Vinyl, Walnut One of a kind art wall installation of 16 pieces. Overall size: 72" h x 17" w x 1.5" d Framed piece size: 18" H x 16" w x...

Pinecone Boy: Sunset, 2021 En Iwamura Limited Edition Material: Vinyl Dimensions: 7.8 x 9.5 x 8 inches Printed signature on underside

"Rainbow Lollipop" is a resin sculpture by Elena Bulatova. She is originally from Russia now is an international artist who resides permanently in Palm...

To Chicago-based artist Patrick Fitzgerald, his miniature car sculptures are a means of traveling through time. Born from a fascination with the soap bo...

The Redpath Mansion was built in 1886 for members of the Redpath family – wealthy industrialists who constructed the Lachine Canal and founded the sugar refinery that bears their name. This majestic house was erected in the fabled Golden Square Mile of Montreal. By the mid-20th century, it was one of the few remaining Queen Anne style homes in this city. The Sochaczevski family, purchased it in 1986 and within that year, obtained a license to demolish the building. Approximately 40% of the property was leveled. Organizations such as Heritage Montreal and Save Montreal obtained an injunction to suspend the execution of the license and the destruction of the mansion. It was temporarily saved. In 2014, the Mayor of Montreal, Denis Coderre, sided in favour of the Sochaczevski family, granting them the license to level the Redpath Mansion. In a statement to the media, when substantiating his reasoning, Denis Coderre said, “It was too dangerous, so I asked that we demolish the building.” The disappearance of the Redpath Mansion represented a great loss to Montreal’s architectural landscape. Organizations such as Heritage Montreal and Save Montreal, contended that it possessed immense cultural value; and during the course of almost three decades – 1986 to 2014 - struggled to save this rare Queen Anne style home from the wrecking ball. Albeit, the Sochaczevski family argued that it was old and unsafe, and that a restoration of the once stately home would be very costly. During the span marked by the first attempt at a demolition and the final decision by the mayor of Montreal (i.e. 1986 – 2014), The Redpath Mansion’s already dire condition worsened. It stood vacant and exposed to the elements. Nothing to upkeep the house was implemented, neither by the owners, or the city of Montreal; which ultimately compromised its structural viability. The events surrounding the Redpath Mansion, came to my attention in the summer of 2010. It was during a visit to Mount Sinai Hospital, in Montreal, where my father lay stricken by a terminal disease known as pulmonary fibrosis. I came upon a newspaper article in the Montreal Gazette. It described the Redpath Mansion case. I likened the decaying building with the final stages of my father’s life. The Redpath Mansion gained even greater significance for me when I went in person to the Golden Square Mile - in the city centre – and stood before it along Du Musée Street. I experienced it as a powerful metaphor for the transient nature of life. It also inspired thoughts related to generational ties, and how familial bonds act to influence and shape a person’s identity. The program of work I plan to undertake aims at building a scale model of the Redpath Mansion, as it appeared just before its demolition, in 2014. The physical height of this scale model is set at approximately 1 metre. I wish to place emphasis on the craft aspect, by creating a visual idiom based on details and decaying forms that allude to our connection to the past. For example, old pictures found among the rubble, scattered clothing and shoes, all of which are suggestive of a past ethos. I steer clear of political and social issues and aim to view this project with a more poetic lens, hoping to move the focus from societal problems to problems we face inside ourselves. The end result, or the finished piece would make a statement in a more introspective and emotional way, and show that the past weighs on the present, almost to the point of haunting. The viewer of the finished scale model will view it in the round, and in so doing perceive a definite narrative that addresses questions of identity, memory and loss. Ivan Markovic The Redpath Mansion, 2019 mixed media 37h x 20w x 24d in 93.98h x 50.80w x 60.96d cm IVM007 IVAN MARKOVIC was born in Montreal, Quebec in 1970. At an early age, he showed a natural propensity for drawing. At 15 years of age, he went to Paris, France to attend the Fine Arts school Creatione et Future. This experience allowed him to become a better draftsman and encouraged him to take his first steps in the art of oil painting. In 1994, he received a Bachelor of Fine Arts degree from Concordia University in Montreal. During his undergraduate degree he developed an interest for Art History and life drawing. After graduation, Ivan Markovic moved to Madrid, Spain to work at the Prado museum, where he made copies of Old Masters’ paintings, and developed an understanding for the materials and techniques of Spanish, Italian and Flemish art. He received a Master of Fine Arts degree from Bretton Hall College, University of Leeds, in the U.K. in 1997. His graduate work focused on large-scale paintings that alluded to baroque and neoclassical painting. In parallel, he pursued his other passion, teaching, by instructing a figure drawing course. Upon completing his MFA, he returned to Madrid to work as a practicing artist and art teacher for 13 years. During this time, he experimented with a diverse range of media. Of these, he was most captivated by sculpture. In 2010, he came back to his native Montreal, thus completing a formative cycle that has lasted 25 years. Currently, Ivan Markovic lives and works between Montreal, Chicago, and Madrid. He creates three-dimensional renditions of people facing situations of adversity, especially those that live on the fringe of society. His work has been featured in solo exhibitions in Canada, the United States and Europe, and is also on permanent display in privately owned collections of art. Ivan Markovic b. 1970, Montreal, Quebec Education 1997 Master of Fine Arts, Bretton Hall College, University of Leeds, England. 1994 Bachelor of Fine Arts, Concordia University, Montreal, Canada. 1986 Studies at the Fine Arts School, Création et Future, Paris, France. Selected Exhibitions 2020 Double Feature: Art Shay and Ivan Markovic, 2019, Gallery Victor Armendariz, Chicago, IL 2019 SOFA Chicago 2019, Navy Pier, Gallery Victor Armendariz, Chicago, IL 2018 SOFA Chicago 2018, Navy Pier, Gallery Victor Armendariz, Chicago, IL Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art On Paper, Gallery Victor Armendariz, New York, NY 2017 Art Toronto, Galerie D’Este, Toronto, Canada. SOFA Chicago, Navy Pier, Option Art, Chicago, IL Papier/10th Edition, Contemporary Art Fair of Works on Paper, Galerie D’Este, Mlt., Canada. 2016 SOFA Chicago, Navy Pier, Option Art, Chicago, U.S.A. 2016 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. 2016 Beyond the Pale, Galerie D’Este, Montreal, Canada. 2014 On the Fringe, Galerie D’Este, Montreal, Canada. Love Art, Galerie D’Este, Toronto, Canada. Papier 14, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2013 Shades of Isolation, Galerie D’Este, Montreal, Canada. 2013 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. Papier 13, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2012 Papier 12, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2011 Papier 11, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada 2004 Galería Francisco Duayer, Madrid, Spain. 2004 Fundación Cultural Mapfre Vida (Premio Penagos de Dibujo), Madrid, Spain. 2003 Centro Intergrado Arganzuela (Ayuntamento de Madrid), Madrid, Spain. 2003 Galería Francisco Duayer, Madrid, Spain. 2001 Galería Francisco Duayer, Madrid, Spain. 2000 Sala Goya, Círculo de Bellas Artes, Madrid, Spain. 1998 Instituto Cervantes, John Hancock Center...

"Father and Son Used Tires" is a wall-hanging paper sculpture by American artist Drew Leshko measuring 12”h x 22.125”w x 8”d. It is made from paper, enamel, acrylic, basswood, wire,...

This blue and white sculpture titled "Hotel Tudor" is an original artwork by Drew Leshko made of paper, acrylic, basswood, and pastel. This pi...

Hall, 2018 by Casey Waterman Plaster, Glass, Vinyl, Walnut One of a kind art wall installation of 16 pieces. Overall size: 72" h x 17" w x 1.5" d Framed piece size: 18" H x 16" w x ...

Tactile memory #34, by Natasha Zupan Silk Leaves and Oil on Canvas One of a kind Size: 9.5 in. H x 7.5 in. W x 3 in D. 2021 ____________________________________ Natasha Zupan beauti...

Although this whimsical sculpture by Allan Winkler has the look of outsider art, this ceramic work stems from the art school-trained artist’s interest in...

The pictures you see here are not, as you might think, photographs of wildflowers. They are images of the remarkably lifelike, painstakingly detailed art of Trailer McQuilkin, whose ...

Canadian sculptor Marlene Hilton Moore continues the theme of listening in a series of outdoor singing bowl sculptures -- this bowl is laser cut with the word "Chant" in a stencil fo...

Artist: Arman, French/American (1929 - 2005) Title: Paintbrushes I Year: 1991 Medium: Paintbrushes and Oil Paint in Epoxy Resin Sculpture, Signature and number inscribed Edition: 20,...

Globalization IV: Collateral Damage, ash, commercial wood, paint, blue concrete bullets, 32" x 97" x 4" (Installed dimensions), 2005. This 3-piece wall sculpture was done by San Francisco-based artist, Gyöngy Laky...

Chicago-based artist Patrick Fitzgerald uses his works as a means of resurrecting the idyllic worlds he once found in the industrial surroundings of his youth. Raised in Grand Rapids...

Kim Cridler Holding 2, 2021 steel, ecoat, paint 74" x 35" x 32" *Piece can be displayed outside if under a roof/cover Kim Cridler’s sculptures describe b...

This contemporary plaster sculpture of a ram’s head is inspired by the art of Ancient Rome and Ancient Greece with a reference to Neoclassicism and Neoclassical period old masters, when the discoveries of archaeological sites became the focal point in art history between the 18th and 19th century. The artist is able to attribute incredible details to this work of art featuring a majestic appearance due to its large curling ridged horns. This animal figurative work of art is sculpted on the round, the artist took inspiration both from his imagination and archaic reminiscences. He modeled the inert chalk creating an animal with very real facial expression and incredible realistic features with intricate detailed head. This sculpture is the plaster cast hand modeled by the artist that served him as a reference model to create a bronze sculpture with the lost wax technique, also the bronze version is on sale on my page. So it represents the first phase of a fascinating and long process of creating sculptural art, a studio piece made as a maquette before a bronze version was cast. The present aries' head sculpture has been painted to simulate the green patina that archaeological metal sculptures take over the centuries. Two green patina sculptures...

"Orange Popsicle" is a resin sculpture by Elena Bulatova. She is originally from Russia now is an international artist who resides permanently in Palm S...

Pink Popsicle is a resin sculpture by Elena Bulatova. She is originally from Russia now is an international artist who resides permanently in Palm Spr...

Chicago-based artist Patrick Fitzgerald uses his works as a means of resurrecting the idyllic worlds he once found in the industrial surroundings of his youth. Raised in Grand Rapids...

Collateral Beauty; The Apart by Allie Regan Dickerson. Clay sculpture on board. 30" x 40." $7,000. This is a large white American Contemporary floral ceramic sculptural work onboard....

Wood cage, archival ink photos, paper clay sculpture, acrylic, mirrors. Artist statement: "My three siblings are quietly creative. When she was alive, my mother was louder. Writing ...

BANDANNA is a sculpture by Ray Padrón created in 2021 from painted and carved poplar wood. The piece belongs to a series of work centering around clothing i...

Window, 2018 by Casey Waterman Plaster, Glass, Vinyl, Walnut One of a kind art wall installation of 16 pieces. Overall size: 72" h x 17" w x 1.5" d Framed piece size: 18" H x 16" w ...

DAD HAT is a sculpture by Ray Padrón created in 2019 from painted and carved soft maple wood. The piece belongs to a series of work centering around clothing i...

From the Apathy Series, Andrew Smenos' recent body of ceramic sculptures, comes "DESTROYER" – the rusted hulk of a ship is sinking however, itself destro...

Unique hand painted resin sculpture. Hand signed by the artist. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered.

"Lath Study II" is an original wood, joint compound, and white paint sculpture by Seth Clark measuring 24”h x 24”w x 2.75”d. This piece ships ready-to-hang framed as pictured. "My ...

This painted wood chair by Paul von Ringelheim is a playful synthesis of form and content. The chair, an everyday item, has been transformed by von Ringelheim's imagination.

Painted bronze sculpture by Yayoi Kusama. Original mould executed in 1976; casted in 1994. This work is number 12 from a limited edition of 30. Incised with the artist's signature an...

This three dimensional floral piece is gray, white and clear resins with gold acrylics on wood panel. The artist, Kristina Grace, resides and draws inspiration from the Southern Cali...

Barbara Fiore started her artistic career as an illustrator and web designer working for some of the world's most prominent companies and publishers. She has always been inspired by the physical and visual world of animals and nature and has discovered clay as the perfect medium to express her vision. Barbara lives and works along the Delaware River in Northeastern Pennsylvania with her husband, artist Peter Fiore.

The pictures you see here are not, as you might think, photographs of wildflowers. They are images of the remarkably lifelike, painstakingly detailed art of Trailer McQuilkin, whose wildflower sculptures are a blend of several artistic techniques. The product of this art form is unique; each sculpture is one of a kind, with its own individuality and its own beauty. A native of New Orleans, McQuilkin has lived and worked in Ocean Springs, Mississippi, for the past 35 years. In 1969 the artist began experimenting with methods of creating metal wildflower sculpture. He soon found that imitating nature − which many have held is the chief function of art − is a difficult process. He steadily gained mastery of this new complex form and continues today to hone his skills, refine his materials and techniques while expanding his vision of the next sculpture. McQuilkin uses sheet copper, copper wire, metal primer, oil paints, and natural materials in his work. His techniques include cutting, soldering, incising, and painting. Each step is performed with uncompromising attention to detail. Each sculpture has special challenges. It takes from two to five months to complete each piece. A careful examination of the finished sculpture reveals the tiniest fibers, the slightest discoloration and even an occasional insect-bitten leaf. His work is a completely original documentation of nature, trompe l’oeil art in the best sense. McQuilkin, who is largely self-taught, has achieved the highest level of skill and artistry. Therefore he produces complex and beautiful microhabitats. His work has taken him from the North Pole Basin at Crested...

This sculpture titled "Tudor City" is an original artwork by Drew Leshko made of paper, acrylic, basswood, and pastel. This piece measures approximately 15”...

Lesley Richmond was born in Cornwall, England. Lesley now lives in Vancouver, BC, Canada. She received her art teachers training in London, England and her MEd in the USA. She taught...

Framed dimensions are 28 x 24 x 4 inches. Oil, acrylic, and resin on linen. Artist Bio Darius Yektai was born in Southampton NY, in 1973. He lives and works out of his home and st...

This cobalt blue framed sculpture titled "Explosion #11" is an original artwork by Joey Bates made of cut paper, glue, acrylic paint. This piece measures 20...

This miniature paper sculpture titled "MY WILLY" is an original artwork by Drew Leshko made of paper, acrylic, inkjet prints, basswood, wire, PVC plastic, pastel, and clay. Through s...

Fuck, 2018 by Casey Waterman Plaster, Glass, Vinyl, Walnut One of a kind art wall installation of 16 pieces. Overall size: 72" h x 17" w x 1.5" d Framed piece size: 18" H x 16" w x ...

This miniature, white and blue, paper sculpture titled "FAR OUT" is an original artwork by Drew Leshko made of paper, acrylic, inkjet prints, basswood, wire, PVC plastic, pastel, and...

House, 2018 by Casey Waterman Plaster, Glass, Vinyl, Walnut One of a kind art wall installation of 16 pieces. Overall size: 72" h x 17" w x 1.5" d Framed piece size: 18" H x 16" w x...

The small-scale wooden and found object, abstract, free-standing sculpture titled, "Modus Volito 8" is an original artwork by Hyland Mather made from aerosol and laser engraving on f...

Boat, 2018 by Casey Waterman Plaster, Glass, Vinyl, Walnut One of a kind art wall installation of 16 pieces. Overall size: 72" h x 17" w x 1.5" d Framed piece size: 18" H x 16" w x ...

"Chance Encounter: Invent" walnut, paint, dowels, Vertical: 80 x 11 1/2 x 2; Horizontal: 12 x 62 x 2, 2009. (originally commissioned for The Green Issue for the NY Times Magazine 4/20/08 pp 45-72). This mixed media wall sculpture was done by San Francisco-based artist, Gyöngy Laky...

"Nonsense" charcoal, plastic soldiers, paint, acrylic medium, 35 x 26 x 4, 2007. Artist signature on back. This mixed media wall sculpture was done by San Francisco-based artist, Gyöngy Laky...

"Popsicle" is a resin sculpture by Elena Bulatova. She is originally from Russia now is an international artist who resides permanently in Palm Springs with forays into Miami Beach ...

Imprints / I Am Yourself: 1-Boat. 2-Facade. 3-Fuck. 4- Girls. 5- Hall. 6- House. 7- Poem. -8-Triangle. 9- Wall. 10- Whale. 11- Window and -12 Wood. Plaster, Glass, Vinyl, Walnut ...

This white figurative sculpture titled "Nebrida" is an original artwork by Clémentine Bal made of polystyrene, resin, mastic, marble powder, and paint. ...

Wood, 2018 by Casey Waterman Plaster, Glass, Vinyl, Walnut One of a kind art wall installation of 16 pieces. Overall size: 72" h x 17" w x 1.5" d Framed piece size: 18" H x 16" w x ...

blackboard paint, oil paint, fir on panel

Poem, 2018 by Casey Waterman Plaster, Glass, Vinyl, Walnut One of a kind art wall installation of 16 pieces. Overall size: 72" h x 17" w x 1.5" d Framed piece size: 18" H x 16" w x ...

"Monument" is an original gouache, ink, colored pencil, and wood artwork by Henry Hablak measuring approx. 8"h x 5.5"w x .75". Henry Hablak is a tattoo artist and illustrator based ...

This sculpture titled "Hotel (Blue/Red)" is an original artwork by Drew Leshko made of paper, acrylic, basswood, and pastel. This piece measures approximately 12”h x 12”w x 5.5”d. D...

Facade, 2018 by Casey Waterman Plaster, Glass, Vinyl, Walnut One of a kind art wall installation of 16 pieces. Overall size: 72" h x 17" w x 1.5" d Framed piece size: 18" H x 16" w ...

Wall, 2018 by Casey Waterman Plaster, Glass, Vinyl, Walnut One of a kind art wall installation of 16 pieces. Overall size: 72" h x 17" w x 1.5" d Framed piece size: 18" H x 16" w x ...