Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 4

Unknown
Moroccan, Fez or Meknes: Tall bowl (Jobbana) with geometric designs

About the Item

Provenance: Collection of Emily Johnston De Forest and Robert Weeks De Forest, New York, by 1911-until 1942; thence by descent until 2018. Literature: Edwin Atlee Barber, Catalogue of the Mexican Maiolica Belonging to Mrs. Robert W. De Forest by The Hispanic Society of America, New York, 1911, p. 64, cat. no. 66 (no 1. only). This beautifully decorated earthenware pot is a striking example of a 19th-century Moroccan jobbana. Traditionally accompanied by a domed or bell-shaped lid with a finial top, these vessels originally were used to store butter and cheese or to churn milk. The name, jobbana, derives from the Arabic word for cheese—jubna. The exterior of the bowl is decorated with ornamental motifs in bright blue applied over a yellow under-glaze. The organic diamond shapes separated by bands of intricate filigree and geometric patterns mirrored top and bottom are characteristic of ceramicware from Fez and Meknes, as is the reddish color of the clay visible beneath the yellow glaze and in the few areas of small losses. The blue oxide used on vessels of this type allow us to date our jobbana to the middle of the 19th century. An example executed on a similar scale and retaining its original lid is in the Brooklyn Museum (Fig. 1). This beautifully decorated earthenware pot is a striking example of a 19th-century Moroccan jobbana. Traditionally accompanied by a domed or bell-shaped lid with a finial top, these vessels originally were used to store butter and cheese or to churn milk. The name, jobbana, derives from the Arabic word for cheese—jubna. The exterior of the bowl is decorated with ornamental motifs in bright blue applied over a yellow under-glaze. The organic diamond shapes separated by bands of intricate filigree and geometric patterns mirrored top and bottom are characteristic of ceramicware from Fez and Meknes, as is the reddish color of the clay visible beneath the yellow glaze and in the few areas of small losses. The blue oxide used on vessels of this type allow us to date our jobbana to the middle of the 19th century. An example executed on a similar scale and retaining its original lid is in the Brooklyn Museum (Fig. 1).
  • Dimensions:
    Height: 7.875 in (20.01 cm)Width: 10.5 in (26.67 cm)
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU1025777991

More From This Seller

View All
Portrait of Ni-Polog
Located in New York, NY
Signed, dated, and inscribed on the verso: Malvina Hoffman/ Den Pasar/ “Nipolog”-/ © 1932/ Bali Provenance: The artist; her estate. Literature: Mal...
Category

1930s Realist Sculptures

Materials

Terracotta

Head of a Young African Man
Located in New York, NY
Provenance: Private Collection, Spain. This intriguing and enigmatic sculpture depicts the head of a young African man emerging from a circular opening ...
Category

Early 1800s Figurative Sculptures

Materials

Terracotta

A Guardian Angel and a Child
Located in New York, NY
Provenance: Cornelius Vanderbilt, New York; by whom gifted in 1880 to: The Metropolitan Museum of Art, New York (80.3.673); deaccessioned and sold: Christie’s, New York, 12 June 19...
Category

17th Century Old Masters Portrait Paintings

Materials

Terracotta, Gesso

The Infant Saint John the Baptist with a Lamb
Located in New York, NY
Provenance: James Byrnes, Los Angeles (1917-2011) Giusto Le Court was born Josse or Justus de Corte in the Flemish city of Ypres. His father Jean was a sculptor and presumably his earliest training was with him before he entered the studio of Cornelis van Mildert. The young artist was clearly influenced by the dominant Flemish sculptor of the time, Artus Quellinus the Elder, with whom he may have worked on the decoration of the Amsterdam City Hall. Following the lead of many northern artists he travelled to Rome, perhaps more than once, before settling in Venice around 1655. It was there, as one of a colony of expatriate artists, that he made his name as a sculptor. One of his first Venetian commissions was for the monument to Alvise Mocenigo in the Church of San Lazzaro dei Mendicanti, where Le Court sculpted the marble figures of Strength and Justice. He also collaborated with the celebrated architect Baldassare Longhena, most famously for the high altar of Santa Maria della Salute, where he carved the multi-figured altarpiece depicting the Queen of Heaven Expelling the Plague. The present marble sculpture depicts the infant Saint John the Baptist, reclining, wearing his traditional hair-shirt, embracing a lamb, and holding the bottom of his attribute, a reed cross. Attached to his shirt is a baptismal cup, with which he would become associated later in his life. Veneration of the infant Saint John the Baptist was prevalent throughout Italy and images of the saint in childhood—often called “Giovannino,” or little John...
Category

17th Century Renaissance Sculptures

Materials

Marble

First Journey
Located in New York, NY
Provenance: Sables de Fontainbleau, Seine-et-Marne, France “Gogottes” are natural creations formed out of sands deposited in Northern France during the Oligocene Period, approximately 30 million years ago. Much later, in a process that has only recently become understood, groundwater rich in silica flowed through the sands...
Category

15th Century and Earlier Naturalistic Abstract Sculptures

Materials

Sandstone

Silver and Transitional Andean Textile Casket
By Spanish Colonial (Peruvian)
Located in New York, NY
Silver was the material of choice for both ecclesiastical and domestic vessels in the New World, not only for its status as a precious metal, but also because of its abundance and du...
Category

Early 18th Century Sculptures

Materials

Silver

You May Also Like

Ai Weiwei Pequi Tree Minature Tin Sculpture 1/100 Scale Edition of 250
By Ai Weiwei
Located in Draper, UT
Pequi Tree Miniature is a sculpture, created from the most recent work by Ai Weiwei, Pequi Tree, 2018-2020, and produced at a 1/100 scale. The sculpture is...
Category

2010s Still-life Sculptures

Materials

Metal

Pablo Picasso 'Grosse tête, profil droit' Figure in Profile (A. R. 536) 1965
By Pablo Picasso
Located in Miami, FL
PABLO PICASSO (1881-1973) Grosse tête, profil droit (A. R. 536) Terre de faïence sculpture, 1965, numbered 19/50, with the Edition Picasso and Madoura stamps. *The ceramic has bee...
Category

1960s Modern Figurative Sculptures

Materials

Earthenware, Wood, Glaze

"Atoll Include" - Colorful abstract glazed ceramic stoneware sculpture
Located in East Quogue, NY
Colorful abstract ceramic sculpture titled "Atoll Include" by Lauren Skelly Bailey. Glazed ceramic, acrylic - Size: 10 x 5 x 5.5 inches. Artist Lauren Skelly Bailey invites viewers ...
Category

2010s Abstract Abstract Sculptures

Materials

Luster, Stoneware, Glaze

Pitcher #1: Formalwear Series
Located in Milwaukee, WI
Hand-painted, sculpted and carved. Signed and dated by the artist. See close up photo of light orange area at the top of the right leg.
Category

21st Century and Contemporary Sculptures

Materials

Foil

Two-Way Mug #1 (Untitled)
Located in Milwaukee, WI
Hand-painted, hand-carved and sculpted. Object signed and dated by the artist. See close-up photo of the white area on top of the sculpture.
Category

2010s Sculptures

Materials

Earthenware, Underglaze

Cobalt Whiskey Cups
By Rachel Hubbard Kline
Located in Kansas City, MO
Artist: Rachel Hubbard Kline Title : Cobalt Whiskey Cups Materials : Porcelain, Underglaze, Glaze, Luster Date : 2018 Dimensions : 4" x 3.25" x 3.25" Descr...
Category

2010s Art Nouveau Sculptures

Materials

Ceramic, Clay, Luster, Porcelain, Stoneware, Glaze, Underglaze

Recently Viewed

View All