Tin Glaze Sculptures

Glazed Stoneware Sculpture

"RAKU RED AND WHITE", 2019, in wheel-formed white glaze with copper red blush, sprig, stamp, gold leaf and raku fired with kintsuji gold by artist Andrew Cornell Robinson, is one of a series of sculptural objects that include ceramic, glass and mixed media grottoes and containers. A project exploring the vessel form and notions of gratitude, plenty, poverty in material or humanity. Robinson has led artists to explore tableware as sculptural form – "Changing attitudes and emerging social behaviors in food preparation and the social and cultural rituals of eating have lead to changes in the way tableware is made and used." Andrew Cornell Robinson is an interdisciplinary artist working across media (ceramics, textiles, painting, prints, etc.). His work is influenced by collaborative craft communities, traditions, and the performative qualities of cultural production. The underlying ideas exploring identity, histories, rituals, and power in his work aim to create a space for intimate experiences and open narratives. He studied ceramic sculpture at the Glasgow School of Art and the Maryland Institute College of Art where he received a BFA. He was awarded an MFA from the School of Visual Arts, where he became interested in the intersection of memory, identity, politics, and power. He has been featured in many publications including Sculpture Magazine, Huffington Post, Hyperallergic, Art Info, et al. He has participated in curatorial and research projects and recently was a participating artist in Debtfair a project in the Whitney Biennial. Andrew has also worked on collaborations with designers such as Donna Karan’s Urban Zen project where his work in ceramics led to workshops with artisans in Haiti and the creation of a ceramic studio in Port-au-Prince. He is currently working with The Powerhouse Arts Workshop and their design team from the Pritzker-prize winning architecture firm Herzog & de Meuron in the design and development of a contemporary industrial fabrication center established to serve the working needs of artists in New York City. He is currently a member of the faculty at Parsons School of Design and Greenwich House Pottery in New York City. His work has been presented extensively throughout the world with the Anna Kustera Gallery, David & Schweitzer Contemporary, Christopher Stout...

Created in 1956, this Madoura small convex wall plaque of white earthenware clay with engraving accentuated with oxidized paraffin in a glaze bath (ivory, brown) is from the edition ...

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the resulting works are not presented a...

"Flat Pot XVI" (2019) Glazed earthenware flat vessel shaped wall sculpture Hanging system on back side Pastel tones, light minty sea foam green blue on te...

Flat Pot XI (2019) Glazed earthenware wall sculpture Earth tones -- brown, terracotta, beige Flat vessel image with pattern glaze

"Flat Pot XIII" (2019) Glazed earthenware flat pitcher wall sculpture Hanging system on back side Earth tones and pastels, cream, beige, green, sea foam, light blue on terracotta cl...

This Jose A Cunha Portuguese Palissy Majolica plate features a snake, spider, frog, caterpillar, and butterfly on green shredded clay ground. The piece bears the maker's marks for Jose A Cunha pottery. Palissy ware is a style of ceramics that is also known as rusticware due to their earth-toned palettes and naturalistic plant and animal scenes that are cast to it. The style was coined in reference to the 16th century French potter Bernard Palissy and experienced a significant revival in the 19th century thanks to Charles-Jean Avisseau. It's strongest revival however was in Portugal where it was produced by the potteries of Mafra, Jose A. Cunha, Alves, José Francisco de Sousa...

Artist: Jim Pallas (1941) Title: Winged blue phallus on four iron wheels Year: 2021 Medium: Epoxy steel and copper Size: 6.5 x 2.5 x 4 inches Condition: Excellent Inscription: Signe...

"Flat Pot VI" (2019) Glazed earthenware flat pitcher wall sculpture Hanging system on back side Earth tones, brown and beige design on terracotta clay Certificate of authenticity

A whimsical fish sits placidly in the center of Pablo Picasso ceramic Service Poisson Plate R (“Fish” Service Plate), 1947 A.R. 21. A sweeping light blue back and a peach colored belly make up the body of the fish. Light blue fins crown the back of the fish and a delicate tail parts off the back. Dashes of yellow encircle the rim of the creamy colored bowl, brightening the entire work and creating a dreamy abstracted pattern around the fish. The colors emit a tropical sensation, reminding the viewer of the warmth of the sun and the salty taste of the ocean air. Picasso, who often riffs on ancient Greek...

Artist Statement by Rachelle Krieger: These new ceramic sculptural works are a reflection of biodiversity and vitality, capturing natural elements in various stages of life. During ...